John Fahey Visits Washington D.C.

John Fahey Visits Washington D.C. is an album by American fingerstyle guitarist and composer John Fahey, released in 1979.

John Fahey Visits Washington D.C.
Studio album by
John Fahey
Released1979
GenreFolk
Length43:30
LabelTakoma
John Fahey chronology
The Best of John Fahey 1959–1977
(1977)		 John Fahey Visits Washington D.C.
(1979)		 Yes! Jesus Loves Me
(1980)

History

John Fahey Visits Washington D.C. was Fahey's first album in four years. The same year, he sold Takoma, the independent record label he had started in 1959, to Chrysalis Records.[1] Chrysalis eventually sold the rights to the albums, and Takoma was in limbo until bought by Fantasy Records in 1995.[2] He cited the strain of running the label and its lack of direction as reasons for selling it to the UK-based company.[3] Other sources refer to Fahey's disinterest in the business side of running Takoma, the company's debt, and the current poor business climate of the record industry.[4][5][6]

He covers two songs by other guitarists – "Guitar Lamento" is by Brazilian guitarist Bola Sete from his album Ocean and "Death by Reputation" by Leo Kottke from his eponymous 1977 album.

It was rumored that an entire album known as the Nuthouse sessions was rejected, leading to the release of John Fahey Visits Washington D.C. instead.[7]

Reception
Professional ratings
Review scores
SourceRating
Allmusic[8]
Encyclopedia of Popular Music[9]
Record Collector [10]

Music critic Richie Unterberger praised the album, noting the "stellar picking and an eclectic range of influences... Some of his characteristic moodiness emerges in passages from 'Ann Arbor' and 'Melody McBad'."[8]

From his review for the UK-based Record Collector, critic Sid Smith gave the album 4 stars, writing "... although the landscape may look and sound familiar, nothing is quite what it seems. Circuitous, complex lines are unfurled into rare, blooming chords in much the way a magician pulls flowers out of his pocket. However, it’s the gothic rumbles of "Guitar Lamento" that remind us how Fahey’s use of space and haunting repetition created glorious epic moods tempered with a bleak intensity that still resonates."[10]

Reissues
  • John Fahey Visits Washington D.C. was reissued on CD in 2008 by Ace Records.

Track listing
  1. "Medley: Silver Bell/Cheyenne" (Fahey, Doc Watson, Bill Monroe) – 4:31
  2. "Ann Arbor/Death by Reputation" (Fahey, Leo Kottke) – 8:11
  3. "The Discovery of the Sylvia Scott" (Fahey) – 7:45
  4. "Guitar Lamento" (Bola Sete) – 5:49
  5. "Melody McBad" (Fahey) – 10:09
  6. "The Grand Finale" (Fahey) – 7:05

Personnel
  • John Fahey – guitar
  • Richard Ruskin – guitar (on "Medley")

Production notes

  • John Fahey – liner notes
  • Tom Davis – engineer
  • Rob Shread – mastering
  • Michael Boshears – remixing, mastering
  • Dee Westlund – art direction
  • Murry Whiteman – design
  • John Van Hamersveld – design, illustrations
  • Kris Needs – liner notes

References
  1. Unterberger, Richie. "John Fahey Biography". Allmusic. Retrieved January 6, 2010.
  2. Concord Music Group Takoma Records entry. Archived 2013-10-29 at the Wayback Machine Retrieved February 2010.
  3. Pouncey, Edwin (August 1998). "Blood on the Frets". The Wire (174). Retrieved March 15, 2010.
  4. Coley, Byron (May 2001). "The Persecutions and Resurrections of Blind Joe Death". Perfect Sound Forever. Archived from the original on January 4, 2010. Retrieved March 28, 2010.
  5. Dunlap Jr., David (July 7, 2006). "The Cosmos Club". Washington City Paper. Archived from the original on August 12, 2006. Retrieved March 10, 2010.
  6. Baron, Zach. "The Lost Takoma Sessions". Pitchfork Media. Retrieved April 4, 2010.
  7. Needs, Kris. "Liner notes from 2008 reissue". Missing or empty |url= (help)
  8. Unterberger, Richie. "John Fahey Visits Washington D.C. > Review". Allmusic. Retrieved March 20, 2010.
  9. Larkin, Colin (2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 978-0-85712-595-8.
  10. Smith, Sid (August 2008). "John Fahey Visits Washington D.C. > Review". Record Collector (352).
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