List of string quartets by Béla Bartók

The Hungarian composer Béla Bartók wrote six string quartets, each for the usual forces of two violins, viola and cello:

Béla Bartók in 1927

Posterity

Notable composers who have been influenced by them include:

Recordings

Key recordings of the complete cycle include:

  • Emerson String Quartet, Deutsche Grammophon, released 1990.
  • Hagen Quartet
  • Juilliard String Quartet:
    • Recorded 1949, New York. Robert Mann and Robert Koff, violins; Raphael Hillyer, viola; Arthur Winograd, cello. Three LPs, 12 in., monaural. Columbia Masterworks ML 4278/4279/4280.
    • Recorded May and September, 1963, Columbia 30th Street Studios, New York. Robert Mann and Isidore Cohen, violins; Raphael Hillyer, viola; Claus Adam, cello. Three LPs, 12 in., stereo. Columbia Masterworks D3L 317 (set): ML 6102, 6103, 6104. New York: Columbia Masterworks, 1965.
    • Recorded 13–23 May 1981, Columbia 30th Street Studios, New York. Robert Mann and Earl Carlyss, violins; Samuel Rhodes, viola; Claus Adam, cello.
  • Lindsay String Quartet (Anon. n.d.).
  • Takács Quartet, Decca 289 455 297-2. Released 1998.

See also

Sources

  • Anon. n.d. “Bartok*, Lindsay String Quartet* – The 6 String Quartets (Listing of the 1988 reissue). Discogs.com (accessed 22 October 2017)
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  • Donahue, Robert L. 1964. "A Comparative Analysis of Phrase Structure in Selected Movements of the String Quartest of Béla Bartók and Walter Piston". DMA thesis. Cornell University.
  • Iddon, Martin. 2014. "Bartók’s Relics: Nostalgia in György Ligeti’s Second String Quartet". In The String Quartets of Bela Bartok: Tradition and Legacy in Analytical Perspective, edited by Daniel Péter Biró and Harald Krebs, 243–60. Oxford and New York: Oxford University Press. ISBN 978-0-19-993619-9.
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  • Osmond-Smith, David. 2001. "Donatoni, Franco". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Palazzetti, Nicolò. 2015. "Italian Harmony during the Second World War: Analysis of Bruno Maderna's First String Quartet". Rivista di Analisi e Teoria Musicale 21, no. 1: 63–91.
  • Rupprecht, Philip. 1999. "The Chamber Music". In The Cambridge Companion to Benjamin Britten, edited by Mervyn Cooke, 245–59. Cambridge and New York: Cambridge University Press.
  • Sallis, Friedemann. 2014. "Recycled Flowers: Quotation, Paraphrase, and Allusion in György Kurtág’s Officium breve in memoriam Andreæ Szervánsky op. 28 for String Quartet". In The String Quartets of Bela Bartok: Tradition and Legacy in Analytical Perspective, edited by Daniel Péter Biró and Harald Krebs, 285–305. Oxford and New York: Oxford University Press. ISBN 978-0-19-993619-9.
  • Sanderson, Blair. [2013]. "Armida Quartett: Bartók, Kurtág, Ligeti: String Quartets". AllMusic.com (Accessed 18 April 2014).
  • Schmidt, Dörte. 2012. "'I Try to Write Music That Will Appeal to an Intelligent Listener’s Ear': On Elliott Carter’s String Quartets", translated by Maria Schoenhammer and John McCaughey. In Elliott Carter Studies, edited by Marguerite Boland and John Link, 168–89. Cambridge and New York: Cambridge University Press.
  • Satory, Stephen. 1990. "Colloquy: An Interview with György Ligeti in Hamburg". Canadian University Music Review/Revue de musique des universités canadiennes 10:101–17.
  • Shcherbakova, Taisiya. 2001. "Tsesakow, Kim Dzmitrïyevich". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Tamm, Eric. n.d. "Fripp the Listener", chapter 3 of "Robert Fripp—From Crimson King to Crafty Master". Progressive Ears website (Accessed 18 April 2014).
  • Volborth-Danys, Diana von. 2001. "Westerlinck, Wilfried". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Whittall, Arnold. 2013. "Britten’s Rhetoric of Resistance: The Works for Rostropovich". In Rethinking Britten, edited by Philip Ernst Rupprecht, 181–205. Oxford and New York: Oxford University Press. ISBN 978-0-19-979481-2.
  • Wong, Hoi-Yan. 2007. "Bartók's Influence on Chinese New Music in the Post–Cultural Revolution Era". Studia Musicologica: An International Journal of Musicology of the Hungarian Academy of Sciences 48, nos. 1–2 (March): 237–43.
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