Attia Hosain

Attia Hosain (1913–1998) was a British-Indian novelist, author, writer, broadcaster, journalist and actor.[1][2]She was a woman of letters and a diasporic writer. She wrote in English although her mother tongue was Urdu.[3] She wrote the semi-autobiographical Sunlight on a Broken Column and a collection of short stories named Phoenix Fled. Her career began in England in semi-exile making a contribution to post-colonial literature. Anita Desai, Vikram Seth, Aamer Hussein and Kamila Shamsie have acknowledged her influence.

Attia Hosain
in the 1930s
Born1913
Lucknow, United Provinces, British India
Died1998 (aged 84–85)
OccupationWriter
NationalityIndian
GenreNovels
SpouseAli Bahadur Habibullah (1909–1982)
ChildrenWaris Hussein, Shama Habibullah

Background and education

Attia was born in Lucknow into the liberal Kidwai clan of Oudh. Her father Shahid Hosain Kidwai, was the Cambridge-educated Taluqdar of Gadia, and her mother, Begum Nisar Fatima came from the Alvi family of Kakori. From her father she inherited a keen interest in politics and nationalism. From her mother's family of poets and scholars she drew a knowledge of Urdu, Persian and Arabic. She was the first woman from her background to graduate from Lucknow University, after having attended La Martiniere School for Girls and Isabella Thoburn College, Lucknow.[4]

Hosain grew up in two cultures, reading the canon of English and European literature as well as the Quran.[2]

Attia Hussein aged 15

Attia came of age as the struggle for independence was gaining strength.[3] Attia's father was a friend of Motilal Nehru at the Inns of Court. In 1933, Attia was encouraged by Sarojini Naidu, "my own ideal of womanhood from childhood", and attended the All India Women's Conference in Calcutta.[1]

In her own words, Attia said, "I had been very influenced by the political thoughts of the Left in the Progressive Writers' Movement, through my friends Mulk Raj Anand, Sajjad Zaheer and Sahibzada Mahmuduzaffar and was asked by Desmond Young to write for The Pioneer."[5] She also wrote for The Statesman, Calcutta.

She married her cousin, Ali Bahadur Habibullah, against the wishes of their families. They had two children, Shama Habibullah and Waris Hussein. In the early 1940s the couple moved to Bombay, where Ali Bahadur was in government service, first in the Textile Commission and later as Supply Commissioner for South East Asia after the outbreak of World War II.

She turned her home into an extension of her childhood open house, a Lakhnavi 'adda', a gathering that attracted an eclectic crowd of people, writers, filmmakers, members of social and business world of the city, which expanded to include her husband's more western world. A young Raj Thapar was brought in by her future husband Romesh Thapar to meet Attia, whom he called 'the only woman with a man's mind."[6]

Ali Bahadur Habibullah moved to England with his family in 1947, before India became independent, posted to the Indian High Commission, in the newly created Trade Commission. When India was partitioned into India and Pakistan, the division of the country and the separation of two religious communities caused Attia great pain. "We belong to a generation that has lived with our hearts in pieces," she said.

Later in life she wrote, "Here I am, I have chosen to live in this country which has given me so much; but I cannot get out of my blood the fact that I had the blood of my ancestors for 800 years in another country."[4]

Writing

In London, where a diaspora of displaced people had gathered in a post war world, Attia Hosain became a Quissa goh, the storyteller of her own roots. Her stories appeared in the English magazine Lilliput and the American Journal, the Atlantic Monthly?

Despite her cosmopolitanism, her creative directions as writer, broadcaster with the BBC and actress were enriched by her own identity and diverse cultural strands.

In 1953, her first collection of short stories, Phoenix Fled which are set just before the partition was published.[7] In 1961, Chatto and Windus published Sunlight on a broken Column.[8]


For a long time this was thought to be her only published written work, until Distant Traveller, a collection, new & selected fiction was published in 2012, to honour her coming centenary year, which included excerpts of her unfinished novel, No New Lands, No New Seas, set in England. Many of her stories have now been included in other anthologies.

In 1998 Sunlight on a broken Column and Phoenix Fled were re-launched as Virago Modern Classics. Attia Hosian was reborn as a writer enjoying a considerable reputation.[9]

To the young writers, she wrote, "You must keep trying because it is as essential as drawing breath – like exhaling! All the thoughts breathed out and shaping themselves visibly after being inside the cells of the brain, and then released. If you hold your breath and do not breathe out, you will suffocate."

Attia did not apologize for English as her chosen language of expression. "In the struggle for freedom, English was both a weapon, as well as the key to what I might call the ideological arsenal. The result of this clashing and merging of different cultures was that I, like many others, lived in many worlds of thoughts and many centuries at the same time, shifting from one to the other with bewildering rapidity in a matter of moments", Writing in a foreign tongue by Attia Hosain.[10]

To the end of her life, she retained a fierce, iconoclastic political consciousness and was scornful of hypocrisy, extremism and sectarianism. She struggled for harmony between the languages, cultures and beliefs that surrounded her and drew strength from socialism, humanism and enlightened Islam, although she accepted no philosophy without rigorous analysis.[11]

Fiction
  • Phoenix Fled, London: Chatto & Windus, 1953. A collection of short stories. Reissued by Virago UK, 1988. Indian edition, Rupa & Co, 1993 - Foreword by Anita Desai.
  • Sunlight on a Broken Column: Chatto & Windus, UK, 1961. A novel. Reissued by Virago, UK, 1988. Indian Editions: (1) Arnold Heinemann, India, 1979 - Foreword by Mulk Raj Anand. (2) Penguin India, 1992 - Foreword by Anita Desai.
  • Distant Traveller, new and selected fiction: edited by Aamer Hussein with Shama Habibullah, with foreword and afterword by them, and introduction by Ritu Menon (Women Unlimited, India 2013). This contains the first publication of a section of Hosain's unfinished novel, No New Lands, No New Seas

Excerpts etc
  • Indian short stories. Edited by Iqbal Masud & Mulk Raj Anand. The New India Publishing Company, 1946. Attia Hosain: “The Parrot in the Cage”.
  • Cooking the Indian Way. Ed. Attia Hosain, Sita Pasricha, Paul Hamlyn - London, 1962.
  • Light on Divided Worlds. The Independent, 18thAugust 1988. By Attia Hosain celebrating the Virago edition of her books Sunlight on a Broken Column and Phoenix Fled,1981.
  • “Loaves and Wishes”– writers writing on Food. Edited by Antonia Hill. Virago Press, London, 1992.
  • The Inner Courtyard. Edited by Lakshmi Holmstrom. Attia Hosain: "The First Party” (1) Virago Press, London, 1990 (2) India version – Rupa & Co., 1993
  • Infinite Riches - short stories. Edited by Lynn Knight. Virago Modern Classics, Virago Press, London 1993. Attia Hosain: Pg. 176 “Time is Unredeemable”.
  • Voices of the Crossing - The impact of Britain on writers from Asia, the Caribbean and Africa. Edited. by Ferdinand Dennis, Naseem Khan. Serpents Tail, 1998. Attia Hosain: Pg.19 “Deep Roots”.
  • Shaam-e-Awadh - Writings on Lucknow. Edited by VeenaTalwar. Oldenburg, 2007. Attia Hosain: Excerpt from Sunlight on a Broken Column (ref. pgs.165 to 178).
  • Unbound – 2000 years of Indian Women's writing. Edited by Annie Zaidi. Aleph Book Co., 2015. Attia Hosain: Excerpt from Sunlight on a Broken Column (ref. pg.52 on marriage).

Recordings and broadcasts

BBC Eastern Services (Urdu)

Shakespeare plays –translations. Played various parts, including Lady Macbeth, Desdemona, alongside Zia Moinuddin, Ijaz Hussain Batalvi, Amira Ahuja.

Also in Urdu – translations of plays by Jean Cocteau and Harold Pinter amongst others as lead actor.

In English

BBC Third Programme “Writing in a Foreign Tongue”, 7 May 1956.

Woman's Hour, "Passport to Friendship", 1965

Audio conversations (public and private) with Literary Estate of Attia Hosain.

Theatre and film
  • Film treatment for proposed film Mourning Raga by Ellis Peters (Edith Pargeter)
  • The Bird of Time by Peter Mayne at the Savoy Theatre, London 1961

As journalist
  • The Pioneer (Lucknow). Ed. Desmond Young
  • The Statesman (Calcutta). Ed. Evan Charlton

Organizations
  • Attended foundation of Progressive Writer's Association [through Mahmudu Zaffar and Ali (Bunnay) Zaheer]
  • Attended All-India Women's Conference Calcutta, 1933 [through Sarojini Naidu]

References
  1. Distant Traveller, new and selected fiction: edited by Aamer Hossein with Shama Habibullah, with foreword and afterword by them, and introduction by Ritu Menon (Women Unlimited, India 2013). This contains the first publication of a section of Attia Hosain's unfinished novel, No New Lands, No New Seas.
  2. Ghoshal, Somak (15 August 2017). "India at 70: A Muslim Woman's Story of Nationalism, Partition and her awakening into Feminism". HuffPost.
  3. Hussein, Aamer (31 January 1998). "Obituary: Attia Hosain". The Guardian.
  4. Khan, Naseem (5 February 1998). "Obituary: Attia Hosain". The Independent, UK.
  5. Hosain, Attia (1998). "Deep Roots". In Davis, Ferdinand; Khan, Naseem (eds.). Voices of the Crossing. The impact of Britain on writers from Asia, the Caribbean and Africa. Serpents Tail. p. 19.
  6. Thapar, Raj (1991). All These Years: A Memoir. Seminar Publications.
  7. Hosain, Attia (1989). Phoenix Fled: And Other Stories. Penguin Books. ISBN 978-0-14-016192-2.
  8. Hosain, Attia (1961). Sunlight on a Broken Column. Chatto & Windus.
  9. Hussain, Aamer; Menon, Rita (2013). "Celebrating Attia Hosain". Wasafiri.
  10. Hosain, Attia. "Writing in A Foreign Tongue". SALIDAASouth Asian Diaspora Literature & Arts Archive - broadcasting, scripts and correspondence.
  11. Hussein, Aamer (31 January 1998). "Passages from India". The Guardian.

Further reading
  • The Literary Estate of Attia Hosain, 1928–1998. Diaries, letters, images, notes.
  • A part of the whole, Rakshandha Jalil, The Hindu, 2 Mar 2013.
  • I am a Universalist-Humanist, Nilufer E. Bharucha. Biblio 3.7-8 (July-August 1998).
  • Unsettling Partition: Literature, Gender, Memory. Jill Didur, 2007.
  • Writers of the Indian Diaspora - A Diptych Volume. R.K.Kaul & Jasbir Jain. "Attia Hosain".
  • An image of India by an Indian Woman: Attia Hosain's Life and Fiction - Unpublished MA thesis. Laura Bondi. For University Degli Studio Venezia, 1993.
  • Dwelling in the Archive: Women Writing House, Home, and History in Late Colonial India. Antoinette Burton. Oxford: Oxford University Press, 2003.
  • Hosain, Attia Shahid. Anita Desai. Oxford Dictionary of National Biography
  • Attia Hosain, Her Life and Work. Lakshmi Holmstrom. Indian Review of Books 8–9, 1991.
  • The Heart in Pieces Generation, Mushirul Hasan. The Indian Express, 21 Feb 1998.
  • The Silent Gap. Shashi Deshpande. Biblio May-June 2013.
  • Attia Hosain (1913-1998) - The Sunlight on a Broken Column, Batul Mukhtiar. Blog, 1 May 2017.

Video references
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