Help! (George Martin album)

Help! is a 1965 album by the George Martin Orchestra, the second of a series of albums by Martin featuring instrumental arrangements of Beatle songs. This release focused on songs from their album Help! Unlike his other albums, the UK issue is not on Martin's Parlophone label, but on EMI's sister Columbia Graphophone's Studio 2 Stereo series label.

Help!
Studio album by
Released1965
Recorded1965
StudioEMI, London
GenreEasy listening
LabelColumbia, United Artists
ProducerGeorge Martin
The George Martin Orchestra chronology
George Martin Scores Instrumental Versions of the Hits
(1965)
Help!
(1965)
George Martin Instrumentally Salutes The Beatle Girls
(1966)
Professional ratings
Review scores
SourceRating
Allmusic[1]

Track listing

All songs by John Lennon and Paul McCartney, except where noted.

Side one

  1. "Help!"
  2. "Another Girl"
  3. "You're Going to Lose That Girl"
  4. "I Need You" (George Harrison)
  5. "You've Got to Hide Your Love Away"
  6. "The Night Before"

Side two

  1. "Ticket to Ride"
  2. "Bahama Sound" (George Martin)
  3. "I've Just Seen a Face"
  4. "It's Only Love"
  5. "Tell Me What You See"
  6. "Yesterday"

The United Artists release omits "Bahama Sound" and lists "I've Just Seen a Face", "It's Only Love" and "Yesterday" under the working titles "Auntie Gin's Theme", "That's a Nice Hat (Cap)" and "Scrambled Egg".

Pink Floyd's Dark Side of the Moon

At the end of Pink Floyd's 1973 album The Dark Side of the Moon, on the track "Eclipse", a section of the orchestral version of "Ticket to Ride" can very faintly be heard beneath the closing heart-beat sound effect. It is believed to be from this album. Before digital recording, recording tapes were wiped and re-used. It is possible that the tape used to record the heart-beat sound effect was not properly wiped and formerly had this track on it, if it was a deliberate inclusion by the band, or if it was playing in the background of Abbey Road Studios when the part of the track was being recorded, the latter theory being the most accepted.[2] Others have speculated that the recording bares a stronger resemblance to another rendition of "Ticket to Ride" by the Hollyridge Strings, though it is unlikely that this American orchestra would have had a tape in Abbey Road's possession.

References


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