Tormented (Staind album)

Tormented is the debut studio album by the American rock band Staind, self-released in 1996. In 1993, Staind vocalist Aaron Lewis and Staind guitarist Mike Mushok met each other at a Christmas party in the New England area. Mushok brought drummer Jon Wysocki into the fold and Lewis had a connection with a bass guitarist who later left, starting the early lineup. Staind was originally a cover band, covering songs by bands like Deftones, Alice in Chains, Pearl Jam, Korn, Tool, Rage Against the Machine, Helmet, and Stone Temple Pilots. Shortly after bassist Johnny April joined, Staind officially formed in Springfield, Massachusetts on November 24, 1995. Touring in the Northeast United States helped Staind achieve a cult following.

Tormented
Studio album by
Staind
ReleasedNovember 29, 1996 (1996-11-29)
Recorded1996
Genre
Length73:31
LabelSelf-released
ProducerStaind
Staind chronology
Tormented
(1996)		 Dysfunction
(1999)

Tormented was self-released on November 29, 1996. Promoting Tormented, Staind played gigs throughout New England with bands such as God Lives Underwater, Gwar, and Kilgore. Tormented helped get Staind a record deal with Limp Bizkit vocalist Fred Durst and the record label Flip Records. Durst was initially appalled, accused Staind of being Theistic Satanists, and refused to accept the band when he saw Tormented's graphic cover art, which depicts a barbie doll on a crucifix, a knife impaling a Bible, and a rosary hanging from the nose of a face sticking out of a buried person's nose. Nonetheless, Durst changed his mind and signed Staind after being impressed with the band's performance. Durst then produced the band's second studio album Dysfunction (1999) and directed four of Staind's music videos.

Tormented received minor attention after its release, selling at least a few thousand copies. Critical reception was positive towards the heaviness and aggression of Tormented, but was negative towards the album's production. Described as a grunge-influenced alternative metal and heavy metal album by critics, Tormented is somewhat of a concept album that tells the story of a depressed person who eventually commits suicide. Lewis struggled during his childhood, adolescence, and young adulthood, experiencing bullying, a dysfunctional family, years of serious depression, and suicidal thoughts. He once was about to commit suicide by gunshot but decided not to. Lewis also reportedly was going through the throes of the breakup of a four-year relationship while Tormented was being written and recorded. Tormented includes an early version of "Mudshovel", named "Mudshuvel", the breakthrough song which would give Staind mainstream popularity in 1999. "Mudshovel" later appeared on Dysfunction. The Dysfunction version is more melodic and has an absence of screaming.

Background and recording
Lewis (pictured) said that he did not "have it very good as a kid".[1]

Staind's lead vocalist Aaron Lewis had a difficult life during his childhood, adolescence, and young adulthood, which inspired the lyrics on Tormented. Lewis was born in Springfield, Vermont and his parents were Ted and Sondra. Both of his parents were hippies.[2] Lewis grew up in a trailer park,[3] and in 1980, his family moved to New Hampshire. By the time his family moved to New Hampshire at the time, Lewis' parents separated but, nonetheless, reunited again. The new surroundings Ted and Sondra experienced did not help the relationship, resulting in the two of them breaking up a couple more times before they moved to Springfield, Massachusetts. Lewis' parents divorced when Lewis was thirteen years old. After Ted and Sondra divorced, Sondra moved back to New Hampshire whereas Lewis stayed with Ted in Massachusetts and Lewis' two younger sisters. Lewis says his mom and he experienced a "big blowout" when he was age thirteen or fourteen. He then said: "At the end, I basically told her not to call me and to stay the fuck out of my life. That lasted for three or four years."[2] Lewis' relationship with his father Ted, on the other hand, was far more positive, and the two of them continued to be close later on when Staind experienced mainstream success. Lewis' family continued to experience dysfunction. "There wasn’t much of a safe home atmosphere," Lewis said. "There wasn’t the feeling of a tight-knit family. My grandfather died, and his whole side of the family may as well have died with him, because we were basically disowned. To have half of my family disappear left me with a lot of abandonment issues."[2] Lewis also had experienced bullying in his childhood by older youngsters. Lewis described them as "a few bad people in the neighborhood". He said: "They didn't just beat me up. It was a little more than that." Lewis said that experiencing feelings involving alienation developed early. Lewis said he "was the sensitive kid". He then said: "I was the kid who, if he got picked on, would run home crying. Even my friends – I would be the brunt of their jokes. People liked the reactions they got out of me. And I always gave them a reaction."[2]

In 1993, Lewis and Staind guitarist Mike Mushok met at a Christmas party in Springfield, Massachusetts.[2] Mushok brought drummer Jon Wysocki into the band and Lewis had a connection with a bass guitar player who later left, completing the early lineup of the band in early 1995.[4] Originally, Staind went by the name Stain, but changed the name to Staind after the band found out the moniker already had been claimed by another group.[5] Staind originally covered songs by bands such as Korn, Tool, Alice in Chains, Rage Against the Machine, Stone Temple Pilots, Pearl Jam, Deftones, and Helmet.[6][7] The band played their first gig in February 1995.[8] The band officially formed in Springfield, Massachusetts on November 24, 1995,[4] after Johnny April joined the same month replacing the original bassist.[9] By 1996, Staind obtained the $2,500 they needed for recording Tormented.[2] While Tormented was being written and recorded, Lewis reportedly was going through the throes of the breakup of a four-year relationship.[10] Lewis said in an interview that the first song Staind wrote and played together is "No One's Kind", which appeared on Tormented. Extensive touring in the Northeast United States helped Staind acquire an underground following.[4] In a 2008 interview, Lewis elaborated on the motivation for the musical style featured on Tormented:

The closest we ever came to being a heavy metal band was on our very first record, Tormented. On that, we were trying to fit into the Boston hardcore scene. That was what we had to work with at the time. We didn't have a record deal. We didn't have anything going on. In order to try to compete in some way in the Boston hardcore music scene, we wrote a really heavy record, and our roots for that heaviness were metal. It's never been that since. Even Dysfunction was a huge step away from Tormented.[11]

Music and lyrics
Mushok (pictured) cites Pantera, Black Sabbath, Iron Maiden, and Rage Against the Machine as influences, inspiring the heavy guitar riffs on Tormented.[12]

The songs on Tormented are about topics such as pain, animosity, suicide and depression. Author Tommy Udo wrote: "Tormented is one long rush of hardcore brat-rage, a 900mph scream of a man smashing his head against a wall with frustration".[13] According to Rockzone, Tormented "revealed the raw feelings of a band whose front man Aaron Lewis captivated the minds and souls of teenagers and young adults tired of the vanity that has overcome life."[14] Described as alternative metal by AllMusic,[15] Tormented is also somewhat of a concept album that tells the story of a depressed person who eventually commits suicide.[16] This is hinted by the spoken-word line, "it's been like this forever... no more... I hate my fucking life", followed by the sound of a gun being cocked before the first song, "Tolerate";[17] this thematic device returns with the line "there's nothing left for me" and then the sound of a gunshot immediately after the song "Four Walls" and before the hidden track "Funeral".[18] The lyrics on Tormented were written by Lewis except the lyrics to "Four Walls", which was written by Mushok. Mushok provided the spoken word vocals on Tormented,[19] which appeared in the songs "Tolerate", "Painful",[20] "Nameless",[21] "See Thru",[22] and "Four Walls".[18] Mushok said that Staind wrote Tormented first and then included suicidal spoken word lines such as on "Tolerate" after finishing writing the album.[16]

The lyrics on Tormented are influenced by Lewis' life. Lewis spoke about it, saying: "My life, up to a point was shit. But I've come a long way. I grew up in a trailer park in Vermont. That was the shit I got out of me in Tormented and Dysfunction, and tailing into Break the Cycle. But the title, Break the Cycle, says it all."[3] For years, Lewis experienced serious depression and also considered suicide, too. "I’ve had a gun in my mouth," he says. "Just crying and wanting to do it, but not being able to for the thought of what it would do to the people I was going to leave behind. It took a hell of a lot more courage to not pull that trigger than it would have taken to pull it."[2] The lyrics on Tormented have created controversy, with lyrics to songs like "Tolerate" and "Four Walls" showing themes of violence and antisocial values.[9] AllMusic described Tormented as "grittier and more raw than" Staind's "subsequent releases".[15] The album's music, which features singing and screaming,[15] has been compared to that of the heavy metal band Pantera.[23] During Staind's early days, Lewis was influenced by heavy metal bands like Pantera and Sepultura.[2]

According to the Lollipop, Staind combine grunge-influenced hooks with heavy metal-style drums and guitars. Describing the vocals on Tormented, Lollipop elaborated: "Vocally, it may seem odd to say a band can have the passionate trembling of, ya know, those Seattle bands, yet have a desperate howl that is rather Kornesque."[24] According to Allmusic, Tormented shows influences from Tool, Faith No More, and Pantera.[15] In 2008, Staind guitarist Mike Mushok expressed his lack of appreciation for Tormented: "We have a lot of fans who say, 'I love Tormented.' I'm like, 'Have you ever listened to it? Because I can't.' "[25] Despite being an intense heavy metal album, Tormented's song "Four Walls" is a soft song.[11] While Tormented has been described as alternative metal and heavy metal by critics, the album's songs "Come Again"[26] and "Mudshuvel"[27] both are described as nu metal songs.

Release, promotion, and reception

Release, promotion and sales

Self-released on November 29, 1996,[15][28][29] Tormented was launched with a record-release party which drew at least 900 people,[30] with many obtaining the album.[29] Being distributed to local record stores and at concerts, 2,000 copies of Tormented were sold within a year[5] and Tormented was later available on Staind's website.[31] Tormented had only sold a few thousand copies by 2002.[6] Promoting the release of Tormented, Staind played gigs throughout New England with bands such as God Lives Underwater, Gwar, and Kilgore.[28]

Critical reception

Anthony Tognazzini of AllMusic gave the album a very positive review, writing: "[Tormented] shows a band with its alternative metal heart in the right place [...] Despite some spotty production, this impressive debut unleashes a band whose amps are overloaded, and whose aim is deadly. The original version of "Mudshuvel" (which later appeared on Dysfunction) is one of several highlights."[15] In 1997, Steven Woltasek of CMJ New Music Report wrote: "For those of you that don't know, wake up and look around for the debut release from Staind entitled Tormented ".[32] In the book Brave Nu World, author Tommy Udo wrote: "To go back now and listen to Staind's 1996 debut, Tormented, back to back with Break The Cycle is like listening to another band".[13] Scott Hefflon of the Lollipop wrote: "Staind are savvy, street-smart, and dammit, they rock. Their studio debut, tOrmenteD, shows either a natural knack for milking the most out of a crunchy guitar, or they had some good coaching."[24] The Northeast Performer wrote: "Staind's musicianship is striking, and their live performance takes their recorded material one step further: pushing the envelope, ripping up the envelope, then jumping up and down all over the envelope til there ain't a damn thing left".[33] Andrew Blackie of PopMatters wrote about Tormented: "It’s disarming how heavy" Staind "were in those days, how screaming misery ... over harsh, sololess distortions made them sound more like the protégé of Pantera than the descendants of Alice in Chains they do today."[34] Chad Childers of Loudwire ranked Tormented at number six on his list of Staind's albums ranked, describing the album as "a promising start for Staind, though one not widely heard."[35]

Artwork
Durst directed four Staind videos.[36]

The album is known for its graphic cover art. The cover depicts a bloody Barbie doll on a crucifix with nails hanging from a plastic frame, a buried person with a rosary protruding from the person's nose, and a knife impaling a Bible.[37][38] On October 23, 1997, when Staind met Limp Bizkit vocalist Fred Durst at the Webster Theater in Hartford, Connecticut,[4][28] Tormented's album cover appalled Durst so much that he attempted to remove Staind from a concert bill shortly before their performance. Durst thought that Staind were Theistic Satanists.[28][38][39] Despite his attempts to stop the band from performing, Durst eventually changed his mind and allowed Staind to perform.[38] After hearing Staind perform, Durst was so impressed that he signed them to Flip Records[39][40] by February 1998.[29] Durst produced Staind's second album Dysfunction (1999).[41]

Back cover of Tormented

Mushok said he "tried to get" Durst "to calm down", explaining to Durst that the cover art was meant to portray someone "who seemed normal going through a difficult time". Mushok said the cover art represents "someone who had lost belief in everything". According to Mushok, the cover art was not meant to be a religious thing. Mushok said the cover art "came out" as a religious thing "because the Bible was the most shocking image."[42] Lewis said that the album cover "was twisted and demented and it totally did what it was supposed to do, which is shock the hell out of [Durst]". Lewis then said nonetheless, Durst "didn't find it shocking in an amusing way. It definitely grabbed your attention. That was the point of it."[43] Lewis also has said about Tormented's album cover: "That artwork depicted where I was at in my life," Lewis says. "I had lost faith in everything, from religion to love to life."[2] Staind reportedly thought later that the album cover for Tormented was naïve.[42] According to Mushok, Staind "had to move back the CD release party because four different places would not print the CD cover".[42] Tormented also has artwork that shows the album's titles in smeared blood similar to the Charles Manson tradition. Backwards letters are also used on the song titles.[9]

Live performances and post-Tormented

The Tormented track "Mudshuvel" was re-recorded and renamed "Mudshovel" as a radio-friendly version and the re-recorded version was released in 1999 as the third single for Staind's second studio album Dysfunction.[15] It became the band's breakthrough single and the most popular song from their second studio album, ranking on the Mainstream Rock chart for 28 weeks where it peaked at number 10 in November 1999.[44] The Tormented track "Come Again" is on Staind's 2006 singles compilation.[45] "Come Again" also appears on a three-song sampler which was both free and available for fans who pre-ordered Staind's 2005 studio album Chapter V.[46] The Tormented track "See Thru" was re-recorded for the 2002 soundtrack album NASCAR on Fox: Crank It Up.[47] For a long time, Staind have not played many songs from Tormented except for "Tolerate", "Come Again", and "Break".[48]

Track listing

All lyrics are written by Aaron Lewis, except where noted.

No.TitleLyricsLength
1."Tolerate" 4:35
2."Come Again" 3:51
3."Break" 4:01
4."Painful" 3:30
5."Nameless" 3:30
6."Mudshuvel" 4:32
7."See Thru" 4:28
8."Question?" 3:30
9."No One's Kind" 4:47
10."Self Destruct" 3:37
11."Four Walls" ("Four Walls" ends at 5:28. Following 8:02 seconds of silence, the hidden track "Funeral" begins at 13:30.[18])Mike Mushok[19]33:10
Total length:73:31
Notes
  • The voice from the intro of "Tolerate" can be heard again at the end of "Four Walls" saying "There's nothing left for me" followed by the sound of a gunshot this then goes into the hidden track "Funeral"
  • The hidden track "Funeral" is 19 minutes long and features a church organ, the sound of a few people coughing, and a preacher reciting the Bible, including Psalm 23 and Psalm 121 from the Old Testament's book the Book of Psalms then the audio appears to become back masked and the audio begins getting distorted as the preacher's voice becomes more lower pitched and demonic.[18]

Personnel

Credits are adapted from AllMusic[49] and Tormented's liner notes.[19]

Staind

References

Citations
  1. Vaziri, Aidin (June 1, 2003). "Aaron Lewis / Staind front man is miserably wealthy". San Francisco Chronicle. Retrieved April 24, 2017.
  2. Eliscu, Jenny (July 19, 2001). "Staind: Dark Stars". Rolling Stone. Retrieved February 26, 2018.
  3. "Staind". Starland Ballroom. Archived from the original on October 2, 2014. Retrieved September 8, 2015.
  4. True, Chris. "Staind | Biography & History". AllMusic. Retrieved March 18, 2017.
  5. Ratiner 2009, p. 174.
  6. Kitts & Tolinski 2002, p. 13.
  7. D., Spence (May 1, 2000). "Staind: An IGN Classic Interview". IGN. Retrieved February 27, 2018.
  8. Harkness, Geoff (June 7, 2001). "Permanently Staind". Lawrence.com. Retrieved February 27, 2018.
  9. "In the United States District Court for the Northern District of Ohio Western Division" (PDF). Retrieved September 8, 2015.
  10. "Personal anguish tops the chart for Staind". Daily Local News. July 20, 2001. Retrieved February 26, 2018.
  11. Florino, Rick (August 25, 2008). "Interview: Staind (Aaron Lewis)". ARTISTdirect. Retrieved February 24, 2010.
  12. "Staind Guitarist On Getting Heavy Again". Blabbermouth.net. September 20, 2011. Retrieved January 21, 2021.
  13. Udo 2002, p. 89.
  14. "Reviews: Staind - "Break The Cycle"". Rockzone. July 11, 2001. Retrieved February 24, 2018.
  15. Tognazzini, Anthony. "Tormented – Staind". AllMusic. Retrieved March 19, 2017.
  16. Hartmann, Graham (September 23, 2015). "Mish Mushok Plays 'Wikipedia: Fact or Fiction?'". Loudwire. Retrieved March 16, 2017.
  17. Lewis, Aaron, Mike Mushok, Jon Wysocki, and Johnny April, perfs. Tolerate. Staind. 1996. CD.
  18. Lewis, Aaron, Mike Mushok, Jon Wysocki, and Johnny April, perfs. Four Walls. Staind. 1996. CD.
  19. Tormented (CD liner notes). Staind. 1996.CS1 maint: others (link)
  20. Lewis, Aaron, Mike Mushok, Jon Wysocki, and Johnny April, perfs. Painful. Staind. 1996. CD.
  21. Lewis, Aaron, Mike Mushok, Jon Wysocki, and Johnny April, perfs. Nameless. Staind. 1996. CD.
  22. Lewis, Aaron, Mike Mushok, Jon Wysocki, and Johnny April, perfs. See Thru. Staind. 1996. CD.
  23. Blackie, Andrew (November 16, 2006). "Staind: The Singles 1996–2006". PopMatters. Retrieved November 2, 2015.
  24. Hefflon, Scott. "Staind Tormented". Lollipop. Retrieved March 19, 2017.
  25. Grierson, Tim (August 20, 2008). "Staind Interview". About.com. Archived from the original on July 7, 2011. Retrieved February 24, 2010.
  26. "The Singles Collection (Deluxe Version) by Staind on Apple Music". iTunes. Retrieved February 27, 2018.
  27. Zaleski, Annie (May 17, 2017). "30 Best Nu-Metal Songs, Ranked". Spin. Retrieved February 27, 2018.
  28. "Staind". Washington Post. Retrieved February 25, 2018.
  29. Hall, Chris (November 2, 2001). "Artist of the Week" (PDF). The Southeastern. 82 (10). p. 5. Retrieved March 19, 2017.
  30. Carioli, Carly (April 29, 1999). "Mass metal". Boston Phoenix. Retrieved March 19, 2017.
  31. Caldwell, Tara (November 17, 2000). "Staind Re-Releases Rare Indie Album Online". Chart Attack. Retrieved March 19, 2017.
  32. Woltasek, Steven (September 8, 1997). "Loud Rock Dialogue". CMJ New Music Report. Vol. 51 no. 537. CMJ Network, Inc. ISSN 0890-0795.
  33. Dr Fever. "Staind". Rocknworld.com. Retrieved March 19, 2017.
  34. Blackie, Andrew (November 16, 2006). "Staind: The Singles 1996-2006". PopMatters. Retrieved February 27, 2018.
  35. Childers, Chad (November 22, 2016). "Staind Albums Ranked". Loudwire. Retrieved January 19, 2021.
  36. Fiasco, Lance (July 13, 2001). "First New Artist To Be Released On Fred Durst's Flawless Entertainment Debuts With A Bang". idobi Radio. Retrieved February 22, 2018.
  37. Kitts & Tolinski 2002, p. 14.
  38. Brode, Rob (April 9, 2001). "Inside the "Outside" with Staind"s Aaron Lewis: Devil not included". The Michigan Daily. Retrieved September 8, 2015.
  39. True, Chris. "Staind | Biography & History". AllMusic. Rovi Corporation. Retrieved September 8, 2015.
  40. Grierson, Tim. "Staind – Career Biography and Discography". About.com. Retrieved September 8, 2015.
  41. "Fred Durst | Credits". AllMusic. Retrieved April 24, 2017.
  42. Udo 2002, p. 83.
  43. Iddings, Bill (July 3, 2008). "Staind's lofty name: 'You can so run with that'". MLive.com. Retrieved March 18, 2017.
  44. "Staind - Chart history". Billboard. Retrieved March 18, 2017.
  45. "The Singles 1996-2006 - Staind". AllMusic. Retrieved March 18, 2017.
  46. Harris, Chris (July 28, 2005). "Staind Pushing Hard To Put Grey Days Behind Them". MTV. Retrieved February 27, 2018.
  47. Unterberger, Ritchie. "NASCAR on Fox: Crank It Up - Various Artists". AllMusic. Retrieved February 24, 2018.
  48. "Mike Mushok Q + A, Part II". Staind. October 27, 2010. Retrieved March 19, 2017.
  49. "Tormented - Staind | Credits". AllMusic. Retrieved June 25, 2018.

Bibliography

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