Beau Pere

Beau Pere (French: Beau-père), also known as Stepfather, is a 1981 French comedy-drama[1] film directed by Bertrand Blier, based on his novel of the same name. It stars Patrick Dewaere, Ariel Besse and Maurice Ronet and is about a 30-year-old pianist who has an affair with his 14-year-old stepdaughter after her mother dies in a car accident.

Beau Pere
French film poster, which caused controversy upon the film's release.
Directed byBertrand Blier
Produced byAlain Sarde
Written byBertrand Blier
StarringPatrick Dewaere
Ariel Besse
Maurice Ronet
Nathalie Baye
Geneviève Mnich
Music byPhilippe Sarde
CinematographySacha Vierny
Edited byClaudine Merlin
Distributed byParafrance Films
Release date
16 September 1981
Running time
123 minutes
CountryFrance
LanguageFrench

The film played at the 1981 Cannes Film Festival and had an international release. It received some positive reviews in spite of its controversial subject.

Plot

Rémi is a struggling pianist with a wife, Martine, a model who is getting too old to find desirable work, and a 14-year-old stepdaughter, Marion. When Martine is killed in a car crash, Marion expresses her desire to stay with Rémi in their apartment, but is taken away by her father Charly, an alcoholic who dislikes Rémi. Marion comes back, much to her father's disapproval, and takes up babysitting to help make ends meet while Rémi gives piano lessons. Soon, Marion tells Rémi she is physically attracted to him, but he resists her advances because of her young age.

When Marion proves to be anemic, she is sent to the mountains with her father while Rémi loses his apartment and moves in with friends Simone and Nicolas. A broken man, he meets with Marion and they have sex in a hotel. She comes back to live with him in a run-down and condemned house, and although he first resists any more sex, gradually gives in. During a surprise visit, Marion's father at one point sees the two embrace. He asks them if they are having an affair, but when Rémi objects, Charly apologizes and leaves.

While babysitting a little girl, Nathalie, Marion finds she has developed the flu and rushes to Rémi for help. Rémi borrows money for the medicine, and while seeing the physician, meets Nathalie's mother, Charlotte. Rémi takes interest in Charlotte, who is also a skilled piano player, while Marion also seeks out a substitute for him and moves back in with her father. Although in emotional anguish, Rémi visits Charlotte in her apartment, and they have sex, unaware Nathalie sees them.

Cast

Themes

Author Rémi Fournier Lanzoni remarked on Blier's filmography generally taking the position of "a very conscientous observer of psychological conflicts". Lanzoni found traces of Blier's "confrontational" style in Beau Pere.[2] Critic Peter Cowie wrote it displayed exploration of "Blier's recurrent theme of a free, guiltless sexuality in which the men are finally found wanting".[3] The element of incest in a 14-year-old girl seducing her stepfather also raises questions of immorality.[4]

Film Professor Sue Harris wrote Beau Pere features Blier's experimentation with fourth wall-breaking monologues from characters, with Rémi giving a lengthy address to the audience in an ironic tone reminiscent of film noir.[5] The monologue offers omniscience, and conflicts with narrative.[6] Harris added the way Rémi also identifies himself as "le pianist" fits Blier's tendency to identify characters in flat ways, creating expectations from the audience.[5]

Production

Development
Director Bertrand Blier based his film on his novel of the same name.

Writer and director Bertrand Blier declared Beau Pere was intended as "an ode to the fair sex and to womanhood in its purest form".[7] Like Blier's earlier film Going Places (1974), he based it on a novel he had written, also titled Beau-père.[8]

The film was shot in Sèvres and Ville-d'Avray. The bass played by Maurice Risch's character is performed by musician Stéphane Grappelli.[9]

Casting

The film stars Patrick Dewaere, and is one of his last films.[10] He had appeared in Blier's films before, though never without Gérard Depardieu.[11] Actress Nathalie Baye described her role as small, but said working with Blier and producer Alain Sarde was educational, and Blier managed to both listen to others while having a vision of what he wanted to shoot.[12]

Beau Pere also stars Ariel Besse in her first film role,[13] and she was 15 at the time.[14] Although she is nude in the film, her parents gave approval, saying she was treated sensitively.[15] Besse secured the role after Sophie Marceau turned it down.[16]

Release

The film was entered into the Cannes Film Festival in May 1981.[17] It had a total of 1,197,816 admissions in France,[18] with Blier claiming the poster chosen by the distributor was awkward and discouraged the public from seeing the film.[19] Besse's parents sued the distributors and producers over the poster, which shows Besse's breasts, as it was placed on billboards around France without their permission. The judge favoured the producers, saying the film was more revealing than the poster.[15] Beau Pere was among Blier's least commercially successful films.[20]

The film played at the New York Film Festival in October 1981.[21] The film was released in the U.K. as Stepfather and in the U.S. as Beau Pere.[22] In Canada, the film was banned in the province of Ontario but approved for Quebec and British Columbia, and was a particularly controversial case concerning censorship and community standards.[23]

Reception

Critical reception
Critics praised the performances of Ariel Besse and Patrick Dewaere, who was nominated for the César Award for Best Actor.

The film has received positive reviews. Dave Kehr of the Chicago Reader observes similarities to Lolita and says Beau Pere "has enough of Blier's customary taboo-busting vigor to provide a reasonably unsettling good time".[10] Janet Maslin of The New York Times wrote in 1981 that despite the objectionable subject matter, "Mr. Blier tells this story very gently, with as much attention to the humor of the situation as to its eroticism". She also stated Besse played the character as an "extremely changeable creature, childish one minute and precocious the next".[7] People called the film convincing and touching, and in spite of the topic, not pornographic.[24] Lloyd Paseman, writing for The Register-Guard, compared the film to Blier's earlier Get Out Your Handkerchiefs in its subject matter, but said Beau Pere was better, with Dewaere being "excellent" and Besse being "The main reason to see Beau Pere", comparing her to Brooke Shields.[14] Conversely, David Denby of New York magazine panned the film as "heavy-handed and sluggish".[25]

In his 2002 Movie & Video Guide, Leonard Maltin gives the film three and a half stars and calls it thoughtful and sensitive.[1] James Berardinelli of ReelViews credits the film with a "provocative script featuring well-defined characters and a pair of powerful performances".[13] Time Out dismissed the film as "polite porn",[26] while Voir magazine notes the film may be shocking decades later.[27] Rotten Tomatoes counted four favourable reviews out of five.[28]

Accolades

Beau Pere competed for the Palme d'Or at Cannes, but did not win.[29] Lanzoni highlighted Beau Pere and Série noire in noting Dewaere never received the César Award for Best Actor.[30]

Award Date of ceremony Category Recipient(s) Result Ref(s)
Boston Society of Film Critics 29 January 1982 Best Foreign Language Film Beau Pere, shared with Taxi zum Klo Won [31]
César Awards 27 February 1982 Best Actor Patrick Dewaere Nominated [32]

References
  1. Maltin 2001, p. 97.
  2. Lanzoni 2015, p. 321.
  3. Cowie 1994, p. 33.
  4. Lafarge 1983.
  5. Harris 2001, p. 40.
  6. Harris 2001, p. 41.
  7. Maslin, Janet (9 October 1981). "'Beau Pere,' By Bertrand Blier". The New York Times. Retrieved 2 March 2013.
  8. Harris 2001, p. 13.
  9. "Beau-Père". Le Monde des Avengers. Retrieved 3 September 2016.
  10. Kehr, Dave (1999). "Beau Pere". Chicago Reader. Retrieved 1 March 2013.
  11. Harris 2001, pp. 13-14.
  12. Louise, Tristan (23 January 2015). "Nathalie Baye : " La rencontre avec Blier et Delon m'a beaucoup marquée "". Angers Mag. Archived from the original on 5 September 2016. Retrieved 7 September 2016.
  13. Berardinelli, James (1999). "Beau Pere". ReelViews. Retrieved 1 March 2013.
  14. Paseman, Lloyd (4 March 1982). "'Beau Pere' romantic comedy with man-child sexual theme". The Register-Guard. p. 8D.
  15. Eder, Richard (29 November 1981). "The Teen-Ager as Sex Object – Art or Exploitation?". The New York Times. Retrieved 2 September 2016.
  16. ""Les bonheurs de Sophie Marceau: deux films, 15 millions d'admirateurs et la gloire à 16 ans"". France-Soir (11990). 5 March 1983.
  17. "Festival de Cannes: Beau-père". festival-cannes.com. Archived from the original on 2012-03-08. Retrieved 2009-05-31.
  18. "Beau père". JP's Box-Office. Retrieved 2 September 2016.
  19. Carrière, Christophe (23 August 2010). "Bertrand Blier commente sa filmographie". L'Express. Retrieved 2 September 2016.
  20. Harris 2001, p. 14.
  21. Maslin, Janet (9 October 1981). "Film deals with stepfather-stepdaughter affair". The Day. p. 19.
  22. Rège 2010, p. 30.
  23. Boyd, Neil (Spring 1985). "Censorship and Obscenity: Jurisdiction and the Boundaries of Free Expression". Osgoode Hall Law Journal. 23 (1): 56.
  24. "Picks and Pans Review: Beau Pere". People. Vol. 16 no. 22. November 30, 1981.
  25. Denby, David (November 2, 1981). "Little Girl Blues". New York. p. 58.
  26. "Stepfather". Time Out. Retrieved 30 September 2017.
  27. Gobert, Céline (29 January 2016). "Marcel Jean: Vague de Chaleur à la Cinémathèque". Voir. Retrieved 7 September 2016.
  28. "Beau Père (1981)". Rotten Tomatoes. Retrieved 1 March 2013.
  29. "Bertrand Blier". AlloCiné. Retrieved 3 September 2016.
  30. Lanzoni 2015, p. 288.
  31. "Past Award Winners". Boston Society of Film Critics. Archived from the original on 2014-10-08. Retrieved 1 March 2013.
  32. "Prix et nominations : César 1982". AlloCiné. Retrieved 3 September 2016.

Bibliography
  • Cowie, Peter (1994). Variety International Film Guide. Samuel French Trade.
  • Harris, Sue (2001). Bertrand Blier. Manchester and New York: Manchester University Press. ISBN 0719052971.
  • Lafarge, Claude (1983). "L'effet de genre". La Valeur littéraire: Figuration littéraire et usages sociaux des fictions. Fayard. ISBN 221367017X.
  • Lanzoni, Remi Fournier (22 October 2015). French Cinema: From Its Beginnings to the Present (2nd ed.). New York, London, New Delhi and Sydney: Bloomsbury Publishing. ISBN 1501303090.
  • Maltin, Leonard (2001). Leonard Maltin's 2002 Movie & Video Guide. A Signet Book.
  • Rège, Philippe (2010). Encyclopedia of French Film Directors. 1. Lanham, Maryland, Toronto and Plymouth: The Scarecrow Press. ISBN 081086939X.
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