RMIT Design Hub

The RMIT Design Hub houses research, archive, exhibition and studio space of the Royal Melbourne Institute of Technology in Melbourne, Australia.

Design Hub
RMIT Building 100
RMIT Design Hub building (left)
General information
TypeEducation / Institutional
AddressCorner Swanston and Victoria Streets
Town or cityMelbourne, Victoria
CountryAustralia
Coordinates37.806470°S 144.962722°E / -37.806470; 144.962722
Completed2012
ClientRMIT University
Technical details
Floor area13,000 sqm
Design and construction
ArchitectSean Godsell Architects
Architecture firmPeddle Thorp

Completed in May 2012 the Design Hub was designed by Sean Godsell Architects in association with Peddle Thorp Architects. The Design Hub is located on the historic Carlton & United Breweries site. The building featured prominently in the science fiction film Predestination.

Description

One of the unusual features of the facade of the Design Hub is that it has the capability of collecting solar energy throughout most of the day, as the surface is covered in operable disks. Although, as of 2013, there are no solar panels installed, it has the capability to accommodate this technology in the near future with its facade system.[1] To achieve harvesting energy at an optimum level, ganged disks are fitted with an actuator which will allows the disks to be exposed to the sun as much as possible.[2] With the current material of sandblasted glass, the disks operate as a 'second skin' controlling solar gain and access. An internal computer controls this facade by adjusting each cell with rotational motors, according to Melbourne’s daily weather.

Additional self-sustaining features include the underground water tank, which stores grey water for re-use including flushing toilets, mechanical cooling requirements, and irrigation.[3]

The Design Hub consists of two buildings with a central forecourt in between; One building is for research and archives and the other for exhibitions and working spaces. However, the buildings are connected at basement level to allow delivery, movement and storage of items. The planning of both buildings is organised in a linear manner around closed service rooms and cores. The design sought simple clean continuous space upon entering the building leading to curiosity and exploration to other spaces. The spaces are fairly large and open due to the choice of materials.

The circulation of the building is surrounded by long corridors which can also be transformed into gallery spaces where works can be hung on the walls. High ceilings, narrow corridors and control of light within the space gives a very dramatic atmosphere into the interior. Part of the open plan design is the arrangement of furniture which can be moved around depending on the usage of space. Another key feature of the building is flexibility of spaces. The Research groups will be able to locate their work out of the warehouse rooms.[4]

Key influences and design approach

The Design hub engages with contrasting eras, with the classic history of Shrine of Remembrance in Saint Kilda road which marks the other end of Melbourne public axis as well as its neighbouring buildings.[5]

The vantage point from the roof of the Design Hub provides a clear view of Swanston Street, North of Latrobe Street as well as the Shrine which gives all the more reason for its occupants to go the roof. Minimalism is the main design factor for the exterior facade, which consist of circular cells achieving a dynamic design. Inspiration for the lucid discs with its steel cylindrical structure came from the beer business that once ran on the CUB Brewery site.

The intent for the Design Hub facade however, is to encourage further use and research into solar energy. It is because of this that each solar panel can be replaced with innovated panels as the technology continues to develop. Research groups can now use this building to experiment and develop the technology, using its northern facade, dedicated to this research.[6][7]

The interior of the Design Hub is designed to encourage the various research groups to ‘cross pollinate’ ideas with each other, regardless of the relevance between each other’s fields of practice. This therefore provides a learning environment which should create innovation in design for years to come.[8] Influences which addressed the choice in materials of the interior, include RMIT being an industrial college, which is reflected in the use of galvanised steel industrial walkway grating as a cladding material on the walls, creating an industrial atmosphere.[9]

Environmentally sustainable design

The Design Hub is a Greenstar Certified Project achieving a 5 star Greenstar – Education Design v.1 rating from the Green Building Council of Australia.

The Design Hub has a number of ESD features and incorporates strategies of water, waste and recycling management that contribute to its Greenstar rating. The outer skin of the Hub incorporates automated sunshading. The shade cells have been designed so that they can be easily replaced with solar cells as research into solar energy results in improved technology and the infrastructure for that evolution has been built into the façade and building management systems. This meets RMIT’s request for future proofing the ESD performance of the building while at the same time enabling the university’s solar research department to continue aspects of its research in situ - the entire building façade, in other words, has the capacity to be upgraded as solar technology evolves and may one day generate enough electricity to run the whole building.

Perimeter air intakes incorporated into the double glazed inner skin provide fresh air to the working environment which lowers energy consumption and provides a more desirable thermal comfort alternative to a wholly conditioned work environment. Lighting is sensor controlled by the BMS to reduce the need for artificial lighting when not required.

Criticism

Alan Davies, writing for The Urbanist, noted that many of the claims made for the building were unsubstantiated, particularly in relation to the capacity for the façade ‘cells’ to track the sun, as only a limited number can rotate, and these only on one axis. Davies considered that portraying the ‘capacity’ to fit the cells with PV collectors as a virtue to be a ‘stretch’, and questioned the effectiveness of the façade either in terms of its role in façade shading, or any possible future role in generating power for the building.[10]

Criticisms have been levelled at the insular character of the building, which was considered antithetical to the role of a design education and research organization to invite public access and to make an appropriate response to activation of its urban setting.[11]

The Herald Sun noted problems with the façade in late 2014, with glass disks falling from the building, necessitating protection of the footpath area below the building, while the causes of the façade failure were investigated.[12]

Awards

Bibliography
  • Buxton, P 2013, 'Rapid Response Unit', RIBA Journal, August 2013 120:08, p 46 - 48
  • Crafti, S 2013, 'RMIT's Design Archives haven for the creative', The Age, 28 August, p. 33
  • Clarke, D 2013, 'Sean Godsell Architects', Houses, Issue 93, p11 - 20
  • Cleary, A (Managing Ed) 2013, Architect Victoria, Victorian Architecture Awards 2013, p. 20-21, 54-55, 66-67, 100-101
  • Farrelly, E 2013, 'When a Square Building Flips Out', Architectural Record, Volume 201, No.5, p. 104 - 109
  • Fortmeyer, R 2013, 'Buildings Show off New Moves', Architectural Record, Volume 201, No.5, p. 110 - 111
  • Engberg, J 2013, 'RMIT DESIGN HUB', Architecture Australia, Volume 102, No.2, p. 18 - 28
  • Do, E (Ed) 2013, 'RMIT Design Hub', Archiworld, No.215, p. 60-71
  • 2013, 'Tough Subtlety', El Croquis, N.165
  • Rollo, J 2013, 'Happening discs', The Spectator Australia, Vol 321, No.9627, p.x
  • Hockin, R 2013, 'Creative Hub', Mercedez Benz magazine, No.1.2013, p. 54 - 57
  • Johnson, A 2013, 'RMIT Building 100: A City Archive', RMIT Design Archives Journal, Volume 2, Issue number 2, p. 4 - 9
  • Edquist, H 2013, 'The Active Archive', RMIT Design Archives Journal, Volume 2, Issue number 2, p. 10 - 15
  • Perkins, M 2012, 'Hub has designs on RMIT's creative types', The Saturday Age, 22 September, p. 5
  • Dal Co, F 2012, 'RMIT Design Hub - Melbourne, Australia', Casabella, No.815 - 816, p. 116 - 151
  • Cornell, A 2012, 'Gardner's ReMIT', The Australian Financial Review Magazine, August 2012, p. 26 - 34
  • Perkins, M, 2011, 'Smart sequins distinguish uni design hub', The Age, 12 October, p. 3.
  • Gregory, R 2010, Skill – RMIT Design Hub’, The Architectural Review, 1357, pp. 76–79
  • Cunningham, M 2009, ‘A Hub of Activity’, City, 16 July, p. 12.[15]

References
  1. http://www.pta.com.au/blog/?p=4072
  2. http://www.pta.com.au/blog/?p=4072
  3. http://www.rmit.edu.au/capitalworks/designhub
  4. Miki Perkins, 12 October 2011 Smart sequins distinguish uni design hub The age. Retrieved 26 April 2013
  5. RMIT Design Archives Journal vol. 2, 2012, Harriet Edquist,RMIT Design Archives, RMIT University TextRMIT Design Archives, RMIT University and individual authors, pp. 5.
  6. Women in Construction NAWIC, 14 April 2011, http://www.nawic.com.au/Content/Attachment/14%20April%202011%20-%20RMIT%20Design%20Hub%20Site%20Visit.pdf
  7. http://www.pta.com.au/blog/?p=4072
  8. http://www.rmit.edu.au/capitalworks/designhub
  9. Miki Perkins 22 September 2012, Hub has designs on RMIT's creative types The age. Retrieved 26 April 2013
  10. Davies, Alan. "RMIT's Design Hub revisited: is green turning red?". The Urbanist. Crikey. Retrieved 28 February 2016.
  11. http://blogs.crikey.com.au/theurbanist/2012/02/09/rmit%E2%80%99s-design-hub-revisited-is-green-turning-red/
  12. Gardiner, Gilbert. "RMIT Design Hub proves a danger as glass discs fall to ground". Herald Sun. News Corporation. Retrieved 28 February 2016.
  13. "NEW YORK ARCHITECTS SELECT PRESTIGIOUS INTERNATIONAL ARCHITECTURE AWARDS FOR 2013" (PDF). International Architecture Awards. The Chicago Athenaeum. 10 August 2013. Retrieved 10 April 2014.
  14. http://www.seangodsell.com/awards
  15. http://www.seangodsell.com/bibliography
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