Interview with the Vampire (film)

Interview with the Vampire is a 1994 American gothic horror film directed by Neil Jordan, based on Anne Rice's 1976 novel of the same name, and starring Tom Cruise and Brad Pitt. The film focuses on Lestat (Cruise) and Louis (Pitt), beginning with Louis's transformation into a vampire by Lestat in 1791. The film chronicles their time together, and their turning of ten-year-old Claudia (Kirsten Dunst) into a vampire. The narrative is framed by a present-day interview, in which Louis tells his story to a San Francisco reporter. The supporting cast features Christian Slater, Antonio Banderas, and Stephen Rea.

This article is about the film. For the novel, see Interview with the Vampire.

Interview with the Vampire
Theatrical release poster
Directed byNeil Jordan
Produced byDavid Geffen
Stephen Woolley
Screenplay byAnne Rice
Based onInterview with the Vampire
by Anne Rice
Starring
Music byElliot Goldenthal
CinematographyPhilippe Rousselot
Edited byMick Audsley
Joke van Wijk
Production
company
Distributed byWarner Bros.
Release date
  • November 11, 1994 (1994-11-11)
Running time
122 minutes[1]
CountryUnited States
LanguageEnglish
Budget$60 million[2]
Box office$223.7 million[2]

The film was released in November 1994 to generally positive reviews[3] and was a commercial success. It received Oscar nominations for Best Art Direction and Best Original Score.[4] Kirsten Dunst was additionally nominated for a Golden Globe for Best Supporting Actress for her role in the film. A stand-alone sequel, Queen of the Damned, was released in 2002, with Stuart Townsend replacing Cruise as Lestat.

Plot

In modern-day San Francisco, reporter Daniel Molloy interviews Louis de Pointe du Lac, who claims to be a vampire. Louis describes his human life as a wealthy plantation owner in 1791 Spanish Louisiana. Despondent following the death of his wife and unborn child, he drunkenly wanders the waterfront of New Orleans one night and is attacked by the vampire Lestat de Lioncourt. Lestat senses Louis's dissatisfaction with life and offers to turn him into a vampire. Louis accepts, but quickly comes to regret it. While Lestat revels in the hunt and killing of humans, Louis resists his instinct to kill, instead drinking animal blood to sustain himself. Disgusted by Lestat's pleasure in killing, Louis comes to suffer tremendously as a vampire.

Wandering the streets of New Orleans amid an outbreak of plague, Louis can resist his hunger no more and feeds on a little girl whose mother died in the plague. To entice Louis to stay with him, Lestat turns the dying girl, Claudia, into a vampire. Together, they raise her as a daughter. Louis has a pure fatherly love for Claudia, while Lestat spoils and treats her more as a pupil, training her to become a merciless killer. Thirty years pass, and Claudia matures psychologically but remains a little girl in appearance and continues to be treated as such by Lestat. When she finally realizes that she will never grow older or become a mature woman, she is furious with Lestat and tells Louis that they should leave him. She tricks Lestat into drinking the "dead blood" of twin boys whom she killed by overdose with laudanum, which weakens Lestat, and then slits his throat. Though Louis is shocked and upset by Lestat's death, he helps Claudia dump Lestat's body in an alligator swamp. They spend weeks planning a voyage to Europe to search for other vampires, but Lestat returns on the night of their departure, having survived on the blood of swamp creatures. Lestat attacks them, but Louis sets him on fire and, in the ensuing blaze, they are able to escape to their ship and depart.

After traveling around Europe and the Mediterranean but finding no other vampires, Louis and Claudia settle harmoniously in Paris in 1870. Louis encounters vampires Santiago and Armand by chance. Armand invites Louis and Claudia to his coven, the Théâtre des Vampires, where the vampires stage theatrical horror shows for humans. On their way out of the theater, Santiago reads Louis's mind and suspects that Louis and Claudia murdered Lestat. Armand warns Louis to send Claudia away for her own safety, and Louis is intrigued to stay with Armand and learn about the meaning of being a vampire. Claudia demands that Louis turn a human woman, Madeleine, into a vampire to be her new protector and companion, and he reluctantly complies. Shortly thereafter, the Parisian vampires abduct the three of them and punish them for Lestat's murder, imprisoning Louis in a coffin and trapping Claudia and Madeleine in a chamber, where sunlight burns them to ash. Armand does nothing to prevent this, but the next day he frees Louis. Seeking revenge, Louis returns to the theater at dawn and sets it on fire, killing all the vampires. Armand arrives in time to help Louis escape the sunrise, and once again offers him a place by his side. Louis rejects Armand and leaves, knowing Armand had allowed Claudia's murder so that he could have Louis to himself.

As decades pass, Louis never recovers from the loss of Claudia and dejectedly explores the world alone. He returns to New Orleans in 1988 and one night encounters a decayed, weakened Lestat, living as a recluse in an abandoned mansion and surviving on rat blood as Louis once had. Lestat expresses regret for having turned Claudia into a vampire and asks Louis to rejoin him, but Louis declines and leaves. Louis concludes his interview with Molloy, prompting Molloy to beseech Louis to make him his new vampire companion. Louis is outraged that Molloy has not understood the tale of suffering he has related, and attacks Molloy to scare him into abandoning the idea. Louis then vanishes, and Molloy runs to his car and takes off, while playing the cassette tapes of Louis' interview in his car. On the Golden Gate Bridge, Lestat appears and attacks Molloy, taking control of the car. Revived by Molloy's blood, Lestat offers Molloy the choice that he "never had" — whether or not to become a vampire — and, laughing, continues driving over the bridge.

Cast

Production

Development

The rights to Rice's novel were initially purchased by Paramount Pictures in April 1976, shortly before the book was published. However, the script lingered in development hell for years, with the rights being sold to Lorimar before finally ending up with Warner Bros.[6] Director Neil Jordan was approached by Warner Bros. to direct after the huge success of his movie The Crying Game (1992). Jordan was intrigued by the script, calling it "really interesting and slightly theatrical", but was especially interested after reading Rice's novel.[7] He agreed to direct on the condition that he be allowed to write his own script, though he did not gain a writing credit. The themes of Catholic guilt which pervade the novel attracted Jordan, who called the story "the most wonderful parable about wallowing in guilt that I'd ever come across. But these things are unconscious, I don't have an agenda."[7]

With David Geffen producing, the movie was given a $70 million budget, unprecedented for a film in the vampire genre. Jordan stated that:

"It's not very often you can make a complicated, dark, dangerous movie and get a big budget for it. Vampire movies were traditionally made at the lower end of the scale, on a shoestring, on rudimentary sets. David Geffen is very powerful and he poured money into Interview. I wanted to make it on an epic scale of something like Gone with the Wind".[7]

Casting

Author Anne Rice adapted her 1976 novel Interview with the Vampire into a screenplay with French actor Alain Delon in mind for the role of Louis.[8] Later on, when Interview entered the casting stage, British actor Julian Sands was championed by Anne Rice and fans of the novel to play Lestat,[9] but because Sands was not a well-known name at the time (being only famed for his performance in A Room with a View), he was rejected and the role was given to Tom Cruise. Because of his star power, Cruise received a record $10 million salary and a percentage of the profits.[10] The casting was initially criticized by Anne Rice, who said that Cruise was "no more my vampire Lestat than Edward G. Robinson is Rhett Butler",[8] and the casting was "so bizarre; it's almost impossible to imagine how it's going to work". She recommended a number of other actors including John Malkovich, Peter Weller, Jeremy Irons, and Alexander Godunov. She suggested that Brad Pitt and Tom Cruise switch roles, stating that "I tried for a long time to tell them that they should just reverse these roles—have Brad Pitt play Lestat and have Tom Cruise play Louis. Of course, they don't listen to me."[11]

Eventually, Rice became satisfied with Cruise's performance after seeing the completed film, saying that "from the moment he appeared, Tom was Lestat for me" and "that Tom did make Lestat work was something I could not see in a crystal ball." She called Cruise to compliment him and admit that she was wrong.[12]

Due to Rice's perception of Hollywood's homophobia, at one point she rewrote the part of Louis, changing his sex to female, in order to specifically heterosexualize the character's relationship with Lestat.[13] At the time, Rice felt it was the only way to get the film made, and singer-actress Cher was considered for the part.[13] A song titled "Lovers Forever", which Cher wrote along with Shirley Eikhard for the film's soundtrack, got rejected as Pitt was ultimately cast for the role, though a dance-pop version of the song was released on Cher's 2013 album, Closer to the Truth.[14]

Originally, River Phoenix was cast for the role of Daniel Molloy (as Anne Rice liked the idea), but he died four weeks before he was due to begin filming. When Christian Slater was cast in his place as Molloy, he donated his entire salary to Phoenix's favorite charitable organizations.[15] The film has a dedication to Phoenix after the end credits. Eleven-year-old actress Kirsten Dunst was spotted by talent scouts and was the first girl tested for the role of Claudia.[8]

Filming

Filming took place primarily in New Orleans and in London, with limited location shooting done in San Francisco and Paris.[16] Louis's plantation was a combination of primarily Destrehan Plantation, just west[17] of New Orleans, and Oak Alley Plantation in nearby Vacherie.[18] The depiction of 18th- and early-19th-century New Orleans was achieved with a combination of location shooting in the French Quarter of New Orleans and filming on a purpose-built waterfront set along the Mississippi river.[19][20] Production then moved to London, where interior sets were constructed at Pinewood Studios.[21] The sets designed by Dante Ferretti included the interiors of Louis, Lestat and Claudia's New Orleans townhouse, Claudia and Louis's Paris hotel suite, the Théâtre des Vampires (built on Pinewood's 007 Stage), and the catacombs where the Parisien vampires live.[22] Shooting took place in San Francisco, mainly on the Golden Gate Bridge, with the external façade of Louis's hotel located at the intersection of Taylor Street, Market Street, and Golden Gate Avenue.[20] In Paris the exterior and lobby of the Opera Garnier were dressed to film Louis and Claudia's arrival at their hotel in Paris.

Brad Pitt admitted in a 2011 interview with Entertainment Weekly that he was "miserable" while making the film and even tried to buy himself out of his contract at one point.[21] Pitt called the production "six-months of f---king darkness" because of the almost-exclusive night shoots, filmed mostly in London in the depths of winter, which sent him into a depression.[21] The script, which he received only two weeks prior to filming, was also a source of disappointment. He unfavorably contrasted the character of Louis which he had admired in the book to that presented in the script:

In the book you have this guy asking, 'Who am I?' Which was probably applicable to me at that time: 'Am I good? Am I of the angels? Am I bad? Am I of the devil?' In the book it is a guy going on this search of discovery. And in the meantime, he has this Lestat character that he's entranced by and abhors. ... In the movie, they took the sensational aspects of Lestat and made that the pulse of the film, and those things are very enjoyable and very good, but for me, there was just nothing to do—you just sit and watch.[23]

Special effects

Visual effects were overseen by Stan Winston and his team, while the newly founded Digital Domain was responsible for creating the digital effects under Visual Effects Supervisor Robert Legato.[24][25] Director Neil Jordan was initially hesitant to use Stan Winston Studios, because they had gained a reputation for specializing in large-scale animatronics and CGI with Jurassic Park and Terminator 2: Judgment Day; Interview with the Vampire was going to require mostly makeup effects.[9] Winston designed the characters' vampire appearances and makeup effects, including a technique for stenciling translucent blue veins on the actors' faces.[26] This required the actors to hang upside down for 30 minutes, so that the blood would rush to their heads and cause their veins to protrude, enabling the makeup artists to trace realistic patterns.[6]

Digital effects were used mainly to add small details or to enhance certain physical effects, like the burning of the New Orleans set or the burning of Louis's plantation, whereby CGI flames were imposed on a miniature of the house.[24] The most difficult digital effects to illustrate were Louis and Claudia's transformations into vampires, which were technologically very advanced for the time.[26] The scene where Claudia cuts Lestat's throat was achieved by transferring from Tom Cruise bleeding from a prosthetic wound to an animatronic model designed to 'wither' as it bled out, enhanced with CGI blood.[27] Winston also sculpted the rough model for the charred remains of Claudia and Madeleine, using archival photographs of victims from Hiroshima for inspiration.[27]

Pre-screening

A rough-cut of Interview was shown to test audiences, who according to producer David Geffen felt "there was a little too much blood and violence." The screenings were held over the objection of Neil Jordan, who was planning on further paring down the length of the film before previewing it, but Geffen wanted to show the longer version in order to "get a feel for what the audience wanted." Eventually about 20 minutes' worth of footage was either cut or re-arranged before the theatrical version was ready.[12]

Release

Box office

Interview with the Vampire: The Vampire Chronicles was a box-office success, opening on November 11, 1994. Opening weekend grosses amounted to $36.4 million, placing it in the number one position at the US box office.[28] In subsequent weeks it struggled against Star Trek Generations and The Santa Clause. Total gross in the United States was $105 million, while the total including international gross was $224 million, with an estimated budget of $60 million.[29]

Critical reception

The film received mixed to positive reviews among film critics. Review aggregate website Rotten Tomatoes reports the film as holding an overall 64% approval rating based on 55 reviews, with a rating average of 6/10. The site's consensus reads: "Despite lacking some of the book's subtler shadings, and suffering from some clumsy casting, Interview with the Vampire benefits from Neil Jordan's atmospheric direction and a surfeit of gothic thrills."[30] The film holds a 59/100 on Metacritic from 19 reviews.[31] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[32]

Praise from The New York Times' Elvis Mitchell[33] and the Chicago Sun-Times' Roger Ebert[34] was tempered by poor reviews by The Washington Post's Rita Kempley[35] and Desson Howe[36] and Time magazine's Richard Corliss.[37]

Oprah Winfrey famously walked out of an advance screening for the movie only 10 minutes in, because of the gore and dark themes. She even considered cancelling an interview with Tom Cruise promoting the film, stating that "I believe there are forces of light and darkness in the world, and I don't want to be a contributor to the force of darkness."[38]

Year-end lists

Awards
Award Category Recipient Result
Academy Awards[4] Best Original Score Elliot Goldenthal Nominated
Best Art Direction Dante Ferretti and Francesca Lo Schiavo Nominated
BAFTA Awards[51][52][53][54] Best Cinematography Philippe Rousselot Won
Best Production Design Dante Ferretti Won
Best Costume Design Sandy Powell Nominated
Best Makeup and Hair Stan Winston, Michèle Burke, Jan Archibald Nominated
Golden Globe Awards[55] Best Supporting Actress Kirsten Dunst Nominated
Best Original Score Elliot Goldenthal Nominated
Golden Raspberry Awards Worst Screen Combo Brad Pitt and Tom Cruise Won[lower-alpha 1]

Home media

The film was released on VHS on November 21, 1995, and LaserDisc on June 6, 1996,[56] DVD in 1997 and on Blu-ray Disc on October 7, 2008.[57]

Soundtrack
Main article: Interview with the Vampire (soundtrack)

The film's musical score was written by Elliot Goldenthal and received an Oscar nomination for Best Original Score. The score opens with the Catholic hymn Libera Me slightly rewritten to reflect Louis's character. The opening line "Libera me, Domine, de morte æterna" ("Save me, Lord, from eternal death") was changed to "Libera me, Domine, de vita æterna" ("Save me, Lord, from eternal life").

"Sympathy for the Devil" was performed by Guns N' Roses. This was the band's last major release before the departure of Slash and Duff McKagan.

Sequel
Main article: Queen of the Damned

Almost a decade after this film, an adaptation for the third book in the series, The Queen of the Damned, was produced and distributed once again by Warner Bros. Cruise and Pitt did not reprise their roles as Lestat and Louis. Many characters and important plotlines were written out of the film, which actually combined elements of The Vampire Lestat with The Queen of the Damned. The film was negatively received by critics, and Rice dismissed it completely as she felt the filmmakers had "mutilated" her work. During pre-production, Rice had pleaded with the studio not to produce a film of the book just yet as she believed her readers wanted a film based on the second book in the series, The Vampire Lestat. Rice was refused the cooperation of the studio.

In February 2012, a film adaptation of The Tale of the Body Thief, the fourth book in the series, entered development with Brian Grazer and Ron Howard's film production company, Imagine Entertainment. It was reported that screenwriter Lee Patterson was going to pen the screenplay. However, Rice's son, Christopher, apparently had drafted a screenplay based on the novel that was met with praise from those involved in the developmental stage. Rice later confirmed that creative differences that were beyond those involved resulted in the dismissal of the project in April 2013.[58]

In August 2014 Universal Pictures acquired the rights to the entire Vampire Chronicles. Alex Kurtzman and Roberto Orci have been named as producers and the deal includes the aforementioned screenplay for The Tale of the Body Thief, written by Christopher.[59][60]

A new film adaptation of the book has been written by Josh Boone and was announced in May 2016, with Boone suggesting actor Jared Leto play the role of Lestat.[61] In November 2016, all plans for a theatrical reboot were scrapped as Rice announced she had regained the rights to her novels and intends to create a television series starting with The Vampire Lestat.

See also

Notes
  1. tied with Sylvester Stallone and Sharon Stone in The Specialist

References
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  2. Interview with the Vampire (1994) at Box Office Mojo Retrieved May 30, 2013
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  7. "Interview with a Vampire director Neil Jordan: I had a great time making this movie, but there's a dark Catholic guilt underneath". Belfast Telegraph. November 11, 2014. Retrieved June 25, 2018.
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