China Is Near

China Is Near (Italian: La Cina è vicina) is a 1967 Italian drama film written and directed by Marco Bellocchio. It is a satirical movie about the struggle for political and social power.

China Is Near
Directed byMarco Bellocchio
Produced byFranco Cristaldi
Oscar Brazzi
Written byMarco Bellocchio
Elda Tattoli
StarringGlauco Mauri
Elda Tattoli
Paolo Graziosi
Music byEnnio Morricone
CinematographyTonino Delli Colli
Edited byRoberto Perpignani
Release date
  • 22 September 1967 (1967-09-22)
Running time
116 minutes
CountryItaly
LanguageItalian

Plot

Gordini Malvezzi is a family of the Romagna gentry. The nuclear family is composed of siblings Elena, Vittorio, and Camillo. Countess Elena is an attractive middle-aged woman who plays the part of a matriarch and indulges herself in sexual relationships with common men of the town but avoids further rapport because she is afraid they are just after her money. Count Vittorio is a secularist professor who has pursued fruitless efforts to launch a political career. On the other hand, Camillo is a seventeen-year-old seminary student who is in constant struggle with his aristocratic background and Catholic upbringing and finds a symbolic revolt in adopting a hardline Maoist political line.

Vittorio is in love with his accountant-secretary Giovanna but, although sympathetic with him, repelled by Vittorio's meek and impotent attitude, she rejects his advances and runs a relationship with Carlo, the young and ambitious accountant who also happens to be the treasurer of the local Unified Socialist Party branch. Carlo makes a plan to marry into the rich landed gentry through Elena and the party offers Vittorio a candidacy for the local administration elections. When Vittorio eventually drops his restrained support to Camillo's 'organisation' for the sake of his socialist candidacy, Camillo starts to subversively target his brother's campaign.

Cast

Critical response

The film was warmly reviewed by Pauline Kael in The New Yorker on its release: " China Is Near has the boudoir complications of a classic comic opera...Bellochio uses the underside of family life for borderline horror and humor. His people are so awful they're funny...[Bellochio]..only twenty-eight - perhaps only a very young director can focus on such graceless, mean-spirited people with so much enjoyment..he probably exhibits the most fluid directorial technique since Max Ophuls.." The film was selected as the Italian entry for the Best Foreign Language Film at the 40th Academy Awards, but was not accepted as a nominee.[1]

See also

References
  1. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences


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