List of compositions by Gabriel Fauré
The following is a complete list of the compositions by the French composer Gabriel Fauré. Works are listed both by genre and by opus number.

Gabriel Fauré by Paul Nadar in 1905.
By genre
Piano
Solo Piano
- Fugue à trois parties in F major (c1862)
- Sonata in F major (1863)
- Trois romances sans paroles, Op. 17 (?1863)
- Mazurka in B♭ (c1865)
- Gavotte in C♯ minor (1869)
- Huit pièces brèves, Op. 84 (1869-1902)
- Mazurka in B♭ major, Op. 32 (c1875)
- Nocturne no.1 in E♭ minor, Op. 33/1 (c1875)
- Ballade in F♯ major, Op. 19 (1877-9)
- Impromptu no.1 in E♭ major, Op. 25 (1881)
- Barcarolle no.1 in A minor, Op. 26 (?1881)
- Nocturne no.2 in B major, Op. 33/2 (c1881)
- Valse-caprice no.1 in A major, Op. 30 (1882)
- Impromptu no.2 in F minor, Op. 31 (1883)
- Nocturne no.3 in A♭ major, Op. 33/3 (1883)
- Impromptu no.3 in A♭ major, Op. 34 (1883)
- Valse-caprice no.2 in D♭ major, Op. 38 (1884)
- Nocturne no.4 in E♭ major, Op. 36 (1884)
- Nocturne no.5 in B♭ major, Op. 37 (1884)
- Barcarolle no.2 in G major, Op. 41 (1885)
- Barcarolle no.3 in G♭ major, Op. 42 (1885)
- Barcarolle no.4 in A♭ major, Op. 44 (1886)
- Valse-caprice no.3 in G♭ major, Op. 59 (1887-93)
- Valse-caprice no.4 in A♭ major, Op. 62 (1893-4)
- Nocturne no.6 in D♭ major, Op. 63 (1894)
- Barcarolle no.5 in F♯ minor, Op. 66 (1894)
- Theme and variations in C♯ minor, Op. 73 (1895)
- Barcarolle no.6 in E♭ major, Op. 70 (?1895)
- Prelude in C major (1897)
- Nocturne no.7 in C♯ minor, Op. 74 (1898)
- Nocturne no.8 in D♭ major, Op. 84/8 (1902)
- Barcarolle no.7 in D minor, Op. 90 (1905)
- Impromptu no.4 in D♭ major, Op. 91 (1905-6)
- Barcarolle no.8 in D♭ major, Op. 96 (1906)
- Nocturne no.9 in B minor, Op. 97 (?1908)
- Nocturne no.10 in E minor, Op. 99 (1908)
- Barcarolle no.9 in A minor, Op. 101 (1908-9)
- Impromptu no.5 in F♯ minor, Op. 102 (1908-9)
- Nine Preludes, Op. 103 (1909-10)
- Nocturne no.11 in F♯ minor, Op. 104/1 (1913)
- Barcarolle no.10 in A minor, Op. 104/2 (1913)
- Barcarolle no.11 in G minor, Op. 105 (1913)
- Barcarolle no.12 in E♭ minor, Op. 106bis (1915)
- Nocturne no.12 in E minor, Op. 107 (1915)
- Barcarolle no.13 in C major, Op. 116 (1921)
- Nocturne no.13 in B minor, Op. 119 (1921)
Piano four hands
- Souvenirs de Bayreuth (1888)
- Allegro symphonique, Op. 68 (1895)
- Dolly, Op. 56 (1894-6)
Violin and piano
- Violin Sonata No. 1 in A major, Op. 13 (1875-6)
- Berceuse, Op. 16 (1879)
- Romance in B♭ major, Op. 28 (1883)
- Andante, Op. 75 (1898)
- Morceau de lecture (1903)
- Violin Sonata No. 2 in E minor, Op. 108 (1916-7)
Cello and piano
- Élégie, Op. 24 (1880)
- Papillon, Op. 77 (1885)
- Romance, Op. 69 (1894)
- Sicilienne, Op. 78 (1898)
- Sérénade, Op. 98 (1908)
- Cello Sonata No. 1 in D minor, Op. 109 (1917)
- Cello Sonata No. 2 in G minor, Op. 117 (1921)
Flute and piano
- Fantasie, Op. 79 (1898)
- Morceau de concours (1898)
String ensemble and piano
- Piano Quartet No. 1 in C minor, Op. 15 (1876-9)
- Piano Quartet No. 2 in G minor, Op. 45 (1887)
- Piano Quintet No. 1 in D minor, Op. 89 (1887-95)
- Piano Quintet No. 2 in C minor, Op. 115 (1919-21)
- Piano Trio in D minor, Op. 120 (1922-3)
Strings
- Morceau de lecture for two cellos (1897)
- String Quartet in E minor, Op. 121 (1924)
Solo harp
- Impromptu, Op. 86 (1904)
- Morceau de lecture (1904)
- Une châtelaine en sa tour, Op. 110 (1918)
Voice and piano
Opus Number | Title | Text | Year Composed | Year Published |
---|---|---|---|---|
1/1 | Le papillon et la fleur | Victor Hugo | 1861 | 1869 |
1/2 | Mai | Hugo | ?1862 | 1871 |
— | L’aube naît | Hugo | ?1862 | lost |
— | Puisque j’ai mis ma lèvre | Hugo | 8 Dec 1862 | |
5/2 | Rêve d’amour (S’il est un charmant gazon) | Hugo | 5 May 1864 | 1875 |
— | Tristesse d’Olympio | Hugo | c1865 | |
2/1 | Dans les ruines d’une abbaye | Hugo | c1866 | 1869 |
2/2 | Les matelots | Théophile Gautier | c1870 | 1876 |
4/2 | Lydia | C.M.R. Leconte de Lisle | c1870 | 1871 |
— | L’aurore | Hugo | c1870 | 1958 |
7/2 | Hymne | Charles Baudelaire | ?1870 | 1871 |
3/1 | Seule! | Gautier | 1871 | 1871 |
5/3 | L’absent (Sentiers où l’herbe se balance) | Hugo | 3 April 1871 | 1879 |
8/2 | La rançon | Baudelaire | ?1871 | 1879 |
5/1 | Chant d’automne | Baudelaire | c1871 | 1879 |
4/1 | La chanson du pêcheur (Lamento) | Gautier | ?1872 | 1877 |
6/1 | Aubade | L. Pomey | c1873 | 1879 |
6/2 | Tristesse | Gautier | c1873 | 1876 |
10/1 | Puisqu'ici-bas toute âme (Duet) | Hugo | c1863-73 | |
10/2 | Tarantelle (Duet) | M.Monnier | c1873 | 1879 |
7/3 | Barcarolle | Monnier | 19 Oct 1873 | 1877 |
8/3 | Ici-bas! | Sully Prudhomme | ?1874 | 1877 |
8/1 | Au bord de l’eau | Prudhomme | Aug 1875 | 1877 |
7/1 | Après un rêve (Levati sol que la luna è levata) | anon., trans. Bussine | 1877 | 1878 |
3/2 | Sérénade toscane (O tu che dormie riposata stai) | anon., trans. R. Bussine | ?1878 | 1879 |
6/3 | Sylvie | Paul de Choudens | 1878 | 1879 |
18/1 | Nell | Leconte de Lisle | 1878 | 1880 |
18/2 | Le voyageur | Armand Silvestre | ?1878 | 1880 |
18/3 | Automne | Silvestre | 1878 | 1880 |
21 | Poème d’un jour
| Charles Grandmougin | 1878 | 1880 |
23/1 | Les berceaux | Prudhomme | 1879 | 1881 |
23/2 | Notre amour | Silvestre | c1879 | 1882 |
23/3 | Le secret | Silvestre | 6 Jul 1881 | 1881 |
27/1 | Chanson d’amour | Silvestre | 1882 | 1882 |
27/2 | La fée aux chansons | Silvestre | 16 Sept 1882 | 1883 |
39/1 | Aurore | Silvestre | 20 May 1884 | 1885 |
39/2 | Fleur jetée | Silvestre | 25 May 1884 | 1885 |
39/3 | Le pays des rêves | Silvestre | 30 May 1884 | 1885 |
39/4 | Les roses d’Ispahan | Leconte de Lisle | 1884 | 1885 |
43/1 | Noël | V Wilder | 1885 | 1886 with piano and hmn, ad lib |
43/2 | Nocturne | Villiers de l’Isle Adam | 1886 | 1886 |
46/1 | Les présents | Villiers de l’Isle Adam | 1887 | 1888 |
46/2 | Clair de lune | Paul Verlaine | 1887 | 1888 |
51/1 | Larmes | J. Richepin | 1888 | 1888 |
51/2 | Au cimetière | Richepin | 1888 | 1888 |
51/3 | Spleen | Verlaine | 1888 | 1888 |
51/4 | La rose | Leconte de Lisle | Aug 1890 | 1890 |
— | En prière | S. Bordèse | 1890 | 1890 |
58 | Cinq mélodies "de Venise"
| Verlaine | 1891 | 1891 |
posth. | Sérénade du Bourgeois gentilhomme | Molière | 27 Feb 1893 | 1957 |
61 | La Bonne Chanson
| Verlaine | Sept 1892–Feb 1894 | 1894 |
83/1 | Prison | Verlaine | 4 Dec 1894 | 1896 |
83/2 | Soir | A. Samain | 17 Dec 1894 | London and Paris, 1896 |
72 | Pleurs d'or (Duet) | Samain | 21 April 1896 | |
76/1 | Le parfum impérissable | Leconte de Lisle | 22 Aug 1897 | London and Paris, 1897 |
76/2 | Arpège | Samain | 6 Sept 1897 | London and Paris, 1897 |
85/1 | Dans la forêt de septembre | C. Mendès | 29 Sept 1902 | 1902 |
85/2 | La fleur qui va sur l’eau | Mendès | 13 Sept 1902 | 1902 |
85/3 | Accompagnement | Samain | 28 March 1902 | 1903 |
87/1 | Le Plus doux chemin (Madrigal) | Silvestre | 1904 | 1907 |
87/2 | Le ramier (Madrigal) | Silvestre | 1904 | Milan, 1904 |
92 | Le don silencieux | J. Dominique [M. Closset] | 20 Aug 1906 | 1906 |
94 | Chanson | H. de Régnier | 1906 | 1907 |
— | Vocalise-Etude | no text | 1906 | 1907 |
95 | La chanson d'Ève
| Charles van Lerberghe | 1906–10 | no.9 (1906), nos.1, 2 (1907),
nos.3, 5 (1908), nos.6, 8 (1909), no.10 (1910) |
106 | Le jardin clos
| van Lerberghe | July–Nov 1914 | 1915 |
113 | Mirages
| Renée de Brimont | 1919 | 1919 |
114 | C’est la paix | G. Debladis | 8 Dec 1919 | 1920 |
118 | L'horizon chimérique
| Jean de La Ville de Mirmont | 1921 | 1922 |
Religious
- Super flumina Babylonis (1863)
- Cantique de Jean Racine, Op. 11 (1865)
- Cantique à St Vincent de Paul, lost (1868)
- Ave Maria, Op. posth (1871)
- Cantique pour la Fête d’un supérieur, lost (c1872)
- Tu es Petrus (c1872)
- Benedictus (c1880) (first edition 1999)
- Messe basse (1882, rev. 1906)
- O Salutaris, Op. 47/1 (1888)
- Maria Mater gratiae, Op. 47/2 (1888)
- Requiem, Op. 48 (1877, 1887–93)
- Ecce fidelis servus, Op. 54 (1889)
- Tantum ergo in A major, Op. 55 (?1890)
- Ave verum corpus, Op. 65/1 (1894)
- Tantum ergo in E major, Op. 65/2 (1894)
- Sancta mater (1894)
- Ave Maria in F major (?1894)
- Salve Regina, Op. 67/1 (1895)
- Ave Maria in A♭ major, Op. 67/2 (1895)
- Tantum ergo in F major (1904)
- Ave Maria in B minor, Op. 93 (1906)
In collaboration with André Messager:
Secular
- Les djinns, Op. 12 (?1875)
- Le ruisseau, Op. 22 (?1881)
- La naissance de Vénus, Op. 29, libretto by Paul Collin (1882)
- Madrigal, Op. 35 (1883)
- l est né le divin enfant (1888)
- Noël d’enfants (Les anges dans nos campagnes) (c1890)
- Hymne à Apollon, Op. 63bis (1894, rev. 1914)
- Pleurs d’or, Op. 72 (1896)
Orchestral
- Symphonic Suite, Op. 20 in F major (1865-74)
- Violin Concerto in D minor, Op. 14 (unfinished) (1878-9)
- Ballade for piano and orchestra in F♯ major, Op. 19 (arr. of original version for piano solo) (1881)
- Symphony in D minor, Op. 40 (destroyed, material re-used in Op. 108 and Op. 109) (1884)
- Pavane, Op. 50 (1887)
- Caligula, Op. 52 (1888)
- Shylock, Op. 57 (1890)
- Pelléas et Mélisande, Op. 80 (1900)
- Le voile du bonheur, Op. 88
- Fantaisie in G major for piano and orchestra, Op. 111 (1918)
- Masques et bergamasques, Op. 112 (1919)
By opus number
- Op. 1 Two Songs
- Le papillon et la fleur
- Mai
- Op. 2 Two Songs
- Dans le ruines d'une abbaye
- Les matelots
- Op. 3 Two Songs
- Seule
- Sérénade toscane
- Op. 4 Two Songs
- Chanson du pêcheur (lamento)
- Lydia
- Op. 5 Three Songs
- Chant d'automne
- Rêve d'amour
- L'absent
- Op. 6 Three Songs
- Aubade
- Tristesse
- Sylvie
- Op. 7 Three Songs (1870-8)
- Après un rêve
- Hymne
- Barcarolle
- Op. 8 Three Songs
- Au bord de l'eau
- La rançon
- Ici-bas
- Op. 9 Number was not allocated to a composition.[1]
- Op. 10 Two Duets
- Puisqu'ici-bas
- Tarantelle
- Op. 11 Cantique de Jean Racine (1865)
- Op. 12 Les djinns (1875?), for mixed chorus and piano or orchestra, after Hugo
- Op. 13 Violin Sonata No. 1 in A major (1875-6)
- Op. 14 Violin Concerto (1878-9), unfinished
- Op. 15 Piano Quartet No. 1 in C minor (1876-9)
- Op. 16 Berceuse for piano and violin (1878-9), also for violin/cello and orchestra
- Op. 17 Romances sans paroles (1863)
- No. 1 Andante quasi allegretto
- No. 2 Allegro molto
- No. 3 Andante moderato
- Op. 18 Three Songs (1878)
- Nell
- Le voyageur
- Automne
- Op. 19 Ballade (1881), originally for piano solo, orchestral accompaniment later added
- Op. 20 Symphonic Suite in F (1865–74)
- Op. 21 Poème d'un jour, song cycle
- Rencontre
- Toujours
- Adieu
- Op. 22 Le ruisseau, (1881?) for 2-part female chorus and piano
- Op. 23 Three Songs (1879)
- Les berceaux
- Notre amour
- Le secret
- Op. 24 Élégie for cello and piano (1883), orchestrated 1890
- Op. 25 Impromptu No. 1 in E-flat (1881)
- Op. 26 Barcarolle No. 1 in A minor (1881)
- Op. 27 2 Mélodies (1882)
- Chanson d'amour
- La fée aux chansons
- Op. 28 Romance for violin and piano (1877)
- Op. 29 La naissance de Vénus (1882)
- Op. 30 Valse-Caprice No. 1 in A (1882)
- Op. 31 Impromptu No. 2 in F minor (1883)
- Op. 32 Mazurka in B-flat (1875)
- Op. 33 Three Nocturnes
- No. 1 in E-flat minor (1875)
- No. 2 in B (1881)
- No. 3 in A-flat (1883)
- Op. 34 Impromptu No. 3 in A-flat (1883)
- Op. 35 Madrigal
- Op. 36 Nocturne No. 4 in E-flat (1884)
- Op. 37 Nocturne No. 5 in B-flat (1884)
- Op. 38 Valse-Caprice No. 2 in D-flat (1884)
- Op. 39 Four Songs (1884)
- Aurore
- Fleur jetée
- Le pays des rêves
- Les roses d'Ispahan
- Op. 40 Symphony in D minor (1884)
- Op. 41 Barcarolle No. 2 in G (1885)
- Op. 42 Barcarolle No. 3 in G-flat (1885)
- Op. 43 Two Songs (1885-6)
- Noël
- Nocturne
- Op. 44 Barcarolle No. 4 in A-flat (1886)
- Op. 45 Piano Quartet No. 2 in G minor (1885-6)
- Op. 46 Two Songs (1887)
- Les présents
- Clair de lune
- Op. 47 No. 1 O Salutaris (1887)
- Op. 47 No. 2 Maria, Mater Gratiae (1887)
- Op. 48 Requiem in D minor (1877, rev. 1887–90, orch. 1899)
- Op. 49 Petite Pièce in G for cello and piano (c. 1888) now lost
- Op. 50 Pavane in F-sharp minor (1887)
- Op. 51 Four Songs (1888)
- Larmes
- Au cimetière
- Spleen
- La rose
- Op. 52 Caligula (1888)
- Op. 53 Number was not allocated to a composition.[1]
- Op. 54 Ecce fidelis servus (1890), motet
- Op. 55 Tantum ergo (1890)
- Op. 56 Dolly Suite for piano four hands (1894-7), orch. Rabaud 1906
- Berceuse (1894)
- Mi-a-ou (1896)
- Le jardin de Dolly (1896)
- Kitty-valse (1896)
- Tendresse (1896)
- Le pas espagnol (1897)
- Op. 57 Shylock Suite (1889)
- Op. 58 Cinq mélodies "de Venise" (1891), song cycle after Verlaine
- Mandoline
- En sourdine
- Green
- À Clymène
- C'est l'extase
- Op. 59 Valse-Caprice No. 3 in G-flat (1887–93)
- Op. 60 Number was not allocated to a composition.[1] However, "Opus 60" was used to refer to an early version of the piano quintet Op. 89. [2]
- Op. 61 La Bonne Chanson (1892–4), song cycle after Verlaine
- Une sainte en son auréole
- Puisque l'aube grandit
- La lune blanche luit dans les bois
- J'allais par des chemins perfides
- J'ai presque peur, en vérité
- Avant que tu ne t'en ailles
- Donc, ce sera par un clair jour d'été
- N'est-ce pas?
- L'hiver a cessé
- Op. 62 Valse-Caprice No. 4 in A-flat (1893-4)
- Op. 63 Nocturne No. 6 in D-flat (1894)
- Op. 63bis Hymne à Apollon (1894)
- Op. 64 Number was not allocated to a composition.[1]
- Op. 65 No. 1 Ave verum corpus (1894)
- Op. 65 No. 2 Tantum ergo (1894)
- Op. 66 Barcarolle No. 5 in F-sharp minor (1894)
- Op. 67 No. 1 Salve Regina (1894-5)
- Op. 67 No. 2 Ave Maria (1894-5)
- Op. 68 Allegro symphonique (1895), arr. for piano 4 hands from 1st movement of Symphonic Suite, Op. 20
- Op. 69 Romance in A for cello and piano (1894)
- Op. 70 Barcarolle No. 6 in E-flat (1895)
- Op. 72 Pleurs d’or
- Op. 73 Theme and Variations for piano (1895), orch. Inghelbrecht 1955
- Theme
- Variation I L'istesso tempo
- Variation II Piu mosso
- Variation III Un poco piu mosso
- Variation IV L'istesso tempo
- Variation V Un poco piu mosso
- Variation VI Molto adagio
- Variation VII Allegro moderato
- Variation VIII Andante molto moderato
- Variation IX Quasi adagio
- Variation X Allegro vivo
- Variation XI Andante molto, moderato espressivo
- Op. 74 Nocturne No. 7 in C-sharp minor (1898)
- Op. 75 Andante for violin and piano (1897)
- Op. 76 Two Songs (1897)
- Le parfum impérissable
- Arpège
- Op. 77 Papillon for cello and piano (1884), also for string quintet or violin and piano
- Op. 78 Sicilienne for cello and piano, (1898)
- Op. 79 Fantaisie for flute and piano, (1898), orch. Aubuert (1957)
- Op. 80 Pelléas et Mélisande (1898)
- Op. 82 Prométhée (1900)
- Op. 83 Two Songs (1894)
- Prison
- Soir
- Op. 84 Huit pièces brèves (1869–1902)
- No. 1 Capriccio in E-flat major
- No. 2 Fantaisie in A-flat major
- No. 3 Fugue in A minor
- No. 4 Adagietto in E minor
- No. 5 Improvisation in C-sharp minor
- No. 6 Fugue in E minor
- No. 7 Allegresse in C major
- No. 8 Nocturne No. 8 in D-flat major (1898–1902)
- Op. 85 Trois mélodies (1902)
- Dans la forêt de septembre
- La fleur qui va sur l'eau
- Accompagnement
- Op. 86 Impromptu for harp (1904) (piano arrangement is Op.86 bis, 'Impromptu No. 6' in D-flat)
- Op. 87 Two Songs (1904)
- Le Plus doux chemin
- Le ramier
- Op. 88 Le voile du bonheur (1901), after Clemenceau
- Op. 89 Piano Quintet No. 1 in D minor (1890-4, rev. 1903–5)
- Op. 90 Barcarolle No. 7 in D minor (1905)
- Op. 91 Impromptu No. 4 in D-flat (1905)
- Op. 92 Le don silencieux (1906)
- Op. 93 Ave Maria for two sopranos and organ (1906)
- Op. 94 Chanson (1906)
- Op. 95 La chanson d'Ève (1906–10), song cycle after van Lerberghe
- Paradis
- Prima verba
- Roses ardentes
- Comme Dieu rayonne
- L'aube blanche
- Eau vivante
- Veilles-tu, ma senteur de soleil?
- Dans un parfum de roses blanches
- Crépuscule
- O mort, poussière d'étoiles
- Op. 96 Barcarolle No. 8 in D-flat (1906)
- Op. 97 Nocturne No. 9 in B minor (1908)
- Op. 98 Sérénade for cello and piano (1908)
- Op. 99 Nocturne No. 10 in E minor (1908)
- Op. 100 Number was not allocated to a composition.[1]
- Op. 101 Barcarolle No. 9 in A minor (1908-9)
- Op. 102 Impromptu No. 5 in F-sharp minor (1909)
- Op. 103 Nine Préludes (1909–10)
- No. 1 in D-flat major
- No. 2 in C-sharp minor
- No. 3 in G minor
- No. 4 in F major
- No. 5 in D minor
- No. 6 in E-flat minor
- No. 7 in A major
- No. 8 in C minor
- No. 9 in E minor
- Op. 104 No. 1 Nocturne No. 11 in F-sharp minor (1913)
- Op. 104 No. 2 Barcarolle No. 10 in A minor (1913)
- Op. 105 Barcarolle No. 11 in G minor(1913-5)
- Op. 106 Le jardin clos (1914), song cycle after van Lerberghe
- Exaucement
- Quand tu plonges tes yeux dans mes yeux
- La messagère
- Je me poserai sur ton coeur
- Dans la nymphée
- Dans la pénombre
- Il m'est cher, amour, le bandeau
- Inscription sur le sable
- Op. 106bis Barcarolle No. 12 in E-flat (1913-5)
- Op. 107 Nocturne No. 12 in E minor (1915)
- Op. 108 Violin Sonata No. 2 in E minor (1916-7)
- Op. 109 Cello Sonata No. 1 in D minor (1917)
- Op. 110 Une châtelaine en sa tour (1918) for harp, arr. Durand for piano
- Op. 111 Fantaisie in G for piano and orchestra
- Op. 112 Masques et bergamasques
- Op. 113 Mirages (1919), song cycle after de Brimont
- Cygne sur l'eau
- Reflets dans l'eau
- Jardin nocturne
- Danseuse
- Op. 114 C'est la paix! (1919)
- Op. 115 Piano Quintet No. 2 in C minor (1919–21)
- Op. 116 Barcarolle No. 13 in C (1921)
- Op. 117 Cello Sonata No. 2 in G minor (1921)
- Op. 118 L'horizon chimérique (1921), song cycle after de La Ville de Mirmont
- La mer est infinie
- Je me suis embarqué
- Diane, Séléné
- Vaisseaux, nous vous aurons aimés
- Op. 119 Nocturne No. 13 in B minor (1921)
- Op. 120 Piano Trio in D minor (1922-3)
- Op. 121 String Quartet in E minor (1923-4)
Notes
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