Dirty Beasts
Dirty Beasts is a 1983 collection of Roald Dahl poems about unsuspecting animals. Intended to be a follow-up to Revolting Rhymes, the original Jonathan Cape edition was illustrated by Rosemary Faucet. In 1984, a revised edition was published with illustrations by Quentin Blake. An audiobook recording was released in the 1980s read by Prunella Scales and Timothy West. Later in 1998 Puffin Audiobooks published a recording featuring Pam Ferris and Geoffrey Palmer, and in 2002 Harper Audio released a recording of Alan Cumming reading both Revolting Rhymes and Dirty Beasts.
An OVA was also released by Abbey Home Entertainment in the 1990s as part of their Tempo Video range, featuring all 9 tales told alternately by Prunella Scales ("The Pig", "The Scorpion", "The Porcupine", "The Cow" and "The Tummy Beast") and Timothy West ("The Lion", "The Anteater", "The Crocodile" and "The Toad and the Snail"). Re-releases from 1996 onwards had their narrations re-recorded by Dawn French and Martin Clunes in the respective stories.
The book contains nine poems, telling of the unusual exploits of unsuspecting real animals (save for the Tummy Beast, who is made up). They are as follows:
- The Pig – When a genius pig realises that he is born for humans to eat, he turns on his owner the farmer and eats him instead.
- The Crocodile – An unnamed father tells his son in bed about Crocky-Wock, a crocodile who eats six children each Saturday, preferably three boys (who he smears with mustard to make them hot) and three girls (who he dips in butterscotch and caramel for a sweet taste). Little did they know that Crocky-Wock is more than just a tale...
- The Lion – The narrator (depicted as a waiter) asks the lion what his favourite meat is in the form of attempting to offer numerous meaty dishes (including a live hen), but each attempt ends in failure and every single one of them is turned away. The lion then states to the narrator, "The meat I am about to chew is neither steak nor chops. IT'S YOU!"
- The Scorpion – The poem starts off with a description of Sting-a-ling, a black scorpion who intends to sting people's rumps when they are in bed. It then proceeds with a boy telling his mother that something's crawling towards his rear-end and he is then stung by Sting-a-ling.
- The Anteater – Roy is a spoiled boy who lives "somewhere near San Francisco Bay", pondering what to get next (he was bored with his usual supplies of toys and shoes); he decides on an exotic pet, choosing a giant anteater. It took a while for his father to get one, finally buying one from an Indian man who sold his pet for 50 thousand rupees (equal to roughly $5,070 in 1983). The animal arrives half-starved and begging for food, but the stubborn brat cruelly sends him off to find some ants, ignoring the fact that the anteater finds none. On that very day, Roy's Aunt Dorothy comes to visit and Roy demands that the anteater greet his Aunt Dorothy (the narrator gives a quick explanation that Americans are predisposed to say some words incorrectly (like Ant instead of Aunt and kant instead of can't)). Upon hearing of an 83-year-old ant, the anteater devours the aunt, while Roy hides in the manure shed. However, the anteater finds him and decides Roy is his afters (presumably in revenge for being malnourished by the boy).
- The Porcupine – A girl buys sweets on Saturday with her weekly money (50 pence; equal at the time to roughly 32¢) and sits down on a nice "rock", which she unfortunately doesn't realize is a porcupine. She runs home to tell her mother, who (despite her daughter's protests) sternly refuses to take the quills out herself. Instead, she takes her daughter to the dentist, Mr. Myers, who takes great pleasure in removing the quills for 50 guineas (equivalent at the time to about $79.80). Unlike the other stories in the book, this story does not involve the namesake animal throughout, only mentioned when the girl sits on it and at the end as she is warning the reader to be aware of it if they want to sit down.
- The Cow – A cow named Miss Milky Daisy suddenly sprouts a pair of gold and silver wings due to having two bumps on her back. Daisy quickly becomes a celebrity and everyone adores her "except for one quite horrid man who travelled from Afghanistan," who loudly insults the flying cow. Angered by this rude behavior, Daisy drops a cowpat on him.
- The Toad and the Snail – While playing in a park fountain, the narrator (depicted as a young boy) is approached by a toad the size of a pig, reminding the boy of his Auntie Emily. The boy and the Toad leap all over England and eventually arrive in France. The local people are amazed by the size of the toad and prepare to cook the Toad and eat his legs. The toad, who often goes to France to tease the locals, presses a button on his head, turning him into a giant snail. Despite this change to prevent his demise, the Frenchmen start up once again, attempting to get a taste of the snail. Nevertheless, the snail pulls a lever on his shell and becomes a Roly-Poly Bird. The boy and the bird then fly back to the fountain where the tale started, and the boy keeps his adventure a secret. This is the only tale to feature more than one animal. It is also the longest.
- The Tummy Beast – A fat boy tells his mother that some creature is living in his tummy, but his mother refuses to believe the child and, as punishment for this horrible "excuse," she sends him to his room. However, a voice erupts from the boy's tummy, telling him that if he doesn't get something to eat it'll twist his guts. The boy asks his mother if she believes him now, but she doesn't answer, having fainted.
In the OVA, the "Crocodile" was moved so that it would be told before the "Tummy Beast", which also was moved to be told before the "Toad and the Snail".
Historical Context of Roald Dahl's poems
In all of Roald Dahl's poems he makes adults mean and horrid because of his history. He had a lot of mean teachers and adults throughout his childhood.
Musical Settings
Dirty Beasts is Martin Butler’s musical setting of “The Pig”, “The Tummy Beast”, and “The Crocodile” for narrator accompanied by wind quintet and piano.
