Happy End (1973 album)

Happy End is the third and final album by Japanese folk rock band Happy End.[lower-alpha 1] It was recorded in Los Angeles, produced by Van Dyke Parks and features several American session musicians such as Lowell George and Bill Payne of the band Little Feat.

Happy End
Studio album by
Happy End
ReleasedFebruary 25, 1973
RecordedOctober 13 – 18, 1972
StudioSunset Sound Studios, Los Angeles, California
GenreFolk rock
Length29:41
LabelBellwood/King
ProducerHappy End, Van Dyke Parks
Happy End chronology
Kazemachi Roman
(1971)		 Happy End
(1973)
Singles from Happy End
  1. "Sayonara America, Sayonara Nippon"
    Released: February 25, 1973

Background and recording

The album was recorded at Sunset Sound Studios in Los Angeles in late 1972. Van Dyke Parks, known for his collaborations with Brian Wilson and The Beach Boys, produced the album. In 2013, Parks stated that the band walked in unannounced while he and Lowell George were working on "Sailin' Shoes" and asked him to give them the "California Sound". He initially refused saying he was busy with sessions for his own album Discover America, but accepted when George noticed a suitcase full of new one hundred-dollar bills with Happy End's manager.[1]

Although Haruomi Hosono later described the work with Parks as "productive," the album sessions were tenuous, and the members of Happy End were disenchanted with their vision of America they had anticipated.[2] A language barrier along with opposition between the Los Angeles studio personnel and the band was also apparent, which further frustrated the group.[3] He and Eiichi Ohtaki both recalled that Parks was drunk during production and tried to lecture them about Pearl Harbor and World War II.[4][5] These feelings were conveyed in the closing track "Sayonara America, Sayonara Nippon" (さよならアメリカ　さよならニッポン, "Goodbye America, Goodbye Japan"), which received some contributions from Parks and George.[1] As Takashi Matsumoto explained: "We had already given up on Japan, and with [that song], we were saying bye-bye to America too—we weren't going to belong to any place."[2]

Happy End officially disbanded on December 31, 1972, two months before the album was released on February 25, 1973.[6]

In 1974, Shigeru Suzuki returned to Los Angeles to record his first solo album Band Wagon and once again worked with Bill Payne, Dick Hyde and Kirby Johnson.

The song "Fuuraibo" would be covered by pop singer Chisato Moritaka on her 1998 album, This Summer Will Be More Better, which was produced by Hosono.

Track listing
Side 1
No.TitleLyricsMusicLength
1."Fuuraibou" (風来坊, "Wanderer")Haruomi HasonoHaruomi Hasono3:31
2."Hisamezuki no Sukecchi" (氷雨月のスケッチ, "A Sketch of 'Ice Storm Month'")Takashi MatsumotoShigeru Suzuki3:05
3."Ashita Atari wa Kitto Haru" (明日あたりはきっと春, "It Will Surely Be Spring Tomorrow")Takashi MatsumotoShigeru Suzuki4:00
4."Mufūjoutai" (無風状態, "No Wind")Haruomi Hosono, "parrot" lyric inspiration by Takashi MatsumotoHaruomi Hosono3:18
Side 2
No.TitleLyricsMusicLength
5."Sayonara Toori San Chiban" (さよなら通り３番地, "Goodbye No. 3 (Street Address)")Takashi MatsumotoShigeru Suzuki3:13
6."Aiaigasa" (相合傘, "Sharing An Umbrella")Haruomi HasonoHaruomi Hosono3:05
7."Inakamichi" (田舎道, "Country Road")Takashi MatsumotoEiichi Ohtaki2:39
8."Soto wa ii Tenki" (外はいい天気, "It's Nice Out")Takashi MatsumotoEiichi Ohtaki2:18
9."Sayonara America, Sayonara Nippon" (さよならアメリカ　さよならニッポン, "Goodbye America, Goodbye Japan")Happy EndHappy End, Van Dyke Parks4:33

Personnel

Happy End

Session musicians and production staff

References

Footnotes

  1. Their first album is also titled Happy End but written in Japanese as (はっぴいえんど), see Happy End (1970 album).

Citations

  1. Limnious, Michalis (2013-05-22). "Versalite artist Van Dyke Parks talks about the Beats, Horatius, Sinatra, Pythagoras, Ry Cooder; and 60s". Blues.gr. Retrieved 2016-01-05.
  2. Bourdaghs, Michael K. (2011-10-18). Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop. Columbia University Press. pp. 176–177. ISBN 978-0-231-53026-2. Retrieved 2013-08-18.
  3. Hayward, Philip (1999). Widening the Horizon: Exoticism in Post-War Popular Music. John Libbey Publishing. p. 120. ISBN 978-1-86462-047-4.
  4. "Haruomi Hosono (RBMA Tokyo 2014 Lecture)". Red Bull Music Academy (in English and Japanese). Red Bull. 20 January 2015. Retrieved 18 October 2017. [Van Dyke Parks] was really a crazy man. He was high when we first met. I wanted to stay away from him... He first gave a speech in the middle of the studio, like a monologue. It was about the Japanese emperor.
  5. "MUSICIAN FILE 大滝詠一徹底研究II (Eiichi Ohtaki in depth II)", ミュージック・ステディ (Music Steady), pp. 43–76, 15 May 1984
  6. "Top 100 Japanese pops Artists - No.4". HMV Japan (in Japanese). Retrieved 2016-01-06.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.