Walk Softly, Stranger

Walk Softly, Stranger is a 1950 film directed by Robert Stevenson and starring Joseph Cotten and Alida Valli. It tells the story of a small-time crook on the run who later becomes reformed by the love of a disabled woman.[1]

Walk Softly, Stranger
Theatrical release poster
Directed byRobert Stevenson
Produced byRobert Sparks
Screenplay byFrank Fenton
Story byManny Seff
Paul Yawitz
StarringJoseph Cotten
Alida Valli
Spring Byington
Paul Stewart
Jack Paar
Music byFrederick Hollander
CinematographyHarry J. Wild
Edited byFrederic Knudtson
Production
company
Distributed byRKO Pictures
Release date
  • October 14, 1950 (1950-10-14) (Premiere-New York City)[1]
  • November 4, 1950 (1950-11-04) (General release-US)[1]
Running time
81 minutes
CountryUnited States
LanguageEnglish

This would be the last RKO credit for famed producer Dore Schary, who would leave the studio soon after the film's completion. Privately, Schary did not see eye to eye with RKO owner Howard Hughes.

Filming ended in June 1948, but Hughes later shelved the film. It would not see the light of day until its premiere in October 1950, more than two years after production had wrapped. Hughes likely intended to release the film and capitalize off the success of Carol Reed's The Third Man (1949), which also starred Cotten and Valli.[1]

Plot

When a man calling himself Chris Hale arrives at the doorstep of her Ashton, Ohio house, asking to see his childhood home, widow Mrs. Brentman gladly invites him in. The unemployed Chris then accepts Mrs. Brentman's offer of a room and takes a job in the shipping department of the Corelli shoe factory. One night, Chris wanders into the Ashton country club and meets Elaine Corelli, his boss's beautiful but paralyzed daughter. Speaking of the days when he used to deliver newspapers to her door and adored her from afar, Chris amuses and fascinates the once-vibrant Elaine. The next day, Chris is called in to see Elaine's father A. J., who tells him that Elaine was so taken with him that she asked that he be given a better job in sales. Chris declines the offer, but assures Corelli, who is devoted to his daughter, that he will explain his decision to Elaine. As promised, Chris, a confessed gambler and drifter, shows up at the Corelli home to talk with Elaine. Although Chris's explanations are vague, his self-deprecating humor relaxes Elaine, who is finally able to joke about the skiing accident that left her paralyzed.

The next morning, Chris flies to another city for a rendezvous with petty criminal Whitey Lake, who calls him "Steve." Chris and Whitey then rob gambling house owner Bowen of $200,000 in cash, knowing that the crime will never be reported. After advising Whitey to "disappear," Chris returns to Ashton and accepts an invitation for a double date from co-worker Ray Healy. When he then runs into Elaine, however, Chris breaks the date and takes the reluctant heiress to a working class nightclub. Chris's jilted date, Gwen, is also at the club and denounces him in front of Elaine. Although Chris wins a joking bet with Elaine that he can get Gwen to dance with him, Elaine grows despondent watching her would-be rival dance. Sure that Chris will come to resent her paralysis, Elaine leaves suddenly for Florida. When she returns at Christmas, however, Chris resumes his pursuit, and by New Year's Eve, the two are deeply in love. Chris's newfound happiness is short-lived, however, as Whitey shows up, broke and scared. Chris insists that Whitey, who is being chased by Bowen, stay locked up in Mrs. Brentman's house until he can figure out an escape plan. Whitey's nerves are soon frayed, and he begins tearing apart Chris's room in search of Bowen's money.

Then, after he learns that Chris is sending Mrs. Brentman to see her son's grave in Arlington Cemetery, Whitey, who takes afternoon walks in defiance of Chris's orders, becomes convinced that his friend intends to kill him during her absence. Chris finally calms and reassures the now-hysterical Whitey, and sees Mrs. Brentman off at the airport. As he is driving home, he realizes that he is being followed by two men, but manages to reach Elaine's without detection. Chris confesses all to an understanding Elaine, who advises him to return the money. Elaine also reveals that, as she moved to Ashton as a teenager, she knew all along that he was lying about his past. By the time Chris returns to Mrs. Brentman's, Whitey has been killed and the money, reclaimed. The killers then take Chris to see the vengeful Bowen, who, while riding in a car with his prisoner, suggests they both rob Elaine of her fortune. Disgusted, Chris tries to take Bowen's driver by surprise, but is shot by Bowen in the ensuing struggle. The car crashes, and Chris winds up in a police hospital. As the recuperated Chris is about to be transferred to prison, Elaine visits and vows to wait until his release, when he will finally need her the way she has always needed him.

Cast

Background

The working title for the film was Weep No More, intended for Cary Grant to star under the direction of Alfred Hitchcock. The film lost an estimated $775,000, making it one of RKO's biggest flops of the year.[2]

Reception

Film critic Bosley Crowther was tough on the film when it was first released. He wrote, "The R. K. O. film, Walk Softly, Stranger, which came to the Globe on Saturday and which has Joseph Cotten and Alida Valli, the popular stars of The Third Man, in its top roles, actually was made before the latter picture and apparently withheld from release in the expectation of enhancement of its 'star value' from the Carol Reed film. If such was the case, the people at R. K. O. were well advised, for 'star value' is just about the only thing of any distinction that Walk Softly, Stranger has ... [in short] Walk Softly, Stranger doesn't carry a big stick."[3]

Film critic Dennis Schwartz was generally disappointed with the film. He wrote, "Love saves the day melodrama. The dismal film is worth seeing only for the fine performance of Alida Valli as the rich crippled girl ... [and] the uninteresting clichéd resolution, leaves this film flattening out in its noirish aspects to become an unconvincing soap opera love story."[4]

References
  1. "Walk Softly, Stranger". AFI Catalog of Feature Films. American Film Institute. Retrieved 2016-05-20.
  2. Jewell, Richard and Vernon Harbin, The RKO Story. New Rochelle, New York: Arlington House, 1982, p. 253.
  3. Crowther, Bosley. The New York Times, film review, October 16, 1950. Accessed: August 18, 2013.
  4. Schwartz, Dennis. Ozus' World Movie Reviews, film review, September 20, 2008. Accessed: August 18, 2013.
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