Takako Minekawa

Takako Minekawa (嶺川貴子, Minekawa Takako, born June 3, 1969) is a Japanese musician, singer, songwriter and writer.

Takako Minekawa
Minekawa in 2007
Background information
Also known asMamene Kirerie
Born (1969-06-03) June 3, 1969
OriginJapan
Genres
Occupation(s)
  • Musician
  • singer
  • songwriter
Instruments
Years active1990–present
Labels
Associated acts

Career

In her childhood, Minekawa acted in film and television.[3] Minekawa's first musical venture was playing in Lolita, a band she formed with several college friends.[3] Afterwards, she performed under the alias Mamene Kirerie in the duo Fancy Face Groovy Name with Kahimi Karie, backed by Flipper's Guitar,[3] and under her own name in the band L⇔R. Minekawa debuted as a solo performer in 1995 with the release of her first album Chat Chat by the Japanese label Polystar, followed later in the year by the EP (A Little Touch Of) Baroque in Winter.[3][4]

With her second studio album, Roomic Cube (1996), Minekawa began pursuing a more refined musical style rooted in influences from bossa nova, French pop music and experimental electronic music.[3] It increased her popularity in Japan, while also crossing over to listeners in North America,[4] where it received airplay on college radio stations.[5] She released her third studio album Cloudy Cloud Calculator in 1997.[3] The EPs Recubed and Ximer... C.C.C. Remix, consisting of remixes of tracks from Roomic Cube and Cloudy Cloud Calculator respectively, were released in 1998.[3] 1999 saw the release of Minekawa's fourth studio album Fun 9, which featured prominent contributions from her then-partner Cornelius.[3][4]

In 2000, Minekawa released the EP Maxi On, a collaboration with American experimental pop band Dymaxion, after which she took an extended break from her musical career.[3] After a 13-year hiatus, Minekawa recorded a new album, Toropical Circle, with collaborator Dustin Wong, which was released in 2013.[6] Minekawa and Wong released two subsequent collaborative albums, Savage Imagination (2014) and Are Euphoria (2017).[7] The duo also collaborated with American experimental music band Good Willsmith on the album Exit Future Heart, recorded in Chicago and released in 2018.[8]

Musical style and influences

As an accomplished all-around musician, Minekawa's musical skills set her firmly outside of the J-pop "idol" tradition: she writes and composes most of her material, singing quirky lyrics about subjects such as clouds, cats, and the color white (her personal favorite), with her love of Kraftwerk and French pop music[9] also showing through her unique experimental sound. She often makes use of vintage Casio keyboards[9] and analog Moog synthesizers,[10] as well as vocoders and other electronic instruments.

Minekawa's musical influences are as varied as her lyrics. An avowed fan of French pop, some of her favorite French artists include Françoise Hardy and Pierre Bachelet. The influence of the British band Stereolab can also be heard in her music. While there are certainly touches of humor in her lyrics and tone, she is a sincere fan of Krautrock, particularly the earlier works of electronic music pioneers Kraftwerk, to whom she dedicated the song Kraftpark![9] In an interview, Minekawa explained her admiration for the band: "I decided to describe the landscape of Kraftpark with sound and narration. This song is not a parody of Kraftwerk. I did it because I love them!" Another influence is Yellow Magic Orchestra member Haruomi Hosono, whom she paid tribute to with cover versions of his song "Kaze no Tani no Nausicaa" (1984) in 1995 and again in 2007 with Ryuichi Sakamoto.[11][12]

Other ventures

Minekawa has written professionally as regular columnist in the Japanese edition of Keyboard magazine. She also contributed a serialized novel to the Japanese quarterly Bungei.

Personal life

Minekawa married fellow musician Keigo Oyamada (aka Cornelius) in 2000.[13] They divorced in 2012.[3] Together they have one son, Milo.[14] Minekawa and Cornelius have collaborated on several projects, including a remix of Minekawa's Cloudy Cloud Calculator track "Milk Rock" and several tracks on Minekawa's album Fun 9.

Discography

Studio albums

Extended plays

References
  1. St. Michel, Patrick (September 2, 2014). "Dustin Wong and Takako Minekawa let their imaginations run wild on new album". The Japan Times. Retrieved September 12, 2020.
  2. Hudson, Alex (July 30, 2014). "Dustin Wong and Takako Minekawa Team Up for Second Collaborative Album". Exclaim!. Retrieved September 13, 2020.
  3. Phares, Heather. "Takako Minekawa". AllMusic. Retrieved September 12, 2020.
  4. Winters, Kelly (2005). "Takako Minekawa". In Pilchak, Angela M. (ed.). Contemporary Musicians: Profiles of the People in Music. 53. Gale. ISBN 978-0787680664.
  5. "Takako Minekawa". Emperor Norton Records. Archived from the original on February 7, 2003. Retrieved September 12, 2020.
  6. Greene, Jayson (June 18, 2013). "Takako Minekawa / Dustin Wong: Toropical Circle". Pitchfork. Retrieved June 18, 2013.
  7. Aoki, Ryotaro (April 18, 2017). "Dustin Wong is open to opinion on his latest album with Takako Minekawa". The Japan Times. Retrieved September 13, 2020.
  8. Joyce, Colin (May 7, 2018). "Dustin Wong, Takako Minekawa, and Good Willsmith's New Album Is Pure Bliss". Vice. Retrieved September 13, 2020.
  9. Eguchi, Weston (July 7, 2013). "Takako Minekawa | Arts | The Harvard Crimson". Thecrimson.com. Retrieved August 6, 2013.
  10. Tamara Ikenberg; J.D. Considine (December 24, 1998). "14 CDs bring back the remarkable Blue Note years". The Sun. p. 8.
  11. "Takako Minekawa". WhoSampled. Retrieved July 16, 2011.
  12. Various – Haruomi Hosono Strange Songbook – Tribute To Haruomi Hosono at Discogs
  13. Tuzeeo, Salatore Jr. (August 9, 2002). "Article: A cult figure, made in Japan". The Record.
  14. Robson, Daniel (October 19, 2006). "Cornelius pops back with touching sounds". The Japan Times. Retrieved September 12, 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.