Lovesick Blues

"Lovesick Blues" is a show tune written by Cliff Friend and Irving Mills. The song first appeared in the 1922 musical Oh, Ernest. It was recorded by Emmett Miller in 1925 and 1928, and later by country music singer Rex Griffin. The recordings by Griffin and Miller inspired Hank Williams to perform the song during his first appearances on the Louisiana Hayride radio show in 1948. Receiving an enthusiastic reception from the audience, Williams decided to record his own version despite initial push back from his producer Fred Rose and his band.

"Lovesick Blues"
Single by Hank Williams
B-side	"Never Again (Will I Knock on Your Door)"
Released	February 11, 1949
Recorded	December 22, 1948
Studio	Herzog Studio in Cincinnati
Genre	Country honky-tonk blues
Length	2:45
Label	MGM
Songwriter(s)	Cliff Friend Irving Mills
Producer(s)	Fred Rose
Hank Williams singles chronology
"A Mansion on the Hill" (1948) "Lovesick Blues" (1949) "Wedding Bells" (1949)
Audio sample
Hank Williams – "Lovesick Blues" file help

MGM Records released "Lovesick Blues" in February 1949, and it became an overnight success, quickly reaching number one on Billboard's Top C&W singles and number 24 on the Most Played in Jukeboxes list. The publication named it the top country and western record of the year, while Cashbox named it "Best Hillbilly Record of the Year".

Several cover versions of the song have been recorded. The most popular, Frank Ifield's 1962 version, topped the UK Singles Chart. In 2004, Williams' version was added to the National Recording Registry.

Background and recordings

"First sheet music, published in 1922" (PDF).

"Lovesick Blues" originally was titled "I've Got the Lovesick Blues" and published by Jack Mills, Inc. in 1922; Irving Mills wrote the lyrics and Cliff Friend composed the music. It was first performed by Anna Chandler in the Tin Pan Alley musical Oh! Ernest and first recorded by Elsie Clark on March 21, 1922 with Okeh Records.[1] Following the recording, Friend and Mills copyrighted the song on April 3, 1922. It was featured in a show at the Boardwalk Club in New York City in June 1922 and recorded by Jack Shea on Vocalion Records later that summer.[2]

On September 1, 1925, OKeh Records sent scout Ralph Peer and a recording crew to Asheville, North Carolina. Among the aspiring artists recorded by Peer was Emmett Miller. Accompanied by Walter Rothrock on the piano, Miller cut four sides for the label, including "Lovesick Blues".[3] The single was paired with "Big Bad Bill (is Sweet William Now)" and released in November 1925.[4] On June 12, 1928 accompanied by the Georgia Crackers (Tommy Dorsey, Jimmy Dorsey, Eddie Lang, and Leo McConville), Miller re-recorded the song, which was released to weak sales.[3] Miller's version was covered by country music singer Rex Griffin in December 1939 on Decca Records.[5] Griffin rearranged the song by using the original chorus - "I got a feeling called the blues"—as a verse and turning the verse "I'm in love, I'm in love, with a beautiful gal" into the new chorus.[6]

Hank Williams recording

Hank Williams, who heard both the Miller and Griffin versions,[7] started performing the song on the Louisiana Hayride shortly after joining in August 1948. Horace Logan, the show's producer and programming director for KWKH, reported that the audience "went crazy" the first time Williams performed the song on the show.[8] In light of the live audience's strong positive reaction, Williams decided to record the song. His decision was questioned by his musicians and also his producer, Fred Rose, who felt that the song did not merit a recording.[5][9] Williams, mindful of the reaction he received live, persisted, and the recording took place during the final half-hour of a session recorded at Herzog Studio in Cincinnati, Ohio,[10] on December 22, 1948.[11] For this recording, Williams replaced the jazz musicians with a modern country music band, using a rhythm guitar, mandolin, string bass, drums and a steel guitar.[12] Williams' session band was composed of Clyde Baum (mandolin), Zeke Turner (electric guitar), Jerry Byrd (steel guitar), Louis Innis (rhythm guitar), Tommy Jackson (fiddle) and Willie Thawl (bass).[13] With little time left, Byrd and Turner replicated the musical arrangement they previously used on an Ernest Tubb session for a cover of Jimmie Rodgers' "Waiting for a Train". In the episode of American Masters about Williams, Drifting Cowboy Don Helms recalls, "When they recorded 'Lovesick Blues,' Fred told Hank, 'That song's out of meter! Got too many bars in it. And you hold that note too long.' And Hank said, 'Well, when I find a note I like, I wanna hold on to it as long as I can,' you know, just tryin' to be funny. And Fred said, 'Well, I'll tell you what I'm gonna do. That thing is so much out of meter, I'm gonna get me a cup of coffee and when I get back maybe ya'll have that thing cut.' And they did, but it was still out of meter. So Fred lived with that the rest of his life." Williams combined Griffin's lyrical arrangement with a two-beat honky-tonk track,[14] borrowing the yodeling and beat drops from Miller's recording.[9] "Lovesick Blues" was recorded in two takes.[14]

Hank Williams, depicted on an MGM publicity portrait

MGM released "Lovesick Blues" on February 11, 1949, coupling it with "Never Again (Will I Knock On Your Door)".[15] The single sold 50,000 copies in the first two weeks.[10] On its February 26, 1949 review, Billboard opined: "Hank's razz-mah-tazz approach and ear-catching yodeling should keep this side spinning". Based on votes sent to Billboard, the record was rated with 85 points by disc jockeys, 82 by record dealers and 85 by jukebox operators. Between the three, the track scored an overall of 84. In reference to its 100-point scale, Billboard regarded the record as "Excellent".[16] It reached number one on Billboard's Top C&W singles, where it remained for sixteen weeks and reached number twenty-four on Most Played in Jukeboxes.[17] The magazine listed it as the "number one country and western record of 1949" while Cashbox named it "Best Hillbilly record of the year".[11] In March 1949, Wesley Rose requested Williams to send him the records by Griffin and Miller to prove that the song was in the public domain. Irving Mills, the original lyricist, sued Acuff-Rose. The suit was settled on November 1, 1949 and it was agreed that Mills and Acuff-Rose would share the publishing of Williams' recording.[6] Mills retained the rest of rights to the song as he had also purchased Friend's rights during the Great Depression.[7]

Following the success of the song, Williams was invited to appear as a guest on the Grand Ole Opry, on June 11, 1949.[18] After the performance, Williams received a standing ovation.[19] "Lovesick Blues" became his signature song, which he used to close his shows.[20] It was also his first number one hit, and garnered Williams the stage nickname of "The Lovesick Blues Boy".[21] In 1949, the singer received second billing behind Eddy Arnold on the list of the "Year's Top Selling Folk Artists".[20] Williams' version of the song was featured in the films The Last Picture Show (1971), Forrest Gump (1994) and The Shawshank Redemption (1994). In 2004, "Lovesick Blues" was added to the National Recording Registry by the Library of Congress.[22]

The Crickets recording

The Crickets released their cover of the song (based on Williams' version) in 1971 on the Philips label. The song appeared originally as the B-side to the single "My Rockin' Days". The recording lineup consisted of Sonny Curtis providing lead guitar and vocals, Joe Osborn on bass, Jerry Allison on drums, and Glen Hardin on piano. The song was performed live on The Old Grey Whistle Test in 1972.[23]

Other versions

• Singer Sonny James released a version of the song on the flip side of "Dear Love" in June 1957.[24] The song peaked at number 15 on Billboard's Hot Country Songs.[25]
• Floyd Cramer's 1962 instrumental version of the song peaked at 87 on the Billboard Hot 100.[26]
• In December 1962, Frank Ifield's version of "Lovesick Blues" topped the UK Singles Chart,[27] and reached number 44 on the Billboard Hot 100 the following month. [28] Gramophone compared his singing to a "rough and raucous Jimmie Rodgers".[29] Meanwhile, Elizabethan delivered a negative review, stating: "No true country singer would dare do to a Hank Williams number what Frank Ifield has done to 'Lovesick Blues'." The review finished by declaring that Ifield had "none of Jim Reeves' depth and character, nor of the subtle melodic quality (of) Don Gibson."[30] By the end of February 1963, Billboard estimated that the single had sold close to a million copies worldwide.[31]
• Linda Ronstadt recorded a version of the song on her album Silk Purse in 1970.
• In 1992, George Strait released a version that reached number twenty-four on the Billboard Hot Country Singles.[32] The single peaked at number 22 on RPM's Country Tracks.[33] This chart placing broke a string of 31 consecutive top ten country hits for Strait.
• In 2001, Ryan Adams recorded "Lovesick Blues" for a Hank Williams tribute album, Timeless.
• In 2018, Mason Ramsey became a viral sensation when he was recorded singing "Lovesick Blues" at a Walmart store in Harrisburg, Illinois,[34] which led to him signing a record deal,[35] and his version of the song was included on his debut EP, Famous.

Chart performance

Hank Williams

Chart (1949)	Peak position
Billboard Hot Country Singles	1[17]
U.S. Billboard Most Played By Disc Jockeys	24[11]

Other artists

Year	Artist	Chart	Peak position
1949	Red Kirk	Billboard Most Played Juke Box (Country & Western) Records	14[36]
1957	Sonny James	Billboard Most Played C&W by Jockeys	15[24]
1962	Floyd Cramer	Billboard Pop Singles	87[26]
	Frank Ifield	UK Singles Chart	1[27]
1963	Frank Ifield	Billboard Pop Singles	44[28]
1975	Sonny Curtis	Billboard Hot Country Singles	78[37]
1978	Jim Owen	Billboard Hot Country Singles	97[37]
1992	George Strait	Canada Country Tracks (RPM)	22[33]
		Billboard Hot Country Singles	24[32]

See also

• Yodeling

Footnotes

1. Tosches 2009, p. 247.
2. Tosches 2002, p. 157.
3. Harwood 2008, p. 108.
4. Tosches 2002, p. 158.
5. Jennings 2008, p. 211.
6. Escott 1994, p. 99.
7. Harwood 2008, p. 110.
8. Deikman 2007, p. 13.
9. Campbell 2011, p. 126.
10. Kosser 2006, p. 22.
11. Koon 1983, p. 41.
12. Gilliland 1969.
13. Escott 1994, p. 96.
14. Escott 1994, p. 97.
15. Koon 1983, p. 153.
16. Billboard staff 1949, p. 116.
17. Jennings 2008, p. 212.
18. Koon 1983, p. 41, 42.
19. Williams 1981, p. 1.
20. Williams 1981, p. 82.
21. Escott 1994, p. 100.
22. Tyler 2008, p. 174.
23. "Archived copy". Archived from the original on 2013-02-11. Retrieved 2013-02-11.CS1 maint: archived copy as title (link)
24. Billboard staff 1957, p. 52.
25. Whitburn 2005, p. 186.
26. Billboard staff 1962, p. 2.
27. Billboard staff 2 1962, p. 37.
28. Billboard staff 1963, p. 23.
29. Gramophone staff 1962, p. 316.
30. Valentine 1963, p. 4.
31. Wedge 1963, p. 25.
32. Whitburn 2005, p. 619.
33. RPM staff 1992, p. 2.
34. "The Internet Has Fallen Hard For This 10-Year-Old Boy Yodeling at Walmart". Time. Retrieved April 5, 2018.
35. "Yodeling Boy Signs With Atlantic Records & Big Loud, Releases 'Famous': Listen". Billboard. Retrieved April 28, 2018.
36. Whitburn 2005, p. 207.
37. Whitburn 2005, p. 512.

References

• Billboard staff (1949). "Record Reviews". Billboard. Nielsen Business Media, Inc. 61 (9). ISSN 0006-2510.
• Billboard staff (1957). "Tips on Coming Tops". Billboard. Nielsen Business Media, Inc. 69 (24). ISSN 0006-2510.
• Billboard staff (1962). "Billboard Music Week Hot 100". Billboard. Nielsen Business Media, Inc. 74 (16). ISSN 0006-2510.
• Billboard staff 2 (1962). "Hits of the World". Billboard. Nielsen Business Media, Inc. 74 (49). ISSN 0006-2510.
• Billboard staff (1963). "Billboard Hot 100". Billboard. Nielsen Business Media, Inc. 75 (4). ISSN 0006-2510.
• Campbell, Michael (2011). Popular Music in America: The Beat Goes on. Cengaging Learning. ISBN 978-0-8400-2976-8.
• Deikman, Diane (2007). Live Fast, Love Hard: The Faron Young Story. University of Illinois Press. ISBN 978-0-252-09380-7.
• Escott, Colin (1994). Hank Williams: The Biography. Hachette Digital, Inc. p. 307. ISBN 0-316-24986-6.
• Gilliland, John (1969). "Pop Chronicles: Tennessee Firebird: American country music before and after Elvis". 1. Episode 9. KRLA 1100.
• Gramophone staff (1962). Gramophone. General Gramophone Publications Limited. 40. Missing or empty |title= (help)
• Harwood, Robert (2008). I Went Down to St. James Infirmary: Investigations in the Shadowy World of Early Jazz-Blues in the Company of Blind Willie McTell, Louis Armstrong, Don Redman, Irving Mills, Carl Moore, and a Host of Others, and Where Did This Dang Song Come from Anyway?. Harlan Press. ISBN 978-0-9809743-0-0.
• Jennings, Dana (2008). Sing Me Back Home: Love, Death, and Country Music. Macmillan. ISBN 978-1-4299-9624-2.
• Koon, George William (1983). Hank Williams, so Lonesome. University of Mississippi press. ISBN 978-1-57806-283-6.
• Kosser, Michael (2006). How Nashville Became Music City, U.s.a.: 50 Years of Music Row. ISBN 978-0-634-09806-2.
• RPM staff (1992). "RPM100 Country Tracks". RPM. 55 (13).
• Tosches, Nick (2002). Where dead voices gather. Little, Brown and Co. ISBN 978-0-316-07714-9.
• Tosches, Nick (2009). Country: The Twisted Roots of Rock 'n' Roll. Da Capo Press. ISBN 978-0-7867-5098-6.
• Tyler, Don (2008). Music of the post war era. ABC-Clio. ISBN 978-0-313-34191-5.
• Valentine, Anne (1963). "Music Review". Elizabethan. Periodical Publications. 16.
• Wedge, Don (1963). "Disk Retailers Association Meets". Billboard. Nielsen Business Media, Inc. 75 (8). ISSN 0006-2510.
• Whitburn, Joel (2005). Joel Whitburn's Top Country Songs: 1944–2005, Billboard. Record Research. ISBN 978-0-89820-165-9.
• Williams, Roger M. (1981). Sing a sad song: the life of Hank Williams. University of Illinois Press. ISBN 978-0-252-00861-0.