Cobb (film)

Cobb is a 1994 American biographical film starring Tommy Lee Jones as baseball player Ty Cobb. The picture was written and directed by Ron Shelton and based on a book by Al Stump. The original music score was composed by Elliot Goldenthal. The film is told through the partnership between Cobb and sportswriter Al Stump who served as a ghostwriter of Cobb's autobiography. Some critics lauded the film and Jones's performance, but the box office results for the picture were underwhelming.[1]

Cobb
Theatrical release poster
Directed byRon Shelton
Produced byDavid V. Lester
Screenplay byRon Shelton
Based onCobb: The Life and Times of the Meanest Man in Baseball
by Al Stump
Starring
Music byElliot Goldenthal
CinematographyRussell Boyd
Edited byKimberly Ray
Paul Seydor
Production
company
Distributed byWarner Bros.
Release date
December 2, 1994
Running time
128 minutes
CountryUnited States
LanguageEnglish
Box office$1,007,600

Plot

Sportswriter Al Stump is hired in 1960 as ghostwriter of an authorized autobiography of baseball player Tyrus Raymond "Ty" Cobb. Now 73 and in failing health, Cobb wants an official biography to "set the record straight" before he dies.

Stump arrives at Cobb's Lake Tahoe estate to write the official life story of the first baseball player inducted into the National Baseball Hall of Fame. He finds a continually-drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else he comes in contact with. Although Cobb's home is luxurious, it is without heat, power and running water due to long-running violent disputes between Cobb and utility companies. Cobb also rapidly runs through domestic workers, hiring and firing them in quick succession.

Although Cobb is seriously ill and prone to frequent physical breakdown, he retains considerable strength and also keeps several loaded firearms within easy reach at almost all times, making the outbreak of violent confrontation always an immediate possibility in his presence.

Cobb almost gets killed in an automobile accident off the Donner Pass, driving recklessly in a blizzard. Stump rescues him, but Cobb then seizes control of Stump's car until he gets into another accident. The car has to be towed to Reno.

Stump and Cobb go see a show at a Reno resort hotel featuring Keely Smith and Louis Prima, whose act Cobb rudely interrupts. A cigarette girl, Ramona, becomes interested in Stump, but when Cobb barges into the hotel room, he's in a jealous rage. He takes Ramona to another room, where he physically abuses her.

Cobb and Stump travel together cross-country by automobile to the Baseball Hall of Fame's induction weekend in Cooperstown, New York, where many star players from Cobb's era are in attendance, including Rogers Hornsby and Mickey Cochrane. Cobb is haunted by images from his violent past as he views film footage of his career.

From there, Cobb and Stump drive south to Cobb's native Georgia, where his estranged daughter continues to live. She refuses to see him. Stump, having spent months with Cobb witnessing his behavior and absorbing considerable abuse, is torn between creating the autobiography that Cobb hired him to write and writing his own book on Cobb's true self. Cobb begins to regard Stump as a friend of sorts; it is clear his conduct has driven away virtually all his legitimate friends and family.

Stump writes two books simultaneously: the one Cobb expects, and his own, sensational, merciless account which will reveal the real Cobb, warts and all. Stump plans to complete Cobb's version while the old man is still alive, guaranteeing his payment for the project, letting Cobb die happy, then issue the hard-hitting followup after Cobb is gone. After a long night of drinking when his own personal life begins to unravel, Stump passes out. Cobb discovers his notes for the no-punches-pulled version, bringing on an epic explosion.

Cobb begins to cough up blood and is taken to a hospital, where he wields a gun and treats doctors and nurses as harshly as he has everyone else. Stump gains a grudging respect for the player's legendary intensity and fearsome competitive fire, as well as an understanding that the murder of Cobb's father may have been partly responsible for his antagonistic personality. Cobb reveals to Stump that his father's murder was not committed by his mother, but by his mother's lover. Stump is conflicted in his opinion of Cobb, and, in the end, completes the glowing autobiography Cobb hired him to write.

Cast

Production

Baseball scenes were filmed in Birmingham, Alabama at Rickwood Field, which stood in for Philadelphia's Shibe Park and Pittsburgh's Forbes Field. Scenes also were filmed in Cobb's actual hometown of Royston, Georgia.

Much of the Cobb location filming was done in Northern Nevada. The hotel check-in was at the Morris Hotel on Fourth Street in Reno. Casino, outdoor and entry shots were done outside Cactus Jack's Hotel and Casino in Carson City and outside the then-closed, now-reopened (2007) Doppelganger's Bar in Carson City.

The late baseball announcer Ernie Harwell, a Ford Frick Award recipient, is featured as emcee at a Cooperstown, New York awards banquet. Real-life sportswriters Allan Malamud, Doug Krikorian, and Jeff Fellenzer and boxing publicist Bill Caplan appear in the movie's opening and closing scenes at a Santa Barbara bar as Stump's friends and fellow scribes. Carson City free-lance photographer Bob Wilkie photographed many still scenes for Nevada Magazine, the Associated Press, and the Nevada Appeal.

Tommy Lee Jones was shooting this film when he won the Academy Award for Best Supporting Actor for The Fugitive. Since his head was partially shaved in the front for his role as the balding, 72-year-old Cobb, the actor made light of the situation in his acceptance speech: "All a man can say at a time like this is, 'I am not really bald,'" Jones said. He added, "But I do have work." In addition to his partially shaved head, Jones also endured a broken ankle, suffered while practicing Cobb's distinctive slide.[2]

The film shows Cobb sharpening his spikes as a means to keep infielders from tagging him out as he ran the bases, and was accused of spiking several players who tried. Cobb, however, always denied ever spiking anyone on purpose. Tyler Logan Cobb, a descendant of Cobb's, played "Young Ty".

Reception

Critical response

Cobb currently has a 65% rating on Rotten Tomatoes based on 48 reviews. The site's consensus states: "Tommy Lee Jones's searing performance helps to elevate Cobb above your typical sports biopic; he's so effective, in fact, that some may find the film unpleasant."[3] Peter Travers of Rolling Stone hailed it as "one of the year's best" and Charles Taylor of Salon included it on his list of the best films of the decade. Others took a harsher view of the picture. Owen Glieberman of Entertainment Weekly gave the film a "D", claiming it to be a "noisy, cantankerous buddy picture" and presented Cobb as little more than a "septuagenarian crank". He noted that while the film had constant reminders of Cobb's records, it had little actual baseball in it, besides one flashback where Cobb is seen getting on base, then stealing third and home, and instigating a brawl with the opposing team. He explained: "By refusing to place before our eyes Ty Cobb's haunted ferocity as a baseball player, it succeeds in making him look even worse than he was."

Roger Ebert's review of December 2, 1994 in the Chicago Sun-Times described Cobb as one of the most original biopics ever made and including "one of Tommy Lee Jones's best performances," but he notes Stump (played by Wuhl) and his lack of development in the film.[4]

Historical accuracy

In his 2015 book Ty Cobb: A Terrible Beauty, author Charles Leerhsen asserts that the film is based on Al Stump's 1961 and 1994 biographies of Ty Cobb, books noted for glaring inaccuracies regarding Cobb's life, as well as a True magazine article, also by Stump, published after Cobb's death. When the author Leerhsen contacted director Shelton concerning the inaccuracies, Shelton refused to provide documentation for some of the most extravagant aspects of the movie, and blatantly admitted to fabricating scenes along with "Al" because they assumed it was something the real Cobb could have plausibly done in real life.

In 2010, an article by William R. Cobb (no relation to Ty) in the peer-reviewed The National Pastime, the official publication of the Society for American Baseball Research, had accused Al Stump of extensive forgeries of Cobb-related baseball and personal memorabilia, including personal documents and diaries. Stump even falsely claimed to possess a shotgun used by Cobb's mother to kill his father (in a well-known 1905 incident officially ascribed to Mrs Cobb having mistaken her husband for an intruder). The shotgun later came into the hands of noted memorabilia collector Barry Halper. Despite the shotgun's notoriety, official newspaper and court documents of the time clearly show Cobb's father had been killed with a pistol. The article, and later expanded book,[5] further accused Stump of numerous false statements about Cobb, not only during and immediately after their 1961 collaboration but also in Stump's later years, most of which were sensationalistic in nature and intended to cast Cobb in an unflattering light.[6] Cobb's peer-reviewed research indicates that all of Stump's works (print and memorabilia) surrounding Ty Cobb are at the very best called into question and at worst "should be dismiss(ed) out of hand as untrue".[6]

Box office

The film opened in limited release in December 1994. It earned a reported $1,007,583 at the U.S. box office.

Year-end lists

See also

References
  1. "Cobb (1994) - Box Office Mojo". www.boxofficemojo.com. Retrieved 2019-05-29.
  2. Wells, Jeffrey (April 8, 1994). "Tommy Boy". Entertainment Weekly.
  3. "Cobb (1994)". rottentomatoes.com. Retrieved 2020-05-31.
  4. Ebert, Roger. "Cobb movie review & film summary (1994) | Roger Ebert". www.rogerebert.com. Retrieved 2019-12-25.
  5. Cobb, William R. (2013). The Georgia Peach: Stumped by the Storyteller. William R. Cobb. p. 67. ISBN 1628408030.
  6. William R. Cobb (2010). "The Georgia Peach: Stumped by the Storyteller". In Ken Fenster; Wynn Montgomery (eds.). The National Pastime: Baseball in the Peach State (PDF). Cleveland, Ohio: Society for American Baseball Research. ISBN 9781933599168. Archived (PDF) from the original on 24 September 2010. Retrieved 2014-08-05.
  7. Turan, Kenneth (December 25, 1994). "1994: YEAR IN REVIEW : No Weddings, No Lions, No Gumps". Los Angeles Times. Retrieved July 20, 2020.
  8. Travers, Peter (December 29, 1994). "The Best and Worst Movies of 1994". Rolling Stone. Retrieved July 20, 2020.
  9. Meyer, George (December 30, 1994). "The Year of the Middling Movie". The Ledger. p. 6TO.
  10. Denerstein, Robert (January 1, 1995). "Perhaps It Was Best to Simply Fade to Black". Rocky Mountain News (Final ed.). p. 61A.

[[Category:1990s drama films

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.