Karaindash

Karaindaš was one of the more prominent rulers of the Kassite dynasty and reigned towards the end of the 15th century BC. An inscription on a tablet detailing building work calls him “Mighty King, King of Babylonia, King of Sumer and Akkad, King of the Kassites, King of Karduniaš,”[1][i 1] inscribed ka-ru-du-ni-ia-aš, probably the Kassite language designation for their kingdom and the earliest extant attestation of this name.[2]

Karaindaš
King of Babylon
Molded baked-brick bas-relief of the temple of Karaindaš from Uruk
Reignc. 1410 BC
PredecessorAgum III ?
SuccessorKadašman-Ḫarbe I
HouseKassite

Eanna of Inanna

Karaindaš’ own eleven-line Sumerian inscriptions[3][i 2] adorn bricks from the Temple dedicated to the goddess Inanna, in Uruk, where he commissioned the spectacular façade pictured. It is 205 cm high and would originally have been constructed from around five hundred pre-formed baked bricks, which were set in recessed socles, depicting both male and female deities holding water jugs. The bearded males wear horned flat caps and double streams of water flow symmetrically to frame the niches.[4] Apart from the simple dedication, there are no significant texts adorning the façades.[5]

The temple to Inanna was originally located in a courtyard of the Eanna, or “House of Heaven”, precinct of Uruk[6] and stood until the Seleucid era. It was a rectangular building with a long cella and ante-cella surrounded by corridors and the elaborately decorated external wall with corner bulwarks.[7] The inner sanctuary had the cult image at the end, instead of the usual siting in the middle of a long wall.[8]

It was excavated during the 1928/29 season by a team led by Director Julius Jordan under the auspices of the Deutsche Orient Gesellschaft and Deutsche Not-Gemeinschaft.[9] A section of the outer wall has been reassembled and moved to the Vorderasiatisches wing of the Pergamon Museum in Berlin. Parts of the façade were in the Iraq Museum in Baghdad, but were stolen during the looting of the museum after the American occupation of Baghdad during the second Gulf War and have since disappeared.[10]

Diplomatic Relations

He concluded a boundary treaty (riksu) with Aššur-bêl-nišešu of Assyria (1407-1399; short chronology), “together with an oath (māmītu)” according to the Synchronistic Chronicle.[i 3][11]

According to Sassmannshausen,[12] it is very likely that Karaindaš was the Babylonian king who sent precious gifts, including lapis lazuli, to pharaoh Thutmosis III during his 8th campaign, the attack on the Mitanni, according to the annals of Thutmosis III. This was conducted in the 33rd of his reign[13] or around 1447 BC according to the Low Chronology of Ancient Egypt, suggesting Karaindaš had a very long reign if this chronology coincides with that of the short chronology used for the Near East, but there are chronological difficulties trying to correlate Tuthmosis and Karaindaš.[14]

Burna-Buriash II, in his Amarna correspondence with Pharaoh Akhenaten, in the tablet designated EA 10,[i 4] describes him as the first to enter into friendly relations with Egypt, “Since the time of Karaindaš, since messengers of your ancestors have come regularly to my ancestors, up to the present they (the ancestors of the two lands) have been good friends.” [15] The Annals of Tuthmosis, inscribed on the inside walls of the corridor which surrounds the granite holy of holies of the Great Temple of Amun at Karnak, record the tribute of Babylon, and include a lapis lazuli ram’s head amongst the inventory.[16]

Other sources
Seal of Izkur-Marduk (University Museum, Philadelphia).

A brown agate cylinder seal (pictured), which is in the University Museum in Philadelphia, is inscribed “Oh [Shuqamuna], lord who advances in brilliance by your fullness … your light is indeed favourable: Izkur-Marduk, son of Karaindaš, who prays to you and reveres you.”[17][i 5] Shuqamuna was a Kassite male god symbolized by a bird on a perch often accompanied by his consort, Shumaliya, associated with the investiture of kings. Izkur-Marduk’s name is wholly Babylonian and translates as “he has invoked Marduk”.[18]

His renown was apparently so great, that Shutruk-Nahhunte who would go on to ransack Babylon around 250 years later, boasted “I destroyed Karaindaš”, i.e. Babylonia.[19]

Inscriptions
  1. Tablet A 3519, in the collection of the Oriental Institute, University of Chicago, CDLI, a late Babylonian copy of a monumental inscription.
  2. For example BM 90287, 11-line brick inscription in the British Museum, CDLI.
  3. "Synchronistic Chronicle" (ABC 21), tablet A, K4401a, lines 1 through 4.
  4. El Amarna tablet EA 10 (BM 029786, in the British Museum), CDLI, ORACC Transliteration lines 8 to 10.
  5. CBS 1108 brown agate seal bearing 7 line Sumerian inscription, University Museum, Philadelphia.

References
  1. H. W. F. Saggs (2000). Babylonians. British Museum Press. p. 117.
  2. J. A. Brinkman (1999). "Karduniaš". In Dietz Otto Edzard (ed.). Reallexikon Der Assyriologie Und Vorderasiatischen Archäologie: Ia – Kizzuwatna (Volume 5). Walter De Gruyter. p. 423.
  3. J. A. Brinkman (1976). Materials and Studies for Kassite History, Vol. I. Oriental Institute of the University of Chicago. p. 169. N. 2.1.
  4. C. J. Gadd (1975). "XVIII: Assyria and Babylonia, 1370 – 1300 BC; New influences in art". In I. E. S. Edwards; C. J. Gadd; N. G. L. Hammond; S. Solberger (eds.). The Cambridge Ancient History, Volume II, Part 2, History of the Middle East and the Aegean Region, 1380 – 1000 BC. Cambridge University Press. pp. 44–45.
  5. Piotr Bienkowski; Christopher Mee; Elizabeth Slater. Writing and ancient Near Eastern society: papers in honour of Alan R. Millard. p. 178.
  6. Strommenger, Eva (1964). 5000 Years of the Art of Mesopotamia. New York: Harry N. Abrams, Inc. p. 170.
  7. Gwendolyn Leick (1988). A dictionary of ancient Near Eastern architecture. Routledge. p. 237.
  8. Henri Frankfort (1996). The art and architecture of the ancient Orient. Yale University Press. p. 128.
  9. Magnus Thorkell Bernhardsson (2006). Reclaiming a Plundered Past: Archaeology and Nation Building in Modern Iraq. University of Texas Press. p. 139.
  10. Milbry Polk; Angela M. H. Schuster (May 1, 2005). The looting of the Iraq Museum, Baghdad: the lost legacy of ancient Mesopotamia. Harry N. Abrams.
  11. Noel Weeks (2004). Admonition and Curse: The Ancient Near Eastern Treaty/Covenant Form as a Problem in Inter-Cultural Relationships. T&T Clark Int'l. p. 33.
  12. Leonhard Sassmannshausen (2004). "Babylonian Chronology of the 2nd Half of the 2nd Millennium B.C.". In H. Hunger; R. Pruzsinszky (eds.). Mesopotamian Dark Age Revisited (PDF). Vienna: Verlag Der Österreichische Akademie der Wissenschaften. pp. 157–177.
  13. Betsy M. Bryan (2000). "The 18th Dynasty Before the Amarna Period". In Ian Shaw (ed.). The Oxford History of Ancient Egypt. Oxford University Press. p. 246.
  14. Amélie Kuhrt (1995). The ancient Near East, c. 3000-330 BC. Routledge. p. 340.
  15. Amanda H. Podany (2010). Brotherhood of Kings: How International Relations Shaped the Ancient Near East. Oxford University Press. p. 181.
  16. James Henry Breasted (1906). Ancient Records of Egypt, Vol. II: The Eighteenth Dynasty. University of Chicago Press. p. 204.
  17. Dominique Collon (2005). First impressions: cylinder seals in the ancient Near East. British Museum Press. p. 58.
  18. Leon Legrain (March 1922). "Five Royal Seal Cylinders". The Museum Journal. The University Museum, Philadelphia. XIII: 70–77.
  19. Daniel T. Potts (August 13, 1999). The Archaeology of Elam: Formation and Transformation of an Ancient Iranian State (Cambridge World Archaeology). Cambridge University Press. p. 233.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.