The Supremes discography

American girl group The Supremes, have released twenty-nine studio albums, four live albums, two soundtrack albums, thirty-two compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all-time, and the 26th greatest artist of all time on the US Billboard charts;[1] with 12 number one songs on the Billboard Hot 100 (the fifth-best total in the chart's history)[2] and three number one albums on the Billboard 200.[3] In 2017, Billboard ranked The Supremes as the number-one girl group of all-time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.'[4] In 2019, the Official Charts Company placed 7 Supremes songs - "You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In The Name Of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99) - on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all time UK downloads and streams.[5][6] In 2020, Insider.com named The Supremes 'the best-selling vocal group to date',[7] after EBONY estimated The Supremes' record sales at 50 million in 1980[8] and Euronews reported total sales exceeding 100 million records in 2014.[9]

The Supremes discography
Florence Ballard, Mary Wilson and Diana Ross performing together on The Ed Sullivan Show, 1966
Studio albums	29
Live albums	4
Compilation albums	32
Singles	66
Soundtrack albums	2
US No. 1 Singles	12
Promotional singles	3

This would make the group one of the best-selling music artists of all time. However, Motown refused to submit their books for industry audit,[10] until the 1980s, years after the group disbanded.[11][12] As such, The Supremes' first certifications include; the Anthology compilation album, which peaked at number 66 on the US Billboard 200[3] and was certified Gold by the Recording Industry Association of America (RIAA) on January 21, 1986;[13] and the Love Supreme (1988) compilation, which peaked at number ten on the UK Albums Chart[14] and was certified Silver by the British Phonographic Industry (BPI) on January 27, 1989.[15] To put this into perspective, the 20 Golden Greats (1977) compilation, reportedly sold over 1 million copies in the UK and spent seven weeks at number one on the UK Albums Chart.[16] But only the later expanded form, 40 Golden Motown Greats (1998), which peaked at number 35,[14] is certified Gold by the BPI for sales of 100,000.[17] Similarly, the group's first hits compilation, Greatest Hits (1967), topped both the US[3] and UK albums charts upon release.[14] Despite selling over 1 million copies in the US,[18] with 89 total weeks on the Billboard 200;[3] and being the UK's fourth 'longest-reigning Top 40 girl group album ever', with a total of 60 weeks in the top 40;[19] Greatest Hits (1967) is not certified by either the RIAA or BPI.

Overview

The Supremes (1960-1967)

After several non-charting releases, The Supremes made their first appearance on the US Hot 100 in August, 1962 with "Your Heart Belongs to Me". They released their debut album, Meet The Supremes (1962), featuring the singles, "I Want a Guy", "Buttered Popcorn" (led by Florence Ballard), "Your Heart Belongs to Me" and "Let Me Go the Right Way"; the latter being their first appearance on the US Hot R&B/Hip-Hop Songs chart (then titled Hot R&B Singles).[20] Though Meet The Supremes failed to chart in the US, in 1964, it was released with an alternate tracklisting in the UK, featuring the title-track to their next album, "Where Did Our Love Go", which peaked at number three in the UK. The UK release of Meet The Supremes peaked at number thirteen, becoming the first charting LP for Motown in the UK.[16]

The Supremes' second studio album Where Did Our Love Go (1964), featured their first three consecutive number-ones and million-sellers in the US; "Where Did Our Love Go", "Baby Love" and "Come See About Me"; as well as their first top 40 and international hit, "When the Lovelight Starts Shining Through His Eyes". "Where Did Our Love Go" sold over 2 million copies in the US alone, where it is ranked number 586 on the Billboard all-time chart, where "Baby Love" is number 559.[21] "Where Did Our Love Go" also hit number-one in Canada and New Zealand; whilst "Baby Love" topped the charts in the UK, New Zealand and Singapore, and was nominated at the 7th Annual Grammy Awards for Best Rhythm & Blues Recording.[22] The album, Where Did Our Love Go topped the US Top R&B/Hip-Hop Albums chart (then titled Hot R&B LPs), and hit number two on the Billboard 200, where it spent a total of 89 weeks.[3]

This was followed by the themed albums, A Bit of Liverpool (1964), The Supremes Sing Country, Western and Pop (1965) and We Remember Sam Cooke (1965), which charted at numbers 21, 79 and 75 in the US, respectively. Their sixth studio album, More Hits by The Supremes, hit number six on the Billboard 200 and two on the R&B Albums chart. It contained their fourth and fifth consecutive US number-ones and million-sellers; "Stop! In the Name of Love", nominated at the 8th Annual Grammy Awards for Best Contemporary (R&R) Performance – Group (Vocal or Instrumental);[22] and "Back in My Arms Again" which also hit number one in Canada.[23] Last single, "Nothing but Heartaches", was their sixth consecutive million-selling single in the US,[24] notable for breaking their chain of number-ones when it peaked at number eleven.[25] Their first live album, The Supremes at the Copa (1965) was released alongside their sixth studio album, Merry Christmas (1965); which produced the singles "Twinkle, Twinkle, Little Me", "My Favorite Things" and "Santa Claus Is Coming to Town", which hit number one in Singapore and number two in Malaysia.

The Supremes' seventh studio album, I Hear a Symphony (1966), was their second number-one album on the Billboard R&B chart. It features their seventh and eighth consecutive US million-sellers; the title track, which hit number one in the US and Canada, and US top 5, "My World Is Empty Without You", which also topped the Canadian singles chart. The Supremes A' Go-Go (1966), their seventh studio album, 'made chart history' as 'the first album in the rock era by a girl group' to hit number-one in the US.[26] It contains the US top 10 "Love Is Like an Itching in My Heart" and their ninth US million-seller and seventh number one, "You Can't Hurry Love".[27] Their eighth studio album, The Supremes Sing Holland–Dozier–Holland (1967), was their third Billboard R&B number one; featuring their tenth and eleventh US million-sellers; "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone", which both topped the US Hot 100. Included on the Greatest Hits (1967) compilation, their twelth million-selling single in the US, "The Happening", also topped the US Hot 100, becoming their tenth US number-one between 1964-1967.

Diana Ross & the Supremes (1967-1970)

As Diana Ross & the Supremes, they released two further singles featuring vocals by founding member Florence Ballard; their 13th US million-seller "Reflections" and US top 10 "In and Out of Love". Their twelfth studio album, Reflections (1968), contains both singles and was the first to feature Cindy Birdsong in Ballard's place. Their fourteenth studio album, Diana Ross & the Supremes Join the Temptations, was their first UK number-one album. It featured the hit single, "I'm Gonna Make You Love Me", which sold 900,000 copies in its first two weeks of release[28] and was certified Platinum by the RIAA on August 7, 1997.[29] This was shortly followed by their eleventh US number-one single "Love Child", which sold 500,000 in its first week and 2 million copies by the end of 1968 in the US alone.[28] Also a number-one hit in Canada in New Zealand, "Love Child" was the title track of their 1968 album. Their second live album, Live at London's Talk of the Town (1968), was their first live release to chart in the UK. Their first soundtrack album, TCB (1968), became their third release to top both the US Billboard 200 and R&B Albums charts.

Their sixteenth studio album, Let the Sunshine In (1969), produced four top 40 singles, including the top 10, "I'm Livin' in Shame". Together, their seventeenth studio album and second with The Temptations, produced the lone single "The Weight", which became the group's lowest-charting single since 1964's "Run, Run, Run". The group's eighteenth studio album, Cream of the Crop, was the last released with Diana Ross. It contains their last US number-one, "Someday We'll Be Together", which sold 2 million in the US[30] and 3 million worldwide.[31] The single was certified Platinum by the RIAA on August 7, 1997.[29]

The Supremes (1970-1977)

As The Supremes, with Jean Terrell as lead singer, their nineteenth studio album, Right On (1970), was released. It features "Up the Ladder to the Roof", which hit the top 10 in Canada, Iceland, the UK and the US, where it became The Supremes' seventeeth million-selling single. The Magnificent 7 (1970), their first collaborative studio album with the Four Tops, is one of The Supremes' highest-charting album releases in the UK, where it peaked at number six.[14] The Magnificent 7, featured their cover of Ike & Tina Turner's, "River Deep, Mountain High", which became the most successful US release of the song, peaking at number fourteen on the Hot 100 and number seven on the R&B chart.[32]

Their twenty-first studio album, New Ways but Love Stays (1970), features "Stoned Love", which became the group's last number-one on the US Billboard R&B singles chart and last top 10 on the Hot 100. Internationally, "Stoned Love" hit the top 10 in Canada, Iceland and Singapore; and was The Supremes' highest charting UK single since "I'm Gonna Make You Love Me" (with The Temptations) in 1968 and "You Can't Hurry Love" in 1966, which like "Stoned Love", peaked at number 3.[14] Touch (1971), is the twenty-third studio album by The Supremes and their last non-compilation album to chart in the UK top 40.[14] Touch includes the single, "Nathan Jones", which hit the UK top 5, as well as the top 20 in Canada and the US, where it became the group's third million-selling single with Jean Terrell.[33] Floy Joy (1972), their twenty-fifth studio album, contains the US top 40 singles, "Floy Joy" and "Automatically Sunshine", which both reached the UK top 10. "Floy Joy" was the fourth million-selling Supremes single in the US with Terrell, and twentieth million-selling single by the group overall.[34] In 1973, the Stevie Wonder-produced "Bad Weather",[35] featuring Cindy Birdsong replacement Lynda Laurence, was the group's last single to reach the UK top 40.[14] In the US, "Bad Weather" was the group's lowest-charting single since "Run, Run, Run" in 1964.[36]

Following this, Jean Terrell and Lynda Laurence left and were replaced by former Glass House member and new lead singer, Scherrie Payne and former Supreme Cindy Birdsong. After a two-year hiatus, with original member Mary Wilson, they released their twenty-seventh studio album The Supremes (1975). High Energy (1976), their twenty-eighth studio album, featured the group's last US top 40 hit, "I'm Gonna Let My Heart Do the Walking",[36] which features additional vocals by Susaye Greene, who replaced Birdsong during the album's recording. Of The Supremes' 1970s albums, High Energy, is the second-highest charting after Right On (1970),[3] whilst in Canada, High Energy is the highest-charting Supremes album since TCB (1968). Mary, Scherrie & Susaye (1976) is the twenty-ninth and final studio album by The Supremes, featuring their last single to hit the US Hot 100, "You're My Driving Wheel";[36] plus the singles "Let Yourself Go" and "Love, I Never Knew You Could Feel So Good", which all reached number five on the US Dance Club Songs chart.[37]

Albums

Studio albums

List of albums, with selected chart positions and certifications

Title	Album details	Peak chart positions							Certifications
		US [3]	US R&B [38]	US Record World [39]	CAN [40]	GER [41]	NOR [42]	UK [14]
The Supremes
Meet The Supremes	Released: December 9, 1962[43] Label: Motown (#MT 606)[44] Format: LP, reel-to-reel, 4-track,[45] 8-track[46]	—	—	—	—	—	—	13 [upper-roman 1]
Where Did Our Love Go	Released: August 31, 1964[50] Label: Motown (#MT-621)[51] Format: LP, reel-to-reel, mini-LP, 4-track,[45] 8-track[46]	2	1	2	—	33	—	—
A Bit of Liverpool	Released: October 16, 1964[52] Label: Motown (#Motown 623)[51] Format: LP, 4-track,[45] 8-track[46]	21	5	13	—	—	—	—
The Supremes Sing Country, Western and Pop	Released: February 22, 1965[53] Label: Motown (#M-625)[54] Format: LP, 4-track,[45] 8-track[46]	79	—	62	—	—	—	—
We Remember Sam Cooke	Released: April 12, 1965[55] Label: Motown (#MT-629)[56] Format: LP, 8-track[46]	75	5	37	—	—	—	—
More Hits by The Supremes	Released: July 23, 1965[57] Label: Motown (#MS 627)[58] Format: LP, reel-to-reel, 4-track, 8-track[46]	6	2	6	—	—	—	—
Merry Christmas	Released: November 1, 1965[59] Label: Motown (#MT-638)[60] Format: LP, reel-to-reel	—[upper-alpha 1]	—	—[upper-alpha 2]	—	—	—	—
I Hear a Symphony	Released: February 18, 1966[62] Label: Motown (#Motown 643)[63] Format: LP, reel-to-reel, 8-track[46]	8	1	6	—	—	—	—
The Supremes A' Go-Go	Released: August 25, 1966[64] Label: Motown (#M-649)[65] Format: LP, 8-track, reel-to-reel	1	1	2	—	—	—	15
The Supremes Sing Holland–Dozier–Holland	Released: January 23, 1967[66] Label: Motown (#M-650)[67] Format: LP, 4-track, reel-to-reel	6	1	4	—	—	—	15
The Supremes Sing Rodgers & Hart	Released: May 22, 1967[68] Label: Motown (#Motown 659)[69] Format: LP, reel-to-reel	20	3	19	4	—	—	25
Diana Ross & the Supremes
Reflections	Released: March 25, 1968[70] Label: Motown (#MS-665) Format: LP, 8-track	18	3	15	—	—	20	30
Diana Ross & the Supremes Sing and Perform "Funny Girl"	Released: August 26, 1968[71] Label: Motown (#MS-672)[72] Format: LP, 4-track,[73] 8-track	150	45	—	—	—	—	—
Diana Ross & the Supremes Join The Temptations (with The Temptations)	Released: November 8, 1968[74] Label: Motown (#MS-679)[75][72] Format: LP, 4-track, 8-track	2	1	2	5	—	—	1	RIAA: Gold[29]
Love Child	Released: November 13, 1968[76] Label: Motown (#Motown 670)[75] Format: LP, reel-to-reel, 8-track, cassette	14	3	7	11	—	10	13
Let the Sunshine In	Released: May 26, 1969[77] Label: Motown (#MS-689)[78] Format: LP, reel-to-reel, 8-track, cassette	24	7	23	27	—	—	—
Together (with The Temptations)	Released: September 23, 1969[79] Label: Motown (#MS-692)[72] Format: LP, reel-to-reel, 8-track, cassette	28	6	27	29	—	—	28
Cream of the Crop	Released: November 3, 1969[80] Label: Motown (#Motown 694)[81] Format: LP, reel-to-reel, 8-track, cassette	33	3	45	50	—	—	34
The Supremes
Right On	Released: April 26, 1970[82] Label: Motown (#Motown 705)[83] Format: LP, cassette	25	4	24	41	—	—	—
The Magnificent 7 (with the Four Tops)	Released: September, 1970[84] Label: Motown (#MS 717)[85] Format: LP, cassette	113	18	102	73	—	—	6
New Ways but Love Stays	Released: October, 1970[86] Label: Motown (#MS 720)[87] Format: LP, cassette	68	12	43	—	—	—	—
The Return of the Magnificent Seven (with the Four Tops)	Released: June, 1971[88] Label: Motown (#MS 736)[89] Format: LP, cassette	154	18	72	—	—	—	—
Touch	Released: June, 1971[90] Label: Motown (#MS 737)[91] Format: LP, 4-track, 8-track	85	6	66	—	—	—	40
Dynamite (with the Four Tops)	Released: December, 1971[92] Label: Motown (#M 745 L)[93] Format: LP, cassette	160	21	—	—	—	—	—
Floy Joy	Released: May, 1972[94] Label: Motown (#M 7511 L)[95] Format: LP, cassette	54	12	44	—	—	—	—
The Supremes Produced and Arranged by Jimmy Webb	Released: November, 1972[96] Label: Motown (#M 756 L)[97] Format: LP, 8-track, cassette	129	27	104	—	—	—	—
The Supremes	Released: May, 1975[98] Label: Motown (#M6 828S1)[99] Format: LP, cassette	152	25	179	—	—	—	—
High Energy	Released: April, 1976[100] Label: Motown (#M6 863S1)[101] Format: LP, 8-track, cassette	42	24	141	26	—	—	—
Mary, Scherrie & Susaye	Released: October, 1976[102] Label: Motown (#M6 873S1)[103] Format: LP	—	—	—	—	—	—	—
"—" denotes the album failed to chart or was not released

Live albums

List of live albums, with selected chart positions and certifications

Title	Album details	Peak chart positions
		US [3]	US R&B [38]	US Record World [104]	CAN [105]	UK [14]
The Supremes
The Supremes at the Copa	Released: November 1, 1965[106] Label: Motown (#M-636)[107] Format: LP, reel-to-reel, 4-track,[45] 8-track[46]	11	6	10	—	—
Diana Ross & the Supremes
Live at London's Talk of the Town	Released: August 26, 1968[108] Label: Motown (#MS-676)[109] Format: LP, reel-to-reel, 4-track[73]	57	6	89	—	6
Farewell	Released: May 16, 1970[110][111] Label: Motown (#MS2-708)[72] Format: LP, reel-to-reel, 8-track, cassette	46	31	25	28	—
The Supremes
The Supremes Live! In Japan[upper-roman 2]	Released: 1973[112] Label: Motown (#SWX-6031)[113] Format: LP, quadrophonic	—	—	—	—	—
"—" denotes the album failed to chart or was not released

Soundtrack albums

List of soundtrack albums, with selected chart positions and certifications

Title	Album details	Peak chart positions					Sales[upper-alpha 3]	Certifications
		US [3]	US R&B [38]	US Record World [114]	CAN [115]	UK [14]
Diana Ross & the Supremes
TCB (with The Temptations)	Released: December 2, 1968[116] Label: Motown (#MS-682)[72] Format: LP, reel-to-reel, 4-track, 8-track, cassette[117]	1	1	2	2	11	US: 1,000,000[28]	RIAA: Gold[29]
The Bing Crosby Special (with Bing Crosby, Bob Hope, Miss Stella Stevens, José Feliciano)	Broadcast: October 23, 1968[118] Unreleased[upper-roman 3] Label: NBC Format: LP	—	—	—	—	—
G.I.T. on Broadway (with The Temptations)	Released: November 7, 1969[121] Label: Motown (#S-699)[72] Format: LP	38	4	30	44	—
"—" denotes the album failed to chart or was not released

Compilation albums

List of compilation albums, with selected chart positions and certifications

Title	Album details	Peak chart positions								Sales[upper-alpha 3]	Certifications
		US [3]	US R&B [38]	CAN [122]	GER [41]	NLD [123]	NOR [42]	NZ [124]	UK [14]
Greatest Hits	Released: September, 1967[125] Label: Motown (#MS-2-663)[126] Format: LP, reel-to-reel, 4-track, 8-track, cassette	1	1	—	—	—	8	—	1	US: 1,000,000[18]
Greatest Hits Vol. 3	Released: December, 1969[127] Label: Motown (#MS 702)[128] Format: LP, reel-to-reel, 4-track, 8-track, cassette	31	5	45	—	—	—	—	—
Diana Ross & the Supremes Anthology (version one)	Released: May, 1974[129] Label: Motown (#M9-794A3)[130] Format: LP, 8-track, cassette	66	24	58	—	—	—	—	—		RIAA: Gold[29]
20 Golden Greats	Released: 1977[131] Label: EMI (#EMTV5)[16] Format: LP, cassette	—	—	—	—	47	—	6	1	UK: 1,000,000[16]	RMNZ: Platinum[132]
At Their Best	Released: June, 1978[133] Label: Motown (#M7904R1)[134] Format: LP	—	—	—	—	—	—	—	—
20 Greatest Hits	Released: 1979[135] Label: Trent[135] (#ADEH 46)[136] Format: LP	—	—	—	—	4	—	—	—
Their Greatest Hits	Released: 1980[137] Label: Arcade (#ADE G 122)[138] Format: LP, cassette	—	—	—	14	—	—	—	—
20 Greatest Hits – Compact Command Performances	Released: 1984[139] Label: Motown (#MCD06073MD,[140] #72423[141]) Format: CD	—	—	—	—	64	—	—	—
Diana Ross & the Supremes: 25th Anniversary Collection	Released: March, 1986 Label: Motown (#5381, #6193)[142] Format: CD	112	61	—	—	—	—	—	—
Diana Ross & the Supremes Anthology (version two)	Released: August, 1986[143] Label: Motown (#6198)[143] Format: CD	—	—	—	—	—	—	—	—
The Never-Before-Released Masters	Released: 1987[144] Label: Motown (#MOTD-9075)[144] Format: CD	—	—	—	—	—	—	—	—
Love Supreme	Released: 1988 Label: Motown (#ZL 72701)[145] Format: LP, cassette, CD	—	—	—	—	—	—	—	10		BPI: Silver[15]
The Supremes ('70s): Greatest Hits and Rare Classics	Released: 1991[146] Label: Motown (#794, #635 487)[146] Format: CD, cassette	—	—	—	—	—	—	—	—
The Best of Diana Ross & the Supremes: Anthology (version three)	Released: September 28, 1995[143] Label: Motown (#0511)[143] Format: CD	—	—	—	—	—	—	—	—
You Keep Me Hangin' On	Released: 1997 Label: Spectrum Music (#530 792-2)[147] Format: CD, cassette	—	—	—	—	—	—	—	—		BPI: Gold[148]
The Ultimate Collection	Released: 1997[149] Label: Motown (#5308272)[149] Format: CD, cassette	—	—	—	—	—	—	—	—		BPI: Silver[150]
40 Golden Motown Greats	Released: November 3, 1998[151] Label: Polygram (#530961)[151] Format: CD	—	—	—	—	—	—	—	35		BPI: Gold[17]
20th Century Masters: The Best of Diana Ross & the Supremes, Vol. 1	Released: August 31, 1999[152] Label: Motown (#53731)[152] Format: CD, cassette	200	—	—	—	—	—	—	—
20th Century Masters: The Best of Diana Ross & the Supremes, Vol. 2	Released: May 16, 2000[153] Label: Motown (#AA121579292)[153] Format: CD	—	—	—	—	—	—	—	—
Diana Ross & the Supremes Anthology (version four)	Released: December 18, 2001[154] Label: Motown (#016409)[154] Format: CD	—	—	—	—	—	—	—	—
The '70s Anthology	Released: October 29, 2002[155] Label: Motown (#0641272)[155] Format: CD	—	—	—	—	—	—	—	—
Diana Ross & the Supremes: The No. 1's	Released: October 21, 2003[156] Label: Motown (#AAB000136802)[156] Format: CD	72	63	—	—	—	18	—	15
Joined Together: The Complete Studio Duets	Released: April 27, 2004[157] Label: Motown (#9861262)[157] Format: CD	—	—	—	—	—	—	—	—
There's a Place for Us	Released: July 8, 2004[158] Label: Fontana, Hip-O Select, Motown (#AAB000266302)[158] Format: CD	—	—	—	—	—	—	—	—
The Supremes: Gold	Released: April 26, 2005[159] Label: Motown (#9881265) Format: CD	—	—	—	—	—	—	—	—
Soul Legends	Released: July 25, 2006[160][161] Label: Motown (#9832016)[161] Format: CD, digital download	—	—	—	—	86	—	—	—
Diana Ross & the Supremes Remixes	Released: July 2, 2007[162] Label: Motown, Universal (#1228)[162] Format: CD	—	—	—	—	—	—	—	—
Let the Music Play: Supreme Rarities	Released: April 29, 2008[163] Label: Hip-O Select (#AAB326302)[163] Format: CD, digital download	—	—	—	—	—	—	—	—
The Definitive Collection	Released: September 28, 2008[164] Label: Motown (#1780542)[164] Format: CD, digital download	142	—	—	—	—	—	—	—
Magnificent: The Complete Studio Duets	Released: September 29, 2009[165] Label: Hip-O Select (#2710411)[165] Format: CD, digital download	—	—	—	—	—	—	—	—
Icon: Diana Ross & the Supremes	Released: August 31, 2010[166] Label: Motown (#14573)[166] Format: CD	—	86	—	—	—	—	—	—
Essential	Released: August 7, 2020[167] Label: Spectrum Music (#5391382)[167] Format: CD	—	—	—	—	—	—	—	49
"—" denotes the album failed to chart or was not released

Box sets

List of box sets, with selected chart positions

Title	Album details	Peak chart positions
		NLD [123]
The Supremes	Released: August 29, 2000[168] Label: Motown (#012 159 415-2)[169] Format: CD	—
This Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years	Released: December 12, 2006[170] Label: Hip-O Select, Motown (#B0005938-02)[171][172] Format: CD, digital download	—
Let Yourself Go: The '70s Albums, Vol 2 – 1974–1977: The Final Sessions	Released: May 17, 2011[173] Label: Hip-O Select, Motown (#B0014961-02)[174] Format: CD, digital download	—
50th Anniversary: The Singles Collection 1961–1969	Released: October 24, 2011[175] Label: Hip-O Select, Motown (#B0015943-02)[176][177] Format: CD, digital download	95
"—" denotes the album failed to chart or was not released

Singles

1960s

List of singles, with selected chart positions, sales and certifications, showing year released and album name

All records released on Motown Records except for the Primettes' "Tears of Sorrow" b/w "Pretty Baby", issued on Lu Pine Records.

A-side title B-side title	Year	Peak chart positions										Sales[upper-alpha 4][upper-alpha 3]	Certifications	Album
		US [36]	US R&B [20]	AUS [180]	BEL (WA) [181]	CAN [182]	ISL [183]	NLD [184]	NZ [185]	SGP [186]	UK [14]
The Primettes
"Tears of Sorrow" "Pretty Baby"	1960	—	—	—	—	—	—	—	—	—	—			non-album single
The Supremes
"I Want a Guy" "Never Again"	1961	—	—	—	—	—	—	—	—	—	—			Meet the Supremes
"Buttered Popcorn"[upper-roman 4] "Who's Lovin' You"		—	—	—	—	—	—	—	—	—
"Your Heart Belongs to Me" "(He's) Seventeen"	1962	95	—	—	—	—	—	—	—	—	—
"Let Me Go the Right Way" "Time Changes Things"		90	26	—	—	—	—	—	—	—	—
"My Heart Can't Take It No More" "You Bring Back Memories"	1963	—[upper-alpha 5]	—	—	—	—	—	—	—	—	—			The Supremes Sing Country, Western and Pop
"A Breathtaking Guy"[upper-roman 5] "(The Man with the) Rock and Roll Banjo Band" (from The Supremes Sing Country, Western and Pop)		75	—	—	—	—	—	—	—	—	—			Where Did Our Love Go
"When the Lovelight Starts Shining Through His Eyes"[upper-roman 6] "Standing at the Crossroads of Love"		23	2 [upper-alpha 6]	24	—	—	—	—	—	—	—
"Run, Run, Run"[upper-roman 7] "I'm Giving You Your Freedom"	1964	93	22 [upper-alpha 6]	—	—	—	—	—	—	—	—
"Where Did Our Love Go" "He Means the World to Me"		1	1 [upper-alpha 6]	14	21	1	—	4	1	4	3	UK: 116,000[6] US: 2,000,000[178][193]
"Baby Love" "Ask Any Girl"		1	1 [upper-alpha 6]	26	18	10	—	7	1	1	1	UK: 224,000[6] US: 1,000,000[178][193]	RIAA: Gold[29] BPI: Silver[194]
"Come See About Me" "(You're Gone But) Always in My Heart" (from The Supremes Sing Holland-Dozier-Holland)		1	2 [upper-alpha 6]	78	—	1	—	17	2	1	27	UK: 65,000[6] US: 1,000,000[178][193]
"Stop! In the Name of Love" "I'm in Love Again"	1965	1	2	42	18	3	10	21	—	—	7	UK: 122,000[6] US: 1,000,000[195][25]	RIAA: Gold[29]	More Hits by The Supremes
"Back in My Arms Again" "Whisper You Love Me Boy"		1	1	95	—	1	—	—	12	—	40	US: 1,000,000[195][25]
"Moonlight and Kisses"[upper-roman 8] "Baby, Baby, Wo Ist Unsere Liebe"		—	—	—	—	—	—	—	—	—	—			non-album single
"Thank You Darling"[upper-roman 8] "Jonny und Joe"		—	—	—	—	—	—	—	—	—	—			non-album single
"Nothing but Heartaches" "He Holds His Own"		11	6	83	—	4	10	—	—	3	—	US: 1,000,000[195][24]		More Hits by The Supremes
"I Hear a Symphony" "Who Could Ever Doubt My Love" (from More Hits by The Supremes)		1	2	48	—	1	—	35	5	—	39	US: 1,000,000[24] World: 2,000,000[195]		I Hear a Symphony
"Children's Christmas Song"[upper-roman 9] "Twinkle, Twinkle, Little Me"		—[upper-alpha 7]	—	—	—	—	—	—	—	—	—			Merry Christmas
"Santa Claus Is Coming to Town"[198] "Joy to the World"		—	—	—	—	—	—	—	—	1	—
"My Favorite Things" "Rudolph the Red-Nosed Reindeer"		—	—	—	—	—	—	—	—	10	—
"My World Is Empty Without You" "Everything is Good About You"		5	10	88	—	1	—	—	—	7	—	US: 1,000,000[27]		I Hear a Symphony
"Love Is Like an Itching in My Heart" "He's All I Got" (from I Hear a Symphony)	1966	9	7	100	—	3	—	—	—	—	—			The Supremes A' Go-Go
"You Can't Hurry Love" "Put Yourself in My Place"		1	1	10	—	1	—	24	—	3	3	UK: 312,000[6] US: 1,000,000[27]	BPI: Gold[199]
"You Keep Me Hangin' On" "Remove This Doubt"		1	1	29	12	3	9	26	18	2	8	UK: 84,000[6] US: 1,000,000[27]		The Supremes Sing Holland–Dozier–Holland
"Love Is Here and Now You're Gone" "There's No Stopping Us Now"	1967	1	1	45	48	1	—	35	—	—	17	US: 1,000,000[200]
"The Happening" "All I Know About You" (non-album b-side)		1	12	3	46	2	—	5	14	—	6	US: 1,000,000[200]		Greatest Hits
Diana Ross & the Supremes
"Reflections" "Going Down for the Third Time" (from The Supremes Sing Holland-Dozier-Holland)	1967	2	4	34	43	3	10	3	—	—	5	US: 1,000,000[200]		Reflections
"In and Out of Love"[upper-roman 10] "I Guess I'll Always Love You" (from The Supremes Sing Holland-Dozier-Holland)		9	16	30	—	10	—	—	—	—	13
"Forever Came Today"[upper-roman 9] "Time Changes Things" (from Meet The Supremes)	1968	28	17	68	—	20	—	40	—	—	28
"Some Things You Never Get Used To"[upper-roman 9] "You've Been So Wonderful to Me"		30	43	98	—	25	—	—	—	—	34			Love Child
"Love Child"[upper-roman 9] "Will This Be the Day" (from Let the Sunshine In)		1	2	2	—	1	—	18	1	—	15	US: 2,000,000[28]
"I'm Gonna Make You Love Me" "A Place in the Sun" (with The Temptations)		2	2	14	47	2	6	27	16	—	3	US: 1,000,000[28]	RIAA: Platinum[29]	Diana Ross & the Supremes Join The Temptations
"I'm Livin' in Shame"[upper-roman 9] "I'm So Glad (I Got Somebody Like You Around)"	1969	10	8	33	—	12	27	—	—	—	14			Let the Sunshine In
"I'll Try Something New" "The Way You Do the Things You Do" (with The Temptations)		25	8	—	—	16	—	—	—	—	—			Diana Ross & the Supremes Join The Temptations
"The Composer"[upper-roman 9] "The Beginning of the End" (from Cream of the Crop)		27	21	87	—	14	—	—	—	—	—			Let the Sunshine In
"No Matter What Sign You Are" "The Young Folks" (from Cream of the Crop)		31 ^69	17	—	—	29 ^91	—	—	—	—	37
"The Weight"[upper-roman 9] "For Better or Worse" (with The Temptations)		46	33	—	—	36	—	—	—	—	—			Together
"I Second That Emotion"[upper-roman 8] "The Way You Do the Things You Do" (from TCB) (with The Temptations)		—	—	—	—	—	20	—	—	—	18			Diana Ross & the Supremes Join The Temptations
"Someday We'll Be Together"[upper-roman 11] "He's My Sunny Boy" (from Love Child)		1	1	52	—	4	3	19	—	—	13	US: 2,000,000[30] World: 3,000,000[31]	RIAA: Platinum[29]	Cream of the Crop
"—" denotes the single failed to chart or was not released

1970s

List of singles, with selected chart positions, sales and certifications, showing year released and album name

All records released on Motown Records.

A-side title B-side title	Year	Peak chart positions										Sales[upper-alpha 4][upper-alpha 3]	Certifications	Album
		US [36]	US R&B [20]	AUS [204]	BEL (WA) [181]	BGK [205]	CAN [206]	IRE [207]	ISL [208]	NLD [184]	UK [14]
Diana Ross & the Supremes
"The Rhythm of Life"[upper-roman 8] "Ain't No Mountain High Enough" (from Diana Ross & The Supremes Join The Temptations) (with The Temptations)	1970	—	—	5	—	—	—	—	—	—	—			G.I.T. on Broadway
"Why (Must We Fall in Love)"[upper-roman 8] "Uptight (Everything's Alright)" (with The Temptations)		—	—	—	—	—	—	—	—	—	31			Together
The Supremes
"Up the Ladder to the Roof" "Bill, When Are You Coming Back"	1970	10	5	43	—	—	8	—	10	—	6	US: 1,000,000[33]		Right On
"Everybody's Got the Right to Love" "But I Love You More"		21	11	—	—	—	14	—	—	—	—
"Stoned Love" "Shine on Me"		7	1	99	37	—	9	19	6	—	3	UK: 59,000[6] US: 1,000,000[33]		New Ways but Love Stays
"River Deep, Mountain High" "Together We Can Make Such Sweet Music" (with the Four Tops)		14	7	—	35	—	20	12	—	25	11			The Magnificent 7
"Reach Out and Touch (Somebody's Hand)"[upper-roman 8] "Where Would I Be Without You Baby" (with the Four Tops)		—	—	56	—	—	—	—	—	—	—
"Nathan Jones" "Happy (Is a Bumpy Road)"	1971	16	8	—	42	—	15	—	—	27	5	US: 1,000,000[33]		Touch
"You Gotta Have Love in Your Heart" "I'm Glad About It" (with the Four Tops)		55	41	—	—	—	—	—	—	—	25			The Return of the Magnificent Seven
"Touch" "It's So Hard for Me to Say Good-bye"		71	—	—	—	—	71	—	—	—	—			Touch
"Floy Joy" "This Is the Story" (from Touch)		16	5	—	—	—	31	—	—	—	9	US: 1,000,000[34]		Floy Joy
"Automatically Sunshine" "Precious Little Things"	1972	37	21	—	—	3	49	—	10	—	10
"Without the One You Love"[upper-roman 8] "Let's Make Love Now" (with the Four Tops)		—	—	—	—	17	—	—	—	—	—			The Magnificent 7
"Your Wonderful, Sweet Sweet Love" "The Wisdom of Time"		59	22	—	—	—	81	—	—	—	—			Floy Joy
"I Guess I'll Miss the Man" "Over and Over" (from Floy Joy)		85	—	—	—	—	—	—	—	—	—			The Supremes Produced and Arranged by Jimmy Webb
"Bad Weather" "Oh Be My Love" (from Floy Joy)	1973	87	74	—	—	—	—	—	—	—	37			non-album single
"Tossin' and Turnin'"[upper-roman 8] "Oh Be My Love" (from Floy Joy)		—	—	—	—	—	—	—	—	—	—			The Supremes Produced and Arranged by Jimmy Webb
"He's My Man" "Give Out, But Don't Give Up"	1975	—	69	—	—	—	—	—	—	—	—			The Supremes
"Where Do I Go from Here" "Give Out, But Don't Give Up"		—	93	—	—	—	—	—	—	—	—
"Early Morning Love"[upper-roman 8] "Where Is It I Belong"		—	—	—	—	—	—	—	—	—	—
"I'm Gonna Let My Heart Do the Walking" "Early Morning Love"	1976	40	25	—	—	—	53	—	—	—	—			High Energy
"High Energy" "High Energy"		—	—	—	—	—	—	—	—	—	—
"You're My Driving Wheel" "You're What's Missing in My Life" (from High Energy)		85	50	—	—	—	—	—	—	—	—			Mary, Scherrie & Susaye
"Let Yourself Go" "You Are the Heart of Me"	1977	—[upper-alpha 8]	83	—	—	—	—	—	—	—	—
"Love, I Never Knew You Could Feel So Good" "This Is Why I Believe in You" (from The Supremes)		—[upper-alpha 8]	—	—	—	—	—	—	—	—	—
"Medley of Hits"[upper-roman 12]	1979	—[upper-alpha 9]	—	—	—	—	—	—	—	—	—			non-album single
"—" denotes the single failed to chart or was not released

As backing vocalists

List of singles by other artists, The Primettes and The Supremes recorded backing vocals for, with selected chart positions, showing year released and album name

Titles only included if they are confirmed to have background vocals by The Primettes or The Supremes

A-side title B-side title (Artist)	Year	Peak chart positions			Album
		US [212]	US Cashbox [213]	US R&B [214]
The Primettes
"The Return of Stagger Lee"[215] (Don Revel)	1960	—	—	—	non-album single
"I'll Get Along"[215] "All I Need Is You"[215] (Al Garner)[upper-roman 13]	1961	—	—	—	non-album single
"Bouquet Of Flowers"[215] "When I Needed You"[215] (James Velvet)	1962	—	—	—	non-album single
"Let Me Be Your Boy"[215] (Wilson Pickett)		—	—	—	non-album single
"Lonely Nights"[215] (Gene Martin)		—	—	—	non-album single
The Supremes
"Love Me"[217] (Pete Hartfield)	1961	—	—	—	non-album single
"Small Sad Sam"[217][218] "Tie Me Tight"[217][219] (Bob Kayli)		—	—	—	non-album single
"Whose Heart (Are You Gonna Break Now)"[217][220] "I’ll Call You"[221] (Don McKenzie)		—	—	—	non-album single
"It Should Have Been Me" (b-side)[222] (Kim Weston)	1963	—	—	—	non-album single
"You Lost the Sweetest Boy"[223] (Mary Wells)		22	22	10	Greatest Hits
"Can I Get a Witness"[224] (Marvin Gaye)		22	18	3 [upper-alpha 6]	Greatest Hits
"You're a Wonderful One"[225] (Marvin Gaye)	1964	15	18	3 [upper-alpha 6]
"The Touch of Time" (b-side)[226] (Barbara McNair)	1965	—	—	—	non-album single

Promotional singles

List of promotional singles, showing year released and album name

All records released on Motown Records.

A-side title B-side title	Year	Album
"The Only Time I'm Happy"[227] Supremes interview (non-album)	1965	More Hits by The Supremes
"Dr. Goldfoot and the Bikini Machine"[228][229]		non-album single
"Things Are Changing"[upper-roman 14] "Things Are Changing"		non-album single
"—" denotes the single failed to chart or was not released

Re-issued singles

List of re-issued singles, with selected chart positions, showing year released and album name

All records released on Motown Records.

A-side title B-side title	Year	Peak chart positions		Album
		IRE [207]	UK [14]
"Baby Love" "Ask Any Girl"	1974	16	12	Where Did Our Love Go
"Where Did Our Love Go" "Nothing but Heartaches" (from More Hits by The Supremes)		—	—
"You Keep Me Hangin' On" "Come See About Me" (from Where Did Our Love Go)	1986	—	91	The Supremes Sing Holland–Dozier–Holland
"Stop! In the Name of Love" "Automatically Sunshine" (from Floy Joy)	1989	—	62	More Hits by The Supremes
"—" denotes the single failed to chart or was not released

Other appearances

As backing vocalists

List of non-single album appearances as backing vocalists, for other performing artists, showing year released and album name

Title (Artist)	Year	Album
"Not Now I'll Tell You Later"[upper-roman 15] (The Temptations)	1966	Gettin' Ready
"I Can’t Help Myself"[upper-roman 16] (Four Tops)		Four Tops Live!
"Fancy Passes"[223] (Barbara McNair)		Here I Am
"Searching for My Baby"[upper-roman 17] (Al Garner and The Primettes)	2002	Remembering Roots of Soul, Vol. 2: Birth of Motor Town
"Baby Won't You Change Your Mind"[upper-roman 17] (Al Garner and The Primettes)
"I'm Finally Through With You"[upper-roman 18] (Mable John)	2004	My Name Is Mable: The Complete Collection
"Going to a Go-Go"[237] (Brenda Holloway and The Supremes)	2007	A Cellarful of Motown! Volume 3
"My Heart Is Like a Clock"[238] (Mary Wells)	2012	Something New: Motown Lost & Found
"Have A Little Patience (And Wait)"[upper-roman 19][240] (Mary Wells)
"Free From Your Spell"[upper-roman 19] (Mary Wells)
"Your Loss, My Gain (You Lost The Sweetest Boy)"[upper-roman 19] (Mary Wells)

As featured artist

List of non-single album appearances as featured artist, showing year released and album name

Title (Artist)	Year	Album
"Walk Away"[241] (Udo Jürgens featuring The Supremes)	1977	Udo Live 77

Shelved albums

List of shelved and cancelled albums, showing proposed release year and album name

Title	Year	Notes
The Supremes Sing Ballads & Blues[242]	1963	The Supremes Sing Ballads & Blues was assigned a catalog number (Motown 610) in late 1963 and given a projected release date. Although it was not released, several of the tracks originally recorded for it appeared on the album The Supremes Sing Country, Western and Pop in spring 1965.
Live, Live, Live![242]	1965	Live, Live, Live!, a live concert recording, was scheduled for release on Motown 625 in early 1965. Although no official track list is available, the live set from the expanded fortieth anniversary edition of the Where Did Our Love Go album features tracks that were slated for inclusion on the album. The Where Did Our Love Go anniversary edition liner notes indicate the possibility of tracks from the Motor-Town Revue in Paris were also considered.
There's a Place for Us[242][243]		There's a Place for Us, an album of pop standards, was originally scheduled to be released in the summer of 1965 to tie into the Supremes' groundbreaking debut appearance at the Copacabana nightclub in New York. It was ultimately shelved in favor for a live album of their Copacabana engagement which included many songs originally on the album. The album eventually saw a release as an expanded volume in 2004, 39 years after it was completed.[243]
A Tribute to the Girls[242]		A Tribute to the Girls was an album Motown planned for the group to record in 1965 featuring songs made famous by girl groups of the time; however it was never completed. Several tracks were featured on the expanded release of There's a Place for Us.
Pure Gold[242]	1966	Pure Gold, an album of greatest hits-like material, was planned for release in May 1966, but was cancelled.
Live at the Roostertail[244]		Live at the Roostertail, a live concert recorded on September 26, 1966, has a significantly different set list to the earlier The Supremes at the Copa (1965), but was shelved. The set features a medley of songs from their I Hear a Symphony (1966) album, which was similarly performed on The Ed Sullivan Show in addition to "More (Theme from Mondo Cane)". The set is also notable for containing the last recorded performances of "Make Someone Happy" and "People".[244] Two tracks from the album, "You Can't Hurry Love," and "Group Introductions," were released in 2000 on a bonus disc included with certain copies of The Supremes box set.[245] The complete show was released in 2012 on the expanded edition of the I Hear A Symphony album.[246]
The Supremes and the Motown Sound: From Broadway to Hollywood[247]	1967	The Supremes and the Motown Sound: From Broadway to Hollywood was intended for release in early 1967, but no formal track listings for the album were produced despite an album worth of tracks were recorded. It is widely believed that the album would have been based around the group's then-current number one single, "The Happening." Tracks for the album were recorded in Los Angeles and featured songs made popular on Broadway or in Hollywood films. Earlier vaulted material, notably from the featured recordings from the There's a Place for Us, sessions were also considered for inclusion.
Live at the Copa[248]		Live at the Copa, a live recording of concerts between May 19-20, 1967 is notable as one of the last to feature Florence Ballard. The set features a rare live recording of "My Favorite Things", in addition to the number-one hit "The Happening" and a medley of “Thoroughly Modern Millie,” “Second Hand Rose” and “Mame” which were previously only available on Live at London’s Talk of the Town (1968), featuring Cindy Birdsong in Ballard's place.[249] Three tracks from the album, "Somewhere," "Group Introduction" and "You're Nobody 'til Somebody Loves You," were released on the second disc of The Supremes (2000) box set.[245] The complete set, composed of the best takes from both shows, was released on the 2018 expanded edition of The Supremes Sing Holland-Dozier-Holland.[249]
Live at the Roostertail[250]		Live at the Roostertail, a live concert recorded on August 27, 1967, remains largely unreleased. It was the first live recording to feature Cindy Birdsong. Two tracks from the album, "You Keep Me Hangin' On," and "Reflections," were released with certain limited copies of The Supremes (2000) box set, on a bonus disc titled In Person - An Evening With The Supremes.[245][251]
Diana Ross & the Supremes Sing Disney Classics[252]	1968	Diana Ross & the Supremes Sing Disney Classics was an album featuring covers of songs from films produced by Walt Disney Productions. Recordings for the album began in 1967 with Florence Ballard; before she was replaced by Cindy Birdsong, who also recorded songs for the album. Songs recorded for the album, have appeared on the 1986 compilation series 25th Anniversary and 25th Anniversary, Vol. 2[253] as well as The Never-Before-Released Masters (1987). "Chim Chim Cher-ee", "A Spoonful of Sugar", and "Zip-a-Dee-Doo-Dah" still remain unreleased.[252]
Some Things You Never Get Used To[254]		Some Things You Never Get Used To was a 1968 album named after the single. The album was shelved when the single failed to make the impact expected. The proposed tracklist was: side one: "Some Things You Never Get Used To", "Heaven Must Have Sent You", "He's My Sunny Boy", "Come On and See Me", "Can I Get a Witness" and "You've Been So Wonderful to Me". Side two: "My Guy", "It's Not Unusual", "Just a Little Misunderstanding", "Uptight (Everything's Alright)", "What Becomes of the Brokenhearted" and "Blowin' in the Wind".[254] Several of the songs on side one, including the single, appeared on Love Child (1968),[255] "What Becomes of the Brokenhearted" on Let the Sunshine In (1969)[256] and "Blowin' in the Wind" on Cream of the Crop (1969).[257] The remaining unreleased tracks were later included on the compilation albums 25th Anniversary, Vol. 2 (1986)[253] and Let the Music Play: Supreme Rarities (2008).[258]
Promises Kept[259]	1971	Promises Kept, a 1971 set by the "New Supremes" produced by Clay McMurray, Bobby Taylor, Ashford & Simpson, and others. Despite a wealth of recordings, an official track list was never finalized and the Supremes were instead assigned to work on Floy Joy with Smokey Robinson as producer. Some of the Promises Kept songs appear on the 2000 Supremes box set and the 2002 70s Anthology. Thirteen other tracks from the sessions are also included in The Supremes box set This Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years.[259]
Untitled Stevie Wonder Album[35]	1973	Stevie Wonder wrote and produced "Bad Weather", described as 'their most innovative single to date', with hopes the song would return the group back to the top of the charts. However, despite positive critical reception, the song only peaked at number 87 on the Billboard Hot 100, though it peaked within the top 40 of the UK Singles Chart. Disapointed, Wonder complained to Motown President Ewart Abner, who promised the company would "get on it" but subsequently Wonder's plans to record an album with The Supremes were scrapped.[35] Two additional tracks, "Soft Days" and "I'll Wait A Lifetime," were recorded for the album; however both tracks currently remain unreleased. Lynda Laurence recalled the group recording six songs with Stevie Wonder before the album was abandoned. Songs rumored to have been planned or recorded for the album included "Superstition" and "Until You Come Back to Me."

Videography

Video albums

Title	Year	Certifications
T.A.M.I. Show	1964
Greatest Hits: Live in Amsterdam	1968
Motown 25: Yesterday, Today, Forever	1983
Reflections: The Definitive Performances (1964–1969)	2006	RIAA: Platinum [29]

See also

• Diana Ross discography

Notes

Charts and sales

1. Merry Christmas did not enter the US Billboard 200, but peaked at number six on Billboard magazine's Top Holiday Albums chart.[61]
2. Merry Christmas did not enter the Record World 100 Top LP's, but peaked at number nine on the LP's Coming Up chart.[60]
3. US sales figures are presumed to be physical sales only, as they were reported before the introduction of digital downloads or album-equivalent units.[178][24][179]
4. UK sales figures are based solely on digital downloads and audio streams.[6]
5. "My Heart Can't Take It No More" did not enter the Billboard Hot 100, but peaked at number 29 on the Bubbling Under Hot 100 Singles chart.[188]
6. From November 30, 1963 to January 23, 1965, the Billboard R&B singles chart was temporarily discontinued. Billboard determined it unnecessary due to so much crossover of titles between the R&B and pop charts in light of the rise of Motown. The chart was reinstated as Hot Rhythm & Blues Singles on January 30, 1965. For the period in which no chart was published, Billboard now uses Cash Box magazine's Top 50 In R&B Locations singles chart for data.[191]
7. "Children's Christmas Song" did not enter the Billboard Hot 100, but peaked at number 12 on the Billboard Christmas Singles chart, whilst "Twinkle, Twinkle, Little Me" peaked at number 11.[61]
8. "Let Yourself Go" and "Love, I Never Knew You Could Feel So Good", did not enter the Billboard Hot 100, but peaked at number five on the US Hot Dance Club Songs chart.[209]
9. "Medley of Hits" did not enter the Billboard Hot 100, but peaked at number 46 on the US Hot Dance Club Songs chart.[209]

Further information

1. Following the success of singles "Where Did Our Love Go" and "Baby Love", in 1964, Meet The Supremes was released in the UK on Stateside (#SL 10109).[47] The UK release has a different tracklisting, featuring songs from the US album releases: Meet The Supremes and Where Did Our Love Go. It also contains the b-side "(The Man With The) Rock & Roll Banjo Band", which would later appear on The Supremes Sing Country, Western and Pop.[48][49]
2. Japan-only; released internationally by Hip-O Select in 2004.[112]
3. Not released commercially. Vinyl labels state, 'This album is intended for file and reference purposes only. It may not be sold, broadcast or used for any other commercial purpose.'[119] One song from the soundtrack, "Paint Your Wagon Medley: I'm on My Way/I Talk to the Trees/I Still See Elissa/They Call the Wind Maria", featuring Diana Ross & the Supremes, was later released on the compilation Among My Souvenirs: More Treasures from the Crosby Archive.[120]
4. The original master of this single was withdrawn shortly after its release, and a re-recorded version, also featuring Ballard on lead, was issued instead.[187]
5. Originally issued as "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heart Breaking Guy", quickly withdrawn and re-pressed with the shortened title.[189]
6. Backing vocals by Supremes Florence Ballard and Mary Wilson; plus the Four Tops and Holland-Dozier-Holland.[190]
7. Backing vocals by Supremes Florence Ballard and Mary Wilson; plus the Four Tops.[192]
8. Not released in the US.[196]
9. Backing vocals by The Andantes.[197]
10. Backing vocals by Supremes Florence Ballard and Mary Wilson; plus The Andantes.[201]
11. Backing vocals by Johnny Bristol, Maxine Waters and Julia Waters; instead of Supremes Mary Wilson and Cindy Birdsong.[25][202][203]
12. A medley of the Holland-Dozier-Holland hits: "Stop! In The Name Of Love", "Back In My Arms Again", "Come See About Me", "Love Is Like An Itching In My Heart", "Where Did Our Love Go" and "Baby Love".[210][211]
13. In some releases, such as Remembering Roots of Soul, Vol. 2: Birth of Motor Town, both sides are credited to Marv Johnson and the Primettes.[216]
14. Produced by Phil Spector, for The Equal Employment Opportunity Commission to inform minority groups that new employment opportunities were opening up for them. First recorded by Darlene Love and The Blossoms; subsequently the same backing track was used to record versions by The Supremes and Jay and the Americans.[230][231]
15. "Not Now I'll Tell You Later"[232][215] was recorded in 1963,[233] but first released on The Temptations' album Gettin' Ready (1966).[234] An extended mix of "Not Now I'll Tell You Later" is included on the compilation album Joined Together: The Complete Studio Duets (2004).[233]
16. The Four Tops call up celebrities in the audience to the stage, including: Marvin Gaye, The Supremes and the Everly Brothers.[235][223]
17. "Searching for My Baby" and "Baby Won't You Change Your Mind" were recorded between 1959-1964.[216]
18. "I'm Finally Through With You" was recorded on November 2, 1962, but first released on My Name Is Mable: The Complete Collection (2004).[236]
19. "Have A Little Patience (And Wait)", "Free From Your Spell" and "Your Loss, My Gain (You Lost The Sweetest Boy)" were recorded in 1963.[239]

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     • For "My Favorite Things": "Billboard HITS OF THE WORLD". Billboard. 5 February 1966. p. 37.
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     • "For "You Keep Me Hangin' On": "Billboard HITS OF THE WORLD". Billboard. 18 February 1967. p. 60.
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