The Happiest Days of Your Life (film)

The Happiest Days of Your Life is a 1950 British comedy film directed by Frank Launder, based on the 1947 play of the same name by John Dighton.[2] The two men also wrote the screenplay. It is one of a stable of classic British film comedies produced by Frank Launder and Sidney Gilliat for British Lion Film Corporation. The film was made on location in Liss and at Riverside Studios, London. In several respects, including some common casting, it was a precursor of St. Trinian's films of the 1950s.[3]

For the original stage play, see The Happiest Days of Your Life (play).
The Happiest Days of Your Life
Original trade ad poster
Directed byFrank Launder
Produced byFrank Launder
Sidney Gilliat
Written byJohn Dighton
Frank Launder
StarringAlastair Sim
Margaret Rutherford
Music byMischa Spoliansky
CinematographyStanley Pavey
Edited byOswald Hafenrichter
Production
company
London Films
Individual Pictures
Distributed byBritish Lion Films (UK)
Release date
  • 8 March 1950 (1950-03-08) (UK)
Running time
81 minutes
CountryUnited Kingdom
LanguageEnglish
Box office£278,502 (UK)[1]

Plot

Set during September 1949, confusion reigns when St Swithin's Girls' School is accidentally billeted at Nutbourne College: a boys' school. The two heads, Wetherby Pond (Alastair Sim) and Muriel Whitchurch (Margaret Rutherford), try to cope with the ensuing chaos, as the children and staff attempt to live in the newly cramped conditions (it being impossible to share dormitories or other facilities), and seek to prevent the children taking advantage of their new opportunities.

Additional humour is derived from the departure of the Nutbourne College domestic staff and their hurried (and not very effective) replacement with the St Swithin's School Home Economics class.

The main comedy is derived from the fact that the parents of the St Swithins girls would consider it improper for their daughters to be exposed to the rough mix of boys in Pond's school, and from the consequent need to conceal the fact that the girls are now sharing a school that's full of boys. Pond is offended at the suggestion that his boys are not suitable company for the young ladies of St Swithin's, but he needs to appease Miss Whitchurch to salvage his chances of an appointment to a prestigious all-boys school for which he is in the running, and which depends on his ability to prevent his current post presenting the appearance of a beer garden.

Matters come to a head when a group of school governors, from the prestigious establishment to which Pond has applied to become the next headmaster, pay a visit at the same time as the parents of some of the St Swithin's girls. Frantic classroom changes are made, and hockey, lacrosse and rugby posts and nets are swapped about, as pupils and staff try to hide the unusual arrangement.

Two simultaneous tours of the school premises are arranged: one for the girls' parents, and a separate one for the governors, and never the twain must meet! The facade finally collapses when the parents become obsessed with seeing a girls' lacrosse match at the same time as one of the governors has been promised a rugby match.

The punchline is delivered – a clever swipe at post-war bureaucracy – when, weeks too late, a Ministry of Schools official arrives, to declare everything sorted out. "You're a co-educational school, I believe; well I've arranged for another co-educational school to replace St Swithin's next week... Oh, it appears they're ahead of schedule." At this point, several more coachloads of children and staff appear noisily, and utter chaos reigns.

Fade out on Alastair Sim and Margaret Rutherford, quietly discussing in which remote and unattractive corner of the British Empire they might best try to pick up the pieces of their respective careers, with her mentioning having a brother who "grows groundnuts in Tanganyika."

Cast

Reception

Critical

The Monthly Film Bulletin noted an "Uninhibited and energetically handled farce...Occasionally slapdash, but frequently amusing";[4] and The New York Times called it "witty, warm, sometimes biting and wholly charming."[5]

BFI Screenonline states that Alastair Sim's portrayal of headmaster Wetherby Pond "is one of his greatest creations", but that both he and Margaret Rutherford were "decisively upstaged" by supporting actress Joyce Grenfell, as one of the teaching staff of St Swithin's.[3]

Box Office

The film was successful on its release, being the fifth most popular film at the British box office for 1950.[6][7] According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose.[8]

Legacy

The Belles of St Trinian's (1954) is a similar comedy about a girls' school at which chaos reigned, which was also produced by Launder and Gilliat and featured several members of the cast of The Happiest Days of Your Life, including Alastair Sim, Joyce Grenfell, George Cole, Richard Wattis and Guy Middleton, with Ronald Searle providing the cartoons for the titles.[9]

References
  1. Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p492
  2. Goble, Alan (1 January 1999). The Complete Index to Literary Sources in Film. Walter de Gruyter. ISBN 9783110951943 – via Google Books.
  3. "BFI Screenonline: Happiest Days of Your Life, The (1950)". www.screenonline.org.uk.
  4. "Monthly Film Bulletin review". www.screenonline.org.uk.
  5. "THE SCREEN IN REVIEW; Happiest Days of Your Life,' Comedy Filmed in Britain, Opens at Little Carnegie- NYTimes.com". movies.nytimes.com.
  6. "BOB HOPE BEST DRAW IN BRITISH THEATRES". The Mercury. Hobart, Tasmania. 29 December 1950. p. 4. Retrieved 24 April 2012 – via National Library of Australia.
  7. Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32 no. 3. p. 258.
  8. Lant, Antonia (1991). Blackout : reinventing women for wartime British cinema. Princeton University Press. p. 233.
  9. "BFI Screenonline: Belles of St Trinian's, The (1954)". www.screenonline.org.uk.

Bibliography
  • The Great British Films, pp 142–143, Jerry Vermilye, 1978, Citadel Press, ISBN 0-8065-0661-X
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