Gopalakrusna Pattanayaka
Gopalakrusna Pattanayaka (1784-1862) (Alternatively spelled Gopalakrishna, Pattnaik ; Odia: ଗୋପାଳକୃଷ୍ଣ ପଟ୍ଟନାୟକ) was an Odia poet & composer of Odissi music.[1] His songs, including chaupadis, chautisas, koilis, pois are central to the popular repertoire of Odissi music and are widely sung in Odissi music recitals across the state,[2] as well as other allied traditional artforms of Odisha, such as pala. The 20th-century Odissi musician, vocalist & binākara Apanna Panigrahi, also from the poet's hometown, was well-known for his renditions of Gopalakrusna's lyrics. Some of the most iconic Odissi songs, such as Syamaku Juhara Tara Premaku Juhara Ma, Jala Ani Jai Kali Kalindasutaku, Sangini Re Rasarangini Re, Kadamba Bane Bansi Bajila Re, Uthilu Ede Begi Kahinkire, Ki Nadare Prana Sangini, Manasija Mana Mohana are creations of Gopalakrusna. Many of his creations are also popular as abhinaya items in Odissi dance.[3][4][5]
Kabi Kalahansa - Basanta Kokila Gopalakrusna Pattanayaka | |
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Wooden statue of Gopalakrushna at his residence in Paralakhemundi, made by an artisan who had seen him in real life | |
Native name | ଗୋପାଳକୃଷ୍ଣ ପଟ୍ଟନାୟକ |
Born | 1784 Paralakhemundi, Odisha, India |
Died | 1862 Paralakhemundi, Odisha, India |
Occupation | Odissi poet-musician |
Language | Odia |
Nationality | Indian |
Genre | Odissi music |
Gopalakrusna was born in 1784 in a karana family of Paralakhemundi, a well-known princely state in erstwhile Odisha. His father Banabasi Pattanayaka was in the service of the Gajapatis of Paralakhemundi. His mother's name was Lalita Dei. At the age of twenty, Gopalakrusna was married to a young girl by the name of Hira Dei. In the early days of his life, Gopalakrusna remained in the service of the Gajapati king as a panjia karana, an accountant-scribe. Later, as his fame as a poet and musician grew, the king offered him an exclusive position in his court to encourage his literary pursuits.[4][6] Kabisurjya Baladeba Ratha and Utkala Ghanta Jadumani Mahapatra were his contemporaries.
The Odissi poet-composer Haribandhu Bebartta Pattanayaka, was in his childhood inspired by Gopalakrusna to write lyrics and set them to music. Haribandhu is credited with writing down a lot of Gopalakrusna's lyrics, as the poet himself was known to be not concerned with preserving his lyrics. Gopalakrusna would sing impromptu, overcome by divine inspiration and Haribandhu as a child would follow him, noting everything down onto a palm leaf.[7]
Gopalakrusna's writings have been published as anthologies more than once. The first significant anthology was made by the poet's own great-grandson, Ramakrusna Pattanayaka in 1919. Before Ramakrusna's anthology, smaller collections of the poet's work had appeared in bits and pieces in Damodar Patnaik's Sangita Sagara (1889-1903) and Gobinda Ratha's Chaupadi Chandrodaya (1895). The Gajapati press in Paralakhemundi had also published small booklets of the poet's work in the early 1900s. Subsequently, larger anthologies have been collated and published by Babaji Baisnaba Charana Dasa (195-60), Kabichandra Kali Charan Patnaik (1959), Saroj Kumar Panigrahi (1969) and Dr. Krushna Charan Behera (2002).[4]
A musical album called Lyrics of Gopalakrushna was made by the involvement of leading Odissi musicians and erstwhile chief minister Nandini Satapathy in the year 1970. Eminent Odissi Gurus such as Sangita Sudhakara Balakrushna Dash, Shyamamani Devi, Suramani Raghunath Panigrahi, Bhubaneswari Mishra and Indira Pratihari lent their voices to the various tracks.
Gopalakrusna died in 1862. His last poem, or rather couplet, is said to be a prophecy of his death :
ଜୀବ ଯିବାକୁ ହୋଇଲା ସଜ |
The life is ready to depart |
At the poet's residence in Paralakhemundi, there is a life-size wooden statue of him made in 1921 by an elderly craftsman who had seen the poet during his lifetime. Some other items of his use, such as a karani stylus used by Odia scribes and a palm leaf manuscript of Jayadeva's Gitagovinda in Odia script are preserved by the family.
Compositions
Some well-known Odissi compositions of the poet are[4] :
Oṛiśī Sangīta |
Odissi music |
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Composers |
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Shāstras |
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Compositions |
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Instruments |
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- Brajaku Chora Asichi
- Patha Chhadi De Mu Jibi Phula Toli
- Kananara Bitanare
- Muhamuhin Kisora Chandramankara Mora
- Karuthili Mun Nahi Nahi Re
- Bajuchhi Sahi Bajare To Naare Brajabajare
- Chhailabara Chhamure Padili
- Aja Sri Gostha Chandrama
- Banchiba Kehire
- Syama Ja Ja Juhara To Piratiki
- Bhaja Mana Brajabana Dwijarajanku
- Kaha Re Sangini Ke Se Nua Lalana
- Etharaka Syama Dosa Kara Khyama
- Anusarita Prabhu Kala Jaka Gala Sarita
- Ki Sunili Aja Νua Kari Re
- Mote Laganare Brajabidhu Lata
- Mohana Riti Chinha Padila Ma
Many of Gopalakrusna's compositions have become iconic in the voice of certain legendary Odissi Gurus, such as :
- Mohana Madhuri Dekhithila Nari by Apanna Panigrahi
- Mane Paduchhi Re Sehi Chandramukha by Mohan Sunder Deb Goswami
- Gostha Chandrama Asibe Aja by Tarini Charan Patra
- Ki Nama Boilu Tuhi Go Lalite by Banikantha Nimai Charan Harichandan
- Brajendra Nandana Sahi Eka Sri Radhara by Banikantha Nimai Charan Harichandan
- Kanta Mora E Basanta Kalare by Banikantha Nimai Charan Harichandan
- Banchiba Kehire by Singhari Shyamasundar Kar
- Aja Sri Gostha Chandrama by Balakrushna Dash
- Kaha Chitta Taha by Balakrushna Dash
- E Ghana Dina Eka Nebe Ki Kari by Balakrushna Dash
- Galabele Mo Jiba by Balakrushna Dash
- Manasija Mana Mohana by Raghunath Panigrahi
- Ki Nadare Prana Sangini by Raghunath Panigrahi
- Syamaku Juhara Tara Premaku Juhara by Shyamamani Devi
- Syama Apabada Mote Lagithau by Shyamamani Devi
- Kadamba Bane Bansi Bajila by Bhubaneswari Mishra
- Jala Ani Jai Kali by Bhubaneswari Mishra
Lineage[8]
Mandhata Pattanayaka | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Nandakisora (Kisora) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Bhaskara | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Bansidhari | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Lalita Dei | Banabasi | Brajabasi | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Hiramani | Gopalakrusna | Jayakrusna | Kanheichanda | Radhakrusna | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sunama | Gaurachandra | Haribandhu | Karunanidhi | Lalita Ma | Bisakha | Sudebi | Nityananda | Magata | Chaitanya | Gorachanda | Bankabihari | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Gopinatha | Baisnaba | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ramakrusna | Surjyanarayana | Nilamani | Banabasi | Gobindachandra | Chakrapani | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
References
- Parhi, Dr. Kirtan Narayan (2017). The Classicality of Orissi Music. India: Maxcurious Publications Pvt. Ltd. p. 383. ISBN 9788193215128.
- Parhi, Dr. Kirtan Narayan (2009). "Odissi Music : Retrospect and Prospect". In Mohapatra, PK (ed.). Perspectives on Orissa. New Delhi: Centre for study in civilizations. pp. 613–626.
- Dāsa, Phakīramohana (2002). Bhakta Kavi Gopāla Krishna. Sahitya Akademi. ISBN 978-81-260-1201-5.
- Pattanayaka, Gopalakrusna (2002). Behera, Dr. Krushna Charan (ed.). Gopalakrusna Rachanabali (in Odia). Gopalpur, Cuttack: Sahitya Sangraha Prakasana.
- Pattanayaka, Gopalakrusna (1969). Panigrahi, Saroj Kumar (ed.). Gopalakrusna Granthabali. Cuttack, Odisha: Odisha Kohenoor Press.
- Mohanty, Indrajeet (June 2005). "The Lyrics of Gopal Krushna" (PDF). Orissa Review.
- Singh, Jagabandhu (1982). Prachina Utkala (3 ed.). Bhubaneswar, Odisha: Odisha Sahitya Akademi.
- Pattanayaka, Gopalakrusna (2014). Behera, Dr. Krusna Charan (ed.). Gopalakrusna Rachanabali. Gopalpur, Cuttack: Sahitya Sangraha Prakasana.