Tragic Overture (Brahms)

The Tragic Overture (German: Tragische Ouvertüre), Op. 81, is a concert overture for orchestra written by Johannes Brahms during the summer of 1880. It premiered, under Hans Richter, on 26 December 1880 in Vienna.[1] Eight days later, it was repeated at the University of Breslau on a program with the premiere of the Academic Festival Overture.[2] Most performances last between twelve and fifteen minutes.

This article is about the overture by Brahms. For the overture by Dvořák, see Tragic Overture (Dvořák).

Brahms chose the title "tragic" to emphasize the turbulent, tormented character of the piece, in essence a free-standing symphonic movement, in contrast to the mirthful ebullience of a companion piece he wrote the same year, the Academic Festival Overture. Despite its name, the Tragic Overture does not follow any specific dramatic program. Brahms summed up the effective difference in character between the two overtures when he declared "one laughs while the other cries."

Structure

The Tragic Overture comprises three main sections, all in the key of D minor.

  1. Allegro ma non troppo
  2. Molto più moderato
  3. Tempo primo ma tranquillo.

Analysis

Theorists have disagreed in analyzing the form of the piece: Jackson finds Webster's multifarious description rather obscurist and prefers to label the work's form as a "reversed sonata design" in which the second group is recapitulated before the first, with Beethoven's Coriolan Overture as a possible formal model.[3]

Instrumentation

The work is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, and strings.

References
  1. Clive, Peter (October 2, 2006). Brahms and His World: A Biographical Dictionary. Scarecrow Press. ISBN 9781461722809 – via Google Books.
  2. "Fascinating Insights into Brahms's Tragic Overture". Redlands Symphony.
  3. Timothy L. Jackson, "Bruckner and tragic reversed sonata form" Bruckner Studies 1997, Cambridge University Press, pp. 172–178

Further reading


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