Hallstatt culture
The Hallstatt culture was the predominant Western and Central European culture of Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic and Celtic populations in the Western Hallstatt zone and with (pre-)Illyrians in the eastern Hallstatt zone.[1][2]
Geographical range | Europe |
---|---|
Period | Bronze Age, Iron Age Europe |
Dates | 1200 – 500 BC Hallstatt A (1200 – 1050 BC); Hallstatt B (1050 – 800 BC); Hallstatt C (800 – 500 BC); Hallstatt D (620 – 450 BC) |
Type site | Hallstatt |
Preceded by | Urnfield culture |
Followed by | La Tène culture |
It is named for its type site, Hallstatt, a lakeside village in the Austrian Salzkammergut southeast of Salzburg, where there was a rich salt mine, and some 1,300 burials are known, many with fine artifacts. Material from Hallstatt has been classified into 4 periods, designated "Hallstatt A" to "D". Hallstatt A and B are regarded as Late Bronze Age and the terms used for wider areas, such as "Hallstatt culture", or "period", "style" and so on, relate to the Iron Age Hallstatt C and D.
By the 6th century BC, it had expanded to include wide territories, falling into two zones, east and west, between them covering much of western and central Europe down to the Alps, and extending into northern Italy. Parts of Britain and Iberia are included in the ultimate expansion of the culture.
The culture was based on farming, but metal-working was considerably advanced, and by the end of the period long-range trade within the area and with Mediterranean cultures was economically significant. Social distinctions became increasingly important, with emerging elite classes of chieftains and warriors, and perhaps those with other skills. Society was organized on a tribal basis, though very little is known about this. Only a few of the largest settlements, like Heuneburg in the south of Germany, were towns rather than villages by modern standards.
Bronze Age Central Europe[3] | |
---|---|
Beaker | 2600–2200 BC |
Bz A | 2200–1600 BC |
Bz B | 1600–1500 v. Chr. |
Bz C | 1500–1300 v. Chr. |
Bz D | 1300–1200 BC |
Ha A | 1200–1050 v. Chr. |
Ha B | 1050–800 v. Chr. |
Iron Age Central Europe | |
Hallstatt | |
Ha C | 800–620 BC |
Ha D | 620–450 BC |
La Tène | |
LT A | 450–380 BC |
LT B | 380–250 BC |
LT C | 250–150 BC |
LT D | 150–1 BC |
Roman period[4] | |
B | AD 1–150 |
C | AD 150–375 |
Hallstatt type site
In 1846, Johann Georg Ramsauer (1795–1874) discovered a large prehistoric cemetery near Hallstatt, Austria (47.561°N 13.642°E), which he excavated during the second half of the 19th century. Eventually the excavation would yield 1,045 burials, although no settlement has yet been found. This may be covered by the later village, which has long occupied the whole narrow strip between the steep hillsides and the lake. Some 1,300 burials have been found, including around 2,000 individuals, with women and children but few infants.[5] Nor is there a "princely" burial, as often found near large settlements. Instead, there are a large number of burials varying considerably in the number and richness of the grave goods, but with a high proportion containing goods suggesting a life well above subsistence level.
The community at Hallstatt was untypical of the wider, mainly agricultural, culture, as its booming economy exploited the salt mines in the area. These had been worked from time to time since the Neolithic period, and in this period were extensively mined with a peak from the 8th to 5th centuries BC. The style and decoration of the grave goods found in the cemetery are very distinctive, and artifacts made in this style are widespread in Europe. In the mine workings themselves, the salt has preserved many organic materials such as textiles, wood and leather, and many abandoned artefacts such as shoes, pieces of cloth, and tools including miner's backpacks, have survived in good condition.[6]
Finds at Hallstatt extend from about 1200 BC until around 500 BC, and are divided by archaeologists into four phases:
Hallstatt A–B (1200–800 BC) are part of the Bronze Age Urnfield culture. In this period, people were cremated and buried in simple graves. In phase B, tumulus (barrow or kurgan) burial becomes common, and cremation predominates. The "Hallstatt period" proper is restricted to HaC and HaD (800–450 BC), corresponding to the early European Iron Age. Hallstatt lies in the area where the western and eastern zones of the Hallstatt culture meet, which is reflected in the finds from there.[7] Hallstatt D is succeeded by the La Tène culture.
Hallstatt C is characterized by the first appearance of iron swords mixed amongst the bronze ones. Inhumation and cremation co-occur. For the final phase, Hallstatt D, daggers, almost to the exclusion of swords, are found in western zone graves ranging from c. 600–500 BC.[8] There are also differences in the pottery and brooches. Burials were mostly inhumations. Halstatt D has been further divided into the sub-phases D1–D3, relating only to the western zone, and mainly based on the form of brooches.[8]
Major activity at the site appears to have finished about 500 BC, for reasons that are unclear. Many Hallstatt graves were robbed, probably at this time. There was widespread disruption throughout the western Hallstatt zone, and the salt workings had by then become very deep.[9] By then the focus of salt mining had shifted to the nearby Hallein Salt Mine, with graves at Dürrnberg nearby where there are significant finds from the late Hallstatt and early La Tène periods, until the mid-4th century BC, when a major landslide destroyed the mineshafts and ended mining activity.[10]
Much of the material from early excavations was dispersed,[5] and is now found in many collections, especially German and Austrian museums, but the Hallstatt Museum in the town has the largest collection.
- Bronze vessel with cow and calf, Hallstatt
- Wood and leather carrying pack from the mine
- Bronze container with stand, Hallstatt Ha C
- Textile fragment from the salt mine
Chronology
According to Paul Reinecke's time-scheme from 1902,[11] the end of the Bronze Age and the Early Iron Age were divided into four periods:
Bronze Age Urnfield Culture:
- HaA (1200-1050 BC)
- HaB (1050-800 BC)
Early Iron Age Hallstatt culture:
- HaC (800-620 BC)
- HaD (620-450 BC)[12]
Paul Reinecke based his chronological divisions on finds from the south of Germany.
Already by 1881 Otto Tischler had made analogies to the Iron Age in the Northern Alps based on finds of brooches from graves in the south of Germany.[13]
Absolute Dating
It has proven difficult to use Radiocarbon dating for the Early Iron Age due to the so-called "Hallstatt-Plateau". The "Hallstatt-Plateau" is a phenomenon where dates taken between 750 to 400 BC give the same result regardless of the precision of the measurement. There are workarounds however, such as the wiggle matching technique. Therefore dating in this time-period has been based mainly on Dendrochronology and relative dating.
For the beginning of HaC wood pieces from the Cart Grave of Wehringen (Landkreis Augsburg) deliver a solid dating in 778 ± 5 BC (Grave Barrow 8).[14]
Despite missing an older Dendro-date for HaC, the convention remains that the Hallstatt Period begins together with the arrival of the iron ore processing technology around 800 BC.
Relative Dating
HaC is dated according to the presence of Mindelheim-type swords, binocular brooches, harp brooches, and arched brooches.
Based on the quickly changing fashions of brooches, it was possible to divide HaD into three stages (D1-D3). In HaD1 snake brooches are predominant, while in HaD2 drum brooches appear more often, and in HaD3 the double-drum and embellished foot brooches.
The transition to the La Tène Period is often connected with the emergence of the first animal-shaped brooches, with Certosa-type and with Marzabotto-type brooches.
Culture and trade
Languages
It is probable that some if not all of the diffusion of Hallstatt culture took place in a Celtic-speaking context.[15][16][17][18] In northern Italy the Golasecca culture developed with continuity from the Canegrate culture.[19][20] Canegrate represented a completely new cultural dynamic to the area expressed in pottery and bronzework making it a typical western example of the western Hallstatt culture.[19][20][21]
The Lepontic Celtic language inscriptions of the area show the language of the Golasecca culture was clearly Celtic making it probable that the 13th-century BC precursor language of at least the western Hallstatt was also Celtic or a precursor to it.[19][20] Lepontic inscriptions have also been found in Umbria,[22] in the area which saw the emergence of the Terni culture, which had strong similarities with the Celtic cultures of Hallstatt and La Tène.[23] The Umbrian necropolis of Terni, which dates back to the 10th century BC, was identical under every aspect, to the Celtic necropolis of the Golasecca culture.[24]
Trade
Trade with Greece is attested by finds of Attic black-figure pottery in the elite graves of the late Hallstatt period. It was probably imported via Massilia (Marseilles).[25] Other imported luxuries include amber, ivory (Gräfenbühl) and probably wine. Recent analyses have shown that the reputed silk in the barrow at Hohmichele was misidentified. Red kermes dye was imported from the south as well; it was found at Hochdorf.
Settlements
The settlements were mostly fortified, situated on hilltops, and frequently included the workshops of bronze-, silver-, and goldsmiths. Typical sites are the Heuneburg on the upper Danube surrounded by nine very large grave tumuli, Mont Lassois in eastern France near Châtillon-sur-Seine with, at its foot, the very rich grave at Vix,[26] and the hill fort at Molpír in Slovakia. Tumuli graves had a chamber, rather large in some cases, lined with timber and with the body and grave goods set about the room.
Burial Rites
In the central Hallstatt regions toward the end of the period (Ha D), very rich graves of high-status individuals under large tumuli are found near the remains of fortified hilltop settlements. There are some chariot burials, including (possibly) Býčí Skála,[27] Vix and Hochdorf.[28] A model of a chariot made from lead has been found in Frögg, Carinthia, and clay models of horses with riders are also found. Wooden "funerary carts", presumably used as hearses and then buried, are sometimes found in the grandest graves. Pottery and bronze vessels, weapons, elaborate jewellery made of bronze and gold, as well as a few stone stelae (especially the famous Warrior of Hirschlanden) are found at such burials.[29] The daggers that largely replaced swords in chief's graves in the west were probably not serious weapons, but badges of rank, and used at the table.[8]
Social Structure
The material culture of Western Hallstatt culture was apparently sufficient to provide a stable social and economic equilibrium. The founding of Marseille and the penetration by Greek and Etruscan culture after c. 600 BC, resulted in long-range trade relationships up the Rhone valley which triggered social and cultural transformations in the Hallstatt settlements north of the Alps. Powerful local chiefdoms emerged which controlled the redistribution of luxury goods from the Mediterranean world that is characteristic of the La Tène culture.
The apparently largely peaceful and prosperous life of Hallstatt D culture was disrupted, perhaps even collapsed, right at the end of the period. There has been much speculation as to the causes of this, which remain uncertain. Large settlements such as Heuneburg and the Burgstallkogel were destroyed or abandoned, rich tumulus burials ended, and old ones were looted. There was probably a significant movement of population westwards, and the succeeding La Tène culture developed new centres to the west and north, their growth perhaps overlapping with the final years of the Hallstatt culture.[9]
Technology
Iron swords appear in the later periods, from the 8th century, with tools coming rather later.[30] Initially iron was rather exotic and expensive, and sometimes used as a prestige material for jewellery. The potter's wheel appears right at the end of the period.[31]
Art
At least the later periods of Hallstatt art from the western zone are generally agreed to form the early period of Celtic art.[33] Decoration is mostly geometric and linear, and best seen on fine metalwork finds from graves (see above). Styles differ, especially between the west and east, with more human figures and some narrative elements in the latter. Animals, with waterfowl a particular favourite, are often included as part of other objects, more often than humans, and in the west there is almost no narrative content such as scenes of combat depicted. These characteristics were continued into the succeeding La Tène style.[34]
Imported luxury art is sometimes found in rich elite graves in the later phases, and certainly had some influence on local styles. The most spectacular objects, such as the Strettweg Cult Wagon,[35] the Warrior of Hirschlanden and the bronze couch supported by "unicyclists" from the Hochdorf Chieftain's Grave are one of a kind in finds from the Hallstatt period, though they can be related to objects from other periods.[36]
More common objects include weapons, in Ha D often with hilts terminating in curving forks ("antenna hilts").[8] Jewellery in metal includes fibulae, often with a row of disks hanging down on chains, armlets and some torcs. This is mostly in bronze, but "princely" burials include items in gold.
The origin of the narrative scenes of the eastern zone, from Hallstatt C onwards, is generally traced to influence from the Situla art of northern Italy and the northern Adriatic, where these bronze buckets began to be decorated in bands with figures in provincial Etruscan centres influenced by Etruscan and Greek art. The fashion for decorated situlae spread north across neighbouring cultures including the eastern Hallstatt zone, beginning around 600 BC and surviving until about 400 BC; the Vače situla is a Slovenian example from near the final period. The style is also found on bronze belt plates, and some of the vocabulary of motifs spread to influence the emerging La Tène style.[37]
According to Ruth and Vincent Megaw, "Situla art depicts life as seen from a masculine viewpoint, in which women are servants or sex objects; most of the scenes which include humans are of the feasts in which the situlae themselves figure, of the hunt or of war".[38] Similar scenes are found on other vessel shapes, as well as bronze belt-plaques.[39] The processions of animals, typical of earlier examples, or humans derive from the Near East and Mediterranean, and Nancy Sandars finds the style shows "a gaucherie that betrays the artist working in a way that is uncongenial, too much at variance with the temper of the craftsmen and the craft". Compared to earlier styles that arose organically in Europe "situla art is weak and sometimes quaint", and "in essence not of Europe".[40]
Except for the Italian Benvenuti Situla, men are hairless, with "funny hats, dumpy bodies and big heads", though often shown looking cheerful in an engaging way. The Benevenuti Situla is also unusual in that it seems to show a specific story.[41]
- Late Halstatt gold collar from Austria, c. 550 BC
- Gold shoe plaques from the Hochdorf Chieftain's Grave, Germany, c. 530 BC
- Fibula brooch with hanging disks and animal figures, Hallstatt
- Replica of the Warrior of Hirschlanden
- Armband with engraved decoration
- Detail from the Vače situla, Slovenia
- Belt-plate, Slovenia, 600-400 BC
Geography
Two culturally distinct areas, an eastern and a western zone are generally recognised.[44] There are distinctions in burial rites, the types of grave goods, and in artistic style. In the western zone, members of the elite were buried with sword (HaC) or dagger (HaD), in the eastern zone with an axe.[33] The western zone has chariot burials. In the eastern zone, warriors are frequently buried with helmet and a plate armour breastplate.[32] Artistic subjects with a narrative component are only found in the east, in both pottery and metalwork.[45] In the east the settlements and cemeteries can be larger than in the west.[33]
The approximate division line between the two subcultures runs from north to south through central Bohemia and Lower Austria at about 14 to 15 degrees eastern longitude, and then traces the eastern and southern rim of the Alps to Eastern and Southern Tyrol.
Western Hallstatt zone
Taken at its most generous extent, the western Hallstatt zone includes:
- northeastern France: Champagne-Ardenne, Lorraine, Alsace
- northern Switzerland: Swiss plateau
- Southern Germany: much of Swabia and Bavaria
- western Czech Republic: Bohemia
- western Austria: Vorarlberg, Tyrol, Salzkammergut
More peripheral areas were:
- Central and North Italy: Po valley, Liguria, Venetia, Marche, Abruzzo, Friuli
- northern, western and central Spain: Galicia, Asturias, Extremadura, Castile, Cantabria
- northern and north-central Portugal: Minho, Douro, Tras-os-Montes, Beira Alta
While Hallstatt is regarded as the dominant settlement of the western zone, a settlement at the Burgstallkogel in the central Sulm valley (southern Styria, west of Leibnitz, Austria) was a major centre during the Hallstatt C period. Parts of the huge necropolis (which originally consisted of more than 1,100 tumuli) surrounding this settlement can be seen today near Gleinstätten, and the chieftain's mounds were on the other side of the hill, near Kleinklein. The finds are mostly in the Landesmuseum Joanneum at Graz, which also holds the Strettweg Cult Wagon.
Eastern Hallstatt zone
The eastern Hallstatt zone includes:
- eastern Austria: Lower Austria, Upper Styria
- eastern Czech Republic: Moravia
- southwestern Slovakia: Danubian Lowland
- western Hungary: Little Hungarian Plain
- eastern Slovenia: Hallstatt Archaeological Site in Vače (at the border between Lower Styria and Lower Carniola regions), Novo Mesto
- northern Croatia: Hrvatsko Zagorje, Istria
- northern and central Serbia
- parts of southwestern Poland
Trade, cultural diffusion, and some population movements spread the Hallstatt cultural complex (western form) into Britain, and Ireland.
Genetics
A genetic study published in Nature in May 2018 examined the remains of a male and female buried at a Hallstatt cemetery near Litoměřice, Czech Republic between ca. 600 BC and 400 BC. The male was found to be a carrier of the paternal haplogroup R1b and the maternal haplogroup H6a1a. The female was a carrier of the maternal haplogroup HV0.[46]
A genetic study published in the Proceedings of the National Academy of Sciences of the United States of America in June 2020 examined the remains of 5 individuals ascribed to either Hallstatt C or the early La Tène culture. The sample of Y-DNA extracted was determined to belong to haplogroup G2a, while the 5 samples of mtDNA extracted were determined to belong to the haplogroups K1a2a, J1c2o, H7d, U5a1a1 and J1c-16261.[47] The examined individuals of the Hallstatt culture and La Tène culture displayed genetic continuity with the earlier Bell Beaker culture, and carried about 50% steppe-related ancestry.[48]
See also
Citations
- Philip L. Kohl (1996). Nationalism, Politics and the Practice of Archaeology. p. 134. ISBN 0521558395.
... in the 1940s. They were emphatically developed by S. P. Tolstov (1946; 1947b), whose original contribution was to include the Thracian- Illyrian population (the Hallstatt culture) ..."
- Herbert Kuhn (1976). Geschichte der Vorgeschichtsforschung. p. 455. ISBN 3110059185.
... of the Middle Danube Urnfield group persisted in the eastern Alpine and the north and east Adriatic area where the Illyrian Hallstatt culture arose in the following centuries best known through its celebrated Hallstatt cemetery and the situla art.
- Reinecke, Paul (1965). Mainzer Aufsätze zur Chronologie der Bronze- und Eisenzeit (in German). Bonn: Habelt. OCLC 12201992.
- Eggers, Hans Jürgen (1955). "Zur absoluten Chronologie der römischen Kaiserzeit im Freien Germanien". Jahrbuch des römisch-germanischen Zentralmuseums (in German). Mainz. 2: 192–244. doi:10.11588/jrgzm.1955.0.31095.
- Megaw, 26
- McIntosh, 88
- Koch
- Megaw, 40
- Megaw, 48–49
- Ehret, D. (2008). "Das Ende des hallstattzeitlichen Bergbaus". In Kern, A.; Kowarik, K.; Rausch, A. W.; Reschreiter, H. (eds.). Salz-Reich. 7000 Jahre Hallstatt (in German). Wien: VPA 2. p. 159. ISBN 978-3-902421-26-5.
- Paul Reinecke: Zur Chronologie der 2. Hälfte des Bronzealters in Süd- und Norddeutschland. Korrespondenzbl. d. Deutsch. Ges. f. Anthr., Ethn. u. Urgesch. 33, 1902, 17—22. 27—32.
- Paul Reinecke: Chronologische Übersicht der vor- und frühgeschichtlichen Zeiten. Bayer. Vorgeschichtsfreund 1—2, 1921—1922, 18—25.
- Otto Tischler: Über die Formen der Gewandnadeln (Fibeln) nach ihrer historischen Bedeutung. In: Zeitschrift für Anthropologie und Urgeschichte Baierns. 4 (1–2), 1881, S. 3–40.
- Michael Friedrich, Hening Hilke: Dendrochronologische Untersuchung der Hölzer des hallstattzeitlichen Wagengrabes 8 aus Wehringen, Lkr. Augsburg und andere Absolutdaten zur Hallstattzeit. Bayerische Vorgeschichtsblätter, 60. München : Beck'sche Verlagsbuchhandlung, 1995.
- Chadwick, Nora (1970). The Celts. p. 30.
- Kruta, Venceslas (1991). The Celts. Thames and Hudson. pp. 89–102.
- Stifter, David (2008). Old Celtic Languages - Addenda. p. 25.
- Alfons Semler, Überlingen: Bilder aus der Geschichte einer kleinen Reichsstadt,Oberbadische Verlag, Singen, 1949, pp. 11–17, specifically 15.
- Kruta, Venceslas (1991). The Celts. Thames and Hudson. pp. 93–100.
- Stifter, David (2008). Old Celtic Languages (PDF). p. 24.
- "Celtophile," Ryan Setliff Online. Dec. 24, 2019. https://www.ryansetliff.online/#celtophile
- Percivaldi, Elena (2003). I Celti: una civiltà europea. Giunti Editore. p. 82.
- Leonelli, Valentina. La necropoli delle Acciaierie di Terni: contributi per una edizione critica (Cestres ed.). p. 33.
- Farinacci, Manlio. Carsulae svelata e Terni sotterranea. Associazione Culturale UMRU - Terni.
- Megaw, 39–41
- Megaw, 39–43
- Megaw, 28
- Megaw, 41–43, 45–47
- Megaw, 25-30; 39–47
- Sandars, 209
- Megaw, 43–44
- Megaw, 34
- Megaw, 30
- Megaw, Chapter 1; Laing, chapter 2
- Megaw, 33-34
- Megaw, 39-45
- Megaw, 34-39; Sandars, 223-225
- Megaw, 37
- Sandars, 223-224
- Sandars, 225, quoted
- Sandars, 224
- Megaw 25, 29
- Megaw, 30–32
- Koch; Kossack (1959); N. Müller-Scheeßel, Die Hallstattkultur und ihre räumliche Differenzierung. Der West- und Osthallstattkreis aus forschungsgeschichtlicher Sicht (2000)
- Megaw, 30–39
- Damgaard et al. 2018.
- Brunel et al. 2020, Dataset S1, Rows 215-219.
- Brunel et al. 2020, p. 5.
Sources
- Barth, F.E., J. Biel, et al. Vierrädrige Wagen der Hallstattzeit ("The Hallstatt four-wheeled wagons" at Mainz). Mainz: Römisch-Germanisches Zentralmuseum; 1987. ISBN 3-88467-016-6
- Brunel, Samantha; et al. (June 9, 2020). "Ancient genomes from present-day France unveil 7,000 years of its demographic history". Proceedings of the National Academy of Sciences of the United States of America. National Academy of Sciences. 117 (23): 12791–12798. doi:10.1073/pnas.1918034117. PMC 7293694. PMID 32457149.
- Damgaard, P. B.; et al. (May 9, 2018). "137 ancient human genomes from across the Eurasian steppes". Nature. 557 (7705): 369–373. Bibcode:2018Natur.557..369D. doi:10.1038/s41586-018-0094-2. PMID 29743675. S2CID 13670282. Retrieved April 11, 2020.
- Leskovar, Jutta (2006). "Hallstat [2] the Hallstat culture". In Koch, John T (ed.). Celtic Culture: A Historical Encyclopedia. ABC-CLIO. ISBN 1-85109-440-7.
- Laing, Lloyd and Jenifer. Art of the Celts, Thames and Hudson, London 1992 ISBN 0-500-20256-7
- McIntosh, Jane, Handbook to Life in Prehistoric Europe, 2009, Oxford University Press (USA), ISBN 9780195384765
- Megaw, Ruth and Vincent, Celtic Art, 2001, Thames and Hudson, ISBN 0-500-28265-X
- Sandars, Nancy K., Prehistoric Art in Europe, Penguin (Pelican, now Yale, History of Art), 1968 (nb 1st edn.)
Further reading
- Kristinsson, Axel (2010), Expansions: Competition and Conquest in Europe since the Bronze Age, Reykjavík: Reykjavíkur Akademían, ISBN 978-9979-9922-1-9, retrieved 10 October 2011
Documentary
- Klaus T. Steindl: MYTHOS HALLSTATT - Dawn of the Celts. TV-Documentary subjecting new findings an state of archeological research 2018[1][2][3]
External links
Media related to Hallstatt culture at Wikimedia Commons
- Hallstatt-forschung (2018-11-08). "STIEGEN-BLOG Archäologische Forschung Hallstatt: Mythos Hallstatt - Eine Dokumentation von Terra Mater". STIEGEN-BLOG Archäologische Forschung Hallstatt. Retrieved 2019-01-15.
- Nolf, Markus. "Dokumentarfilm "Terra Mater: Mythos Hallstatt"". www.uibk.ac.at (in German). Retrieved 2019-01-15.
- COMPANY. "Mystery of the Celtic Tomb". Terra Mater Factual Studios (in German). Retrieved 2019-01-15.