Oshun

Ọṣun, is an Orisha, a spirit, a deity, or a goddess that reflects one of the manifestations of the Yorùbá Supreme Being in the Ifá oral tradition and Yoruba-based religions of West Africa. She is one of the most popular and venerated Orishas. Oshun is an important river deity among the Yorùbá people. She is the goddess of divinity, femininity, fertility, beauty and love.[1][2] She is connected to destiny and divination.[3]

For the state in Nigeria, see Osun State.

Ọ̀ṣun
Oshun
Love, Beauty, Intimacy, Freshwater, Osun River, Wealth, Diplomacy
Member of the Orisha
Other namesOchún, Oxúm
Venerated inYoruba religion, Dahomey mythology, Vodun, Santería, Candomblé, Haitian Vodou
RegionNigeria, Benin, Latin America, Haiti, Cuba
Ethnic groupYoruba people, Fon people
Personal information
SpouseChangó, Erinle
Shrine to Oshun in the Osun-Osogbo Sacred Grove.
Abèbè, the ritual fan of Ọṣun

During the life of the mortal Osun, she served as queen consort to King Shango of Oyo. Following her posthumous deification, she was admitted to the Yoruba pantheon as an aspect of a primordial divinity of the same name.

She is the patron saint of the Osun River in Nigeria, which bears her name. The river has its source in Ekiti State, in the west of Nigeria, and passes through the city of Osogbo, where Osun-Osogbo Sacred Grove, the principal sanctuary of the deity, is located.[1] Osun is honored at the Osun-Osogbo Festival, a two-week-long annual festival that usually takes place in August, at the Osun-Osogbo Sacred Grove on the banks of the river.[4][5]

Osun is one of the 401 Yoruba gods.

Primordial Osun

According to the Ifa Literary Corpus, Ọṣun was the only female Irunmole (primordial spirit) sent to assist Shango to create the world by Olodumare. The other spirits that were sent began the work and ignored Ọṣun. Ọṣun went to her partner Shango for guidance. Two versions of this story exist. One claims that female spirits were tempted to take matters into their own hands, but all of their creative attempts failed because they acted without male spiritual leadership. Another version, and this one more consistent with the beginning of the story, claims that the male spirits attempted to make the world without female influence, and this exclusion is what caused the world to fail.[6] The former version appears to reflect a patriarchal influence on orisha narratives that sprang up with the influence of Abrahamic religions,[7] while the second is more in line with traditional orisha beliefs, which revere feminine power. Both story versions end with Shango forcing the other spirits hand to respect Osun as they would him. Through her sacrifice, Olodumare, God granted her the powers of an Orisha.[8]

Mortal Osun

While still a mortal, Osun is said to have gone to a drum festival one day and to have fallen in love with Shango. Since that day, Shango has been married to Oba, Oya, and Osun, though the last mentioned is said to be his favourite.[9] Other stanzas in the Ifa Literary Corpus say that she was also married to Orunmila, who later became the Orisha of Wisdom and Divination.

It is also said that Osun was the first woman to be referred to as an Iyalode.

Ceremonies and Ritual Colors

Osun is the orisha of the river. Her devotees leave her offerings and perform ceremonies at bodies of fresh water such as rivers, streams and canals.

She is associated with the colors white, yellow, gold, and sometimes coral.

Abẹ̀bẹ̀

The Abẹ̀bẹ̀ is the ritual object most associated with Ọṣun. The Abẹ̀bẹ̀ is a fan in circular form.

Brazil

Ọṣun is a female orishá adopted and worshiped in all Afro-Brazilian religions. She is the orishá of the fresh water of rivers and waterfalls; of wealth and prosperity; of love; and of beauty. Followers seek help for romantic problems from Osun; the orisha is also responsible for marriage and other relationships. As the orishá of financial life, she is also called the "Lady of Gold". This referred to copper at one time for being the most valuable metal of the time. Osun is worshiped at rivers and waterfalls, and more rarely, near mineral water sources. She is a symbol of sensitivity and is identified by weeping.[5]

Candomblé

In Candomblé Bantu Osun called Nkisi Ndandalunda, the Lady of Fertility and Moon. Hongolo and Kisimbi have similarities with Osun, and the three are often confused.

In Candomblé Ketu Osun is the deity of fresh water; the patron of gestation and fecundity; and receives the prayers of women who wish to have children and protect them during pregnancy. Osun also protects small children until they begin to speak; she is affectionately called "Mamãe" ("Mama") by her devotees.[5]

Plants associated with Osun in Brazil are aromatic, sweet, and often yellow, reflecting the qualities of the Orisha. They include mints (Lamiacaea). Osun is associated with the folha-de-dez-réis (Hydrocotyle cybelleta), a plant of the pennywort family. Many species are brilliant yellow, reflecting Osun's association with gold and wealth. She is also associated with folha-da-fortuna, or Kalanchoe pinnata.[10]

Santeria
Iron chalice of Osun, one of Los Guerreros (the warriors) --) in Santería religion.

Osun (Ozun) is another major Orisha in the Santería religion of the Caribbean (Cuba, Puerto Rico and Trinidad) brought over by Yoruba slaves during the transatlantic slave trade. She is syncretized with Our Lady of Charity.[11]

Violín for Osun
A picture of an Arugba at the Osun-Osogbo festival

A violín is a type of musical ceremony in Regla de Ocha performed for Osún. It includes both European classical music and Cuban popular music.[12]

References
  1. Murrell, Nathaniel Samuel (2009). Afro-Caribbean Religions: An Introduction to Their Historical, Cultural, and Sacred Traditions. Temple University Press. ISBN 9781439901755.
  2. Coleman, Monica A. (2006). "African American Religion and Gender". In Pinn, Anthony B. (ed.). African American Religious Cultures. p. 501. ISBN 9781576074701.
  3. Monaghan, Monaghan (2014). Encyclopedia of Goddesses and Heroines. New World Library. p. 15. ISBN 9781608682188.
  4. Martine, Ife. "A Yoruba Festival Tradition Continues: 50 Incredible Photos Celebrating The River Goddess Oshun". OkayAfrica.com. Retrieved 21 June 2016.
  5. Lopes, Nei (2004). Enciclopédia brasileira da diáspora africana. São Paulo, SP: Selo Negro Edições. p. 505. ISBN 8587478214.
  6. Elibuibon, Yemi (2013). Invisible Powers of the Metaphysical World: A Peep into the world of Witches. Ancient Philosophy Institute. p. 110. LCCN 2009351910.
  7. Kumari, Ayele. "Demystifying Iyami". Www.Ayelekumari.com. Retrieved August 18, 2016.
  8. Kumari, Ayele (2013). Iyanifa: Women of Wisdom. uSA: maat Group. p. 40. ISBN 978-1500492892.
  9. Matory, J. Lorand (2005). Sex and the Empire That Is No More: Gender and the Politics of Metaphor in Oyo Yoruba Religion. Berghahn Books. ISBN 9781571813077. Retrieved 21 June 2016.
  10. Alexiades, Miguel (2009). Mobility and migration in indigenous Amazonia : contemporary ethnoecological perspectives. New York: Berghahn Books. ISBN 9781845455637.
  11. Olupọna, Jacob O. K, and Terry Rey. Òrìşà Devotion As World Religion: The Globalization of Yorùbá Religious Culture. Madison, Wis: University of Wisconsin Press, 2008. Print, pg.395.
  12. A VIOLIN FOR OCHÚN-WITH REGGAETON! By Johnny Frías. Cuba Counterpoints, Nov 2016

Further reading
  • Ajiabde, G. Olusola. Negotiating Performance: Osun in the Verbal and Visual Metaphors, Bayreuth, Working Papers, 2005.
  • Afolabi, Kayode. Osun Osogbo - Sacred People and Sacred Places, Charleston 2006.
  • Badejo, Diedre, Oshun Seegesi: The Elegant Deity of Wealth, Power, and Femininity, Asmara 1996.
  • De La Torre, Miguel A., "Dancing with Ochún: Imagining How a Black Goddess Became White," in Black Religion and Aesthetics: Religious Thought and Life in Africa and the African Diaspora, Anthony Pinn, ed., Cambridge University Press, pp. 113–134.
  • Fakayode, Fayemi Fatunde, Osun: The Manly Woman, Athelia Henrietta Press 2004.
  • Murphy, Joseph M.; Sanford, Mei-Mei. Osun Across the Waters: A Yoruba Goddess in African and the Americas. Bloomington: Indiana University Press, 2001.
  • Probst, Peter, Osogbo and the Art of Heritage : Monuments, Deities, and Money. Bloomington: Indiana University Press, 2011.
  • Popoola, S. Solagbade, Ikunle Abiyamo: It is on Bent Knees that I gave Birth. Asefin Media Publication, 2007
  • Akalatunde, Osunyemi, Ona Agbani: The Ancient Path: Understanding And Implementing The Ways Of Our Ancestors . Createspace, 2005
  • Oshun The Poet, "Flow Like Oshun: Book of Haikus". Createspace, 2018
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