Volume Dois

Volume Dois (Volume Two) is the ninth studio album released by the Brazilian rock band Titãs. Following the success of the previous album, Acústico MTV, Volume Dois features unplugged arrangements of previously recorded Titãs' songs, along with some new ones.[3] Once again, an orchestra was called to record the album. It is one of their most successful albums, having sold more than 1 million copies as of 2015.[4]

Volume Dois
Studio album by
Titãs
Released9 October 1998[1]
Recorded1998
GenreAlternative rock, pop rock, new wave, symphonic rock, acoustic rock, MPB
Length54:06
LabelWarner Music Group
ProducerLiminha
Titãs chronology
Domingo
(1995)		 Volume Dois
(1998)		 As Dez Mais
(1999)
Singles from Volume Dois
  1. "É Preciso Saber Viver"
    Released: 1998
Professional ratings
Review scores
SourceRating
Allmusic[2]

Background and production

In the final performances of the Acústico MTV tour, Titãs already talked about a future studio album with more acoustic versions of their songs. They were even already performing "É Preciso Saber Viver" by the time.[5]

By the time of the album release, members Tony Bellotto (acoustic and electric guitarist) and Paulo Miklos (vocalist and saxophonist) commented that the band did not want to give in to electronic sounds: "We are a stage band, we like to play. It doesn't make sense, in a numerous band, to wait for the computer sequence before coming in with the guitars. This happened around the times of Õ Blésq Blom (...) Acoustic is the valuing of melodies, the electronic 'thing' more disturbed us than helped us".[6]

The hit "Sonífera Ilha" was chosen as the opening track for being "emblematic. Cheesy, trying to be pop, inventive", according to Bellotto.[6]

When asked if "Caras Como Eu" was a song about feeling old, its author Bellotto replied:[7]

No, it's natural, like, after so much time playing with Titãs, I'm already 38 and I have lots of children. It's natural that eventually you start thinking about this. You get older, you're no longer 18, and I thought a lot, when I was creating the song, of Titãs. We've been together for 16 years. It was different when we started, times have changed, we're all already different, but the spirit remains the same. The love we feel for our job remains the same. The song speaks a little about it. Now, of course time passes and you feel some changes, some limitations, and at the same time, also, the new discoveries and stuff. But the song talks a little about that, about getting older and realizing it.

Also asked it the song was a farewell one, he answered:[7]

[...] It isn't, absolutely, a farewell. Much the contrary, it may even be a reverse album, like a restart, us exercising the ability to compose, to create music in a way adequate to what we're feeling, to the moment, to the age. It's not about writing a song because you're older or younger, but about saying what you mean to say. What you're thinking of life, having this freedom. We've always given ourselves this right. So, in this sense, it states a novelty like any other song of ours. I think a farewell wouldn't be a song. Our farewell will probably be a silent one, it won't be us doing songs.

Release and marketing

The album was introduced to the press in a press conference hosted at restaurant Terraço Itália, atop Edifício Itália.[6] A promotional tour succeeded, with its shows divided into three parts: one electroacoustic, one acoustic and one more rock-oriented, containing old hits not used in the album.[1] Reproducing the performance of their predecessor in 1997, it was elected by Folha de S.Paulo readers as the best album and show of 1998.[8][9]

Track listing
No.TitleWriter(s)Lead vocalsLength
1."Sonífera Ilha" (Sleepy Island)Branco Mello, Marcelo Fromer, Tony Bellotto, Carlos Barmack and Ciro PessoaPaulo Miklos2:50
2."Lugar Nenhum" (Nowhere)Arnaldo Antunes, Charles Gavin, Fromer, Sérgio Britto and BellottoMello3:15
3."Sua Impossível Chance" (Your Impossible Chance)Nando ReisReis4:06
4."Desordem" (Disorder)Britto, Fromer and GavinBritto3:32
5."Não Vou Me Adaptar" (I Won't Adapt)AntunesReis3:41
6."Domingo" (Sunday)Bellotto and BrittoMiklos3:27
7."Amanhã Não Se Sabe" (Tomorrow it's not known)BrittoBritto3:08
8."Caras Como Eu" (Guys Like Me)BellottoMello3:02
9."Senhora e Senhor" (Miss and Mister)Antunes, Miklos and FromerMiklos3:23
10."Era Uma Vez" (Once Upon a Time)Fromer, Bellotto, Mello, Britto, AntunesMello3:44
11."Miséria" (Misery)Antunes, Britto and MiklosMiklos and Britto4:21
12."Insensível" (Insensitive)BrittoBritto3:26
13."Eu E Ela" (Me and Her)ReisMiklos4:35
14."Toda Cor" (Every Color)Fromer, Pessoa and BarmackMello3:28
15."É Preciso Saber Viver" (It's Necessary to Know How to Live)Roberto Carlos and Erasmo CarlosMiklos4:08
16."Senhor Delegado/Eu Não Aguento" (Mister Delegate/I Can't Stand It)Antoninho Lopes, Jaú, Sérgio Boneka, Clover Over and TrambolhinhoBritto2:36

Personnel

Titãs

Guest musicians
  • Liminha - acoustic guitar, electric guitar, bass guitar, twelve string guitar, banjo, tambura, electronic programming
  • Fat Family - vocals in "É Preciso Saber Viver"
  • Flávio Guimarães - harmonica in "Domingo" and "Lugar Nenhum"
  • Jaques Morelenbaum - cello in "Toda Cor", string and Horn arrangements (except in "Eu e Ela", "Miséria" and "Sonífera Ilha")
  • Eumir Deodato - string and Horn arrangements in "Eu e Ela" and "Miséria"
  • Marcelo Martins - tenor saxophone, flute, string and Horn arrangements in "Sonífera Ilha"
  • Ramiro Musotto - percussion in "Sonífera Ilha", "Domingo", "Miséria", "Toda Cor", "Senhor Delegado", "Senhora e Senhor" and "Amanhã não se sabe"
  • William Magalhães - keyboard in "Amanhã não se sabe"
  • Daniel Garcia - flute, tenor saxophone
  • Zé Canuto - flute, tenor saxophone, alto saxophone
  • Eduardo Morelembaum - clarinet, bass clarinet
  • Philip Doyle - french horn
  • Henrique Band - baritone saxophone
  • Zé Carlos - tenor saxophone
  • Flavio Melo - flugelhorn, trumpet, piccolo trumpet
  • Vitor Santos - tenor trombone
  • Jessé Sadoc - trumpet, flugelhorn
  • Flavio Santos - trumpet
  • Altair Martins - trumpet, flugelhorn
  • Paulo Roberto Mendonça - trumpet
  • Gilberto de Oliveira - bass trombone
  • José Machado Ramad - tenor saxophone
  • Ismael de Oliveira - horn
  • Zdenek Swab - horn
  • Antonio Candido - horn
  • Giancarlo Pareschi (Spala), José Alves, Bernardo Bessler, Alfredo Vidal, Antonella Pareschi, Paschoal Perrota, Walter Hack, Vera Barreto, Paula Barreto, Michael Bessler, Ricardo Amado: violins
  • Marie Cristine Bessler, Frederick Stephany, Jesuina Passaroto, Jairo Diniz: violas
  • Alceu Reis, Yura Ranevsky, Marcus de Oliveira, Cassia Menezes, Marcio Malard: cellos

References
  1. Pombo, Cristiano Cipriano (29 October 1998). "Titãs buscam essência em novo show". Folha de S.Paulo. Grupo Folha. Retrieved 28 March 2017.
  2. Allmusic review
  3. Sanches, Pedro Alexandre (4 October 2001). "Titãs vêm enfrentar o presente e o futuro". Folha de S.Paulo. Grupo Folha. Retrieved 1 August 2015.
  4. Ivanov, Ricardo (3 October 2015). "Quarentões, Titãs não querem carregar rótulo adolescente". Terra. Telefónica. Retrieved 1 August 2015.
  5. Citero, Priscila (4 April 1998). "Titãs fazem último "Acústico" e preparam o próximo disco". Folha de S.Paulo (25203): Especial 1. Retrieved 9 July 2017.
  6. Vieira, Paulo (7 October 1998). "Titãs querem ser "adultos' com canções da juventude". Folha de S.Paulo. Grupo Folha. Retrieved 28 March 2017.
  7. "Leia entrevista com os Titãs publicada na Folha em 98". Folha de S.Paulo. Grupo Folha. 12 June 2001. Retrieved 29 January 2021.
  8. "Hall of Fame 98". Folha de S.Paulo (25471): Folhateen 2. 28 December 1998. Retrieved 10 July 2017.
  9. "Hall of Fame 98". Folha de S.Paulo (25471): Folhateen 1. 28 December 1998. Retrieved 10 July 2017.
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