Music in ancient India

Music in ancient India, encompassing the Indian subcontinent, can be reproduced from written works dating to the Indian classical period, such as the Nātya Shastra, and through surviving examples of liturgical music such as the hymns of the Samaveda. Musical instruments dating to the prehistoric period have been recovered from archaeological excavations.

Indian classical music
Concepts
Music of India
A lady playing the Tanpura, c. 1735 (Rajasthan)
Genres
Traditional

Modern

Media and performance
Music awards
Music festivals
Music media
Nationalistic and patriotic songs
National anthemJana Gana Mana
Regional music

Prehistoric music

Archaeological discoveries

Musical instruments, such as the seven-holed flute and various types of stringed instruments such as Ravanahatha,[1] cymbals have been recovered from Indus Valley Civilization archaeological sites. Evidence suggests use of drum or dhol in the Indus valley civilization.[2] There have not been a lot of depictions of musical instruments from IVC, but contemporary BMAC civilization which traded with it has archaeological depictions of lyre or harp. A kind of harp is also depicted in the chalcolithic cave drawings of India along with Gong.[3] There is also evidence of dancing figurines from Indus valley civilization suggesting an established musical tradition. A kind of lithophone has also been discovered from Orissa around 1000 BCE.[4]

Surviving music

The Samaveda, one of the ancient core Hindu scriptures known as the Vedas, consists of a collection (samhita) of hymns, portions of hymns and detached verses, all but 75 of which are taken from the Rigveda. They were intended to be sung using melodies called Samagana whose musical forms are indicated. These hymns were sung by Udgatar priests at sacrifices in which the juice of the Soma plant, clarified and mixed with milk and other ingredients, were offered in libation to various deities. This memorization by Hindu priests of the sacred Vedas included up to eleven musical forms of recitation that could be used on the same text.

Echoes in modern Indian music

Contemporary South Asian and Indian music has its roots in the prehistoric era of Indian and South Asian culture

Nātya Shastra
Main article: Natya Shastra

The Nātya Shastra is an ancient Indian treatise on the performing arts, embracing Indian theatre, early Indian classical dance and Indian classical music. It was written between 200 BC and 200 AD, during the classical period of Indian history. This text, which contains 6000 shlokas, is attributed to a muni whose name was Bharata Muni.

The Nātya Shastra is based upon a much older text called the Nātya Veda, which contained 36,000 shlokas.[5] No copies of the Nātya Veda have survived. Some scholars believe that it may have been written by various authors over a period of time.[6]

See also

Notes
  1. Barthakur, Dilip Ranjan. The Music and Musical Instruments of North Eastern India. p. 24. ISBN 8170998816.
  2. "Music to the years: Musical instruments from the Indus Valley Civilisation". hindustantimes. 14 August 2016. Retrieved 17 April 2019.
  3. Erwin, Neumayer. "Chariots in the Chalcolithic Rock Art of Indian" (PDF).
  4. Nettl, Bruno; Arnold, Alison; Stone, Ruth M.; Porter, James; Rice, Timothy; Olsen, Dale Alan; Miller, Terry E.; Kaeppler, Adrienne Lois; Sheehy, Daniel Edward (1998). The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent. Taylor & Francis. ISBN 9780824049461.
  5. Ghosh, Manomohan (2002). Natyasastra. p. 2. ISBN 81-7080-076-5.
  6. The most authoritative commentary on the Nātya Shastra is Abhinavabharati by Abhinava Gupta.


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