Safi Faye
Safi Faye (born November 22, 1943) is a Senegalese film director and ethnologist.[1] She was the first Sub-Saharan African woman to direct a commercially distributed feature film, Kaddu Beykat, which was released in 1975. She has directed several documentary and fiction films focusing on rural life in Senegal.
Safi Faye | |
---|---|
Born | |
Occupation | Film director, ethnologist |
Years active | 1972–present |
Biography
Early life and education
Safi Faye was born in 1943 in Dakar, Senegal, to an aristocratic Serer family.[1] Her parents, the Fayes, were from Fad'jal, a village south of Dakar.[2] She attended the Normal School in Rufisque and receiving her teaching certificate in 1962 or 1963, began teaching in Dakar.[2][3]
In 1966 she went to the Dakar Festival of Negro Arts and met French ethnologist and filmmaker Jean Rouch.[3] He encouraged her to use film making as an ethnographic tool.[3] She had an acting role in his 1971 film Petit à petit.[4] Faye has said that she dislikes Rouch's film but that working with him enabled her to learn about filmmaking and cinéma-vérité.[5] In the 1970s she studied ethnology at the École pratique des hautes études and then at the Lumière Film School.[2][4] She supported herself by working as a model, an actor and in film sound effects.[2] In 1979, she received a PhD in ethnology from the University of Paris.[1] From 1979 to 1980, Faye studied video production in Berlin and was a guest lecturer at the Free University of Berlin.[6] She received a further degree in ethnology from the Sorbonne in 1988.[1]
Film career
Faye's first film, in which she also acted, was a 1972 short called La Passante (The Passerby), drawn from her experiences as a foreign woman in Paris.[1][7] It follows a woman (Faye) walking down a street and noticing the reactions of men nearby.[5] Faye's first feature film was Kaddu Beykat, which means The Voice of the Peasant in Wolof and was known internationally as Letter from My Village or News from My Village.[5] She obtained financial backing for Kaddu Beykat from the French Ministry of Cooperation.[2] Released in 1975, it was the first feature film to be made by a Sub-Saharan African woman to be commercially distributed and gained international recognition for Faye.[5][8] On its release it was banned in Senegal.[9] In 1976 it won the FIPRESCI Prize from the International Federation of Film Critics (tied with Chhatrabhang) and the OCIC Award.
Faye's 1983 documentary film Selbé: One Among Many follows a 39-year-old woman called Sélbe who works to support her eight children since her husband has left their village to look for work.[10] Selbé regularly converses with Faye, who remains off-screen, and describes her relationship with her husband and daily life in the village.[11]
Faye's films are better known in Europe than in her native Africa, where they are rarely shown.[6]
Personal life
Faye, who lives in Paris, is divorced and has one daughter.[3]
Filmography
- 1972: La Passante (The Passerby)
- 1975: Kaddu Beykat (Letter from My Village)
- 1979: Fad'jal (Come and work)
- 1979: Goob na nu (The harvest is in)
- 1980: Man Sa Yay (I, Your Mother)
- 1981: Les âmes au soleil (Souls under the Sun)
- 1983: Selbe: One Among Many (or Selbe and So Many Others)
- 1983: 3 ans 5 mois (Three years five months)
- 1985: Racines noires (Black Roots)
- 1985: Elsie Haas, femme peintre et cinéaste d'Haiti (Elsie Haas, Haitian Woman Painter and Filmmaker)
- 1989: Tesito
- 1996: Mossane
References
- Petrolle, p. 177.
- Foster, p. 130.
- Pfaff, Françoise. "Safi Faye". FilmReference.com. Retrieved 2008-05-04.
- Ukadike, p. 29.
- Spaas, p. 185.
- Schmidt, p. 286.
- Schmidt, p. 287.
- Ukadike, p. 30.
- "Africa Beyond". BBC. 2007. Retrieved 2008-05-10.
- Thackway, p. 153.
- Thackway, p. 154.
Bibliography
- Ellerson, Beti (2004). "Safi Faye's Gaze: The Evolution of an African Woman's Cinema". In Pfaff, Françoise (ed.). Focus on African Films. Indiana University Press. pp. 185–202. ISBN 978-0-253-21668-7.
- Foster, Gwendolyn Audrey (1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Publishing Group. pp. 130–132. ISBN 0-313-28972-7.
- Petrolle, Jean; Virginia Wright Wexman (2005). Women and Experimental Filmmaking. University of Illinois Press. pp. 177–192. ISBN 0-252-03006-0.
- Schmidt, Nancy J. (1999). "Sub-Saharan African Woman Filmmakers". In Harrow, Kenneth W. (ed.). African Cinema: Postcolonial and Feminist Readings. Africa World Press. ISBN 978-0-86543-697-8.
- Spaas, Lieve (2001). The Francophone Film: A Struggle for Identity. Manchester University Press. pp. 185–188. ISBN 0-7190-5861-9.
- Thackway, Melissa (2003). Africa Shoots Back: Alternative Perspectives in Sub-Saharan Francophone. James Currey Publishers. pp. 151–155. ISBN 0-85255-576-8.
- Ukadike, Nwachukwu Frank; Teshome H. Gabriel (2002). Questioning African Cinema: Conversations with Filmmakers. University of Minnesota Press. pp. 29–40. ISBN 0-8166-4004-1.