The Trial (2014 opera)

The Trial is an English-language opera in two acts, with music by Philip Glass to a libretto by Christopher Hampton, based on the 1925 eponymous novel by Franz Kafka. The opera was a joint commission between Music Theatre Wales, the Royal Opera House, Covent Garden, Theater Magdeburg and Scottish Opera.

The Trial
Opera by Philip Glass
LibrettistChristopher Hampton
Based onThe Trial
by Franz Kafka
Premiere
10 October 2014
Linbury Studio Theatre,
Royal Opera House, London

As produced by Music Theatre Wales, the opera received its world premiere on 10 October 2014, in a production by Music Theatre Wales at the Linbury Studio Theatre, Royal Opera House, Covent Garden (London).[1][2][3] The German premiere at the Theater Magdeburg occurred on 2 April 2015.[4] Scottish Opera first staged the work at the Theatre Royal Glasgow on 24 January 2017.[5] The North American premiere was on 4 June 2017 at Opera Theatre of Saint Louis.[6] For all of these stagings, Michael McCarthy was the stage director, and the set design was by Simon Banham, both from Music Theatre Wales.[7][8]

This work, Glass' 26th opera, is the third opera collaboration between Glass and Hampton. Hampton has acknowledged that the initial idea for an opera based on The Trial originated with Glass.[9] Glass has described the opera as one of his 'pocket operas', with respect to the size of the instrumental ensemble and the number of singers required, with all of the singers, except the baritone in the role of Josef K., performing multiple roles.

Glass dedicated the score to Music Theatre Wales in commemoration of its 25th anniversary. He had approved of the company's earlier stagings of his operas, and offered them a reduction in his standard commission fee to reduce the financial burden on the organisation for this commission and production.[10]

Roles
Role Voice type Premiere cast,
10 October 2014
(Conductor: Michael Rafferty)		 Continental Europe premiere cast,
2 April 2015
(Conductor: Hermann Dukek)		 North America premiere cast,
4 June 2017
(Conductor: Carolyn Kuan)
Josef K. baritone Johnny Hereford Johnny Hereford Theo Hoffman
Franz (Guard 1) tenor Michael Bennett Markus Liske Joshua Blue
Willem (Guard 2) baritone Nicholas Folwell Thomas Florio Robert Mellon
The Inspector bass Michael Druiett Paul Sketris Matthew Lau
Frau Grubach mezzo-soprano Rowan Hellier Sylvia Rena Ziegler Sofia Selowsky
Fräulein Bürstner soprano Amanda Forbes Julie Martin du Theil Susannah Biller
Magistrate baritone Gwion Thomas Roland Fenes Keith Phares
Berthold, a student tenor Paul Curievici Michael J Scott Brenton Ryan
Bailiff baritone Gwion Thomas Roland Fenes Robert Mellon
Clerk of the court baritone Nicholas Folwell Thomas Florio Robert Mellon
Washerwoman, the bailiff's wife mezzo-soprano Rowan Hellier Sylvia Rena Ziegler Sofia Selowsky
A flogger tenor Paul Curievici Michael J Scott Brenton Ryan
Uncle Albert bass Michael Druiett Paul Sketris Matthew Lau
Huld baritone Gwion Thomas Roland Fenes Keith Phares
Block tenor Michael Bennett Markus Liske Joshua Blue
Leni soprano Amanda Forbes Julie Martin du Theil Susannah Biller
Titorelli tenor Paul Curievici Michael J Scott Brenton Ryan
Priest baritone Nicholas Folwell Thomas Florio Robert Mellon
First executioner tenor Michael Bennett Markus Liske Joshua Blue
Second executioner baritone Nicholas Folwell Thomas Florio Robert Mellon

Synopsis

Act 1

On his 30th birthday, a bank manager, Josef K., is arrested at his flat for an unidentified crime. Neither the guards, Franz and Willem, nor the police inspector offer any explanation, although all of K.'s neighbours seem to understand better than K. why they are present. Franz and Willem inappropriately look through Josef K.'s belongings, to the latter's annoyance. After observing Josef K.'s reaction to his arrest, the inspector allows K. to go to work.

Later that same evening, K., apologises to his landlady, Frau Grubach, for the disturbance that morning resulting from his arrest. K. meets a fellow tenant, Fräulein Bürstner, and tells her of his arrest. She is drawn to his plight, and he abruptly kisses her.

K. locates the court in an inconspicuous urban block. A washerwoman guides him in, where he learns that everyone there is waiting for him. K. protests the proceedings, and a sudden cry is heard, coming from the washerwoman, as a man presses himself on her. K. speaks in her defence and accuses the court of corruption. The magistrate warns K. that he is damaging his own case.

K. returns to the court for a second hearing, to find that the court is not in session. The washerwoman tells K. that she is the wife of the bailiff. She offers herself to K. and says that she admired his protest, but that she meant her cry to interrupt him. K. examines the Magistrate's books and finds that they contain pornography. Whilst the washerwoman continues her advances toward K., the student Berthold appears and carries her off. The court usher then arrives and registers his disdain that the inhabitants of the court always carry her off. The usher posits the scenario that K. could punish Berthold for his behaviour. K. requires assistance to leave the courtroom.

In his office, K. receives a visit from his uncle Albert, who berates his nephew for concealing his arrest. He then offers to bring K. to an expert barrister. K. reluctantly consents to the visit. Whilst leaving work, K. hears odd noises from another room. A flogger is whipping Franz and Willem, for their misbehaviour during their arrest of K.. When asked about the noises, K. replies that it's 'only a dog'.

Act 2

K. and his uncle Albert visit the barrister Huld. Huld's maid, Leni, says that Huld is ailing. K. and Leni exchange glances. K. is surprised to hear that Huld knows all about his trial. Huld remarks on how interesting K.'s case is, and boasts of his standing in legal circles. The sound of a crashing plate in the next room causes K. to take momentary leave. Leni broke the plate deliberately to attract K.'s attention. Whilst seducing him, she suggests that he visit the painter Titorelli for assistance. Uncle Albert interrupts Leni and K. in flagrante, and berates K. for this behaviour, saying that K. has severely damaged his case by his flirtation with Huld's mistress.

K. visits Titorelli in the artist's attic. Noisy neighbouring girls constantly interrupt Titorelli. Titorelli explains that he is acquainted with many judges. He asks K. whether he is innocent, and K. replies yes. K. then states his impression that once the court arrests someone, it is difficult to convince the court of his innocence. Titorelli replies that it is more than difficult, essentially impossible. He tells K. that his trial has three possible outcomes: genuine acquittal, apparent acquittal, or postponement.[11] The last two require continual vigilance, which depresses K.'s spirits. Titorelli sells K. a set of identical paintings as K. departs. K. takes his leave, into what he recognises as the corridor to the court. Titorelli explains that everything there belongs to the court.

At Huld's establishment, Leni is with another of Huld's clients, the businessman Block. K. sees Leni together with Block, and is jealous. Block separately confides to K. that he has 5 other barristers besides Huld on his case, unknown to Huld. He is spending all his money on his case. Block asks for a secret from K. in return. K. says that he intends to dismiss Huld as his barrister. When Huld appears and K. indicates his dispensation of Huld's services, Huld is nonplussed. Huld indicates that he is aware of Block's situation. He humiliates Block before K., querying how Block would react at the knowledge that his trial hasn't even yet begun.

K. is at the city's cathedral, where a priest calls out his name. The priest states his knowledge of K.'s situation, and explains that the verdict of the trial is 'not suddenly pronounced', but instead 'slowly evolves from the proceedings'. He then tells K. a parable of 'The Door of the Law'. K. loses all hope.

On the eve of his 31st birthday, Franz and Willem retrieve Josef K. from his flat. K. does not resist the guards, and briefly sees Fräulein Bürstner as the guards take him away. They take out a knife, pass it between them over his head, and dispatch him, "like a dog".

References
  1. Michael Church (2014-10-13). "Philip Glass' The Trial, Linbury Theatre, review: Kafka's story has an astonishing prescience". The Independent. Retrieved 2017-06-07.
  2. Hannah Nepil (2014-10-13). "The Trial, Linbury Studio Theatre, London – review". Financial Times. Retrieved 2017-06-07.
  3. Andrew Clements (2014-10-12). "The Trial review – captures the essence of Kafka's surreal fable". The Guardian. Retrieved 2017-06-07.
  4. Rolf-Dietmar Schmidt (2015-04-04). "Verloren in der unsichtbaren Macht". Volkstimme. Retrieved 2017-06-07.
  5. "The Trial by Philip Glass Premieres in Scotland" (PDF) (Press release). Scottish Opera. 1 December 2016. Retrieved 2017-06-07.
  6. Sarah Bryan Miller (2017-06-05). "The Trial at OTSL gets a fine production, but the comedy is dark indeed". Saint Louis Post-Dispatch. Retrieved 2017-06-07.
  7. Robert Beale (2014-10-15). "Philip Glass opera brings Kafka's The Trial to the stage". Manchester Evening News. Retrieved 2017-06-07.
  8. "Franz Kafka's The Trial review: 'Tense, terse and brooding'". Daily Express. 2014-10-16. Retrieved 2017-06-07.
  9. Peter Aspden (2014-10-03). "Christopher Hampton: another dangerous liaison". Financial Times. Retrieved 2017-06-07.
  10. Sarah Bryan Miller (2017-05-29). "Opera Theatre prepares to stage a 'neutron bomb' of an opera, The Trial". Saint Louis Post-Dispatch. Retrieved 2017-06-07.
  11. The original German term used by Kafka, Verschleppung, more accurately translates as 'protraction'. K.'s trial continues to proceed and is never 'postponed'. Kafka, Franz, The Trial (translated by Breon Mitchell). Schoken Books (New York City, USA), ISBN 0-8052-0999-9, 'Translator's Foreword', p. xxv (1998).
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