Lanark: A Life in Four Books

Lanark, subtitled A Life in Four Books, is the first novel of Scottish writer Alasdair Gray. Written over a period of almost thirty years, it combines realist and dystopian surrealist depictions of his home city of Glasgow.

Lanark
First edition
AuthorAlasdair Gray
CountryScotland
LanguageEnglish
PublisherCanongate Press
Publication date
1981
Media typePrint (hardcover)
Pages560 pp
ISBN0-903937-74-3
OCLC12635568

Its publication in 1981 prompted Anthony Burgess to call Gray "the best Scottish novelist since Walter Scott".[1] Lanark won the inaugural Saltire Society Book of the Year award in 1982, and was also named Scottish Arts Council Book of the Year.[2] The book, still his best known, has since become a cult classic. In 2008, The Guardian heralded Lanark as "one of the landmarks of 20th-century fiction."[3]

Plot summary

Lanark comprises four books, arranged in the order Three, One, Two, Four (there is also a Prologue before Book One, and an Epilogue four chapters before the end of the book). In the Epilogue, the author explains this by saying that "I want Lanark to be read in one order but eventually thought of in another", and that the epilogue itself is "too important" to go at the end.[4]:483

In Book Three, a young man awakes alone in a train carriage. He has no memory of his past and picks his name from a strangely familiar photograph on the wall. He soon arrives in Unthank, a strange Glasgow-like city in which there is no daylight and whose disappearing residents suffer from strange diseases, orifices growing on their limbs and body heat fading away. Lanark begins to associate with a group of twenty-somethings to whom he cannot fully relate and whose mores he cannot understand, and soon begins to suffer from dragonhide, a disease which turns his skin into scales as an external manifestation of his emotional repression. Lanark is eventually swallowed by a mouth in the earth, and awakes in the Institute, a sort of hospital which cures patients of their diseases but uses the hopeless cases for power and food. Upon learning this, Lanark is horrified and determines to leave.

Books One and Two constitute a realist Bildungsroman beginning in pre-war Glasgow, and tell the story of Duncan Thaw ("based on myself, he was tougher and more honest"), a difficult and precocious child born to impecunious and frustrated parents in the East End of Glasgow. The book follows Thaw's wartime evacuation, secondary education and his scholarship to the Glasgow School of Art, where his inability to form relationships with women and his obsessive artistic vision lead to his descent into madness and eventual suicide by drowning.

Book Four sees Lanark begin a bizarre, dreamlike journey back to Unthank, which he finds on the point of total disintegration, wracked by political strife, avarice, paranoia and economic meltdown, all of which he is unable to prevent. In the course of the journey, during which he meets his author, he rapidly ages. He finally finds himself old, sitting in a hilltop cemetery as Unthank breaks down in an apocalypse of fire and flood, and, his time of death having been revealed to him, he ends the book calmly awaiting it.

Interpretation

Lanark could be viewed as Thaw in a personal Hell (Thaw drowns in the sea; Lanark arrives in Unthank with the same belongings, and seashells and sand in his pockets). The connection between the two narratives is ambiguous; Gray said that "One is a highly exaggerated form of just about the everyday reality of the other"[5] (for example, Thaw's eczema is mirrored by Lanark's skin disease 'dragonhide'). He also writes in the novel itself: "The Thaw narrative shows a man dying because he is bad at loving. It is enclosed by [Lanark's] narrative which shows civilization collapsing for the same reason"[4]:484 and (spoken to Lanark) "You are Thaw with the neurotic imagination trimmed off and built into the furniture of the world you occupy".[4]:493 He also writes: "The plots of the Thaw and Lanark sections are independent of each other and cemented by typographical contrivances rather than formal necessity. A possible explanation is that the author thinks a heavy book will make a bigger splash than two light ones".[4]:493

One of the most characteristically postmodern parts of the book is the Epilogue, in which Lanark meets the author in the guise of the character "Nastler". He makes the first two remarks about the book quoted above, and anticipates criticism of the work and of the Epilogue in particular, saying "The critics will accuse me of self-indulgence, but I don't care". An Index of Plagiarisms is printed in the margins of the discussion. For instance, Gray describes much of Lanark as an extended 'Difplag' (diffuse plagiarism) of Charles Kingsley's The Water Babies. Some of the supposed plagiarisms refer to non-existent chapters of the book.

The Unthank parts of the book may be considered as part of the "social-commentary" tradition of science fiction, and Lanark has often been compared with Nineteen Eighty-Four by George Orwell.[6]

Gray added an appendix to the 2001 edition of the novel in which he included a brief biography and elaborated on some of the influences on and inspirations for the novel. He cited Kafka as a major influence on the atmosphere of the novel. He also referred to his own experiences in the media industry which he states is reflected in Lanark's numerous encounters in labyrinthine buildings with individuals talking in jargon. The Institute he describes as a combination of Wyndham Lewis's conception of Hell in Malign Fiesta along with three real-life structures: the London Underground, Stobhill Hospital in Glasgow and BBC Television Centre in London. More immediately evident inspiration can be seen in the cathedral and necropolis episodes in Unthank, whose proximity to an urban tangle of roads is mirrored in Glasgow's real-life Townhead area. Glasgow Cathedral is yards away from the Necropolis to the east and the M8 motorway (and aborted Inner Ring Road) to the north and west. Gray said Glasgow Cathedral was the only location he purposefully visited to make notes about during the writing of the novel; all other locations he wrote about from memory.[7]

Genesis

Gray began writing the novel as a student in 1954. Book One was written by 1963, but he was unsuccessful in getting it published. The whole work was finished in 1976, and published in 1981 by the Scottish publisher Canongate Press. The novel was an immediate critical success.[8][9]

Adaptations

In 2015, a stage adaptation entitled Lanark: A Life in Three Acts, written by David Greig and directed by Graham Eatough was produced and performed at the Edinburgh International Festival.[10][11]

References
  1. Cited in Bernstein, Steven (1999). Alasdair Gray. Bucknell University Press. p. 18. ISBN 9780838754146.
  2. Glass, Rodge (2012). Alasdair Gray: A Secretary's Biography. Bloomsbury. p. 166. ISBN 9781408833353.
  3. "Alasdair Gray". The Guardian. London. 22 July 2008. Retrieved 7 May 2010.
  4. Gray, Alasdair (1981). Lanark: A Life in Four Books. Edinburgh: Canongate Books. ISBN 978-1-84767-374-9. Retrieved 27 July 2017.
  5. Out There: The Gray Matter (Scottish Television, 1993) quoted in Blurring The Edges Fantasy, Reality, And The Fantastical Realism Of Alasdair Gray (Ian Phillip, 1997) Archived 13 May 2008 at the Wayback Machine
  6. Böhnke, Dietmar (2004). Shades of Gray: science fiction, history and the problem of postmodernism in the work of Alasdair Gray. Galda & Wilch. p. 102. ISBN 9783931397548.
  7. "BBC - Scotland - Alasdair Gray: Lanark at 30". Bbc.co.uk. Retrieved 1 October 2017.
  8. "Lanark by Alasdair Gray". www.gla.ac.uk.
  9. Campbell, James (29 December 2019). "Alasdair Gray obituary". The Guardian.
  10. "Lanark: A Life in Three Acts". Retrieved 18 March 2018.
  11. "Lanark". Retrieved 18 March 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.