Destroyer (band)

Destroyer is a Canadian rock band from Vancouver, British Columbia fronted by singer-songwriter Dan Bejar[3] and formed in 1995.[2] The band's discography draws on a variety of musical influences, resulting in albums that can sound markedly distinct from one another; in Bejar's words, "That's kind of my goal: to start from scratch every time."[4]

Destroyer
Destroyer performing at Flow Festival in Helsinki, Finland on August 12, 2011
Background information
OriginVancouver, British Columbia, Canada
GenresIndie rock[1]
Years active1995 (1995)[2]–present
Labels
Associated acts
Members
Past members
  • Scott Morgan
  • Stephen Wood
  • Jason Zumpano
  • Chris Frey
  • Fisher Rose
  • Tim Loewen
  • Pete Bourne

Career

1996–2001

We'll Build Them a Golden Bridge, Destroyer's 1996 debut, is made up of sixteen lo-fi home-recordings. One reviewer suggested that the album combines Bejar's "gift for melodies" with "a concerted effort to make the recording downright inconsumable; the guitars are always out of tune, and the vocals of Fisher-Price quality. 'Static means punk / tuning is junk,' Bejar moans on one track."[5] Ideas for Songs, released on cassette in 1997, features songs akin to those on his first album. The cassette stemmed from a request to contribute songs for a compilation album.[6]

As Bejar gained popularity in Vancouver's music scene, he was joined by producer John Collins for 1998's City of Daughters, which was recorded at a proper studio. Pitchfork noted that the songs still sounded "homespun", also noting "[t]he wordiness that would become something of a trademark is in full effect", but that "unlike much of what came later, not every line is worthy of examination."[7]

Thief (2000) embodied "Bejar's first stab at matching his grandiose, idiosyncratic vision to a showier sound"; it was the first to feature a backing band on every track.[8] The record's "anthemic yet understated"[9] piano-driven ballads have characteristically enigmatic lyrics, though some reviewers interpreted them as critiques of the music industry.[10][11]

Streethawk: A Seduction (2001) realized the sonic refinement started with City of Daughters. Bejar put it this way: "I don't think it gives credence to any kind of conceptualization of the records, but I hope that City of Daughters, Thief, and Streethawk will pop into some kind of a progression that ends with Streethawk."[12] A critical success, the album retrospectively received a rating of 9.1/10 from Pitchfork.[7]

2002–2007

The 2002 rock album This Night was a dramatic change in style. The looser, less rehearsed style was criticized as "messy [and] haphazard without purpose",[13] though other critics praised the "beautiful mess of sounds" as "challenging... [and] a powerful, cohesive whole."[11] In a 2006 interview (after the release of Your Blues and Destroyer's Rubies), Bejar said the album "came together pretty quickly – we probably could have used more than four or five days to mix the whole thing, but that's all hindsight. It's still my favorite Destroyer record."[12]

Your Blues (2004) saw Destroyer take another unexpected turn, using MIDI instrumentation for almost all the backing music. Bejar coined the term "European blues" to describe its unique, theatrical sound.[14] One reviewer pointed out that "Bejar's unusual voice sounds more confident, and higher up" in the synth-rich arrangements.[15] In another twist, the EP Notorious Lightning & Other Works reworked six tracks from the record with a live band, the very thing the LP had forsaken (the band was Frog Eyes, who toured with Destroyer in support of Your Blues).

Bejar returned with a live band for 2006's Destroyer's Rubies, delivering his most confident record up to that point. The backing band took new-found prominence and, according to Bejar, "[t]he production seems... warm and lush and pretty focused on just making the band sound good and having everything sit well together."[12] Now magazine observed, "[w]hile the sheer density of Bejar's writing can be overwhelming, Destroyer's Rubies is, on a musical level, the most 'accessible' disc he's released."[16]

2008–2013

For Trouble in Dreams (2008), "there was a scary lack of ideas coming into the record", Bejar admitted.[17] Destroyer's piano player Ted Bois took it upon himself, as an alternative to keyboard and piano accompaniment, to create all string and synth arrangements for the songs.[17] At the time, Bejar said it was the "hardest record" to make.[17]

After the 2009 EP Bay of Pigs came 2011's full-length album, Kaputt (featuring a slightly modified "Bay of Pigs" track). Bejar cited influences such as Miles Davis and Roxy Music for his new jazz-infused, lounge music-inspired, sophisti-pop direction. In multiple interviews, Bejar variously stressed that he "sang in a completely different manner, almost unconscious of even singing, more like speaking into a vacuum, and was really happy with the results."[18][19] The record entailed a number of firsts for Destroyer: first national television performance (on Late Night with Jimmy Fallon); first official music video; first female backing vocals; and the first time Bejar performed without an instrument on tour – his concentration placed solely on his singing. Kaputt was short listed for the 2011 Polaris Music Prize[20] and was Pitchfork's second best album of 2011.[21]

Smaller in scale, Destroyer's fourth EP Five Spanish Songs is sung entirely in Spanish, Bejar covered songs by Sr. Chinarro (es). Bejar's own tongue-in-cheek press release announcing the new songs began: "It was 2013. The English language seemed spent, despicable, not easily singable."[22]

2014–present

Bejar released Poison Season on August 28, 2015. Bejar notes that the album's sound grew from "just really getting into what we were sounding like playing live [following Kaputt]."[4] Bejar added that he would not have been able to make such an ambitious album if Kaputt had not been successful.[23] Recorded with a live band and a pronounced string section, the album's "grand cinematic set of songs"[23] feature Bejar singing with a broader range than before: "This is the first record that I've ever done that comes close to my idea of myself as a singer", Bejar said.[24]

In 2017, Bejar released ken, an album produced by Destroyer drummer Joshua Wells (who was also a member of Black Mountain).[25]

Destroyer's twelfth studio album, Have We Met, was released on January 31, 2020.[26]

Band name

In 2002, Bejar said about the band name, "I kind of wanted to go for a rock 'n' roll name. In our own special way we're tearing shit apart, you just have to listen very carefully. Musically I knew it was never going to be a metal band, but I thought lyrically there were fangs to the music."[27] Bejar added in 2008, "I was actually so out of it I didn't know that there was a Kiss record called Destroyer because I didn't know anything about Kiss. I still don't know anything about them. I just thought it was a cool rock-and-roll name, and I was kind of blown away that it hadn't been taken already. I was like, 'I have to use this because it's so weird that no one's used it before.'"[28]

Collaborators

The ever-evolving band lineup can give the impression that Destroyer is a solo project. However, Bejar has insisted "[t]he music is always collaborative and I think that gets lost in the weird cult of personality shit that seems to get whipped up around me."[29] Although Bejar had claimed that the lineup from certain recording sessions would be permanent, later recording sessions and tours added and dropped musicians. Several band members have the commonality of being from the production team of JC/DC (John Collins and David Carswell).

Some songs recorded for Your Blues originated from Bejar's musical contribution to Sheila Heti's play All Our Happy Days Are Stupid.[30]

On the EP Archer on the Beach (2010), Bejar worked with ambient-music composer Tim Hecker for the title track. Bejar wrote in the press release: "The reason why this has to be seen as a collaboration, rather than strictly a Destroyer release, is that, for the first time, I'm not responsible for any of the music ... aside from the vocals, the general chord progression."[31] On the B-side, the spoken word song "Grief Point", Loscil provided the music. Loscil also composed an extra track, "Loscil's Rubies", on the vinyl version of Destroyer's Rubies.

American visual artist Kara Walker contributed to the lyrics for Kaputt's "Suicide Demo (For Kara Walker)".[32] Organized by Merge, Walker sent cue cards with bits of text to Bejar in 2009.[33]

Vancouver artist and Hello, Blue Roses partner, Sydney Hermant has provided the cover art for multiple Destroyer albums, including We'll Build Them a Golden Bridge, This Night, Your Blues and Trouble in Dreams.

Discography

Studio albums
Year Title Label
1996 We'll Build Them a Golden Bridge Tinker
1997 Ideas for Songs (cassette) Granted Passage Cassettes
1998 City of Daughters Endearing/Triple Crown Audio
2000 Thief Catsup Plate/Triple Crown Audio/Cave Canem
2001 Streethawk: A Seduction Misra/Talitres
2002 This Night Merge/Talitres
2004 Your Blues Merge/Talitres/Acuarela
2006 Destroyer's Rubies Merge Records
2008 Trouble in Dreams Merge Records/Rough Trade
2011 Kaputt Merge Records/Dead Oceans
2015 Poison Season Merge Records/Dead Oceans
2017 ken Merge/Dead Oceans
2020 Have We Met Merge/Dead Oceans

EPs
Year Title Label
2005 Notorious Lightning & Other Works Merge
2009 Bay of Pigs Merge
2010 Archer on the Beach Merge
2013 Five Spanish Songs Merge/Dead Oceans

Music Videos
Song Album
Kaputt[34] Kaputt
Savage Night at the Opera[35] Kaputt
Times Square[36] Poison Season
Girl in a Sling[37] Poison Season
Stay Lost[38] ken
Tinseltown Swimming in Blood[39] ken
Crimson Tide Have We Met
It Just Doesn't Happen Have We Met
Cue Synthesizer Have We Met

References
  1. Knopper, Steve (September 24, 2015). "Destroyer pulls out all the stops on 'Poison Season'". Chicago Tribune. Retrieved January 2, 2016.
  2. Shanley, Mike. "On his 10th record under the name Destroyer, Vancouver's Dan Bejar moves further away from straight-ahead rock". Pghcitypaper.com. Retrieved October 20, 2017.
  3. "A Completely Biased Ranking of the 60 Best Canadian Indie Rock Songs of the 00s Part II". Vice, Cam Lindsay April 10, 2017,
  4. Wright, Danny (May 26, 2015). "Destroyer: "I didn't want to stare at a computer for 18 months" | DIY". Diymag.com. Retrieved August 28, 2015.
  5. "Destroyer – We'll Build Them A Golden Bridge". Dusted Reviews.
  6. "Destroyer: Ideas For Songs (Album Review)". Pitchfork.
  7. "Destroyer: City of Daughters / Thief / Streethawk: A Seduction (Albums Review)". Pitchfork.
  8. Matt LeMay (July 1, 2001). "Interviews: Destroyer". Pitchfork.
  9. Thief at AllMusic
  10. James Keast (March 1, 2006). "Writer, Thinker, Creator, Destroyer". Exclaim.ca. Archived from the original on May 29, 2014.
  11. "Destroyer – This Night – Review". Stylus Magazine.
  12. Matt LeMay (June 12, 2006). "Interviews: Destroyer". Pitchfork.
  13. "Destroyer: This Night (Album Review)". Pitchfork.
  14. "Destroyer: Interview". betterPropaganda. Archived from the original on May 29, 2014. Retrieved May 29, 2014.
  15. "Destroyer – Your Blues – Review". Stylus Magazine.
  16. "Destroyer". NOW Toronto Magazine.
  17. "THE SELF-TITLED INTERVIEW: Destroyer". The S/T Interview. February 17, 2008.
  18. Daniel Kolitz (January 19, 2011). "Destroyer: Interview:". Prefix.
  19. Ryan Dombal (January 10, 2011). "Interviews: Destroyer". Pitchfork.
  20. "Polaris Music Prize". Archived from the original on December 25, 2011.
  21. "Staff Lists: The Top 50 Albums of 2011". Pitchfork.
  22. Jenn Pelly (September 12, 2013). "Destroyer Announces Spanish Language EP". Pitchfork.
  23. Stanley, Sean. "Destroyer interview: "Grand, flawed gestures and colossal failures."". DummyMag.com. Retrieved August 28, 2015.
  24. "Accidental Pop: A Conversation With Destroyer's Dan Bejar". Pitchfork. May 25, 2015. Retrieved August 28, 2015.
  25. "ken". Merge Records. Retrieved May 17, 2019.
  26. "Have We Met by Destroyer". Apple Music. Retrieved October 22, 2019.
  27. "An Interview with Destroyer's Dan Bejar". Free Williamsburg. November 2002.
  28. "Destroyer's Dan Bejar on the Part of His New Album That Everyone Hates". Vulture. March 19, 2008.
  29. "DESTROYER: THE ORGANIZER OF THE PARTY". L.A. RECORD.
  30. Carly Maga. "All Our Happy Days Are Stupid and Weird and Touching".
  31. Alex Hudson (August 23, 2010). "Destroyer Teams Up with Tim Hecker and Loscil for New Collaborative Twelve-Inch". Exclaim!.
  32. "Dan Bejar of Destroyer (Interview)". The A.V. Club.
  33. Noel Murray (January 25, 2011). "Walker on the Wild Side: Dan Bejar on His Musical Collaboration With Artist Kara Walker". BLOUIN ARTINFO.
  34. Merge Records on Youtube (August 15, 2011), Destroyer – Kaputt, retrieved September 16, 2018
  35. Merge Records on Youtube (September 2, 2011), Destroyer – Savage Night at the Opera, retrieved September 16, 2018
  36. DestroyerVevo (August 27, 2015), Destroyer – Times Square, retrieved September 16, 2018
  37. DestroyerVevo (July 8, 2015), Destroyer – Girl in a Sling, retrieved September 16, 2018
  38. DestroyerVevo (January 10, 2018), Destroyer – Stay Lost, retrieved September 16, 2018
  39. DestroyerVevo (September 21, 2017), Destroyer – Tinseltown Swimming in Blood, retrieved September 16, 2018
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.