William Eubank

William Eubank (born November 15, 1982) is an American film director, screenwriter, and cinematographer. On his first feature film, Love, released in 2011, in addition to directorial and director of photography duties, Eubank also served as production designer.[3] His second feature film, The Signal, premiered at the 2014 Sundance Film Festival and was released in theaters by Focus Features on June 13, 2014.[4] His third feature film, the science-fiction horror film Underwater, was released in January 2020 by 20th Century Fox.[5][6]

William Eubank
Eubank on the set of Love in 2009
Born	William C. Eubank November 15, 1982 Holyoke, Massachusetts, U.S.
Other names	Will Eubank
Alma mater	UCLA (dropped out) Brooks Institute
Occupation	Film director screenwriter cinematographer
Years active	2003–present
Agent	Creative Artists Agency[1][2]
Notable work	Love The Signal Underwater
Relatives	Carlyle Eubank (brother)
Website	www.williameubank.com
Signature

Early life

Eubank was born on November 15, 1982 in Holyoke, Massachusetts.[7] His father, Carlyle Eubank II, is a fine art consultant and former appraiser for the British auction house Christie's.[8] His mother, Patricia Reeder Eubank, is a children's book author and illustrator.[9] The second of four siblings, Eubank has one older sister and two younger brothers, and grew up in the Santa Ynez Valley, a noted wine-producing region north of Los Angeles.[10][11]

Growing up he was inspired by his grandfather, a former US Navy cinematographer; from the stories he would tell, Eubank decided he wanted to either attend the United States Naval Academy or become a cinematographer, eventually settling on the latter.[7][12] Like filmmakers Steven Spielberg and David Lynch, Eubank grew up involved in Scouting and is an Eagle Scout.[13][14]

When Eubank was young, he had an interesting experience with the verisimilitude of cinema. At the time that he first watched the 1974 film Chinatown, set in the year 1937, Eubank was unaware that it was a period piece, assuming it to have been made contemporaneously in 1937. When he found out it had been made almost four decades after the era it depicted, Eubank came to a realization about film's power.[15]

Career

Panavision

Eubank began accepting jobs as a director or cinematographer at age 18. A number of Eubank's early works featured the use of in-camera speed 'ramping'. As a cinematographer and camera operator, Eubank was hired by the UFC to film fights in this style.[16] Eubank never worked on commercials but did release reels and camera tests.[17] Eubank was accepted into UCLA where he took cosmology classes that he would later cite as an influence on his films' ideas.[18] After attending UCLA for two years, he had not made it into the film program, and, impatient, he dropped out and went to work at Panavision Woodland Hills as a camera repair technician and digital imaging technician.

Eubank would become a seasoned Panavision employee, staying at the company for the next eight years.[19] Eubank attended the Sundance Film Festival five times representing Panavision, dreaming of attending as a director. He would meet with his Navy cinematographer grandfather, who lived in Salt Lake City, who insisted Eubank would someday attend with a film.[20]

While at Sundance and elsewhere, it was Eubank's job to promote and provide support for the Panavised CineAlta F900, which had singularly moved Hollywood into the digital cinema era with its use in the production of George Lucas's 2002 film Star Wars: Episode II – Attack of the Clones, the third, and first major, feature film to be released that was shot entirely on a 24p digital camera.[12][21] Using his position at Panavision, Eubank convinced the Australian cinema product manufacturer Blackmagic Design to send him an early edition of an SDI capture card.[22] Using this early card and the brand-new eSATA drives that had just appeared on the market, Eubank stacked 14 hard drives on top of each other and drilled a hole into a Power Mac G4 in order to create an NLE system on a personal computer that could directly capture the F900's Full HD 1080p.[22] When the working result was seen at Panavision, co-workers agreed a shift was about to occur in the industry.

After working at Panavision for some time, Eubank was occasionally given permission to borrow cameras and lenses for his tests. When Panavision eventually tabulated what he had used, they realized he had been given the loan of what would have been multiple million dollars worth of rental fees.[15][19] Eubank describes his time at Panavision as serving as his film school.[12] Sent to sets of films like Collateral and Superman Returns, Eubank would take a notebook and draw diagrams of where the gaffer had placed all the lights and would then go see the film when it came out and compare the on-screen results to his journals.[19] Eubank credits Panavision's kindness to him as being essential: "I owe my entire career to those guys".[23]

Love

In 2007, Eubank was approached by Tom DeLonge to create material for the alternative rock band Angels & Airwaves. Eubank directed a number of music videos for the band, including the video for the single "Surrender".[24][25] Eubank also wrote and directed the feature film Love, commissioned and produced by Angels & Airwaves. The film was inspired by Terrence Malick's The Thin Red Line and asks according to Eubank "[W]hat are we, as human beings, going to leave behind when we cease to exist one day...?"[26] The emotion the film is titled after, 'love', was described by Eubank as "The ability to feel and find complete communication without words or touch…the ability to find an understanding on nothing but a sense…"[27]

Eubank spent four years working on the film, serving as the film's production designer and constructing both the International Space Station and Civil War-battleground sets for the film in his parents' backyard himself over the course of nine months.[28][29] Eubank based his building of the ISS set on NASA photography and skateboard ramp designs and his staging of the battle scenes on Civil War paintings.[26][30] The filming was frequently interrupted by weather and the sounds of frogs and his family's neighbor operating a weedwhacker.[26] On February 2, 2011, the film premiered at the Santa Barbara International Film Festival. It later screened at 11 other festivals worldwide, including the Athens International Film Festival, where Eubank won the "Best Director" award. On August 10, 2011, National CineMedia released the film.

The Signal

While Love was still being edited, Eubank began writing a second screenplay, The Signal. He collaborated on the script with fellow screenwriters David Frigerio and his brother, Carlyle Eubank.[31] In an interview, Eubank described his first thoughts for the project: "I'm a big fan of The Twilight Zone, of what Rod Serling used to do as a storyteller, and I always wanted to do one of those – a story with intangibility and strangeness that makes you say, 'What the heck is going on?' I’d been thinking about the concept of an individual thrust into a specific and extreme situation, the true nature of which this person would have to uncover."[20] Before production could begin, Eubank worked as second unit director on the 2013 Regency film Broken City. Soon after, The Signal found producers: Brian Kavanaugh-Jones of Insidious and Tyler Davidson of Take Shelter, and production could begin.

Eubank described his main inspirations for the film as filmmakers Stanley Kubrick and David Lynch, and also said that thematically the films Pi, Moon, and Cube were on his mind.[20] His visual inspiration was drawn from Spaghetti Westerns, Man on Fire, and Hanna.[17] Eubank decided to shoot the film in 2.39:1 theatrical anamorphic format, saying "No other ratio allows you to stare right into an actor’s eyes; the performance can erupt."[20] When it came to the film's pacing, scale, and rhythm, Eubank began with a goal to make the film feel small and then suddenly large, explaining, "I wanted the opening to feel super free, and like a road movie, [and] in a weird way small, so that by the time [I] was going to ramp things up both emotionally [and] technically… it really was going to slowly burn until it got to that sort of firecracker end. I think that that level of contrast within a film is interesting. It's not something I really see that much."[32] He and David Lanzenberg, the director of photography, chose to leave a LowCon filter on for the entire time to reduce digital edginess.[23]

To cast the film, Eubank met with actors over Skype from New Mexico, settling on Australian actor Brenton Thwaites, English actor Olivia Cooke, and American actor Beau Knapp. For props, Eubank worked with Legacy Effects to design custom pieces. After two years of pre-production, The Signal began shooting in Albuquerque, where it was occasionally hampered by sandstorms.[20] The film's 29 day shoot took place in New Mexico and Ohio.

Eubank chose Brian Berdan, an editor who worked on David Lynch's Blue Velvet and Twin Peaks, to edit the film. Berdan and Eubank had collaborated before, Berdan having edited Love. Eubank described his work with Berdan saying "Brian’s sensibilities are different from mine; on my first film, Love, I realized that Brian had another way of looking at things than I did. I’ve come to appreciate his perspective, his fresh viewpoint, so much."[20]

While praising the film's "exquisite visual design", Variety called it "ultimately quite silly".[33]

Underwater

In 2016, Eubank began work on the 20th Century Fox and Chernin Entertainment film Underwater. Eubank's third feature was his largest production so far.[5] From a script by Black List screenwriter Brian Duffield, Underwater follows a crew of deep-sea researchers who must navigate across the ocean floor after their station is destroyed. Eubank cast Kristen Stewart and Game of Thrones-actress Jessica Henwick in the lead roles. The film also features Silicon Valley-star T. J. Miller, Vincent Cassel, John Gallagher Jr., and Gunner Wright, who worked with Eubank previously on Love. Eubank chose Montenegrin cinematographer Bojan Bazelli to lens the movie. The film began shooting in March 2017 in New Orleans and completed principal photography on May 28, 2017. It was edited by Brian Berdan, who also edited Eubank's first two films. Underwater was released to theatres on January 10, 2020.

The film received largely negative reviews attaining a rotten score of 47% on Rotten Tomatoes.[34] With Time Out calling it 'The Abyss'-lite [35] and Rolling Stone describing it as 'A brazen knockoff that wants to be 'Alien'[36]

Filmography

Year	Film	Director	Writer	Studio	Notes
2011	Love	Yes	Yes	National CineMedia	Also cinematographer and production designer
2014	The Signal	Yes	Yes	Focus Features
2020	Underwater	Yes	No	20th Century Fox
TBA	TauTona[2]	Yes	Yes	Warner Bros.
	World Breaker[37]	Yes	Yes

As cinematographer

Year	Film	Studio	Notes
2006	Hooked	Foley's Pond	Short film
2007	First.	One Dream
2008	Knowing	Villa Entertainment
2009	How to Make a Dollarbill in Brooklyn	Mousa Kraish Films
2010	Wreckage	Yale Productions
	Caught in the Crossfire	Cheetah Vision
	Level 26: Dark Prophecy	Dare to Pass
	Bashert	Fylmar Productions	Short film
2011	House of the Rising Sun	Berkshire Axis Media
	Z	Big Signature Productions	Short film
2012	Crave	Iron Helmet
	Awakening World	Media Management
	Yellow	Muse Productions	Second Unit DP

Other works

Year	Film	Role	Studio	Notes
2004	Collateral	Panavision camera technician	DreamWorks SKG	Uncredited
2005	Keeper of the Past	HD technician	American Film Institute
	Fun with Dick and Jane		Imagine Entertainment	Uncredited
2006	Dust of Life	Editor and producer	Tale End Productions
	Superman Returns	Digital imaging technician	Warner Bros.	Uncredited
2012	Broken City	Second Unit Director	20th Century Fox

References

1. McNary, Dave (May 9, 2013). "Laurence Fishburne Starring In 'The Signal'". Variety. Los Angeles. Retrieved September 15, 2017.
2. Siegel, Tatiana (July 28, 2014). "Warner Bros. Nabs 'TauTona' Pitch From Team Behind 'The Signal' (Exclusive)". The Hollywood Reporter. Los Angeles. Retrieved September 15, 2017.
3. Harvey, Dennis (February 9, 2011). "Film Reviews: Love". Variety. Retrieved September 15, 2017.
4. "The Signal - Festival Program - Sundance Institute". Park City, Utah: Sundance Film Festival. January 2014. Archived from the original on January 21, 2014. Retrieved September 15, 2017.
5. Scott, Mike (March 16, 2017). "Who's filming in New Orleans? Kristen Stewart, Jim Caviezel and more". The Times-Picayune. New Orleans. Retrieved 9 September 2017.
6. Wakeman, Scott (May 22, 2017). "T.J. Miller Compares Underwater To Two Classic James Cameron Films". CinemaBlend. Retrieved 12 September 2017.
7. Barbuto, Dana (June 11, 2014). "Director Will Eubank ready for the next level with 'The Signal'". The State Journal-Register. Springfield, Illinois. Retrieved September 15, 2017.
8. Etling, William (2005). Sideways in Neverland. Bloomington, Indiana: iUniverse. p. 160/170. ISBN 9780595806379.
9. Truax, SaraLloyd (October 14, 2010). "Award-winning author creates art". The Santa Ynez Valley Journal. Santa Ynez Valley. Retrieved September 15, 2017.
10. "Bio - Patricia Eubank". Patricia Eubank, Illustrator. July 8, 2015. Retrieved September 15, 2017.
11. Palladino, D.J. (February 2, 2011). "Angels & Airwaves Present Love: How Will Eubank Made a Sci-Fi Film in His Own Santa Ynez Valley Backyard". Santa Barbara Independent. Santa Barbara: Joe Cole. Retrieved September 17, 2017.
12. Gupta, Shipra (June 13, 2014). "Spend Less Using Slow Motion (and Other Filmmaking Hacks) from 'The Signal' Director William Eubank". IndieWire. Los Angeles. Retrieved September 15, 2017.
13. Raup, Jordan (June 12, 2014). "William Eubank Talks 'The Signal,' Editing With David Lynch, Stanley Kubrick Influences, and More" (Interview). New York City: The Film Stage. Retrieved September 15, 2017.
14. Wilson, Samantha (June 13, 2014). "Interview: William Eubank, Director and Cowriter of 'The Signal'" (Interview). New York City: ScreenPicks. Retrieved September 15, 2017.
15. Marks, Scott (June 10, 2014). "Interview with director William Eubank" (Interview). San Diego: San Diego Reader. Retrieved September 16, 2017.
16. Eubank, William. "About William Eubank". artist portfolio. Archived from the original on 2009-11-05. Retrieved 2009-10-30.
17. Fornaciari, Spencer (June 13, 2014). "SIFF Interview - William Eubank - The Signal". The MacGuffin: Film and TV Reviews, Interviews, Analysis. macguff.in. Retrieved September 16, 2017.
18. Rigg, Julie (30 August 2012). "Interview with William Eubank, director of Love". MovieTime. ABC Radio National. Retrieved 19 May 2014.
19. Lee, Chris (June 14, 2014). "William Eubank used ingenuity — and begging — to get 'The Signal' made". Los Angeles Times. Los Angeles. Retrieved September 16, 2017.
20. Woods, Nicole (15 April 2014). "Finding THE SIGNAL: A Q&A with Director William Eubank". Q&As. Focus Features. Retrieved 19 May 2014.
21. Zipern, Andrew (May 13, 2002). "Compressed Data; 'Star Wars' Charts Course in Digital Video". The New York Times. New York City. Retrieved September 16, 2017.
22. Perri Nemiroff (June 9, 2014). Interview: The Signal Director William Eubank. Collider. New York City: YouTube. Event occurs at 03:52. Retrieved September 16, 2017.CS1 maint: others (link)
23. Srisavasdi, Greg (June 13, 2014). ""The Signal" director William Eubank on Film's Textured Visual Look". DeepestDream.com (Interview). YouTube. Retrieved September 17, 2017.
24. Angels & Airwaves (27 May 2013). "Angels & Airwaves "Surrender" Official Music Video". Love: Part Two. YouTube. Retrieved 19 May 2014.
25. IMVDb. "William Eubank Music Video Credits as Director". Retrieved 12 September 2017.
26. Hillerstrom, Oscar. "Love: director William Eubank and actor Gunner Wright Discuss the Process of Movie-making". Popcorn Taxi. Popcorn Taxi Australia. Retrieved 2014-05-19.
27. Challis, Chris (10 March 2013). "Interview with William Eubank and Gunner Wright (Love)". Filmmaker Interviews. Chris and Phil Present. Retrieved 19 May 2014.
28. Eubank, William (2011-02-01). "Angels and Airwaves Presents "Love"". KEY News (Interview). Interviewed by Beth Farnsworth and Ryan Carmel. Santa Barbara, California: KEYT. |access-date= requires |url= (help)
29. Beaks (2011-01-19). "William Eubank's Indie Sci-Fi Opus LOVE Looks Exciting And New!". Ain't It Cool News. Harry Knowles. Retrieved 2011-02-02.
30. McGrath, Jordan (6 September 2012). "Interview: William Eubank, Director of LOVE". Interviews. Eat Live Sleep Film. Retrieved 19 May 2014.
31. Barnes, Brooks (January 21, 2014). "Sundance: Family Ties Behind the Scenes and in the Audience". The New York Times. New York City: The New York Times Company. Retrieved September 16, 2017.
32. Chris Riley (June 13, 2014). Olson Vlog E2: Q&A With 'The Signal' Director Will Eubank (Video). Phoenix: Olson Communications. Event occurs at 01:35. Retrieved September 16, 2017.
33. Berkshire, Geoff (29 January 2014). "Sundance Film Review: 'The Signal'". Variety. Sundance Reviews. Retrieved 19 May 2014.
34. https://www.rottentomatoes.com/m/underwater_2020
35. https://www.timeout.com/london/film/underwater
36. https://www.rollingstone.com/movies/movie-reviews/underwater-movie-review-kristen-stewart-935128/
37. Kroll, Justin (October 24, 2014). "Warners Bros. Lands Period Action Pic 'World Breaker' from 'Signal' Director". Variety. Los Angeles. Retrieved September 17, 2017.

External links

• Official website
• William Eubank at IMDb
• William Eubank at Variety