The Legend of Bagger Vance
The Legend of Bagger Vance is a 2000 American sports comedy-drama film directed by Robert Redford, starring Will Smith, Matt Damon, and Charlize Theron. The screenplay by Jeremy Leven is based on the 1995 book The Legend of Bagger Vance: A Novel of Golf and the Game of Life by Steven Pressfield. It takes place in the U.S. state of Georgia in 1931. The film served as the final roles of Jack Lemmon before his death the following year and Lane Smith before his death five years later.
The Legend of Bagger Vance | |
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Theatrical release poster | |
Directed by | Robert Redford |
Produced by |
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Screenplay by | Jeremy Leven |
Based on | The Legend of Bagger Vance 1995 novel by Steven Pressfield |
Starring | |
Narrated by | Jack Lemmon |
Music by | Rachel Portman |
Cinematography | Michael Ballhaus |
Edited by | Hank Corwin |
Production company | |
Distributed by | DreamWorks Pictures (United States) 20th Century Fox (International) |
Release date |
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Running time | 126 minutes[1] |
Country | United States |
Language | English |
Budget | $80 million[2] |
Box office | $39.5 million[2] |
On release, the film was a box office bomb, grossing almost $40 million worldwide — only half of its budget — and received mixed reviews; criticism was targeted by several African American commentators and reviewers for employing the "magical negro" stereotype.[3]
Plot
As an old man having his sixth heart attack while playing golf, Hardy Greaves (Jack Lemmon) contemplates how his late wife used to ask him why he kept playing "a game that seems destined to kill" him. Explaining his love for the game, he begins the story of his childhood idol: Rannulph Junuh (Matt Damon).
Junuh is the favorite son of Savannah, Georgia: a noteworthy golfer from a wealthy family; he and his beautiful girlfriend named Adele Invergordon (Charlize Theron) seem to have it all. While serving as a captain in the U.S. Army during World War I, Junuh is traumatized when his entire company is wiped out in battle. Though he earns the Medal of Honor, he disappears after the war, returning to Georgia years later as a broken-down alcoholic.
At the start of the Great Depression (circa 1930),[4] Adele is trying to recover her family's lost fortune by holding a four-round, two-day exhibition match between Bobby Jones (Joel Gretsch) and Walter Hagen (Bruce McGill), the best golfers of the era, with a grand prize of $10,000, at a golf resort her father opened as the Depression struck. However, she needs a local participant to generate local interest. The young Greaves (J. Michael Moncrief) speaks up for his hero, Junuh, prompting Adele to ask her estranged lover to play.
Junuh is approached by a mysterious traveler carrying a suitcase, who appears while Junuh is trying to hit golf balls into the dark void of the night. The man identifies himself as Bagger Vance (Will Smith) and says he will be Junuh's caddie. With Greaves as assistant caddie, Bagger helps Junuh come to grips with his personal demons and play golf again.
When the match starts, Jones and Hagen each play well in their distinctive ways, but the disengaged Junuh plays poorly and is far behind after the first round. With Bagger caddying for him and giving advice, Junuh rediscovers his "authentic swing" in the second round and makes up some ground. In the third round, he closes the gap even more, hitting a hole in one in the process. Meanwhile, Junuh and Adele rekindle their romance.
Late in the final round, an overconfident Junuh disregards Bagger's advice at a crucial point and, after that, plays poorly. He hits a ball into a forest, where he has a traumatic World War I flashback, but Bagger's words help him to focus on the game. Junuh pulls back to a tie with Jones and Hagen, then has a chance to win on the final hole, but has the integrity to call a penalty on himself when his ball moves after he tries to remove a loose impediment.
Seeing Junuh has grown and matured, Bagger decides that his golfer does not need him any more. With the 18th hole left unfinished, Bagger gives the position of caddie to Greaves and leaves Junuh as mysteriously as he came.
Though losing a chance to win because of the penalty, Junuh sinks an improbable putt and the match ends in a gentlemanly three-way tie. The three golfers shake hands with all of Savannah cheering. Junuh and Adele get back together.
The old Greaves wakes up and sees a never-aging Bagger Vance on the golf course. As Bagger beckons, Greaves follows.
Cast
- Will Smith as Bagger Vance
- Matt Damon as Rannulph Junuh
- Charlize Theron as Adele Invergordon
- Bruce McGill as Walter Hagen
- Joel Gretsch as Bobby Jones
- J. Michael Moncrief as Hardy Greaves
- Lane Smith as Grantland Rice
- Peter Gerety as Neskaloosa
- Wilbur Fitzgerald as Roy
- Jack Lemmon (uncredited) as Narrator / Old Hardy Greaves
Production
Background
The plot is loosely based on the Hindu sacred text the Bhagavad Gita, where the Warrior/Hero Arjuna (R. Junuh) refuses to fight. The god Krishna appears as Bhagavan (Bagger Vance) to help him follow his path as the warrior and hero that he was meant to be. This relationship was fully explained by Steven J. Rosen in his book Gita on the Green, for which Steven Pressfield wrote the foreword.[5]
Filming
Portions of the exhibition match were set at the Kiawah Island Golf Resort in South Carolina, United States, considered one of the toughest in the country. The scene in which Greaves has a heart attack was shot on No. 11 of the resort's Cougar Point golf course. The final hole in the film was temporary, so the filming did not interfere with the club activities, and cost US$200,000 to build. Most of the golf scenes were filmed at Colleton River Plantation,[6] just off Hilton Head Island.[7] Certain segments of this film were also filmed in Savannah and Jekyll Island, Georgia.[8]
Reception
Critical response
On Rotten Tomatoes the film has an approval rating of 43% based on reviews from 130 critics, with an average rating of 5.23/10. The website's critical consensus reads, "Despite the talent involved in The Legend of Bagger Vance, performances are hindered by an inadequate screenplay full of flat characters and bad dialogue. Also, not much happens, and some critics are offended by how the film glosses over issues of racism."[9] On Metacritic, the film has a weighted average score of 47 out of 100, based on 35 critics, indicating "mixed or average reviews".[10] Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F.[11]
Film critic Roger Ebert, who gave it 3½ stars, said, "It handles a sports movie the way Billie Holiday handled a trashy song, by finding the love and pain beneath the story. Redford and his writer, Jeremy Leven, starting from a novel by Steven Pressfield, are very clear in their minds about what they want to do. They want to explain why it is possible to devote your life to the love of golf, and they want to hint that golf and life may have a lot in common".[12] The BBC's George Perry called it a "sumptuously photographed film" but added that "in spite of being lovely to look at, it is pretentious piffle, although Will Smith shows skill and subtlety in his ludicrous role".[13]
Time called it one of the most "embarrassing" films of recent years for its treatment of African Americans and the use of a "Magical African-American Friend".[3][14] The film would later be used by Spike Lee as an example of a film with a Magical Negro.[15][16]
Box office
The Legend of Bagger Vance opened at #3 at the U.S. box office, grossing $11,516,712 from 2,061 theaters.[2] According to the Internet Movie Database, the film's total gross came to $30,695,227, far short of its estimated $80 million budget.[2]
Soundtrack
The now out-of-print soundtrack to The Legend of Bagger Vance was released on November 7, 2000. It was mostly written by Rachel Portman, except for tracks one ("My Best Wishes"), thirteen ("Bluin’ the Blues") and fourteen ("Mood Indigo"), which were written by Fats Waller, Muggsy Spanier and Duke Ellington, respectively. The score for this movie was the last to be recorded at CTS Studios in Wembley before the scoring stage's closure and demolition.
- Track list
- My Best Wishes (2:27)
- The Legend of Bagger Vance (2:11)
- Savannah Needs a Hero (4:53)
- Bagger Offers to Caddy for Junuh (4:07)
- Bagger & Hardy Measure the Course at Night (2:32)
- The Day of the Match Dawns (3:07)
- Birdie (1:46)
- Junuh Sees the Field (5:11)
- Hole in One (2:30)
- Junuh Comes Out of the Woods (3:55)
- Bagger Leaves (3:12)
- Old Hardy Joins Bagger by the Sea (5:50)
- Bluin' the Blues (2:27)
- Mood Indigo (3:07)
- Total soundtrack time: 47:15
References
- "The Legend of Bagger Vance". British Board of Film Classification.
- "The Legend of Bagger Vance". Box Office Mojo.
- Farley, Christopher John (2000-05-27). "That Old Black Magic". Time. Archived from the original on 2007-09-30. Retrieved 2007-02-03.
- Jones actually retired from golf in 1930, but a theater playing The Public Enemy (1931) is seen.
- Rosen, Steven (30 May 2002). Gita on the Green: The Mystical Tradition Behind Bagger Vance. Bloomsbury Academic. ISBN 9780826413659 – via Google Books.
- "Colleton River Club Homepage". www.colletonriverclub.com.
- "The Bagger Vance Hole: Watch For That Alligator Hazard". Orlando Sentinel.
- IMDb The Legend of Bagger Vance IMDb
- "The Legend of Bagger Vance (2000)". Rotten Tomatoes. Fandango Media. Retrieved May 24, 2020.
- "The Legend of Bagger Vance Reviews". Metacritic. CBS Interactive. Retrieved May 24, 2020.
- "LEGEND OF BAGGER VANCE, THE (2000) B+". CinemaScore. Archived from the original on 2018-12-20.
- Roger Ebert (November 3, 2000). "Roger Ebert: The Legend Of Bagger Vance". Chicago Sun Times.
- George Perry (February 22, 2001). "The Legend of Bagger Vance (2001)". BBC.
- Okorafor-Mbachu, Nnedi (2004-10-25). "Stephen King's Super-Duper Magical Negroes". Strange Horizons. Archived from the original on 2007-09-30. Retrieved 2006-12-03.
- Gonzalez, Susan (2001-03-02). "Director Spike Lee slams 'same old' black stereotypes in today's films". Yale Bulletin & Calendar. Yale University. Archived from the original on 2009-01-21.
Lee cited four recent films in which there is a "magical, mystical Negro" character
- Colombe, Audrey (October 2002). "White Hollywood's new Black boogeyman". Jump Cut: A Review of Contemporary Media (45). Retrieved 2006-12-03.
External links
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