Ruth E. Carter
Ruth E. Carter (born April 10, 1960) is an American costume designer for film and television, with over 40 films to her credit, who has mastered the look of multiple periods and genres in envisioning the clothing and overall appearance of a character or performer.[1] During her near 30 year film career, Carter has been nominated three times for the Academy Award for Best Costume Design for her work on Spike Lee's biographical film Malcolm X (1992), Steven Spielberg's historical drama film Amistad (1997), and her most recent work on Ryan Coogler's Marvel superhero film Black Panther (2018),[2] for which she won the award and became the first African-American to win an Academy Award in that category.[3] That win was also the first Academy Award win for Marvel Studios.[4]
Ruth E. Carter | |
|---|---|
 Carter in March 2018 | |
| Born | April 10, 1960 |
| Nationality | American |
| Occupation | Costume designer |
| Years active | 1982-present |
Early life
Carter graduated from Hampton Institute, currently known as Hampton University, Virginia, in 1982 with a Bachelor of Arts Degree.
Career
Carter began her career working as an intern in her hometown of Springfield, Massachusetts and at the Santa Fe Opera. She moved to Los Angeles in 1986.[5] While working at the Los Angeles Theater Center, Carter met director Spike Lee, who hired her for his second film, School Daze (1988), and with whom she worked on a number of films thereafter, including Do the Right Thing (1989), Mo' Better Blues (1990), Jungle Fever (1991), and Malcolm X (1992).[6][7] Carter has continued to work on films for Spike Lee, including Oldboy (2013), Da Sweet Blood of Jesus (2014), and Chi-Raq (2015).
In addition to designing costumes for the films of Spike Lee, Carter has worked with legendary directors such as Steven Spielberg and John Singleton, and has dressed actors from Denzel Washington to Josh Brolin, and actresses from Angela Bassett to Jane Fonda.
Carter is also known for her work on What's Love Got to Do with It (1993), Serenity (2005), Four Brothers (2005), Sparkle (2012), The Butler (2013) directed by Lee Daniels, and Selma (2014) directed by Ava DuVernay.[1]
Carter is currently designing costumes for the American television drama series Being Mary Jane on BET Networks, created by Mara Brock Akil and starring Gabrielle Union.[8]
Carter's most recent work was on the Afrofuturist superhero Marvel Cinematic Universe film Black Panther (2018), directed by Ryan Coogler. Her costumes were inspired by many traditional African garments, including those of the Maasai and Ndebele people.[9] She traveled to southern Africa to draw aesthetic inspirations and received permission to incorporate traditional Lesotho designs into the film's costumes.[10]
Honors
- 2002: American Black Film Festival, Career Achievement Award[11]
- 2015: Essence, 2015 Black Women in Hollywood Award at the 8th Annual Black Women in Hollywood Luncheon[12][11]
- 2019: Academy of Motion Picture Arts and Sciences, Best Costume Design for Black Panther
- 2019: Critics Choice, Best Costume Design for Black Panther
- 2019: Costume Designers Guild, Excellence in Sci-Fi/Fantasy Film for Black Panther
- 2019: Costume Designers Guild, Career Achievement Award
- 2019: Suffolk University, Honorary Degree - Doctor of Humane Letters
- 2020: Black Reel Awards, Outstanding Costume Design for Dolemite Is My Name[13]
- 2020: Critics' Choice Movie Awards, Best Costume Design, Dolemite Is My Name
- 2020: SDFCS Awards, Best Costume Design, Dolemite Is My Name
- 2020: Satellite Awards, Best Costume Design, Dolemite Is My Name
Filmography
Television
- Being Mary Jane (2013–2019)
- Roots (2016)
References
- James, Kendra (November 23, 2016). "Radical Fashion: An interview with the costume designer Ruth Carter". Lenny Letter.
- Bradley, Laura (2018-02-16). "The Secrets Behind Black Panther's Spellbinding Fashion". Vanity Fair. Retrieved 2019-02-25.
- "The Best and Worst Moments of the 2019 Oscars - The New York Times". Nytimes.com. Retrieved 2019-02-25.
- https://ew.com/oscars/2019/02/24/history-making-wins-2019-oscars/
- Sarah Platanitis, "Hollywood costume designer Ruth Carter talks about her roots in Springfield and Oscar nods", The Republican, February 22, 2015.
- Deborah Nadoolman Landis, "Ruth Carter" in Costume Design (Focal Press, 2003), ISBN 978-0-240-80590-0, pp. 37-45. Excerpt available at Google Books.
- Pat Kirkham, Women Designers in the USA, 1900-2000: Diversity and Difference (Yale University Press, 2002), ISBN 978-0-300-09331-5, pp. 142-143. Excerpt available at Google Books.
- "BET Networks Announces New Programming at Annual Upfront Presentation". The Futon Critic. April 2, 2013. Retrieved April 20, 2013.
- www.mpaa.org https://www.mpaa.org/2018/05/the-black-panther-costume-designer-explains-the-symbolism-of-her-work/. Retrieved 2019-05-14. Missing or empty
|title=(help) - "Clarks brought out Black Panther's costume designer to celebrate their new sneaker collab". The FADER. Retrieved 2018-03-03.
- "Actor Mekhi Pfifer and Costume Designer Ruth E. Carter Honored at American Black Film Festival", Jet, July 22, 2002.
- http://www.essence.com/package/essence-black-women-hollywood
- http://blackreelawards.com/the-great-eight-dolemite-is-dynomite/
Further reading
- Kirkham, Pat; Stallworth, Shauna (2000). "Chapter 4: "Three Strikes Against Me": African American Women Designers". Women Designers in the USA, 1900-2000: Diversity and Difference. New York: Bard Graduate Center for Studies in the Decorative Arts. pp. 141–143, 258. ISBN 978-0-300-09331-5. OCLC 48628173.
- Landis, Deborah Nadoolman (2003). Screencraft. Costume Design. Burlington, MA: Focal Press. ISBN 978-0-240-80590-0. OCLC 718593913.
External links
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