Anne Sexton

Anne Sexton (born Anne Gray Harvey; November 9, 1928 – October 4, 1974) was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with depression, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom it was later alleged she physically and sexually assaulted.

For the singer, see Ann Sexton.
Anne Sexton
Anne Sexton photographed by Elsa Dorfman
BornAnne Gray Harvey[1]
(1928-11-09)November 9, 1928
Newton, Massachusetts, United States
DiedOctober 4, 1974(1974-10-04) (aged 45)
Weston, Massachusetts, United States
OccupationPoet
NationalityAmerican
Literary movementConfessional poetry
SpouseAlfred Muller Sexton II (1948–1973)
Children

Early life and family

Anne Sexton was born as Anne Gray Harvey in Newton, Massachusetts to Mary Gray (Staples) Harvey (1901–1959) and Ralph Churchill Harvey (1900–1959). She had two older sisters, Jane Elizabeth (Harvey) Jealous (1923–1983) and Blanche Dingley (Harvey) Taylor (1925–2011). She spent most of her childhood in Boston. In 1945 she enrolled at Rogers Hall boarding school, Lowell, Massachusetts, later spending a year at Garland School.[2] For a time she modeled for Boston's Hart Agency. On August 16, 1948, she married Alfred Muller Sexton II and they remained together until 1973.[3][4] Sexton had her first child, Linda Gray Sexton, in 1953. Her second child, Joyce Ladd Sexton, was born two years later.

Poetry

Sexton suffered from severe bipolar disorder for much of her life, her first manic episode taking place in 1954. After a second episode in 1955 she met Dr. Martin Orne, who became her long-term therapist at the Glenside Hospital. It was Orne who encouraged her to write poetry.[5]

The first poetry workshop she attended was led by John Holmes. Sexton felt great trepidation about registering for the class, asking a friend to make the phone call and accompany her to the first session. She found early acclaim with her poetry; a number were accepted by The New Yorker, Harper's Magazine and the Saturday Review. Sexton later studied with Robert Lowell at Boston University alongside poets Sylvia Plath and George Starbuck.[4][6] Sexton later paid homage to her friendship with Plath in the 1966 poem "Sylvia's Death". Her first volume of poetry, To Bedlam and Part Way Back, was published in 1960, and included the poem "Her Kind", which uses the persecution of witches as an analogy for the oppression of women in a patriarchal society.[7]

Sexton's poetic career was encouraged by her mentor W.D. Snodgrass, whom she met at the Antioch Writer's Conference in 1957. His poem "Heart's Needle" proved inspirational for her in its theme of separation from his three-year-old daughter.[8] Sexton first read the poem at a time when her own young daughter was living with her mother-in-law. She, in turn, wrote "The Double Image", a poem which explores the multi-generational relationship between mother and daughter. Sexton began writing letters to Snodgrass and they became friends.

While working with John Holmes, Sexton encountered Maxine Kumin. They became good friends and remained so for the rest of Sexton's life. Kumin and Sexton rigorously critiqued each other's work and wrote four children's books together. In the late 1960s, the manic elements of Sexton's illness began to affect her career, though she still wrote and published work and gave readings of her poetry. She collaborated with musicians, forming a jazz-rock group called Her Kind that added music to her poetry. Her play Mercy Street, starring Marian Seldes, was produced in 1969, after several years of revisions.[9] Sexton also collaborated with the artist Barbara Swan, who illustrated several of her books.[10]

Within 12 years of writing her first sonnet, she was among the most honored poets in the U.S.: a Pulitzer Prize winner, a fellow of the Royal Society of Literature and the first female member of the Harvard chapter of Phi Beta Kappa.[11][12]

Death
Grave of Anne Sexton, located at Forest Hills Cemetery in Jamaica Plain, Massachusetts

On October 4, 1974, Sexton had lunch with Kumin to revise galleys for Sexton's manuscript of The Awful Rowing Toward God, scheduled for publication in March 1975 (Middlebrook 396). On returning home she put on her mother's old fur coat, removed all her rings, poured herself a glass of vodka, locked herself in her garage, and started the engine of her car, ending her life by carbon monoxide poisoning.[13]

In an interview over a year before her death, she explained she had written the first drafts of The Awful Rowing Toward God in 20 days with "two days out for despair and three days out in a mental hospital." She went on to say that she would not allow the poems to be published before her death. She is buried at Forest Hills Cemetery & Crematory in Jamaica Plain, Boston, Massachusetts.

Content and themes of work

Sexton is seen as the modern model of the confessional poet due to the intimate and emotional content of her poetry. Sexton often wrote and disclosed her struggles with mental illness through her work. Anne Sexton has also included important yet overlooked topics that touched on the overall experience for a woman. Maxine Kumin described Sexton's work: "She wrote openly about menstruation, abortion, masturbation, incest, adultery, and drug addiction at a time when the proprieties embraced none of these as proper topics for poetry."[14] Sexton's work towards the end of the sixties has been criticized as "preening, lazy and flip" by otherwise respectful critics.[11] Some critics regard her dependence on alcohol as compromising her last work. However, other critics see Sexton as a poet whose writing matured over time. "Starting as a relatively conventional writer, she learned to roughen up her line...to use as an instrument against the 'politesse' of language, politics, religion [and] sex."[15] Sexton was heavily criticized for her poetic content and themes, but these topics contributed to the popularity of her work.

Her eighth collection of poetry is entitled The Awful Rowing Toward God. The title came from her meeting with a Roman Catholic priest who, unwilling to administer last rites, told her "God is in your typewriter." This gave the poet the desire and willpower to continue living and writing. The Awful Rowing Toward God and The Death Notebooks are among her final works, and both center on the theme of dying.[16]

Her work started out as being about herself, however as her career progressed she made periodic attempts to reach outside the realm of her own life for poetic themes.[17] Transformations (1971), which is a re-visionary re-telling of Grimm's Fairy Tales, is one such book.[18] (Transformations was used as the libretto for the 1973 opera of the same name by American composer Conrad Susa.) Later she used Christopher Smart's Jubilate Agno and the Bible as the basis for some of her work.[19]

Much has been made of the tangled threads of her writing, her life and her depression, much in the same way as with Sylvia Plath's suicide in 1963. Robert Lowell, Adrienne Rich and Denise Levertov commented in separate obituaries on the role of creativity in Sexton's death. Levertov says, "We who are alive must make clear, as she could not, the distinction between creativity and self-destruction."[6]

Subsequent controversy

Following one of many suicide attempts and manic or depressive episodes, Sexton worked with therapist Martin Orne.[11] He diagnosed her with what is now described as bipolar disorder, but his competence to do so is called into question by his early use of allegedly unsound psychotherapeutic techniques.[20] During sessions with Anne Sexton he used hypnosis and sodium pentothal to recover supposedly repressed memories. During this process, he allegedly used suggestion to uncover memories of having been abused by her father.[21] This abuse was disputed in interviews with her mother and other relatives.[22] Orne wrote that hypnosis in an adult frequently does not present accurate memories of childhood; instead, "adults under hypnosis are not literally reliving their early childhoods but presenting them through the prisms of adulthood."[23] According to Orne, Anne Sexton was extremely suggestible and would mimic the symptoms of the patients around her in the mental hospitals to which she was committed. Diane Middlebrook's biography states that a separate personality named Elizabeth emerged in Sexton while under hypnosis. Orne did not encourage this development and subsequently this "alternate personality" disappeared. Orne eventually concluded that Anne Sexton was suffering from hysteria.[5] During the writing of the Middlebrook biography, her daughter, Linda Gray Sexton, stated that she had been sexually assaulted by her mother.[21][24] In 1994, she published her autobiography Searching for Mercy Street: My Journey Back to My Mother, Anne Sexton, which includes her own accounts of the abuse.[25][26]

Middlebrook published her controversial biography of Anne Sexton with the approval of daughter Linda, Anne's literary executor.[5] For use in the biography, Orne had given Diane Middlebrook most of the tapes recording the therapy sessions between Orne and Anne Sexton. The use of these tapes was met with, as The New York Times put it, "thunderous condemnation".[11] Middlebrook received the tapes after she had written a substantial amount of the first draft of Sexton's biography, and decided to start over. Although Linda Gray Sexton collaborated with the Middlebrook biography, other members of the Sexton family were divided over the book, publishing several editorials and op-ed pieces in The New York Times and The New York Times Book Review.

Controversy continued with the posthumous public release of the tapes (which had been subject to doctor-patient confidentiality). They are said to reveal Sexton's molestation of her daughter Linda,[27][28] her physically violent behavior toward both her daughters, and her physical altercations with her husband.[24]

Further controversy surrounds allegations that she had an "affair with" the therapist who replaced Orne in the 1960s.[29] No action was taken to censure or discipline the second therapist. Orne considered the "affair" with the second therapist (given the pseudonym "Ollie Zweizung" by Middlebrook and Linda Sexton) to be the catalyst that eventually resulted in her suicide.[6]

Legacy

Peter Gabriel dedicated his song "Mercy Street", (named for both her play "Mercy Street", and inspired by his reading of her poem "45 Mercy Street") from his 1986 album So, to Sexton.[30] She has been described as a "personal touchstone" for Morrissey, former lead singer and lyricist of The Smiths.[31] She is commemorated on the Boston Women's Heritage Trail.[32]

References

Notes
  1. "Anne Sexton". Academy of American Poets. Retrieved 29 May 2018.
  2. Middlebrook, p. 21.
  3. Nelson, Cary (2008-08-27). "Anne Sexton Chronology". Modern American Poetry website. University of Illinois at Urbana–Champaign. Archived from the original on 19 February 2009. Retrieved 2009-02-20.
  4. Morris, Tim (1999-04-23). "A Brief Biography of the Life of Anne Sexton". University of Texas at Arlington. Retrieved 2009-02-20.
  5. Middlebrook
  6. Carroll, James (Fall 1992). "Review: 'Anne Sexton: A Biography'". Ploughshares. 18 (58). Archived from the original on November 4, 2007. Retrieved 2009-01-18.
  7. Kelly, Joseph, ed. (2018). The Seagull Book Of Poems (4th ed.). New York: Norton. pp. 282, 441. ISBN 978-0-393-63162-3.
  8. Snodgrass, W.D., "Heart's Needle" Archived 2006-09-19 at the Wayback Machine, American Academy of Poets
  9. (Musician Peter Gabriel wrote a song inspired by Sexton's work, also titled "Mercy Street".)
  10. Sexton, Anne; Sexton, Linda Gray (2004). Anne Sexton: A Self-Portrait in Letters. Houghton Mifflin Harcourt. pp. 374, 436. ISBN 9780618492428.
  11. Pollitt, Katha (1991-08-18). "The Death Is Not the Life". The New York Times. Retrieved 2009-01-09.
  12. Wagner-Martin, Linda (2008-08-27). "Anne Sexton's Life". Modern American Poetry website. University of Illinois at Urbana-Champaign. Archived from the original on 19 February 2009. Retrieved 2009-02-02.
  13. Hendin, Herbert (Fall 1993). "The Suicide of Anne Sexton". Suicide and Life-Threatening Behavior. 23 (3): 257–62. PMID 8249036.
  14. Anne Sexton (1988) Steven E. Colburn, University of Michigan Press, 1988 p438 ISBN 9780472063796
  15. Rothenberg, Jerome; Joris, Pierre, eds. (1995). Poems for the Millennium. 2. University of California Press. p. 330. ISBN 978-0-520-07225-1. OCLC 29702496.
  16. "Anne Sexton". Poets of Cambridge, U.S.A. Harvard Square Library. Archived from the original on 2007-10-28.
  17. Ostriker, Alicia (1983). Writing like a woman. University of Michigan Press. ISBN 978-0-472-06347-5. Self was the center, self was the perimeter, of her vision...
  18. Del George, Dana, The Supernatural in Short Fiction of the Americas: The Other World in the New World, Greenwood Publishing Group, 2001, p. 37. ISBN 0-313-31939-1
  19. Sexton, Anne (2000). Middlebrook, Diane Wood; George, Diana Hume (eds.). Selected Poems of Anne Sexton. Boston: Mariner Books. p. xvii. ISBN 978-0-618-05704-7. Retrieved 2009-05-13.
  20. Jamison, K.R., "Manic-depressive illness and creativity" Archived 2013-09-15 at the Wayback Machine. Scientific American, February 1995, pp. 68–73
  21. Imagining Incest: Sexton, Plath, Rich, and Olds on Life with Daddy (2003) Gale Swiontkowski, Susquehanna University Press, p26 ISBN 9781575910611
  22. Middlebrook, pp. 56–60.
  23. Nagourney, Eric (2000-02-17). "Martin Orne, 76, Psychiatrist and Expert on Hypnosis, Dies". The New York Times. Retrieved 2009-01-06.
  24. Hausman, Ken (1991-09-06). "Psychiatrist Criticized Over Release Of Poet's Psychotherapy Tapes". The Psychiatric News. Archived from the original on 2009-03-21. Retrieved 2009-05-13.
  25. Sexton, Linda Gray (1994) Searching for Mercy Street: My Journey Back to My Mother, Anne Sexton. Little Brown & Co. ISBN 0-316-78207-6
  26. New York Times article A Daughter Revisits Sexton's Bedlam October 14, 1994. Accessed 2010-08-04
  27. "Poet Told All; Terapist Provides the Record".
  28. "Daughter Revisits Sexton's Bedlam".,
  29. Morrow, Lance (1991-09-23). "Pains of The Poet—And Miracles". TIME. Retrieved 2009-01-18.
  30. Holmes, Tim (1986-08-14). "So". Rolling Stone. Retrieved 24 June 2015.
  31. Thompson, Ben (2015-03-22). "Morrissey review – in shockingly good voice throughout". The Guardian. Retrieved 24 June 2015.
  32. "Back Bay East". Boston Women's Heritage Trail.

Further reading
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