Look into the Future

Look into the Future is the second studio album by Journey. It was released in January 1976 on Columbia Records.

Look into the Future
Studio album by
ReleasedJanuary, 1976
RecordedAugust–October 1975
StudioThe Automatt, San Francisco, California
GenreProgressive rock, jazz fusion[1]
Length41:50
LabelColumbia
ProducerJourney and Glen Kolotkin
Journey chronology
Journey
(1975)
Look into the Future
(1976)
Next
(1977)
Singles from Look into the Future
  1. "On a Saturday Nite" / "To Play Some Music"
    Released: March 1976
  2. "She Makes Me (Feel Alright)" / "It's All Too Much"
    Released: July 1976
Professional ratings
Review scores
SourceRating
AllMusic[1]

For their second album, the members of Journey toned down the overt progressiveness of their first, self-titled release, in favor of a more focused approach.[1] Despite that, Look into the Future still retains some of the experimental approach and sound of the debut,[1] especially in the title track and "I'm Gonna Leave You". The album also features a cover version of The Beatles' "It's All Too Much" from the 1968 Yellow Submarine film and 1969 soundtrack. The title track was the longest recorded Journey song until 1980, when "Destiny" from Dream, After Dream would claim that honor.

Guitarist George Tickner left the band after having co-written two songs for this album, leaving members Gregg Rolie (lead vocals/keyboards), Neal Schon (guitar), Ross Valory (bass), and Aynsley Dunbar (drums).

Track listing

Side one
No.TitleLyricsMusicLength
1."On a Saturday Nite"Gregg RolieRolie4:01
2."It's All Too Much"George HarrisonHarrison4:06
3."Anyway"RolieRolie4:12
4."She Makes Me (Feel Alright)"Alex Cash, RolieNeal Schon3:13
5."You're on Your Own"RolieGeorge Tickner, Schon5:55
Side two
No.TitleLyricsMusicLength
6."Look into the Future"Diane Valory, RolieSchon8:13
7."Midnight Dreamer"RolieSchon5:14
8."I'm Gonna Leave You"RolieSchon, Rolie, Tickner7:01

Personnel

Journey

Production

  • Glen Kolotkin – co-producer, engineer
  • Mark Friedman – engineer
  • George Horn – mastering
  • Rick Narin – artwork
  • Ethan Russell – photography

References

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