BWV Anh.

BWV Anh., abbreviation of Bach-Werke-Verzeichnis Anhang (German for Bach works catalogue annex), is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.

Title page of the 1805 edition of the Kyrie–Gloria Mass for double choir, BWV Anh. 167 – at that moment attributed to Johann Sebastian Bach.[1]

History

First edition of the Bach-Werke-Verzeichnis (1950)

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach-Gesellschaft (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata):[2]

1. Kantaten (Cantatas), BWV 1–224
2. Motetten (Motets), BWV 225–231
3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
7. Werke für Orgel (Works for organ), BWV 525–771
8. Werke für Klavier (Keyboard compositions), BWV 772–994
9. Werke für Laute (Lute compositions), BWV 995–1000
10. Kammermusik (Chamber music), BWV 1001–1040
11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
12. Kanons (Canons), BWV 1072–1078
13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

The Anhang of the BWV listed works that were not suitable for the main catalogue, in three sections:

• I – lost works, or works of which only a tiny fraction had survived (BWV Anh. 1–23)
• II – works of dubious authenticity (BWV Anh. 24–155)
• III – works that were once attributed to Bach, but for which it had been established they were not composed by him (BWV Anh. 156–189)

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

Second edition of the Bach-Werke-Verzeichnis (1990 and 1998)

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. Authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "BWV Anh. 114 / Anh. III 183→" indicating it was now considered a spurious work.[3]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV^2a, contained a few further updates and collation rearrangements.[4]

New additions (Nachträge) to BWV²/BWV^2a included:

• BWV 1081–1126
• BWV Anh. 190–213

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV²) → BWV 1121 (BWV^2a, where it is in section 7 as a work for organ).[5]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. For example, BWV Anh. 198 was renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232^IV/4 (BWV 232, fourth movement of Part IV).

Bachs Notenbibliothek (1992)

Kirsten Beißwenger published Bachs Notenbibliothek (BNB) in 1992. As a compendium of works in Bach's musical library, it listed as well Bach's own compositions, as works by other composers of which Bach owned a copy. Several compositions of this latter group are listed in the BWV Anh. (mostly Anh. III). For example, the Kyrie–Gloria Mass for double choir, BWV Anh. 167, is listed as BNB I/An/3 in Beißwenger's catalogue.[6][7]

21st century

As of mid-2018 the Bach Digital website started to implement the new numbers of the next edition of the Bach-Werke-Verzeichnis. The editors of this third edition of the Bach-Werke-Verzeichnis (projected to be published in 2020) recognise that the BWV Anh. has become largely unworkable, calling for a new approach.[8]

List

Legend

Legend to the table

column		content
01	BWV	Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: preceded by I: in Anh. I (lost works) of BWV^1 (1950 first edition of the BWV) preceded by II: in Anh. II (doubtful works) of BWV^1 preceded by III: in Anh. III (spurious works) of BWV^1 preceded by N: new Anh. numbers in BWV^2 (1990) and/or BWV^2a (1998)
02	^2a	Section in which the composition appears in BWV^2a: Chapters of the main catalogue indicated by Arabic numerals (1-13) Anh. sections indicated by Roman numerals (I–III) Reconstructions published in the NBE indicated by "R"
03	Date	Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04	Name	Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05	Key	Key of the composition
06	Scoring	See scoring table below for the abbreviations used in this column
07	BG	Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[9]
08	NBE	New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[10] Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia) Masses, Passions, Oratorios (12 volumes) Motets, Chorales, Lieder (4 volumes) Organ Works (11 volumes) Keyboard and Lute Works (14 volumes) Chamber Music (5 volumes) Orchestral Works (7 volumes) Canons, Musical Offering, Art of Fugue (3 volumes) Addenda (approximately 7 volumes)
09	Additional info	may include: "after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition "pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV "text" – by text author, or, in source Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
10	BD	Bach Digital Work page

Legend for abbreviations in "Scoring" column

Voices (see also SATB)
a	A	b	B	s	S	t	T	v			V
alto (solo part)	alto (choir part)	bass (solo part)	bass (choir part)	soprano (solo part)	soprano (choir part)	tenor (solo part)	tenor (choir part)	voice (includes parts for unspecified voices or instruments as in some canons)			vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas	Bel	Cnt	Fl	Hn	Ob	Oba	Odc	Tai	Tbn	Tdt	Tmp	Tr
bassoon (can be part of Bc, see below)	bell(s) (musical bells)	cornett, cornettino	flute (traverso, flauto dolce, piccolo, flauto basso)	natural horn, corno da caccia, corno da tirarsi, lituo	oboe	oboe d'amore	oboe da caccia	taille	trombone	tromba da tirarsi	timpani	tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc		Hc	Kb	Lu	Lw	Org	Str	Va	Vc	Vdg	Vl	Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu		harpsichord	keyboard (Hc, Lw, Org or clavichord)	lute, theorbo	Lautenwerck (lute-harpsichord)	organ (/man. = manualiter, without pedals)	strings: Vl I, Vl II and Va	viola(s), viola d'amore, violetta	violoncello, violoncello piccolo	viola da gamba	violin(s), violino piccolo	violone, violone grosso

Background colours

Colour	Meaning
green	extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow	extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown	extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member

Table

Compositions listed in the Anhang of BWV^2a

BWV	^2a	Date	Name	Key	Scoring	BG	NBE	Additional info	BD
Anh. I	Fragments – lost works								Up ↑
I 1	I	1725-07-15?	Cantata Gesegnet ist die Zuversicht (Trinity VII)		SATB 2Fl Str Bc			by Telemann (TWV 1:617)?; text by Neumeister?	01308
I 2	I							see BWV 1137	01309
I 3	I							see BWV 1140	01310
I 4	I							see BWV 1139.1	01311
I 4a	I							see BWV 1139.2	01312
I 5	I							see BWV 1147	01313
I 6	I							see BWV 1151	01314
I 7	I							see BWV 1153	01315
I 8	I							see BWV 1152	01316
I 9	I							see BWV 1156	01317
I 10	I							see BWV 1160	01318
I 11	I							see BWV 1157	01319
I 12	I							see BWV 1158	01320
I 13	I							see BWV 1161	01321
I 14	I							see BWV 1144	01322
I 15	I							see BWV 1148	01323
I 16	I	1735-11-09	Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg)					by Roemhildt;[11] text by Hoffmann, B.[12]	01324
I 17	I		Cantata Mein Gott, nimm die gerechte Seele (funeral)		SATB 2Oba Str Bas Bc		I/33		01325
I 18	I							see BWV 1162	01326
I 19	I	1734-11-21	Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school)				I/39	text by Landvoigt?	01327
I 20	I							see BWV 1155	01328
N 190	I	1729-04-18	Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)		b Bc ...		I/33	by Bach, C. P. E.?; text by Picander	01501
N 191	I	1715-05-19	Cantata Leb ich oder leb ich nicht (Cantate)					text by Franck, S.	01502
N 192	I							see BWV 1138.1	01503
N 193	I							see BWV 1141	01504
N 194	I							see BWV 1154	01505
N 195	I	1723-06-09	Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus)					text in Acta Lipsiensium 1723, Vol. 5, pp. 515–619	01506
N 196	I							see BWV 1163	01507
N 197	I							see BWV 1150	01508
N 198	I							see BWV 149/1a	01509
N 199	I							see BWV 1135	01510
N 200	I	c.1713–1715	chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein)		Organ		IV/1: 46	after Z 1915;[13] in SBB P 283	01511
N 209	I							see BWV 1136	01520
N 210	I	1734-10-04	Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner)					text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[14][15]	01521
N 211	I							see BWV 1145	01522
N 212	I							see BWV 1146	01523
N 213	I		Concerto	F maj.	Org			by Telemann; arr. by Bach	01524
223	I	1717–1718?	Cantata Meine Seele soll Gott loben	B♭ maj.			I/34	by Handel?[16]	00280
224	I	1732	Aria "Reißt euch los, bekränkte Sinnen" (fragment)		S		I/41	by Bach, C. P. E.?; in SBB P 491[17]	00281
Anh. II	Works of doubtful authenticity								Up ↑
53	II		Aria "Schlage doch, gewünschte Stunde" (Funeral)	E maj.	a Bel Str Bc	12^2: 53	I/41	by Hoffmann, M.?	00068
142	II		Cantata Uns ist ein Kind geboren (Christmas)	A min.	atbSATB 2Fl 2Ob Str Bc	30: 19	I/41	text by Neumeister (reworked)	00174
189	II		Cantata Meine Seele rühmt und preist (German Magnificat, Visitation)	B♭ maj.	t Fl Ob Vl Bc	37: 213	I/41	by Hoffmann, M.	00229
217	II		Cantata Gedenke, Herr, wie es uns gehet (Epiphany I)		satbSATB Fl Str Bc	41: 207	I/41	by Altnickol?	00274
220	II		Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist)		atbSATB Fl 2Ob Str Bc	41: 259	I/41		00277
221	II		Cantata Wer sucht die Pracht, wer wünscht den Glanz		tb 2Vl Bas Vc Org		I/41	in SBB P 191: 83–113	00278
III 159	II							see BWV 1164	01470
II 25	II	1740–1742 (JSB)	Kyrie–Gloria Mass	C maj.	SATB 2Tr 2Vl Org	11^1: XVI	II/9	by Bach, J. L.?	01333
239	II	1738–1741 (JSB)	Sanctus	D min.	SATB Str Bc	11^1: 89	II/9	after Caldara, Missa Providentiae/4[18][19]	00298
II 28	II		Sanctus	B♭ maj.	SATB 2Ob 2Cor Str Bc	11^1: XVII	II/9		01336
II 29	II	c.1714–17	Kyrie–Gloria Mass (only cello part extant)	C min.			II/9	in BKraków St 547	01337
III 167	II	1738–1739 (JSB)	Kyrie–Gloria Mass for two choirs	G maj.	3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org		II/9	by Bernhard, Krieger or Pohle?; in SBB P 659[1][20][21]	01478
II 30	II	1690s (Tor.) c.1742 (JSB)	Magnificat for double choir	C maj.	2SATB 3Tr Tmp 2Vl 2Vla Bc	11^1: XV	II/9	after Torri, Magnificat; Tr3, Tmp by Bach[22][23][24]	01338
246	II	1730-04-07 (JSB)	Passion St Luke Passion		ssatbSATB 2Fl 2Ob Tai Bas Str Bc	45^2	II/9: 65	→ BWV 246/40a; in SBB P 1017[25]	00311
II 31	II		chorale setting "Herr Gott, dich loben alle wir"		SATB 2Tr 3Ob Str Bc			in SBB P 101	01339
N 201	II		chorale setting "Du Friedefürst, Herr Jesu Christ"		SATB			by Vetter, D.[26]	01512
N 202	II		chorale setting "Gott hat das Evangelium"		SATB			by Vetter, D.[27]	01513
N 203	II		chorale setting "Ich hebe meine Augen auf"		SATB			by Vetter, D.[28]	01514
N 204	II		chorale setting "O Traurigkeit, o Herzeleid"		SATB			by Vetter, D.[29]	01515
II 32	II	1704	Sieben geistliche Oden und ein Gedicht No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01340
II 33	II	1704	Sieben geistliche Oden und ein Gedicht No. 2 "Mein Jesus, spare nicht"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01341
II 34	II	1704	Sieben geistliche Oden und ein Gedicht No. 3 "Kann ich mit einem Tone"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01342
II 35	II	1704	Sieben geistliche Oden und ein Gedicht No. 4 "Meine Seele lass die Flügel"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01343
II 36	II	1704	Sieben geistliche Oden und ein Gedicht No. 5 "Ich stimm' itzund ein Straff-Lied an"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01344
II 37	II	1704	Sieben geistliche Oden und ein Gedicht No. 6 "Der schwarze Flügel trüber Nacht"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01345
II 38	II	1704	Sieben geistliche Oden und ein Gedicht No. 7 "Das Finsterniß tritt ein"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01346
II 39	II	1704	Sieben geistliche Oden und ein Gedicht No. 8 "Ach was wollt ihr trüben Sinnen"		Voice Bc			in Deutsche Übersetzungen und Gedichte[30]	01347
II 40	II	1736	Song "Ich bin nun wie ich bin"		Voice Kb			in Singende Muse an der Pleiße[31][32][33]	01348
II 41	II	1736	Song "Dir zu Liebe, wertes Herze"		Voice Kb			in Singende Muse an der Pleiße[31][34][35]	01349
571	II	c. 1704	Fantasia, a.k.a. Concerto	G maj.	Organ	38: 67	IV/11: 35	[36][37]	00651
580	II		Fugue	D maj.	Organ	38: 215		[38]	00662
II 42	II		Fugue	F maj.	Organ			in SBB P 817: 1–3	01350
576	II		Fugue	G maj.	Organ	38: 106	IV/11	[39]	00658
577	II		Fugue	G maj.	Organ	38: 111	IV/11: 44	[40]	00659
581	II		Fugue	G maj.	Organ		IV/11	by Homilius?[41]	00663
131a	II		Fugue	G min.	Organ	38: 217	IV/11: 3	after BWV 131/5[42]	00161
536a	II	c.1760–1789?	Prelude and Fugue	A maj.	Organ		IV/6: 114	after BWV 536, 152/1; arr. by Scholz?[43]	00612
545b	II	1708–1717	Prelude, Trio and Fugue	B♭ maj.	Organ		IV/11: 6	after BWV 545a; ↔ 545, 1029/3[44][45]	00624
553	II		Eight Short Preludes and Fugues No. 1	C maj.	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?[46][47]	00633
554	II		Eight Short Preludes and Fugues No. 2	D min.	Organ	38: 27	IV/11	by Krebs, J. T. or J. L.?[46][47]	00634
555	II		Eight Short Preludes and Fugues No. 3	E min.	Organ	38: 30	IV/11	by Krebs, J. T. or J. L.?[46][47]	00635
556	II		Eight Short Preludes and Fugues No. 4	F maj.	Organ	38: 33	IV/11	by Krebs, J. T. or J. L.?[46][47]	00636
557	II		Eight Short Preludes and Fugues No. 5	G maj.	Organ	38: 36	IV/11	by Krebs, J. T. or J. L.?[46][47]	00637
558	II		Eight Short Preludes and Fugues No. 6	G min.	Organ	38: 39	IV/11	by Krebs, J. T. or J. L.?[46][47]	00638
559	II		Eight Short Preludes and Fugues No. 7	A min.	Organ	38: 42	IV/11	by Krebs, J. T. or J. L.?[46][47]	00639
560	II		Eight Short Preludes and Fugues No. 8	B♭ maj.	Organ	38: 45	IV/11	by Krebs, J. T. or J. L.?[46][47]	00640
561	II		Fantasia and Fugue	A min.	Organ	38: 48			00641
584	II		Trio	G min.	Organ		I/12: 23 IV/11	after BWV 166/2[48]	00666
1027 /1a /2a /4a	II		Trio	G maj.	Organ		IV/11	after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.?[49]	01209
591	II		Kleines harmonisches Labyrinth		Organ	38: 225	IV/11: 50	by Heinichen?[50][51]	00673
597	II		Concerto for solo organ	E♭ maj.	Organ		IV/11	after lost model?	00680
598	II		Pedal-Exercitium (fragment)		Organ	38: 210		by Bach, C. P. E.?	00681
676a	II	1739–1789	chorale setting "Allein Gott in der Höh sei Ehr" (later variant)		Organ	40: 208	IV/4: KB 48	after BWV 676	00792
683a	II	1739–1789	chorale setting "Vater unser im Himmelreich" (later variant)		Organ		IV/4: KB 51	after BWV 683	00800
N 205	II							see BWV 1121	01516
II 48	II		chorale setting "Allein Gott in der Höh sei Ehr"		Organ			by Walther (& Scholz?)	01356
II 49	II		chorale setting "Ein feste Burg ist unser Gott"		Organ			by Walther?	01357
II 50	II		chorale setting "Erhalt uns, Herr, hei deinem Wort"		Organ				01358
II 51	II		chorale setting "Erstanden ist der heilge Christ"		Organ				01359
II 52	II		chorale setting "Freu dich sehr, o meine Seele"		Organ				01360
II 53	II		chorale setting "Freu dich sehr, o meine Seele"		Organ				01361
II 54	II		chorale setting "Helft mir Gotts Güte preisen"		Organ				01362
			chorale setting "Von Gott will ich nicht lassen"
II 55	II	1714-1717 or earlier	chorale setting "Herr Christ, der einig Gottes Sohn"		Organ				01363
II 58	II		chorale setting "Jesu, meine Freude"		Organ				01366
II 59	II		chorale setting "Jesu, meine Freude"		Organ				01367
II 60	II		chorale setting "Nun lob, mein Seel, den Herren"		Organ			by Walther?	01368
II 62a	II		chorale setting "Sei Lob und Ehr mit hohem Preis"		Organ				01370
II 62b	II		chorale setting "Sei Lob und Ehr mit hohem Preis"		Organ				01371
II 63	II		chorale setting "Vom Himmel hoch"		Organ				01372
II 64	II		chorale setting "Vom Himmel hoch"		Organ				01373
II 65	II		chorale setting "Vom Himmel hoch"		Organ				01374
II 66	II		chorale setting "Wachet auf, ruft uns"		Organ Tr			by Krebs, J. L.?	01375
II 67	II		chorale setting "Was Gott tut, das ist wohlgetan"		Organ				01376
II 68	II		chorale setting "Wer nur den lieben Gott läßt walten"		Organ				01377
II 69	II		chorale setting "Wir glauben all an einen Gott"		Organ				01378
II 70	II		chorale setting "Wir glauben all an einen Gott"		Organ				01379
II 71	II							see BWV 1128	01725
II 72	II		chorale setting "Christus der uns selig macht" (Canon)		Organ				01381
II 74	II		chorale setting "Schmücke dich, o liebe Seele"		Organ				01383
II 75	II		chorale setting "Herr Christ, der einig Gottes Sohn"		Organ				01384
II 76	II		chorale setting "Jesu, meine Freude"		Organ				01385
II 77	II		chorale setting "Herr Christ, der einig Gottes Sohn"		Organ				01386
II 78	II		chorale setting "Wenn wir in höchsten Nöten sein"		Organ				01387
II 79	II		chorale setting "Befiehl du deine Wege"		Organ				01388
691a	II	1720–1789	chorale setting "Wer nur den lieben Gott läßt walten" (variant)		Organ	40: 151		after BWV 691	00809
N 206	II		chorale setting "Ach bleib mit deiner Gnade"		Organ			by Pachelbel (P 376)[52][53]	01517
			chorale setting "Christus, der ist mein Leben"
II 80	II	1707–1708 or earlier	Suite	F maj.	Keyboard		V/12		01389
821	II		Suite	B♭ maj.	Keyboard	42: 213	V/12: 3	[54]	00959
834	II		Allemande	C min.	Keyboard	42: 259	V/12	[55]	00973
839	II	1735-03-07 or earlier	Sarabande	G min.	Keyboard		V/12	in Notenbuch der Zeumerin[56][57]	00978
844	II		Toccatina No. 4 Scherzo	D min.	Keyboard	42: 220	V/12: 16	by Bach, W. F.? ↔ BWV 844a[58]	00983
844a	II		Scherzo	E min.	Keyboard	42: 281	V/12: 22	by Bach, W. F.? (BR A55); ↔ BWV 844[58]	00984
845	II		Gigue	F min.	Keyboard	42: 263	V/12	[55]	00985
II 81	II		Gigue (incomplete)	D min.	Keyboard		V/12	by Kellner, J. P.?	01390
II 82	II		Ciacona	B♭ maj.	Keyboard		V/12	by Bach, J. B.?	01391
II 83	II		Ciacona	A maj.	Keyboard		V/12	by Bach, J. B. or H.?	01392
II 84	II		Ciacona	G maj.	Keyboard		V/12	by Bach, J. B.?	01393
II 85	II		Toccata and Fugue	F min.	Keyboard	42: XXXV	V/12: 114, 122	by Dobenecker?[59][60]	01394
898	II		Prelude and Fugue on B-A-C-H	B♭ maj.	Keyboard	42: XXXIV	V/12		01067
II 86	II		Fantasia	C min.	Keyboard	42: 243	V/12	by Gronau?	01395
II 87	II		Fantasia	C maj.	Keyboard		V/12	by Benda?	01396
905	II		Fantasia and Fugue	D min.	Keyboard	42: 179	V/12: 24	[61]	01076
907	II		Fantasia and Fughetta	B♭ maj.	Keyboard	42: 268	V/12: 28	by Kirchhoff?[62]	01078
908	II		Fantasia and Fughetta	D maj.	Keyboard	42: 272	V/12: 34	by Kirchhoff?[62]	01079
909	II		Concerto e Fuga	C min.	Keyboard	42: 190	V/12: 38		01080
919	II		Fantasia	C min.	Keyboard	36: 152	V/12: 48	by Bach, J. B. or J. B. the Younger?[63]	01092
920	II		Fantasia	G min.	Keyboard	42: 183	V/12	[61]	01093
923a	II		Toccatina No. 3 Prelude	A min.	Keyboard	42: 279	V/12: 14	after BWV 923[64]	01097
II 89	II		Fugue	C maj.	Keyboard	42: XXXIV	V/12		01398
II 90	II		Fugue	C maj.	Kb (with ped?)	38: 213	IV/11: 58, 61	by Bach, C. P. E. (H 388) or Pachelbel?	01399
II 91	II		Fugue	G maj.	Keyboard	42: XXXIV	V/12		01401
II 92	II		Fugue	G maj.	Keyboard		V/12		01402
II 93	II		Fugue	E min.	Keyboard	42: XXXIV	V/12		01403
II 95	II		Fugue	E min.	Keyboard	42: XXXIV	V/12		01405
II 96	II		Fugue	D maj.	Keyboard		V/12	by Bach, C. P. E.? (H 373.5)	01406
II 98	II		Fugue	D min.	Keyboard		V/12	by Bach, C. P. E.? (H 373.5)	01408
II 99	II		Fugue	D min.	Keyboard		V/12		01409
II 100	II		Fugue	D min.	Keyboard		V/12	by Bach, C. P. E.? (H 373.5)	01410
II 101	II		Fugue	G min.	Keyboard	42: XXXV	V/12: 130	by Dobenecker?[60]	01411
II 102	II		Fugue	E♭ min.	Keyboard		V/12		01412
897/2	II		Fugue	A min.	Keyboard	42: 175	V/12	by Dretzel or Bach, W. F.?	01066
945	II		Fugue	E min.	Keyboard	36: 155	V/12	by Graupner?[65]	01120
956	II		Fugue	E min.	Keyboard	42: 200	V/12: 70		01133
958	II		Fugue	A min.	Keyboard	42: 205	V/12: 74		01135
960	II		Fugue (incomplete)	E min.	Keyboard	42: 276	V/12	[66]	01137
N 207	II		Fugue	E min.	Keyboard		IV/11	by Seger?[67]	01518
II 109	II		Fugue on B-A-C-H	G min.	Keyboard		V/12		01419
964	II		Sonata	D min.	Keyboard	42: 3	V/12: 78	after BWV 1003[68]	01141
II 111	II		Largo and Allegro	G maj.	Keyboard	42: XXXV	V/12		01421
968	II		Adagio	G maj.	Keyboard	42: 27	V/12: 94	after BWV 1005/1[68]	01145
969	II		Toccatina No. 5 Andante	G min.	Keyboard	42: 218	V/12: 18	[58]	01146
II 113	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 3 Minuet	F maj.	Keyboard	43^2: 25	V/4: 82		01423
II 116	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 7 Minuet	G maj.	Keyboard	43^2: 28	V/4: 87		01426
II 117	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises	F maj.	Keyboard	43^2: 28	V/4: 88		01427 01428
II 118	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 9 Minuet	B♭ maj.	Keyboard	43^2: 29	V/4: 89		01429
II 119	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 10 Polonaise	G min.	Keyboard	43^2: 30	V/4: 90		01430
II 120	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 14 Minuet	A min.	Keyboard	43^2: 31	V/4: 92		01431
II 121	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 15 Minuet	C min.	Keyboard	43^2: 32	V/4: 92		01432
II 126	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 22 Musette	D maj.	Keyboard	43^2: 35	V/4: 99		01437
II 127	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 23 March	E♭ maj.	Keyboard	43^2: 35	V/4: 100	by Bach, C. P. E.	01438
II 128	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 24 (Polonaise)	D min.	Keyboard	43^2: 36	V/4: 101		01439
II 132	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 36 Minuet	D min.	Keyboard	43^2: 48	V/4: 125		01443
II 151	II		Concerto	C maj.	Keyboard	42: XXXIV	V/12		01462
II 152	II		Concerto	G maj.	Vl Hc	42: XXXIV	VI/5		01463
990	II		Sarabanda con Partitis	C maj.	Keyboard	42: 221	V/12: 97	[69]	01168
II 153	II		Sonata	A maj.	Vl Bc		VI/5		01464
II 154	II		Sonata	E♭ maj.	Vl Hc		VI/5	[70]	01465
1020	II		Sonata	G min.	Vl Hc	9: 274	VI/5	by Bach, C. P. E.? (H 542.5)[71][72]	01201
1022	II		Sonata	F maj.	Vl Hc		VI/5: 27	by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038[72][73]	01203
1024	II		Sonata	C min.	Vl Bc		VI/5	[74][75]	01205
1031	II		Sonata	E♭ maj.	Fl Hc	9: 22	VI/5: 13	by Bach, C. P. E.? (H 545)[72][76]	01213
1033	II		Sonata	C maj.	Fl Bc	43^1: 3	VI/5: 3	by Bach, C. P. E.? (H 564.5)[72][77]	01215
1038	II	1732–1735	Sonata	G maj.	Fl Vl Bc	9: 219	VI/5: 45	by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022[73]	01220
525a	II		Concerto (Trio sonata)	C maj.	Vl Vc Bc		VI/5	after BWV 525/1, 1032/2, 525/3[78][79]	01718
II 155	II		Concerto	A maj.	Kb Str Bc		VI/5		01466
I 22	II		Concerto	B♭ maj.	Ob Vl Str Bc		VI/5	by Förster (C.?)?[80]	01330
1070	II		Orchestral Suite (No. 5)	G min.	Str Bc	45^1: 190	VI/5	by Bach, W. F.?[81][82]	01256
Anh. III	Works of other composers, spuriously attributed to Bach								Up ↑
III 156	III		Cantata Herr Christ, der einge Gottes Sohn (Annunciation)		SATB Str Bc			by Telemann (TWV 1:732)[83]	01467
III 157	III		Cantata Ich habe Lust zu scheiden (Purification)		s 2Fl Str Bc			by Telemann (TWV 1:836)[84]	01468
15	III	1726-04-21 (JSB)	Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter)		satbSATB 3Tr Tmp Str Bc	2: 135	I/41	by Bach, J. L. (JLB 21); text in Meiningen 1704[85]	00017
141	III		Cantata Das ist je gewißlich wahr (3rd Sunday of Advent)		atbSATB 2Ob Str Bc	30: 3	I/41	by Telemann (TWV 1:183)[86]	00173
145/b	III		Cantata movement So du mit deinem Munde bekennest Jesum (Easter)	D maj.	SATB Tr Str Bc	30: 96	I/10: 142	by Telemann (TWV 1:1350/1)[87]	00178
160	III	1725–1732?	Cantata Ich weiß, daß mein Erlöser lebt (Easter)	C maj.	t Vl Bas Bc	32: 171	I/41	by Telemann (TWV 1:877)[88]	00194
218	III		Cantata Gott der Hoffnung erfülle euch (Pentecost)		satbSATB 2Hn Str Bc	41: 223		by Telemann (TWV 1:634)[89]	00275
219	III		Cantata Siehe, es hat überwunden der Löwe (Michaelmas)		sabSATB Str Bc	41: 239		by Telemann (TWV 1:1328)[90]	00276
222	III		Cantata Mein Odem ist schwach (Purification)		sabSATB Str Bc			by Bach, J. Ernst; → BWV Anh. 165	00279
III 158	III		Aria "Andrò dall'colle al Prato"		s 2Fl (2Hn) Str Bc			by Bach, J. C.	03022
III 160	III	1750–1755? (Harrer?)	Motet Jauchzet dem Herrn alle Welt, TWV 8:10	C maj.	2SATB		III/3: 15	after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100[91]	01471
III 161	III		Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas)	D maj.	SATB Str? Bc		III/3	by Graun (C. H.?), precedes laudes A and B of BWV 243a	01472
III 162	III		Motet Lob und Ehre und Weisheit und Dank		2SATB		III/3	by Wagner, G. G.	01473
III 163	III		Motet Merk auf, mein Herz, und sieh dorthin		2SATB		III/3	by Bach, J. B. or J. Ernst	01474
III 164	III		Motet Nun danket alle Gott		SSATB		III/3: 52	by Altnickol	01475
III 165	III		Motet Unser Wandel ist im Himmel		SATB		III/3	by Bach, J. Ernst; after BWV 222/3 /4 /6	01476
III 166	III	1716 (JLB) 1729 (JSB)	Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr"	E min.	SSATB 2Vl 2Vla Vc Bc	11^1: XV 41: 276	II/9	by Bach, J. L. (JLB 38), start of Gloria arr. by Bach	01477
II 24	III	1715–1717, 1724 (JSB)	Kyrie–Gloria Mass	A min.	SATB Str Bc	11^1: XV	II/9	after Missa Sancti Lamberti by Pez, J. C.	01332
II 26	III	1727–1732 (JSB)	Kyrie–Gloria Mass	C min.	satbSATB 3Tbn 2Vl Bc	41: 193 11^1: XVI	II/2: 295	by Durante (alternative Christe: BWV 242)	01334
II 27	III	c. 1745? (JLK)	Sanctus	F maj.	SATB 2Hn 2Ob Str Bc	11^1: XVII	II/9	by Krebs, J. L. (Krebs‑WV 104)[92]	01335
III 168	III	c. 1747? (WFB)	Kyrie and German Gloria	G min.	sSATB Str Bc	11^1: XVII	II/9	by Bach, W. F. (BR E1 F 100)	01479
I 21	III	c. 1707 (MH)	Magnificat Meine Seel erhebt den Herren	A min.	s Fl 2Vl Bc	11^1: XVIII	II/9	by Hoffmann, M.[93]	01329
III 169	III	1724–1725	Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum					text by Picander partly used in BWV 244 but no other known setting[94]	01480
8/6	III	1713 (Vet.) 1724-09-24 (JSB)	chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5)	E maj.	SATB	1: 241	I/23: 161	by Vetter, D. (Z 6634); text by Neumann[95][96][97]	00009
							III/2.1: 63 III/2.2: 25		11228
				D maj.			I/23: 219		00010
27/6	III	1652 (Ros.) 1726-10-06 (JSB)	chorale setting "Welt, ade, ich bin dein müde" (s. 1)	B♭ maj.	SSATB	5^1: 244	I/23: 251	by Rosenmüller (Z 6531); text by Albinus[96]	01481
III 170							III/2.2: 86		11345
43/11	III	1652 (Pet.) 1726-05-30 (JSB)	chorale setting "Du lebensfürst, Herr Jesu Christ" (ss. 1, 13)	G maj.	SATB	10: 126	I/12: 164	by Peter after Z 5741b; text by Rist[98]	11241
			chorale setting "Ermuntre dich, mein schwacher Geist"				III/2.1: 74 III/2.2: 57
567	III		Prelude	C maj.	Organ	38: 84	IV/11	by Krebs, J. L. (Krebs‑WV 401)[99]	00647
III 178	III	last third of 17th century	Toccata quasi Fantasia con Fuge	A maj.	Organ	42: 250	V/12	by Reincken?[100]	01489
II 43	III	c. 1788	Fugue	B min.	Organ		IV/11	by Pölitz; after H 776/18	01351
II 44	III		Fugue	G maj.	Organ		IV/11	by Kellner, J. P. or J. C.[101]	01352
II 45	III	c. 1799	Fugue on B-A-C-H	B♭ maj.	Organ		IV/11	by Knecht	01353
II 88	III	1765	Fugue	C maj.	Keyboard		V/12	by Kellner, J. C.	01397
II 97	III		Fugue	F♯ maj.	Keyboard	42: XXXV	IV/11: 63	by Krebs, J. L. (Krebs‑WV 409/2)	01407
II 103	III	c. 1711–1718 (GFH)	Fugue	A min.	Keyboard		V/12	by Handel (HWV 609)	01413
II 104	III	c. 1711–1718 (GFH)	Fugue	C min.	Keyboard		V/12	by Handel (HWV 610)	01414
II 105	III	c. 1711–1718 (GFH)	Fugue	B♭ maj.	Keyboard		V/12	by Handel (HWV 607)	01415
II 106	III	c. 1711–1718 (GFH)	Fugue	G min.	Keyboard		V/12	by Handel (HWV 605)	01416
N 208	III	1747 (JEE)	Fugue	E♭ min.	Keyboard		IV/11	After Toccata nona by Eberlin	01519
II 46	III		Trio	C min.	Organ		IV/11	by Krebs, J. T.[102]	01354
692	III		chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3)	C maj.	Organ	40: 4	IV/11	by Walther; after BWV 692a	00810
692a	III		chorale setting "Ach Gott und Herr" (early version)	C maj.	Organ	40: 152	IV/11	by Walther; → BWV 692	00811
693	III		chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4)	C maj.	Organ	40: 5	IV/11	by Walther	00812
746	III	1715 or earlier (JCFF)	chorale setting "Christ ist erstanden"	D min.	Organ	40: 173	IV/10	by Fischer (Ariadne Musica No. 24)	00874
748	III	1700–1739	chorale setting "Gott der Vater wohn uns bei"	D maj.	Organ	40: 177	IV/10	by Walther; → BWV 748a	00876
748a	III	1700–1789	chorale setting "Gott der Vater wohn uns bei" (variant)	D maj.	Organ		IV/10	by Scholz (arr.)?; after BWV 748	00877
751	III		chorale setting "In dulci jubilo" (also in Neumeister Collection)		Organ		IV/10	by Bach, J. Michael	00880
759	III		chorale setting "Schmücke dich, o liebe Seele"	F maj.	Organ	40: 181	IV/10	by Homilius (HoWV VIII.17)[67]	00888
760	III		chorale setting "Vater unser im Himmelreich"		Organ	40: 183	IV/10	by Böhm	00889
761	III		chorale setting "Vater unser im Himmelreich"		Organ	40: 184	IV/10	by Böhm	00890
1096	III		chorale setting "Christe, der du bist Tag und Licht" (3 versions; Neumeister Chorales No. 8)	A min.	Organ		IV/9: 16, 76	by Pachelbel?[103][104]	01282
			chorale setting "Wir danken dir, Herr Jesu Christ" (3 versions; Neumeister Chorales No. 8)
771	III		chorale setting "Allein Gott in der Höh sei Ehr"	G maj.	Organ	40: 195	IV/11	by Vetter, A. N.[105]	00901
II 47	III		chorale setting "Herzlich tut mich verlangen"	A min.	Organ		IV/10	by Kellner, J. P.[101]	01355
			chorale setting "Ach Herr, mich armen Sünder"
II 56	III	1735 (Telem.)	chorale setting "Herr Jesu Christ dich zu uns wend"		Organ		IV/10	by Telemann (TWV 31:8)	01364
II 57	III		chorale setting "Jesu Leiden, Pein und Tod"		Organ		IV/10	by Vogler	01365
II 61	III		chorale setting "O Mensch, bewein dein Sünde groß"	F maj.	Organ		IV/10	by Pachelbel (P 396)[106]	01369
II 73	III	1720–1788	chorale setting "Ich ruf zu dir, Herr Jesu Christ"	F min.	Organ		IV/10	by Bach, C. P. E.; after BWV 639	01382
III 171	III		chorale setting "Christ lag in Todesbanden"		Organ	40: 174	IV/10	by Pachelbel (P 58)[107]	01482
III 172	III		chorale setting "Herr Jesu Christ, dich zu uns wend"	G maj.	Organ		IV/10	by Krebs, J. L. (Krebs‑WV 524)	01483
824	III	1720 (WFB)	Klavierbüchlein WFB No. 47: Suite	A maj.	Keyboard	36: 231	V/5: 78	by Telemann (TWV 32:14)[108]	00962
835	III	1761 (Kirnb.)	Allemande	A min.	Keyboard	42: 267	V/12	by Kirnberger (EngK 74)[109]	00974
838	III		Allemande and Courante	A maj.	Keyboard	42: 265	V/12	by Graupner (GWV 849/2 /3)[109]	00977
840	III		Courante	G maj.	Keyboard		V/12	by Telemann (TWV 32:13/2)	00979
897/1	III	c. 1736–1743 (CHD)	Prelude	A min.	Keyboard	42: 173	V/12	by Dretzel ("Adagiosissimo")[110]	01065
962	III	c. 1783 (JGA)	Fugue	E min.	Keyboard	42: 198	V/12	by Albrechtsberger (Op. 1/8)[111]	01139
970	III		Toccatina No. 6 Presto	D min.	Keyboard	42: XXXIV	V/12	by Bach, W. F. (BR A49 F 25/2)	11148
II 94	III	1774 (Kirnb.)	Fugue	E min.	Keyboard	42: XXXIV	V/12	by Kirnberger (EngK 35)[112]	01404
II 107	III		Fugue on B-A-C-H	C maj.	Keyboard	42: XXXIV	V/12	by Sorge?	01417
II 108	III		Fugue on B-A-C-H	C maj.	Keyboard	42: XXXIV	V/12	by Bach, C. P. E. (H 373) or Sorge?	01418
II 110	III		Fugue on B-A-C-H	C min.	Keyboard	42: XXXIV	V/12	by Sorge?	01420
II 112	III	1780 (Kirnb.)	Grave	E min.	Keyboard		V/12	by Kirnberger (EngK 16)[113]	01422
II 114	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 4 Minuet	G maj.	Keyboard	43^2: 26	V/4: 83	by Petzold[114]	01424
II 115	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 5 Minuet	G min.	Keyboard	43^2: 26	V/4: 84	by Petzold[114]	01425
II 122	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 16 March	D maj.	Keyboard	43^2: 32	V/4: 94	by Bach, C. P. E. (H 1/1)	01433
II 123	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 17 Polonaise	G min.	Keyboard	43^2: 32	V/4: 95	by Bach, C. P. E. (H 1/2)	01434
II 124	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 18 March	G maj.	Keyboard	43^2: 33	V/4: 96	by Bach, C. P. E. (H 1/3)	01435
II 125	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 19 Polonaise	G min.	Keyboard	43^2: 33	V/4: 97	by Bach, C. P. E. (H 1/4)	01436
II 129	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 27 Solo per il cembalo	E♭ maj.	Keyboard	43^2: 38	V/4: 104	by Bach, C. P. E. (H 16)	01440
II 130	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 28 Polonaise	G maj.	Keyboard	43^2: 39	V/4: 106	by Hasse[115]	01441
II 131	III	c.1745?	Notebook A. M. Bach (1725) No. 32	F maj.	Keyboard	43^2: 46	V/4: 121	by Bach, J. C. (W A22)[116]	01442
II 133	III	1763 or later	Musical clock No. 1 Fantasia	G maj.	Musical clock		V/12	by Bach, W. F. (BR A63 F 207)	01444
II 134	III	1763 or later	Musical clock No. 2 Scherzo	G maj.	Musical clock		V/12	by Bach, W. F. (BR A64 F 207)	01445
II 135	III	1763 or later	Musical clock No. 3 Bourlesca	A min.	Musical clock		V/12	by Bach, W. F. (BR A65 F 207)	01446
II 136	III	1763 or later	Musical clock No. 4 Trio	A min.	Musical clock		V/12	by Bach, W. F. (BR A66 F 207)	01447
II 137	III	1763 or later	Musical clock No. 5 L'Intrada della Caccia	E♭ maj.	Musical clock		V/12	by Bach, W. F. (BR A67 F 207)	01448
II 138	III	1763 or later	Musical clock No. 6 Continuazione della Caccia	E♭ maj.	Musical clock		V/12	by Bach, W. F. (BR A68 F 207)	01449
II 139	III	1763 or later	Musical clock No. 7 Il Fine delle Caccia I	D maj.	Musical clock		V/12	by Bach, W. F. (BR A69 F 207)	01450
II 140	III	1763 or later	Musical clock No. 8 Il Fine delle Caccia II	D min.	Musical clock		V/12	by Bach, W. F. (BR A70 F 207)	01451
II 141	III	1763 or later	Musical clock No. 9 Song "O Gott die Christenheit"	F maj.	Musical clock		V/12	by Bach, W. F. (BR A71 F 207)	01452
II 142	III	1763 or later	Musical clock No. 10 Psalm 110	A min.	Musical clock		V/12	by Bach, W. F. (BR A72 F 207)	01453
II 143	III	1763 or later	Musical clock No. 11 Polonaise	E min.	Musical clock		V/12	by Bach, W. F. (BR A73 F 207)	01454
II 144	III	1763 or later	Musical clock No. 12 Polonaise Trio	A min.	Musical clock		V/12	by Bach, W. F. (BR A74 F 207)	01455
II 145	III	1763 or later	Musical clock No. 13 March	C maj.	Musical clock		V/12	by Bach, W. F. (BR A75 F 207)	01456
II 146	III	1763 or later	Musical clock No. 14 March	F maj.	Musical clock		V/12	by Bach, W. F. (BR A76 F 207)	01457
II 147	III	1763 or later	Musical clock No. 15 La Combattuta	G maj.	Musical clock		V/12	by Bach, W. F. (BR A77 F 207)	01458
II 148	III	1763 or later	Musical clock No. 16 Scherzo	G min.	Musical clock		V/12	by Bach, W. F. (BR A78 F 207)	01459
II 149	III	1763 or later	Musical clock No. 17 Minuet	G maj.	Musical clock		V/12	by Bach, W. F. (BR A79 F 207)	01460
II 150	III	1763 or later	Musical clock No. 18 Trio	G min.	Musical clock		V/12	by Bach, W. F. (BR A80 F 207)	01461
III 177	III		Prelude and Fugue	E♭ maj.	Keyboard	36: 88	V/12: 134	by Bach, J. Christoph?[117]	01488
III 179	III	1728 (JDH)	Fantasia durch alle Tonarten gehend	A min.	Keyboard		V/12	by Heinichen[118]	01490
III 180	III		Fugue	D min.	Keyboard	36: 188	V/12	by Kellner, J. P.[67]	01491
III 181	III		Fugue	A min.	Keyboard		V/12	by Krebs, J. L. (Krebs‑WV 825/2)	01492
III 182	III		Passacaglia	D min.	Keyboard	42: 234	V/12	by Witt	01493
III 183	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 6 Rondeau	B♭ maj.	Keyboard	43^2: 27	V/4: 85	by Couperin (6^ième Ordre: Les Bergeries)	01494
1036	III	1731 (CPE)	Trio	D min.	Vl Hc (2Vl Bc)		VI/5	by Bach, C. P. E. (H 569; Wq 145)	01218
1037	III	c. 1740s (JGG)	Sonata	C maj.	2Vl Bc	9: 229	VI/5	by Goldberg[119]	01219
III 173	III	1712 (FAB) c. 1723 (JSB)	Invention	B min.	Vl Kb	45^1: 172	VI/5	by Bonporti (Op. 10 No. 2)[120]	01484
III 174	III	1712 (FAB) c. 1723 (JSB)	Invention	B♭ maj.	Vl Kb	45^1: 176	VI/5	by Bonporti (Op. 10 No. 5)[121]	01485
III 175	III	1712 (FAB) c. 1723 (JSB)	Invention	C min.	Vl Kb	45^1: 181	VI/5	by Bonporti (Op. 10 No. 6)[122]	01486
III 176	III	1712 (FAB) c. 1723 (JSB)	Invention	D maj.	Vl Kb	45^1: 185	VI/5	by Bonporti (Op. 10 No. 7)[123]	01487
III 184	III	c. 1747 (Zuc.)	Sonata	A min.	Vl Bc		VI/5	by Zuccari (Op. 1 No. 10)[124]	01495
III 185	III		Sonata	D maj.	2Vl Bc		VI/5	by Bach, C. P. E. (H 585; ≈H 507; Wq 74)	01496
III 186	III		Sonata	F maj.	2Vl Bc		VI/5	by Bach, C. P. E. (H 576; Wq 154)	01497
III 187	III		Sonata (Trio)	F maj.	Bas Fl Vne		VI/5	by Bach, C. P. E. (H 589)	02454
III 188	III	c. 1740 (WFB)	Sonata (Concerto)	F maj.	2Hc	43^1: 47	V/12	by Bach, W. F. (BR A12 F 10)	01499
I 23	III	1710 (Alb.) c.1710 (JSB)	Concerto	E min.	2Vl Va Vc Vne		VI/5	by Albinoni (Op. 2 No. 4 = 2nd Concerto)	01331
III 189	III	1745–1747 (JSB)	Concerto	A min.	Hc Str Bc		VI/5	by Bach, C. P. E. (H 403; Wq 1)	01500
Anh. N	New additions to the Anhang								Up ↑

References

1. Schicht 1805.
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31. Spitta 1894.
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35. Buhle 1909, pp. XVIII–XXI, 34–35.
36. Dömling & Kohlhase 1971.
37. Dirksen 2016, pp. 20, 146–147.
38. Keller 1937, pp. 63–64.
39. Keller 1937, pp. 70–71.
40. Williams 2003, pp. 176–178.
41. Williams 2003, p. 182.
42. Spitta 1899, I, pp. 455–456.
43. Williams 2003, pp. 56, 59.
44. Williams 2003, pp. 101–102, 105–106.
45. Schulenberg 2013, p. 13; online appendix 2.
46. Tittel 1966, pp. 114–123.
47. Dürr 1987.
48. Dirksen 2010, p. 28; online appendix 6.
49. Dirksen 2010, p. 21; online appendix 3–5.
50. Spitta 1899, II, p. 43; III, p. 206.
51. Wright 2000.
52. Feder 1958, p. 78.
53. Perreault 2004, pp. 187–188.
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55. Eichberg 1976, pp. 8–11.
56. Kretzschmar 1910, p. 71.
57. Eichberg 1976, pp. 18–19.
58. Eichberg 1976, pp. 20–29.
59. Morana 1993, p. 26.
60. Koska 2011.
61. Eichberg 1976, p. 45.
62. Kobayashi 1978, p. 51.
63. Schulze 1984, pp. 80–81.
64. Eichberg 1976, pp. 8–25.
65. Eichberg 1976, pp. 7–17.
66. Eichberg 1976, pp. 17–19.
67. Feder 1958, p. 77.
68. Eichberg 1976, pp. 29–42.
69. Eichberg 1976, pp. 42–47.
70. Eppstein 1966, p. 187.
71. Kobayashi 1978, pp. 52–53.
72. Leisinger & Wollny 1993, pp. 192–196.
73. Eppstein 1966, p. 181.
74. van Leyden 1956.
75. Siegele 1957.
76. Eppstein 1982, p. 77.
77. Eppstein 1982, p. 84.
78. Hellmann 1965.
79. Hofmann 1999, pp. 72–75.
80. Spitta 1899, III, p. 143.
81. Kenyon 2011, p. 352.
82. Schulenberg 2010, p. 54.
83. Dürr 1952, p. 42.
84. Dürr 1952, pp. 40f.
85. Scheide 1960, pp. 66ff.
86. Dürr 1952, pp. 31–36.
87. Dürr 1952, pp. 37f.
88. Dürr 1952, pp. 35ff.
89. Dürr 1952, pp. 38f.
90. Dürr 1952, pp. 39f.
91. Hofmann 1983, p. 126.
92. Kobayashi 1978, pp. 46–50.
93. Glöckner 1983.
94. Henrici 1725.
95. Vetter 1713, No. 91.
96. Platen 1976, p. 51.
97. So how many Bach four–part chorales are there? at Luke Dahn's www.bach-chorales.com (2018)
98. Platen 1976.
99. Kobayashi 1978, p. 46.
100. Dirksen 1998.
101. Feder 1958, p. 76.
102. Tittel 1966, p. 106.
103. Williams 2003, p. 549.
104. Perreault 2004, p. 56.
105. Williams 2003, pp. 526–527.
106. Perreault 2004, pp. 197–198.
107. Perreault 2004, p. 53.
108. US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach) at Bach Digital.
109. Eichberg 1976, p. 12.
110. Ahlgrimm 1969, p. 67.
111. Kobayashi 1978, p. 44.
112. Kirnberger 1774.
113. Kirnberger 1780.
114. Schulze 1980, pp. 54–58, 64.
115. Schulze 1980, p. 50.
116. Schulze 1980, pp. 45ff.
117. Schneider 1907, p. 159.
118. Heinichen 1728, pp. 885–895.
119. Dürr 1954.
120. Bonporti 1712, No. 2.
121. Bonporti 1712, No. 5.
122. Bonporti 1712, No. 6.
123. Bonporti 1712, No. 7.
124. Zuccari c. 1747.

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External links

• Authority file (Wikidata): Q79203188
• BWV Anh. I, II and III at www.klassika.info (in German)