Cocteau Twins

Cocteau Twins were a Scottish dream pop[5] band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their distinctive ethereal sound and the soprano vocals of Fraser, whose lyrics often abandon recognisable language.[6] They pioneered the 1980s alternative rock subgenre of dream pop.[7][8]

Cocteau Twins
Robin Guthrie, Elizabeth Fraser, Simon Raymonde
Background information
OriginGrangemouth, Scotland
Genres
Years active1979–1997
Labels
Associated acts
Websitewww.cocteautwins.com
Past members

After signing with the British record label 4AD in 1982, the band released their debut album Garlands later that year,[6] "mixing strong Siouxsie and the Banshees and Joy Division influences" as the British press described it at the time.[9] The addition of Raymonde in 1983 solidified their final lineup, which produced The Spangle Maker EP (containing their biggest hit in their native United Kingdom, "Pearly-Dewdrops' Drops", peaking at No. 29 on the UK Singles Chart) and their third studio album, Treasure in 1984.

Raymonde temporarily left the band during the recording of their fourth album, Victorialand. In 1988, Cocteau Twins signed with Capitol Records in the United States, distributing their fifth album, Blue Bell Knoll, through a major label in the country. After the 1990 release of their most critically acclaimed album, Heaven or Las Vegas, the band left 4AD for Fontana Records, where they released their final two albums.

After nearly 20 years together, the band disbanded in 1997 in part due to issues stemming from the disintegration of Fraser and Guthrie's romantic relationship. In 2005, the band announced that they would reunite to headline Coachella and embark on a world tour but the reunion was cancelled a month later after Fraser refused to perform on stage with Guthrie.[10]

History

Early years, 1979–1983

Guthrie and Heggie, both from Grangemouth, Scotland, formed the band in 1979.[11] At a local disco called Nash in 1981, they met the 17-year-old Fraser, also from Grangemouth, who became the band's vocalist.[6] The band's influences at the time included The Birthday Party (drummer Phill Calvert encouraged the group to sign to 4AD),[12] Sex Pistols, Kate Bush, and Siouxsie and the Banshees,[13] (Fraser had Siouxsie tattoos on her arms for several years).[14] The band was named after the Johnny and the Self-Abusers' (who later renamed themselves Simple Minds) song "The Cocteau Twins" (later rewritten as "No Cure").[15] Their debut recording, Garlands (released by 4AD in 1982), was an instant success, peaking at number 2 in the indie albums chart in the UK. NME's Don Watson compared the style of the band to gothic rock bands like Gene Loves Jezebel and Xmal Deutschland,[16] while Spin magazine's Sue Cummings compared it retrospectively to Siouxsie and the Banshees and Bauhaus.[17] In 1983, the band released a second EP, Peppermint Pig.[6]

Cocteau Twins' sound on their first three recordings relied on the combination of Heggie's rhythmic basslines, Guthrie's minimalist guitar melodies, and Fraser's voice. The band's next full-length LP record, Head over Heels, relied solely on the latter two, following Heggie's amicable departure after the tour that followed the release of Peppermint Pig (he would later join Lowlife).[6] This led to the characteristic Cocteau Twins sound: Fraser's voice, by turns ethereal and operatic, combined with increasingly effects-heavy guitar playing by Guthrie[6] (who has often said that he is far more interested in the way the guitar is recorded than in the actual notes being played, though he later admitted that his reliance on effects and layering was initially due to his own technical limitations).[18]

"The Cocteau Twins are still the best by far at the 4AD ethereal dreamscape, thanks largely to the extraordinary voice of Liz Fraser. Somehow she's found a voice that falls completely outside 'Rock' or 'Pop'.”
          – Simon Reynolds, New Statesman, 1987[19]

In 1983 the band participated in 4AD's This Mortal Coil project, which spawned a cover version of Tim Buckley's "Song to the Siren" performed by Guthrie and Fraser). Despite appearing under the This Mortal Coil name, the cover has subsequently become one of the best-known Cocteau Twins tracks: in 2012, Dawn French selected "Song to the Siren" on Desert Island Discs as, in her words, "The song that made me fall in love again".[20] During the TMC sessions, Guthrie and Fraser became acquainted with another project contributor, multi-instrumentalist Simon Raymonde (formerly a member of Drowning Craze), who joined Cocteau Twins later that year.[6]

Rise to fame, 1984–1989

With Raymonde, the band released a series of critically acclaimed albums and EPs that explored their new style. These included The Spangle Maker (1984), Treasure (1984), Aikea-Guinea (1985), Tiny Dynamine (1985), Echoes in a Shallow Bay (1985), and Love's Easy Tears (1986). Raymonde, who was called in to work on the second album by This Mortal Coil, did not participate in the recording of the fourth Cocteau Twins LP, Victorialand (1986), a predominantly acoustic record which featured only Guthrie and Fraser. Raymonde returned to the group for The Moon and the Melodies (1986), a collaboration with ambient composer Harold Budd,[6] which was not released under the Cocteau Twins name.

In 1985 4AD signed an agreement with Relativity Records for distribution of Cocteau Twins releases in the US and other territories. To commemorate the event, the compilation The Pink Opaque (1985) was released as a way of introducing the new, broader audience to the band's back catalogue.

While remaining a 4AD band internationally, Cocteau Twins finally signed a major-label contract with Capitol Records in 1988 for distribution in the United States, and released their fifth album, Blue Bell Knoll, in September of that year.[11] "Carolyn's Fingers" became the band's biggest hit in the U.S., peaking at No. 2 on Billboard's Alternative Songs chart.[21]

Mainstream success, 1990–1994

The group released Heaven or Las Vegas in late 1990.[11] The most commercially successful of their many recordings, the album rose to the higher reaches of the UK Albums Chart immediately after its release.[22] Despite the success of the record and the subsequent concert tours, not everything was well with the band. They parted ways with 4AD following Heaven or Las Vegas partly because of conflicts with the label's founder Ivo Watts-Russell, and were close to breaking up over internal problems due in large part to Guthrie's substance abuse.[23]

While on their international tour supporting Heaven or Las Vegas, the group signed a new recording contract with Mercury Records subsidiary Fontana for the UK and elsewhere, while retaining their US relationship with Capitol. In 1991, 4AD and Capitol released a box set that compiled the band's EPs from 1982 to 1990, and also included a bonus disc of rare and previously unreleased material.

Fraser and Guthrie ended their 13-year relationship in 1993, and by this time had a young daughter, Lucy-Belle, born in 1989.[24] The band's seventh LP, Four-Calendar Café, their first since Fraser and Guthrie's separation, was released in late 1993.[11] The band explained that Four-Calendar Café was a response to the turmoil that had engulfed them in the intervening years, with Guthrie entering rehab and quitting alcohol and drugs, and Fraser undergoing psychotherapy.

Later releases and break-up, 1995–1997

1995 saw the release of two new EPs: Twinlights and Otherness. Some of the tracks on Twinlights and Otherness were versions of songs from the band's eighth album, Milk & Kisses (1996).[6] The record saw the return of more heavily layered guitars, and Fraser began once again to obscure her lyrics, though not entirely. Two singles were taken from the album: "Tishbite" and "Violaine"; both exist in two CD versions, with different B-sides included on each. The band, augmented by an extra guitarist and a drummer, toured extensively to support the album, their last for Mercury/Fontana. A new song, "Touch Upon Touch", which debuted during the live shows and was recorded later in 1996 was also one of the two songs written and arranged by Fraser, Guthrie and Raymonde for Chinese pop singer Faye Wong for her Mandarin album Fuzao released in June 1996, the other being "Tranquil Eye" from Violaine released in October 1996.

In 1997, while recording what was to have been their ninth LP, the trio disbanded over irreconcilable differences in part related to the breakup of Guthrie and Fraser. While a number of songs were partially recorded and possibly completed, the band has stated that they will likely never be finished or released in any form.

Post-breakup

In 1999 Bella Union, the record label founded by Guthrie and Raymonde, released a double-CD Cocteau Twins compilation entitled BBC Sessions. The collection is a complete record of the band's appearances on UK radio programs from 1982 to 1996, with rare and unreleased material included. In 2000, 4AD released Stars and Topsoil, a compilation of selected songs picked by the band members that had been released during their years with 4AD; all recordings had been digitally remastered by Guthrie. Finally, in 2003, 4AD followed Stars and Topsoil with the release of digitally remastered versions of the first six Cocteau Twins LPs.

On 31 January 2005, Cocteau Twins announced that they would be reforming to perform at the Coachella Valley Music and Arts Festival on 30 April 2005, and later indicated that additional tour dates would be added. However on 16 March, the reunion was cancelled after Fraser announced that she would not take part. In a 2009 interview, Fraser said she could not go through the pain of sharing the stage with her former lover Guthrie, the issue behind the band's 1997 breakup.[23] Raymonde revealed that the band had also booked a 55-date world tour, which would have paid him £1.5 million.[10] Later in 2005, 4AD released a worldwide limited edition of 10,000 compilation box set titled Lullabies to Violaine, a 4-disc set that details every single and EP released from 1982 to 1996. This was shortly followed up by two 2-disc sets of the same names, known as Volume 1 and Volume 2.

Since March 2007, the band has started podcasts of exclusive material.[25] On 6 October 2008, Cocteau Twins were awarded the Q Awards Inspiration Award, which they accepted in a rare collective live appearance.[26][27]

Solo work

The former members of Cocteau Twins have remained active musically in the years since the band's demise. In addition to forming Bella Union, Guthrie and Raymonde have produced releases from new bands signed to that label.

Raymonde released the solo album Blame Someone Else as the first release on Bella Union. He also co-produced the posthumous album by Billy Mackenzie from the Associates, then went on to produce several Domino Records artists like James Yorkston, Archie Bronson Outfit (whom he later managed) and Clearlake. More recently he has produced the UK band The Duke Spirit, London-based duo Helene, former Golden Virgins frontman Lucas Renney and has mixed the Mercury Prize nominated album The End of History by Fionn Regan. In his role running Bella Union, he has discovered such artists as Laura Veirs, Fleet Foxes, Midlake, Lift to Experience, The Low Anthem, I Break Horses, The Czars and John Grant. The label is renowned for its long-term relationships with its artists, such as Beach House who have released all four of their albums with Bella Union, as have Dirty Three, Midlake etc. Raymonde picked up the Independent Record Company of the Year award at the Music Week Awards (as voted by UK independent retailers) in 2010, 2012 and 2014.

Guthrie has released five solo albums – Imperial, Continental, Carousel, Emeralds and Fortune – and five EPs. He toured extensively with his band Violet Indiana, which included ex-Cocteau's guitarist Mitsuo Tate in the line-up. He has also scored the music for three movies—Gregg Araki's Mysterious Skin (in collaboration with Harold Budd), Dany Saadia's 3:19 Nada Es Casualidad (a Mexican/Spanish production), and again with Gregg Araki and Harold Budd on the score and the soundtrack of White Bird in a Blizzard. He has also reunited with Budd to collaborate on two companion CDs, Before the Day Breaks and After the Night Falls, and the later Bordeaux and Winter Garden, the latter a collaboration also with Italian electronica artist Eraldo Bernocchi. In 2006, Guthrie produced three songs on Mahogany's "Connectivity," on which Lucy Belle Guthrie made her singing debut. He most recently produced and played guitar on Apollo Heights debut album, White Music for Black People.

Fraser provided guest vocals on The Future Sound of London's single "Lifeforms" (1993), vocals for three songs on Massive Attack's Mezzanine in 1998 (as well as touring with them several times), and for other musical projects and groups. Notably, she wrote the lyrics and sang the vocals for "Teardrop" by Massive Attack which was released as a single in 1998 and reached number 10 in the UK singles chart[28] It has been speculated that she has been working on a solo album, though details of this are as yet unavailable.[23] Fraser provided the vocals for "Lament for Gandalf" in The Lord of the Rings: The Fellowship of the Ring. In 2000 she sang with Peter Gabriel on Ovo (The Millennium Show). In 2005, she worked with Breton musician Yann Tiersen on two songs for his album Les retrouvailles. In 2009, she released the single "Moses" on Rough Trade.[29]

Members
  • Elizabeth Fraser – vocals (1979–1997)
  • Robin Guthrie – guitars, bass, production, drum machine (1979–1997)
  • Will Heggie – bass (1979–1983)
  • Simon Raymonde – bass, guitars, piano (1983–1997)

Discography
Main article: Cocteau Twins discography

Bibliography
  • The First Time I Heard Cocteau Twins (2012), edited by Scott Heim. Rosecliff Press.
  • Manuceau, Jean-Christophe (2013). Cocteau Twins, Des Punks Célestes. Camionblanc.com. Camion Blanc. ISBN 9782357793309. Retrieved 17 April 2014.

See also

References
  1. "Dream Pop Music Genre Overview - AllMusic". AllMusic. Retrieved 15 March 2018.
  2. "The Story Behind the Music of 'Twin Peaks'". rollingstone.com. Retrieved 15 March 2018.
  3. "10 Essential Gothic Rock Albums". Treblezine.com. Retrieved 15 March 2018.
  4. "cocteau twins - history". Cocteautwins.com. Archived from the original on 27 September 2007. Retrieved 15 March 2018.
  5. cite web|url=http://www.allmusic.com/style/dream-pop-ma0000012303
  6. Ankeny, Jason. "Cocteau Twins' Biography". AllMusic. Retrieved 8 March 2012.
  7. "Dream Pop Music Genre Overview - AllMusic". AllMusic. Retrieved 15 March 2018.
  8. Reynolds, Simon (1 December 1991), "Pop View; 'Dream-Pop' Bands Define the Times in Britain", The New York Times, The New York Times Company, retrieved 7 March 2010
  9. Prince, Bill (11 September 1982). "New 2 U: Cocteau Twins". Sounds.
  10. Anonymous (30 November 2009). "Elizabeth Fraser breaks silence about aborted Cocteau Twins reunion, releases new single". slicing up eyeballs // 80s alternative music, college rock, indie. Retrieved 13 April 2020.
  11. Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 280. ISBN 1-85227-745-9.
  12. "cocteau twins | history | chapter 1: 1982". Cocteautwins.com. Retrieved 15 October 2019.
  13. Liz Fraser interview. Melody Maker. 6 November 1993
  14. Chapman, Rob (July 1998). "Dark Side of the Spliff: Massive Attack". Mojo. "Have you met Liz?" 3D splutters with laughter. "[...] She loved our Siouxsie and the banshees sample off ‘Metal Postcard’ — she’d just had this Siouxsie and the Banshees tattoo removed from her arm.
    King, Richard (2012). How Soon is Now?: The Madmen and Mavericks who made Independent Music 1975-2005. Faber & Faber. ISBN 0571243908. Colin Wallace, their friend, confident and roadie has come from the same background as Fraser; Heggie and Gutrhie. [...] he says, '[...] Elisabeth was a huge Siouxsie fan - she had Siouxsie tattoos which she's had lasered off since'.
  15. DeRiso, Nick. "Simple Minds Never Wanted to Record 'Don't You (Forget About Me)'". Ultimate Classic Rock. Retrieved 13 April 2020.
  16. Don Watson, Don (6 November 1982). The Cocteau Twins: Fun From Falkirk – Fat Chance?. NME.
  17. Sue Cummings: "The Pink Opaque", Cocteau Twins review, p. 28, SPIN magazine, March 1986
  18. Paynes, Steph: "Robin Guthrie", Guitar Player, 25(2):25–26, 1991.
  19. Simon Reynolds, New Statesman, p.60, Band 114, 1987
  20. "The song that made me fall in love again". Express Newspapers. 23 December 2012.
  21. "Cocteau Twins". Billboard. Retrieved 13 April 2020.
  22. "Cocteau Twins, UK charts, Albums". Officialcharts.com. Retrieved 8 August 2012.
  23. Simpson, Dave (26 November 2009). "Elizabeth Fraser: the Cocteau Twins and me". The Guardian. London. Retrieved 30 December 2011.
  24. Bush, Calvin (8 October 1993). "These Childish Things". The List. Retrieved 28 June 2019.
  25. "Cocteau Twins offer previously unreleased live tracks via podcast". Side-line.com. 22 February 1999. Retrieved 30 December 2011.
  26. "Q Song Awards". Wn.com. Retrieved 30 December 2011.
  27. "Cocteaus an Inspiration – Q Awards 2008". Qawards.co.uk. 29 June 2005. Archived from the original on 14 June 2013. Retrieved 17 April 2014.
  28. "Artists". Officialcharts.com.
  29. Elizabeth Fraser releases new single "Moses". Side-line.com. 2009. Retrieved 2014-09-05.
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