Crispus Attucks

Crispus Attucks (c.1723 – March 5, 1770) was an American stevedore of African and Native American descent, widely regarded as the first person killed in the Boston Massacre and thus the first American killed in the American Revolution. Historians disagree on whether he was a free man or an escaped slave, but most agree that he was of Natick and African descent.[2][3] Two major sources of eyewitness testimony about the Boston Massacre published in 1770 did not refer to him as "black" nor as a "Negro"; it appears that Bostonians viewed him as being of mixed ethnicity. According to a contemporaneous account in the Pennsylvania Gazette, he was a "Mulattoe man, named Crispus Attucks, who was born in Framingham, but lately belonged to New-Providence, and was here in order to go for North Carolina."[4]

This article is about 18th century American. For other uses, see Crispus Attucks (disambiguation).

Crispus Attucks
Speculative portrait of what Attucks might have looked like
Born
Crispus Attucks

c. 1723
Framingham, Massachusetts Bay
DiedMarch 5, 1770 (approximately aged 47)
Boston, Massachusetts Bay
OccupationDock worker[1]

Attucks became an icon of the anti-slavery movement in the mid-19th century. Supporters of the abolition movement lauded him for playing a heroic role in the history of the United States.[5]

Early life and ethnic origins

Attucks was born in Framingham, Massachusetts. Town histories of Framingham written in 1847 and 1887 describe him as a slave of Deacon William Brown, though it is unclear whether Brown was his original owner. In 1750 Brown advertised for the return of a runaway slave named Crispas. In the advertisement, Brown describes Attucks and his clothing when he was last seen. He also said that a reward of 10 pounds would be given to whoever found and returned Attucks to him. Attucks's status at the time of the massacre as a free person or a runaway slave has been a matter of debate for historians. Attucks did become a sailor and whaler at some point and he spent much of his life at sea or working around the docks along the Atlantic seaboard. In an 1874 article in The American Historical Record, Jebe B. Fisher recounts a passage in the memoirs of Boston Tea Party participant George R.T. Hewees, which stated that at the time of the massacre Attucks "was a Nantucket Indian, belonging on board a whale ship of Mr. Folgers, then in the harbor, and he remembers a distinct war whoop which he yelled... the mob whistling, sreaming, and rending like an Indian yell." Many historians believe Attucks went by the alias Michael Johnson in order to avoid being caught after his escape from slavery. He may only have been temporarily in Boston in early 1770, having recently returned from a voyage to the Bahamas. He was due to leave shortly afterwards on a ship for North Carolina.[6][7]

Though he is commonly described as an African American in popular culture, two major sources of eyewitness testimony about the Massacre, both published in 1770, did not refer to Attucks as "black" nor as a "Negro," but rather as a mulatto and an Indian. In an account from the Pennsylvania Gazette (Philadelphia), a man who may have been Attucks was referred to as a "Mulattoe man, named Crispas, who was born in Framingham, but lately belonged to New-Providence, and was here in order to go for North Carolina ..."[4] However, during Attucks's time mulatto was often used to describe skin tone rather than ethnicity, and sometimes referred to full-blooded Native Americans.[8] In Potter's American Monthly, the interchangeability of the two terms is demonstrated by court transcripts from the Attucks trial: "Question: Did you see a mulatto among the persons who surrounded the soldiers? Answer: I did not observe... Question: Did they seem to be sailors or townsmen? Answer: They were dressed some of them in the habits of sailors. Question: Did you know the Indian who was killed? Answer: No. Question: Did you see any of them press on the soldiers with a cordwood stick? Answer: No."[9] Historians differ in opinion on Attucks's heritage: some assert his family had intermarried with African slaves, while others maintain he had no African heritage. It is widely acknowledged that Attucks had considerable Native American heritage.[10]

Biographer Mitch Kachun, as well as multiple 19th century Framingham town histories, have drawn a connection between Attucks and John Attuck of Framingham, a Narragansett man who was hanged in Framingham in 1676 during King Philip's War.[11][12] The word for "deer" in the Narragansett language is "Attuck."[13][14] Kachun also noted a possible connection to a probable Natick woman and possible Attucks mother or relative named Nanny Peterattucks, who is described as a 'negro woman' in the 1747 estate inventory of Framingham slaveholder Joseph Buckminster and, along with Jacob Peterattucks, as 'probable descendant of John Attuck, the Indian' in an 1847 history of Framingham.[15][16] Other sources refer to their surname as Peter Attucks. In a 1747 history of the Hoosac Valley, an African colonial militiaman named Moses Peter Attucks, living in nearby Leicester, is described as 'negro slave of John White; elsewhere he is listed as Moses Attucks[17][18] Jacob Peterattucks and Nanny Peterattucks are recorded as slaves with Joseph Buckminster in 1730, and in 1740 Jacob with Thomas Buckminster, who was appointed by Framingham in 1739 to lead a commission for preservation of deer in the area.[19] Historian William C. Nell reported an 1860 letter from a Natick resident, also printed in an 1860 edition of The Liberator newspaper that read,

several persons are now living in Natick who remember the Attucks family, viz., Cris, who was killed March 5th; Sam, whose name was abbreviated into Sam Attucks, or Smattox; Sal, also known as Slattox; and Peter, called Pea Tattox... my mother, still living, aged 89, remembers Sal in particular, who used to be called the gourd-shell squaw, from the fact that she used to carry her rum in a gourd shell... the whole family are said to be the children of Jacob Peter Attucks... it has been conjectured that they are of Indian blood, but all who knew the descendants describe them as negroes.[20][21]

The letter continues, "his sister [Sal] used to say that if they had not killed Cris, Cris would have killed them."

Prince Yonger has been posited as the father of Attucks. However, Yonger did not arrive in Massachusetts until the mid-1720s, after Attucks was born, and did not marry Nanny Peterattucks until 1737, after which point they had children, who are noted in multiple histories but among whom Crispus is not mentioned: "a son, who died young, and Phebe, who never married."[22] Neither Phebe nor the son are recorded with the Attucks or Peterattucks surname.

Boston Massacre
Main article: Boston Massacre
This 19th-century lithograph is a variation of the famous engraving of the Boston Massacre by Paul Revere. Produced soon before the American Civil War and long after the event depicted, this image emphasizes Crispus Attucks, who had become a symbol for abolitionists. (John Bufford after William L. Champey, c. 1856)[23]

In the fall of 1768, British soldiers were sent to Boston in an attempt to control growing colonial unrest, which had led to a spate of attacks on local officials following the introduction of the Stamp Act and the subsequent Townshend Acts. Radical Whigs had coordinated waterfront mobs against the authorities. The presence of troops, instead of reducing tensions, served to further inflame them.

After dusk on March 5, 1770, a crowd of colonists confronted a sentry who had chastised a boy for complaining that an officer did not pay a barber bill. Both townspeople and a company of British soldiers of the 29th Regiment of Foot gathered. The colonists threw snowballs and debris at the soldiers. A group of men including Attucks approached the Old State House armed with clubs. A soldier was struck with a piece of wood, an act some witnesses claimed was done by Attucks. Other witnesses stated that Attucks was "leaning upon a stick" when the soldiers opened fire.[24]

Five colonists were killed and six were wounded. Attucks took two ricocheted bullets in the chest and was believed to be the first to die.[25] County coroners Robert Pierpoint and Thomas Crafts Jr. conducted an autopsy on Attucks.[26] Attucks' body was carried to Faneuil Hall, where it lay in state until Thursday, March 8, when he and the other victims were buried together in the same grave site in Boston's Granary Burying Ground. He had lived for approximately 47 years.

Reaction and trials

John Adams successfully defended most of the accused British soldiers against a charge of murder. Two were found guilty of manslaughter. Faced with the prospect of hanging, the soldiers pleaded benefit of clergy, and were instead branded on their thumbs. In his arguments, Adams called the crowd "a motley rabble of saucy boys, negros and molattoes, Irish teagues and outlandish Jack Tarrs."[27] In particular, he charged Attucks with having "undertaken to be the hero of the night," and with having precipitated a conflict by his "mad behavior."[28]

Two years later United States Founding Father Samuel Adams, a cousin of John Adams, named the event the "Boston Massacre," and helped ensure it would not be forgotten.[29] Boston artist Henry Pelham (half-brother of the celebrated portrait painter John Singleton Copley) created an image of the event. Paul Revere made a copy from which prints were made and distributed. Some copies of the print show a dark-skinned man with chest wounds, presumably representing Crispus Attucks. Other copies of the print show no difference in the skin tones of the victims.[30]

The five who were killed were buried as heroes in the Granary Burying Ground, which also contains the graves of Samuel Adams, John Hancock, and other notable figures.[31] Custom of the period discouraged the burial of black people and white people together, with "black burials relegated to the rear or far side of the cemetery.[32] Such a practice was not completely unknown, however. Prince Hall, for example, was interred in Copp's Hill Burying Ground in the North End of Boston 39.[33]

Legacy and honors
Crispus Attucks' grave in the Granary Burying Ground

And to honor Crispus Attucks who was the leader and voice that day: The first to defy, and the first to die, with Maverick, Carr, and Gray. Call it riot or revolution, or mob or crowd as you may, such deaths have been seeds of nations, such lives shall be honored for aye...

  • Melvin Tolson begins his poem "Dark Symphony" with the lines: "Black Crispus Attucks taught / Us how to die / Before white Patrick Henry’s bugle breath / Uttered the Vertical / Transmitting cry: / 'Yea, give me liberty or give me death.'"
  • Martin Luther King Jr. referred to Crispus Attucks in the introduction of Why We Can't Wait (1964) as an example of a man whose contribution to history provided a potent message of moral courage.
  • In February 2012, Wayne Brady, J. B. Smoove, and Michael Kenneth Williams, as well as Keith David, appeared in a satirical rap music video about Crispus Attucks.[36]
  • In the Netflix series Luke Cage, based on the Marvel Comics character of the same name, there is a housing development called the Crispus Attucks Complex, named in honor of Attucks. Cage also explains Attucks' role in the Boston Massacre at the end of the second episode of the series.[37]
  • Spike Lee's 2020 film Da 5 Bloods refers to Crispus Attucks.

References
  1. "Africans in America – Part 2 – Crispus Attucks". Retrieved 1 November 2011.
  2. Kachun, Mitchell (2017). First Martyr of Liberty: Crispus Attucks in American Memory. New York: Oxford University Press. ISBN 9780190092498.
  3. "Crispus Attucks Family". Crispus Attucks. The Crispus Attucks Museum. Retrieved 4 January 2020.
  4. "Boston, March 12," Pennsylvania Gazette (March 22, 1770), p. 2
  5. Mitch Kachun, "From Forgotten Founder to Indispensable Icon: Crispus Attucks, Black Citizenship, and Collective Memory, Journal of the Early Republic 29:2 (Summer 2009), 249-86. See also: Mitch Kachun, First Martyr of Liberty: Crispus Attucks in American Memory (New York: Oxford University Press, 2017),
  6. Parr & Swope, p. 45.
  7. Kachun, "From Forgotten Founder to Indispensable Icon."
  8. Mulatto#cite note-6
  9. "Potter's American Monthly: An Illustrated Magazine of History, Literature, Science and Art". 1872.
  10. "Potter's American Monthly: An Illustrated Magazine of History, Literature, Science and Art". 1872.
  11. Parr & Swope, p. 44.
  12. Kachun, "From Forgotten Founder to Indispensable Icon"
  13. Roger Williams, A key into the language of America p.106 (London: Gregory Dexter, 1643)
  15. Kachun, "From Forgotten Founder to Indispensable Icon" p.26
  16. Temple, Josiah Howard (1887). History of Framingham, Massachusetts: Early Known as Danforth's Farms, 1640-1880; with a Genealogical Register. town of Framingham. p. 668. peterattucks, jacob.
  17. Perry, Arthur Latham (1894). Origins in Williamstown. Charles Scribner's Sons. p. 234. peter attucks.
  18. Niles, Grace Greylock (1912). The Hoosac Valley: Its Legends and Its History. G.P. Putnam's Sons. p. 533. peter attucks.
  19. Barry, William (February 2010). A History of Framingham, Massachusetts. ISBN 9781429022736.
  20. Nell, William Cooper (2002). William Cooper Nell, Nineteenth-century African American Abolitionist, Historian, Integrationist: Selected Writings from 1832-1874. ISBN 9781574780192.
  22. Barry, William (February 2010). A History of Framingham, Massachusetts. ISBN 9781429022736.
  23. Thomas H. O'Connor, The Hub: Boston Past and Present (Boston: Northeastern University Press, 2001), p. 56.
  24. The Trial of William Wemms, James Hartegan, William M'Cauley, Hugh White, Matthew Killroy, William Warren, John Carrol, and Hugh Montgomery, soldiers in His Majesty's 29th Regiment of Foot, for the murder of Crispus Attucks, Samuel Gray, Samuel Maverick, James Caldwell, and Patrick Carr, on Monday-evening, the 5th of March,1867 at the Superior Court of Judicature, Court of Assize, and General Goal Delivery, held at Boston, the 27th day of November, 1770, by adjournment, before the Hon. Benjamin Lynde, John Cushing, Peter Oliver, and Chris Metzler, Esquires, justices of said court (Boston: J. Fleeming, 1770); and A Short Narrative of the Horrid Massacre in Boston (New York: John Doggett, Jr., 1849).
  25. The Trial of William Wemms; and A Short Narrative of the Horrid Massacre in Boston.
  26. Hiller B. Zobel, The Boston Massacre. (W. W. Norton and Company, 1970).
  27. The Murder of Crispus Attucks.
  28. One or more of the preceding sentences incorporates text from a publication now in the public domain: Wilson, J. G.; Fiske, J., eds. (1900). "Attucks, Crispus" . Appletons' Cyclopædia of American Biography. New York: D. Appleton.
  29. Fradin, Dennis B. Samuel Adams: The Father of American Independence. Houghton Mifflin Harcourt, 1998. p 63-66
  30. "Paul Revere’s engraving of the Boston Massacre, 1770", description of item in collection of The Gilder Lehrman Institute of American History, accessed August 22, 2016 at http://www.gilderlehrman.org/history-by-era/road-revolution/resources/paul-revere%E2%80%99s-engraving-boston-massacre-1770
  31. "Granary – City of Boston". Boston, Massachusetts: City of Boston. Retrieved 4 August 2011. The gravestones' original haphazard configuration was rearranged into straighter rows over to [sic] the years to accommodate both nineteenth-century aesthetics and the modern lawnmower.
  32. Knoblock, Glenn (2016). African American Historic Burial Grounds and Gravesites of New England. McFarland. p. 91. ISBN 9781476620428.
  33. "Copp's Hill | Historic Burying Grounds | City of Boston". cityofboston.gov. Retrieved 2017-06-08.
  34. USmint.gov, United States Mint: "Plinky's Coin of the Month February 2000"
  35. Molefi Kete Asante, 100 Greatest African Americans: A Biographical Encyclopedia (Amherst, NY: Prometheus Books, 2002).
  36. Brady, Wayne. "Crispus Attucks 'Today Was a Good Day' with Wayne Brady, JB Smoove & Michael Kenneth Williams". Retrieved 17 February 2012.
  37. Schremph, Kelly. "Is The Crispus Attucks Complex A Real Place? 'Luke Cage' Is Putting An Important Figure In The Spotlight". Retrieved 30 September 2016.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.