Scars of Dracula

Scars of Dracula is a 1970 British horror film directed by Roy Ward Baker for Hammer Films.

Scars of Dracula
Theatrical release poster
Directed byRoy Ward Baker
Produced byAida Young
Screenplay byAnthony Hinds
Based onDracula
by Bram Stoker
StarringChristopher Lee
Patrick Troughton
Dennis Waterman
Jenny Hanley
Michael Gwynn
Michael Ripper
Music byJames Bernard
CinematographyMoray Grant
Edited byJames Needs
Production
company
Distributed byMGM-EMI Distributors (UK)1
Continental Films (US)
Release date
  • 8 November 1970 (1970-11-08)
Running time
91 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£200,000[1] or £186,000[2]

It stars Christopher Lee as Count Dracula, along with Dennis Waterman, Jenny Hanley, Patrick Troughton, and Michael Gwynn. Although disparaged by some critics, the film does restore a few elements of Bram Stoker's original character: the Count is introduced as an "icily charming host;"[3] he has command over nature; and he is seen scaling the walls of his castle. It also gives Lee more to do and say than any other Hammer Dracula film except its first, 1958's Dracula.

This film breaks the continuity maintained through the previous entries in the Hammer Dracula series: whereas at the end of the preceding film, Taste the Blood of Dracula, the Count met his end in a disused church near London, this film opens with a resurrection scene set in Dracula's castle in Transylvania, with no explanation of how his ashes got there (although, they might have been returned from England, as a contingency, by the young acolyte from the prologue of Dracula A.D. 1972). Furthermore; in Scars of Dracula, the Count has a servant named Klove, played by Patrick Troughton; in the third film of the series, Dracula: Prince of Darkness, Dracula has a servant named Klove (played by Philip Latham) who appears to be a different character, though identically named. The disruption of continuity caused by Scars of Dracula reflects the fact the film was originally tooled as a possible reboot of the series in the event Christopher Lee elected not to reprise the role of Dracula.

The British Film group EMI took over distribution of the film after Warner Bros., Universal Pictures and other American studios refused to distribute it in the U.S. It was also the first of several Hammer films to get an 'R' rating.

Storyline

Prologue

In the opening scene, Count Dracula's remains are seen lying on a stone plinth in a chamber in his castle, having been defeated in the previous entry. The chamber can be accessed only through the window, set high in his castle wall. It is not explained why his remains are at the castle or how he came to die there. Suddenly, a large bat flies in and hovers over the plinth, regurgitating blood onto the Count's remains. Almost immediately, the remains start to interact and bond with the dripped blood. Within seconds, Dracula is once more resurrected.

Plot

Soon afterwards, local villagers are enraged that yet another young woman has been murdered by the Count. With a priest's blessing, they rise up and set fire to Dracula's castle. However, Dracula is safely asleep in his solid stone chamber. When the villagers return home, they find that every single woman and child in the village has been slaughtered in the church by vampire bats. Elsewhere, libertine Paul Carlson is falsely accused of rape and flees the Kleinenberg authorities by jumping into a nearby coach which, though driverless, heads off at great speed. He is deposited near the castle. Initially Paul is welcomed by the Count and a beautiful woman named Tania, who later reveals herself to be imprisoned by Dracula as his mistress. Paul later has a liaison with Tania, who concludes their lovemaking by trying to bite his neck. Dracula enters and, casually throwing off Paul's efforts to stop him, savagely stabs Tania to death with a dagger for betraying him. Dracula's servant Klove dismembers her body and dissolves the pieces in a bath of acid. Locked in the room high in the castle, Paul uses tied-together bed curtains to climb down to a lower window, but the line is withdrawn by Klove and he finds himself in the Count's chamber.

Paul's more sober brother Simon, and Simon's fiancée Sarah Framsen, come searching for him. A maid at the tavern directs them to the castle and they investigate. Dracula immediately has designs on the lovely Sarah, but Klove, who has fallen in love with the young woman after seeing her photograph amongst Paul's possessions, helps the young couple escape by refusing to do Dracula's bidding and remove Sarah's crucifix. The servant pays a terrible price for his disobedience as he is sadistically burnt by Dracula with a red-hot cutlass. Simon, having enlisted the help of the village priest, goes back to the castle to look for Paul. However, the priest is attacked and killed by a large bat, and Simon is betrayed by Klove, ending up in the same locked room as his brother. Opening the coffin in the middle of the room, Simon discovers the sleeping Dracula, but the vampire's power reaches through his closed eyelids, causing the young man to collapse before he can take action against the Count.

When Simon recovers, the vampire has vanished. Investigating the room further, he is horrified to find his brother's drained corpse on a spike. Looking out of the window, Simon is amazed to see the Count running up the wall outside like an insect. With a rope let down by Klove, Simon climbs up the sheer outer wall to go after Sarah, knowing that Dracula may use her as his new mistress. Sarah, meanwhile, has made her way back to the castle battlements as a storm approaches. Suddenly, she is confronted by Dracula, who this time uses his bat familiar to remove her crucifix. Just then, Klove arrives on the battlements and attacks the Count with the dagger the vampire used to murder Tania, but the servant is hopelessly outmatched by the vampire's inhuman strength and is thrown over the side of the castle. Simon arrives and throws a heavy iron spike at Dracula with the intention of staking him in the heart. The spike pierces the Count, but on the wrong side of the chest. Unharmed, Dracula raises the spike to impale Simon, but the spike is struck by lightning and Dracula is immediately engulfed in flames. Staggering in agony, the Count collapses and topples over the castle's battlements, falling to the ground far below, where his corpse continues to burn fiercely...

Cast

Release

The film was released theatrically by EMI Films and American Continental Films Inc. in Great Britain and the United States respectively.

It was released in some markets on a double feature with The Horror of Frankenstein.

The film was released on DVD by Anchor Bay Entertainment in 2004. This version is currently out of production. It has since been released as part of "The Ultimate Hammer Collection" DVD range. The disc also features a running commentary, with Christopher Lee and director Roy Ward Baker hosted by Marcus Hearn (co-author of The Hammer Story) . Also revealing are Baker's anecdotes of his arguments with BBFC executive of that time - John Trevelyan. The running time has long been erroneously stated as being up to 96 minutes, usually 95 in most books including the book The Hammer Story. It is in fact short of 92 minutes listed on the Thorn EMI PAL VHS release of the 1980s. Anchor Bay's release has it correctly at 91 minutes.

In 2019 the film was re-released in the U.S. on Blu-ray by Scream Factory (a division of Shout Factory) with special features including one that discussed the making of the film.

Reception

Reviews from critics have been negative. Howard Thompson of The New York Times, reviewing the film along with the other half of the double bill, Horror of Frankenstein, stated that audiences should avoid Scars of Dracula "like the plague," calling it "garish, gory junk".[4] Kevin Thomas of the Los Angeles Times wrote that the film "simply revs up one of the most familiar Dracula plots with sex and violence," adding, "Given something to work with, as in 'The Vampire Lovers,' director Roy Ward Baker can turn out an excellent film. But really all he manages to do here is keep things moving."[5] The Monthly Film Bulletin called it "one of the weaker films in the Hammer Dracula cycle," explaining that "most of the film is padded out with very dull and by now routine filler material, besides some rather unnecessary sadism. Even the normally powerful resurrection sequence is dealt with hastily before the credits, so there is far too little of Christopher Lee and far too much of the various young leads."[6]

Author Lyndon W. Joslin, in his book Count Dracula Goes to the Movies reviewing the many film adaptations of Dracula, wrote: "The plummet in quality that had been threatening the Hammer Dracula series for years finally came to pass with Scars of Dracula, a garish live-action cartoon."[7] John Kenneth Muir in Horror Films of the 1970s called the film "a by-the-numbers sequel that amply demonstrates why the studio's audience was shrinking as the 1960s became the 1970s."[8]

See also

Notes
  1. ^ In 1986, Turner purchased pre-May 1986 MGM films, including Scars of Dracula for UK release, now owned by Warner Bros. through Turner Entertainment only in UK.

References
  1. Hearn, Marcus; Barnes, Alan (25 September 2007). The Hammer Story: The Authorised History of Hammer Films [The Hammer Story] (Limited ed.). Titan Books. p. 138. ISBN 978-1845761851. OCLC 493684031.
  2. Moody, Paul (2018). EMI Films and the Limits of British Cinema. Palgrave MacMillan. p. 91.
  3. Pirie, David (10 September 1973). A Heritage of Horror - The English Gothic Cinema 1946-1972. Fletcher & Son, Ltd. p. 98. ISBN 978-0900406263. OCLC 746521.
  4. Thompson, Howard (19 June 1971). "Screen: A Horror Bill From Britain". The New York Times: 29.
  5. Thomas, Kevin (December 3, 1971). "Count, Baron Go Downhill". Los Angeles Times. Part IV, p. 23.
  6. "Scars of Dracula". The Monthly Film Bulletin. 37 (442): 233. November 1970.
  7. Joslin, Lyndon W. (2017). Count Dracula Goes to the Movies: Stoker’s Novel Adapted, Third Edition. Jefferson, NC: McFarland & Company Inc. p. 223. ISBN 9781476628769.
  8. Muir, John Kenneth (2002). Horror Films of the 1970s, Volume 1. Jefferson, NC: McFarland & Company Inc. pp. 66–67. ISBN 9780786491568.
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