Walking Distance

"Walking Distance"
	The Twilight Zone episode
Episode no.	Season 1; Episode 5
Directed by	Robert Stevens
Written by	Rod Serling
Featured music	Original score by Bernard Herrmann (accompanied with carnival music)
Production code	173-3605
Original air date	October 30, 1959
Guest appearance(s)
	Gig Young; Frank Overton; Irene Tedrow; Ron Howard; Byron Foulger; Patrick H. O'Malley Jr.;

"Walking Distance" is episode five of the American television series The Twilight Zone. It originally aired on October 30, 1959. The episode was listed as the ninth best episode in the history of The Twilight Zone by Time magazine.[1]

Opening narration

Martin Sloan, age thirty-six. Occupation: vice-president, ad agency, in charge of media. This is not just a Sunday drive for Martin Sloan. He perhaps doesn't know it at the time, but it's an exodus. Somewhere up the road he's looking for sanity. And somewhere up the road, he'll find something else.

Plot

While driving his car in the countryside on a summer afternoon circa 1959, 36-year-old New York advertising executive Martin Sloan stops to have his car serviced at a gas station within walking distance of Homewood, his hometown. After walking into town, he sees that it apparently has not changed since he was a boy. He visits the drugstore and is confused when he finds out that ice cream sodas are still only 10 cents.

Martin walks to the town park, where he is startled to see himself as a boy of eleven, carving his name into the bandstand, exactly as he remembers doing. Grown-up Martin approaches, resulting in tweenage Martin becoming scared, believing himself to be in trouble, and he runs away. Following his tween self home, he meets his folks as they were in his childhood, but is turned away. He sees the next door neighbor, a teen boy working on his brand new roadster; Martin soon discovers that it is the year 1934.

A man can think a lot of thoughts and walk a lot of pavements between afternoon and night. And to a man like Martin Sloan, to whom memory has suddenly become reality, a resolve can come just as clearly and inexorably as stars in the summer night. Martin Sloan is now back in time. And his resolve is to put in a claim to the past.

Confused and worried, Martin wanders around town and ends up at his former home again later that evening, where he again tries to convince his parents who he is by showing his identification, but is slapped by his mother and rejected.

Martin wanders back to the park and finds his preteen self on a carousel. His advances again frighten the boy, who falls off the merry-go-round and injures his leg. Simultaneously, Martin experiences excruciating pain in his leg, due to the effect of the injury propagating through time to his adult self. The carousel is stopped, and Martin tries to tell his younger self to enjoy his boyhood while it lasts.

After eleven-year-old Martin is carried away, adult Martin, sitting dejectedly on the carousel, is joined by his father who tells him young Martin will be all right, but will have a limp. He also tells him that having seen money with future dates and adult Martin's driver's license (with a 1960 expiration date) from Martin's wallet, which he had dropped at the house during the confrontation earlier, he now believes Martin's story. Martin's father advises his son that everyone has his time and that instead of looking behind him, he should look ahead; as delightful and rewarding as he may remember childhood to be, adulthood holds its own delights and rewards.

When Martin walks back into the drugstore, he finds himself back in 1959, where ice cream sodas are now 35 cents. He discovers that he now has a limp from the carousel injury. Martin makes his way back to the gas station where he picks up his car. He drives away, content for once to live his life in his own age group.

Closing narration

Martin Sloan, age thirty-six, vice-president in charge of media. Successful in most things but not in the one effort that all men try at some time in their lives—trying to go home again. And also like all men, perhaps there'll be an occasion, maybe a summer night sometime, when he'll look up from what he's doing and listen to the distant music of a calliope, and hear the voices and the laughter of the people and the places of his past. And perhaps across his mind there'll flit a little errant wish, that a man might not have to become old, never outgrow the parks and the merry-go-rounds of his youth. And he'll smile then too, because he'll know it is just an errant wish, some wisp of memory not too important really, some laughing ghosts that cross a man's mind, that are a part of the Twilight Zone.

Cast

Gig Young as Martin Sloan
Frank Overton as Robert Sloan
Irene Tedrow as Mrs. Sloan
Michael Montgomery as Tweenage Martin
Ron Howard as Wilcox Boy
Byron Foulger as Charlie
Sheridan Comerate as Gas Station Attendant
Joseph Corey as Soda Jerk
Buzz Martin as Boy with Car
Nan Peterson as Woman in Park
Pat O'Malley as Mr. Wilson

Production

Unlike some episodes of the show that were accompanied by pre-composed stock music cues, Walking Distance was underscored with music specially written for it. As for other Twilight Zone episodes, Bernard Herrmann—also composer of the first season's main title music and most of its stock music—wrote the music for this one. The very intimate and tuneful score has an isolated running time of about 19 minutes and is played by a 19-piece-orchestra consisting of strings (violins, violas, cellos, basses) and one harp.

The park in this episode is said to be inspired by Recreation Park in Binghamton, New York, which is located about five blocks away from Rod Serling's childhood home. Like the park in "Walking Distance", Recreation Park has a carousel and a bandstand. There is a plaque in the Recreation Park bandstand commemorating the episode.[2] The plaque and the episode are referenced heavily in the 2015 film The Rewrite, which is mostly set in Binghamton.

Themes

Similar themes of nostalgia, its potential risks, the relentless pressures of the business world, and the disillusionments that come with being an adult are explored in "A Stop at Willoughby", "Young Man's Fancy", "The Incredible World of Horace Ford", "Of Late I Think of Cliffordville", and to a lesser extent, "The Brain Center at Whipple's", as well as two Serling teleplays from before and after The Twilight Zone: The Kraft Television Theatre episode "Patterns" and the Night Gallery episode "They're Tearing Down Tim Riley's Bar".

Critical response

"Walking Distance" has continued to be one of the most popular and critically acclaimed of all Twilight Zone episodes. Paul Mandell of American Cinematographer wrote: "[Walking Distance] was the most personal story Serling ever wrote, and easily the most sensitive dramatic fantasy in the history of television." The episode was listed as the ninth best episode in the history of the series by Time in celebration of the series' 50th anniversary.[1]

In an audio recording of an early 1970's lecture at Ithaca College included in Twilight Zone DVD packages, Serling was critical towards the episode, feeling in retrospect that his relative inexperience as a writer at the time was apparent in the screenplay. However, Jodi Serling said in a 2019 interview with SyFy Wire that Walking Distance was her father's favorite episode of the show because it was "a very personal story for him" and there were "pieces of him in it". Serling stated it was her favorite episode as well due to her father's connection to it, further saying: "My father every summer would take a ride from our place on Cayuga Lake, which is in Ithaca, and he would ride an hour to Binghamton, New York, and revisit his hometown. It was like his private journey of seeing his old house. It's still there on Bennett Ave., going on the merry-go-round — which isn't the same merry-go-round — and walking the streets as he did when he played marbles with his friends. That episode is so nostalgic [for me] because it's so much about my dad, I can't help but see him."[3]

Soundtrack releases

Due to the high popularity of the episode and the music itself the score has received several releases on CD in its original film version in monoaural sound and two re-recordings in stereo as well, one done by Joel McNeely with the Royal Scottish National Orchestra (the only complete version) and the other by William T. Stromberg conducting the Moscow Symphony Orchestra. Orchestrator John Morgan enlarged all sections of the orchestra for the latter, referring to Samuel Barber's Adagio for Strings as Herrmann's main influence on the score in the liner notes. Composer/Pianist, Tom Alexander, included the piece, "Excerpts From Walking Distance," on his 2016 solo piano album, "Overbrook Avenue."

References

"Top 10 Twilight Zone Episodes". Time. October 2, 2009. Archived from the original on October 8, 2009. Retrieved May 11, 2011.
Rod Serling official website
https://www.syfy.com/syfywire/rod-serlings-daughter-reveals-his-favorite-twilight-zone-episodes#:~:text=Serling%20adds%20that%20%22Walking%20Distance,his%20hometown%2C%22%20she%20explains.

External links

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[Time_Magazine1-1] "Top 10 Twilight Zone Episodes". Time. October 2, 2009. Archived from the original on October 8, 2009. Retrieved May 11, 2011.

[2] Rod Serling official website

[3] ttps://www.syfy.com/syfywire/rod-serlings-daughter-reveals-his-favorite-twilight-zone-episodes#:~:text=Serling%20adds%20that%20%22Walking%20Distance,his%20hometown%2C%22%20she%20explains.

The Twilight Zone (1959) episodes
Season 1	"Where Is Everybody?" "One for the Angels" "Mr. Denton on Doomsday" "The Sixteen-Millimeter Shrine" "Walking Distance" "Escape Clause" "The Lonely" "Time Enough at Last" "Perchance to Dream" "Judgment Night" "And When the Sky Was Opened" "What You Need" "The Four of Us Are Dying" "Third from the Sun" "I Shot an Arrow into the Air" "The Hitch-Hiker" "The Fever" "The Last Flight" "The Purple Testament" "Elegy" "Mirror Image" "The Monsters Are Due on Maple Street" "A World of Difference" "Long Live Walter Jameson" "People Are Alike All Over" "Execution" "The Big Tall Wish" "A Nice Place to Visit" "Nightmare as a Child" "A Stop at Willoughby" "The Chaser" "A Passage for Trumpet" "Mr. Bevis" "The After Hours" "The Mighty Casey" "A World of His Own"
Season 2	"King Nine Will Not Return" "The Man in the Bottle" "Nervous Man in a Four Dollar Room" "A Thing About Machines" "The Howling Man" "Eye of the Beholder" "Nick of Time" "The Lateness of the Hour" "The Trouble with Templeton" "A Most Unusual Camera" "The Night of the Meek" "Dust" "Back There" "The Whole Truth" "The Invaders" "A Penny for Your Thoughts" "Twenty Two" "The Odyssey of Flight 33" "Mr. Dingle, the Strong" "Static" "The Prime Mover" "Long Distance Call" "A Hundred Yards Over the Rim" "The Rip Van Winkle Caper" "The Silence" "Shadow Play" "The Mind and the Matter" "Will the Real Martian Please Stand Up?" "The Obsolete Man"
Season 3	"Two" "The Arrival" "The Shelter" "The Passersby" "A Game of Pool" "The Mirror" "The Grave" "It's a Good Life" "Deaths-Head Revisited" "The Midnight Sun" "Still Valley" "The Jungle" "Once Upon a Time" "Five Characters in Search of an Exit" "A Quality of Mercy" "Nothing in the Dark" "One More Pallbearer" "Dead Man's Shoes" "The Hunt" "Showdown with Rance McGrew" "Kick the Can" "A Piano in the House" "The Last Rites of Jeff Myrtlebank" "To Serve Man" "The Fugitive" "Little Girl Lost" "Person or Persons Unknown" "The Little People" "Four O'Clock" "Hocus-Pocus and Frisby" "The Trade-Ins" "The Gift" "The Dummy" "Young Man's Fancy" "I Sing the Body Electric" "Cavender Is Coming" "The Changing of the Guard"
Season 4	"In His Image" "The Thirty-Fathom Grave" "Valley of the Shadow" "He's Alive" "Mute" "Death Ship" "Jess-Belle" "Miniature" "Printer's Devil" "No Time Like the Past" "The Parallel" "I Dream of Genie" "The New Exhibit" "Of Late I Think of Cliffordville" "The Incredible World of Horace Ford" "On Thursday We Leave for Home" "Passage on the Lady Anne" "The Bard"
Season 5	"In Praise of Pip" "Steel" "Nightmare at 20,000 Feet" "A Kind of a Stopwatch" "The Last Night of a Jockey" "Living Doll" "The Old Man in the Cave" "Uncle Simon" "Probe 7, Over and Out" "The 7th Is Made Up of Phantoms" "A Short Drink from a Certain Fountain" "Ninety Years Without Slumbering" "Ring-a-Ding Girl" "You Drive" "The Long Morrow" "The Self-Improvement of Salvadore Ross" "Number 12 Looks Just Like You" "Black Leather Jackets" "Night Call" "From Agnes—With Love" "Spur of the Moment" "An Occurrence at Owl Creek Bridge" "Queen of the Nile" "What's in the Box" "The Masks" "I Am the Night—Color Me Black" "Sounds and Silences" "Caesar and Me" "The Jeopardy Room" "Stopover in a Quiet Town" "The Encounter" "Mr. Garrity and the Graves" "The Brain Center at Whipple's" "Come Wander with Me" "The Fear" "The Bewitchin' Pool"