Monologue

In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films,[1] etc.), as well as in non-dramatic media such as poetry.[2] Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices.

For the Soviet film, see Monologue (film). For the Malayalam film, see Anantaram. For the speech of a narrator, see Voiceover.
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly

Similar literary devices

Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating his or her thoughts and feelings to him/herself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out loud.[3] Monologues are also distinct from apostrophes, in which the speaker or writer addresses an imaginary person, inanimate object, or idea.[4] Asides differ from each of these not only in length (asides are shorter) but also in that asides are not heard by other characters even in situations where they logically should be (e.g. two characters engaging in a dialogue interrupted by one of them delivering an aside).[4]

History

In ancient Greek theatre, the origin of western drama,[5] the conventional three actor rule was preceded by a two-actor rule, which was itself preceded by a convention in which only a single actor would appear on stage, along with the chorus.[6] The origin of the monologue as a dramatic device, therefore, is not rooted in dialogue. It is, instead, the other way around; dialogue evolved from the monologue.

Ancient Roman theatre featured monologues extensively, more commonly than either Ancient Greek theatre or modern theatre.[7] One of the key purposes of these monologues was to indicate the passage of significant amounts of time (that would be tedious to actually play out in real time) within scenes. This type of monologue is referred to as a linking monologue.[8] Other monologue types included "entrance monologues"[8] and exit monologues.[9] In each of these cases a primary function is indicating the passage of time.[8]

From Renaissance theatre onward, monologues generally focused on characters using the extended speech to pursue their dramatic need. Postmodern theatre, on the other hand, often embraces the performative aspects of the monologue, even to the point of challenging the boundary between character portrayal (e.g. acting) and autobiographical speeches.[10]

Types

Interior monologues involve a character externalizing their thoughts so that the audience can witness experiences that would otherwise be mostly internal. In contrast, a dramatic monologue involves one character speaking to another character.[11] Monologues can also be divided along the lines of active and narrative monologues. In an active monologue a character is using their speech to achieve a clear goal. Narrative monologues simply involve a character telling a story and can often be identified by the fact that they are in the past tense.[12]

Auditions

Actors in theatre, and sometimes in film and television, may be asked to deliver monologues in auditions. Audition monologues demonstrate an actor's ability to prepare a piece and deliver a performance.[13] These pieces are usually limited to two minutes or less and are often paired with a contrasting monologue: comic and dramatic; classical and contemporary. The choice of monologues for an audition[14] often depends on the play or role.

See also

References

[15]

  1. "The Greatest Movie Speeches/Monologues of all time!". IMDb. Archived from the original on 1 April 2016. Retrieved 29 April 2018.
  2. "Dramatic Monologue: An Introduction". Victorianweb.org. 10 March 2003. Archived from the original on 7 August 2013. Retrieved 16 August 2013.
  3. "Soliloquy – Definition and More from the Free Merriam-Webster Dictionary". Merriam-webster.com. Archived from the original on 6 July 2013. Retrieved 16 August 2013.
  4. "The Tragedy of Romeo and Juliet by William Shakespeare". Pleasanton.k12.ca.us. Archived from the original on 2 September 2013. Retrieved 16 August 2013.
  5. The origins of theater in ancient Greece and beyond : from ritual to drama. Csapo, Eric., Miller, Margaret Christina. Cambridge: Cambridge University Press. 2007. pp. 1–32. ISBN 9780521836821. OCLC 70335135.CS1 maint: others (link)
  6. Kuritz, Paul (1988). The Making of Theatre History. ISBN 978-0-13-547861-5. Retrieved 27 May 2014.
  7. Henry W. Prescott (January 1939). "Link Monologues in Roman Comedy". Classical Philology. 34 (1): 1–23. doi:10.1086/362195. JSTOR 264065.
  8. Henry W. Prescott (April 1939). "Link Monologues in Roman Comedy". Classical Philology. 34 (2): 116–126. doi:10.1086/362225. JSTOR 264823.
  9. Henry W. Prescott (January 1942). "Exit Monologues in Roman Comedy". Classical Philology. 37 (1): 1–21. doi:10.1086/362568. JSTOR 264367.
  10. Geis, Deborah R. (December 1993). Postmodern theatric(k)s: monologue in contemporary American drama. University of Michigan Press. ISBN 978-0-472-10467-3. Retrieved 27 May 2014.
  11. "monologue (drama and literature) - Encyclopædia Britannica". Britannica.com. Archived from the original on 12 August 2013. Retrieved 16 August 2013.
  12. "Monologue Information". Angelfire.com. Archived from the original on 28 October 2013. Retrieved 16 August 2013.
  13. "Audition Monologues". Ace Your Audition. Archived from the original on 14 July 2010.
  14. "Monologues from Movies & Plays". Daily Actor. 4 October 2018.
  15. Contemporary Monologues From Published Plays. Monologue Blogger. January 29, 2019.

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