K. Viswanath
Kasinadhuni Viswanath is an Indian audiographer turned film director, screenwriter and actor known for his works predominantly in Telugu cinema.[2][3] He is a recipient of five National Film Awards, six state Nandi Awards, ten Filmfare Awards South, and a Bollywood Filmfare Award.[4] In a film career spanning sixty years, Viswanath has directed fifty three feature films in a variety of genres, including films based on performing arts, visual arts, and aesthetics.[5][2][3]
K. Viswanath | |
---|---|
Born | Kasinathuni Viswanath 19 February 1930[1] |
Occupation |
|
Years active | 1957–present |
Notable work | Subhalekha Sagara Sangamam Sankarabharanam Swarnakamalam |
Awards | Padma Shri (1992) Dadasaheb Phalke Award (2016) |
Viswanath received international recognition for his works, and is known for blending parallel cinema with mainstream commercial cinema.[2][3][5][6] Viswanath's filmography is known for addressing the issues of caste, colour, disability, gender discrimination, misogyny, alcoholism and socio-economic challenges through liberal arts medium.[2][3] He was honored with the "Prize of the Public" at the "Besançon Film Festival of France" in the year 1981.[7]
His directorial works which are produced by Poornodaya Movie Creations were screened to special mention at the Moscow International Film Festival; such films were dubbed into Russian language and have been theatrically released in Moscow.[8][9] In 1992, he received the Andhra Pradesh state Raghupathi Venkaiah Award, and the civilian honor Padma Shri for his contribution to the field of arts. He was awarded the 2017 Dadasaheb Phalke Award, the highest award in Indian cinema, at the 64th National Film Awards.[10][11][12]
Early life and education
Kasinadhuni Viswanath was born to Kasinadhuni Subramanyam and Kasinadhuni Saraswathy (Saraswathamma). His ancestral roots come from Pedapulivarru, Andhra Pradesh, a small village on the banks of River Krishna.[13][14] Kasinadhuni is his family name, Viswanath is his given name. Viswanath studied Intermediate from Guntur Hindu College, and holds a BSc degree from Andhra Christian College of Acharya Nagarjuna University.[15] He began his career as a sound recordist at Vauhini Studios in Madras, where his father was an associate. There, he apprenticed under the guidance of A Krishnan, who was the Head of Sound Engineering at Vauhini. Vishwanath and A Krishnan developed a close rapport and later after the former made the transition into film direction, he would always bounce ideas off the latter. Vishwanath made his entry into film direction at Annapurna Pictures under Adurthi Subba Rao and K. Ramnoth.[16][17] He wished to work as an assistant to director K. Balachander and Bapu.[15]
Recognition
During his early career, Viswanath was associated with Adurthi Subba Rao on National Award-winning films such as Mooga Manasulu (1964) and Doctor Chakravarthy (1964).[2][3] Viswanath scripted Sudigundalu (1968), and directed works such as Aatma Gowravam (1965), O Seeta Katha (1974) and Jeevana Jyothi (1975) which garnered the state Nandi Awards, and were screened at the Asian and African film Festival at Tashkent.[18][5]
Viswanath's classic blockbusters Sankarabharanam (1979) and Sagara Sangamam (1983) were included among CNN-IBN's list of one hundred greatest Indian films of all time.[19] His directorial works Sankarabharanam and Saptapadi have garnered the National Film Award for Best Popular Film Providing Wholesome Entertainment and Best Feature Film on National Integration, respectively. Sankarabharanam, was premiered at the 8th International Film Festival of India,[20][21] the Tashkent Film Festival, and the Moscow International Film Festival held in May 1980.[22] Viswanath also won the Prize of the Public at the Besançon Film Festival of France in the year 1981.[23]
Viswanath's Swati Mutyam was India's official entry to the 59th Academy Awards. Swati Mutyam, Sagara Sangamam and Sirivennela were premiered at the Asia Pacific Film Festival.[24] Swayam Krushi was premiered to special mention at the Moscow International Film Festival.[25] Sankarabharanam, Sagara Sangamam, Sruthilayalu, Swarnakamalam and Swati Kiranam were screened in the Indian Panorama section at International Film Festival of India,[26][27] Ann Arbor Film Festival,[28][29] and AISFM Film Festival.[30]
Film craft
In 1965, Viswanath debuted as a director with Telugu film Aatma Gowravam, which won the Nandi Award for Best Feature Film of the year. Viswanath followed it up with drama films Chelleli Kapuram, Sarada, O Seeta Katha and Jeevana Jyoti, which are women-centric films.[2][3] It was in Siri Siri Muvva that the artistic touch in his craft first became visible.[2][3]
Sankarabharanam highlights the neglect of traditional Indian music under the increasing influence of western music. The film brings out the grandeur of Carnatic music, the traditional South Indian music towards the end. Bhaskaran, a media and film researcher from Chennai has documented, in his study of South Indian music culture, how Sankarabharanam contributed to the revival of Carnatic music in a big way.[31] The film broke many commercial records by running for over one year in cinemas. In a recent study published in Journal of Dance, Movements & Spiritualities published by "Intellect Group" of the United Kingdom, C. S. H. N. Murthy, a media and film studies scholar from India, has demonstrated how Viswanath's filmography embraces a wide spectrum of characters that include mentally and physically challenged subjects as well, like the film Sarada, which exploits a psychologically deranged woman, Swati Mutyam, which exploits an autistic man's humanism, Sirivennela which revels in situations between deaf and dumb characters, and Kalam Marindi, which dwells on characters stuck in a caste-based society.[2][3]
Film researcher, C. S. H. N. Murthy observed that Viswanath's films offer a pathway towards inclusiveness, affecting positive spiritual change at both personal and social levels. Situating the content in the broad arena of de-westernizing media studies, through immersive and culturally embedded perspectives, Murthy endeavoured to offer modern and postmodern dimensions in Viswanath's films.[2][3]
Films with social issues
Viswanath has made many films dealing with a wide range of human and social issues: Saptapadi, Sirivennela, Sutradharulu, Subhalekha, Sruthilayalu, Subha Sankalpam, Aapadbandhavudu, Swayam Krushi, and Swarnakamalam have lead characters representing different strata of society, meticulously etched to suit the larger picture.[2][3]
In Saptapadi, he decries the evils of untouchability and the caste system. In Subhodayam and Swayam Krushi he emphasizes the dignity and respectability of manual labor. In Subhalekha, he deals, in a humorous way, with the dowry system – one of the major evils in today's society. While Sutradharulu urges present-day society to recognize the need to adopt the ideals of non-violence, Swati Kiranam depicts the harm that can be caused by the basic instincts of envy and anger in a man, however accomplished he may be.[2][3]
In spite of the nature of these subjects, they are presented in a subtle manner with an imaginative storyline, with just the right amount of emphasis on the intended message. Yet Viswanath's films were never offbeat cinema, but wholesome entertainers those elevated the lead actors' image. He is a director with social-conscious mind and who believes cinema can bring out desirable changes in society if presented in a format liked by a cross-section of audience.[2][3]
Association with Poornodaya Creations
Edida Nageswara Rao founded "Poornodaya Movie Creations", which encouraged Viswanath to make aesthetic films.[32][33][8] Poornodaya has produced several of Viswanath's films like Sankarabharanam, Swatimutyam, Saagarasangamam, Sutradharulu, and Aapadbandhavudu. Most of these films were dubbed into Russian and were screened at the Moscow Film Festival.[32][33][34]
Bollywood
Viswanath has also directed Hindi language films such as Sargam (1979), Kaamchor (1982), Shubh Kaamna (1983), Jaag Utha Insan (1984), Sur Sangam (1985), Sanjog (1985), Eeshwar (1989), Sangeet (1992) and Dhanwaan (1993). Some of these films (especially his collaboration with actress Jayaprada) have been super hits at the box office.[35]
Acting career
In 1995, Viswanath debuted as an actor with Telugu film Subha Sankalpam. As a character actor, he has appeared in works such as Vajram (1995), Kalisundam Raa (2000), Narasimha Naidu (2001), Nuvvu Leka Nenu Lenu (2002), Santosham (2002), Seema Simham (2002), Tagore (2003), Lakshmi Narasimha (2004), Swarabhishekam (2004), Aadavari Matalaku Arthale Verule (2007), Athadu (2005), and Pandurangadu (2008), and Devasthanam (2012). He essayed characters in Tamil works such as Kuruthipunal (1995), Mugavaree (1999), Kakkai Siraginilae (2000), Bagavathi (2002), Pudhiya Geethai (2003), Yaaradi Nee Mohini (2008), Rajapattai (2011), Singam II (2013), Lingaa (2014) and Uttama Villain (2015).[11]
Television
Viswanath had also acted on a few television serials; Siva Narayna Teertha on SVBC TV, Chellamey on Sun TV, and Suryiavamsam on Vendhar TV. He also endorses brands such as GRT Jewellers and appears in various television commercials.[36]
Personal life
Viswanath is married to Kasinadhuni Jayalakshmi. Actor Chandra Mohan and the late singer S. P. Balasubrahmanyam are Viswanath's cousins.[37]
Filmography
Year | Film | Language | Credits | Notes | Ref. |
---|---|---|---|---|---|
1957 | Todi Kodallu | Telugu | Audiographer | National Film Award for Best Feature Film in Telugu | |
1959 | Banda Ramudu | Telugu | Audiographer | ||
1961 | Iddaru Mitrulu | Telugu | Assistant Director | ||
1963 | Chaduvukunna Ammayilu | Telugu | Screenplay, writer | ||
1964 | Mooga Manasulu | Telugu | Assistant director | National Film Award for Best Feature Film in Telugu Filmfare Award for Best Film – Telugu |
|
1964 | Doctor Chakravarthy | Telugu | Assistant director | National Film Award for Best Feature Film in Telugu Nandi Award for Best Feature Film (Gold) |
|
1965 | Aatma Gowravam | Telugu | Director | Nandi Award for Best Feature Film (Bronze) | [11] |
1967 | Private Master | Telugu | Director | ||
Sudigundalu | Telugu | Writer | National Film Award for Best Feature Film in Telugu Nandi Award for Best Feature Film (Gold) Filmfare Award for Best Film – Telugu Tashkent Film Festival |
||
1968 | Kalisochina Adrushtam | Telugu | Director | ||
Undamma Bottu Pedata | Telugu | Director | |||
1969 | Nindu Hrudayalu | Telugu | Director | ||
1971 | Chelleli Kapuram | Telugu | Director | Nandi Award for Best Feature Film (Gold) | [11] |
Chinnanaati Snehithulu | Telugu | Director | |||
Nindu Dampathulu | Telugu | Director | |||
1972 | Kalam Marindi | Telugu | Story, screenplay writer and director | Nandi Award for Best Feature Film (Gold) | |
1973 | Neramu Siksha | Telugu | Screenplay, writer and director | ||
Sarada | Telugu | Director | Nandi Award for Best Feature Film (Gold) | [11] | |
1974 | Amma Manasu | Telugu | Story, screenplay writer and director | ||
O Seeta Katha | Telugu | Director | Nandi Award for Best Feature Film (Silver) Filmfare Award for Best Film – Telugu Filmfare Award for Best Direction |
[11] | |
1975 | Chinna Nati Kalalu | Telugu | Director | ||
Jeevana Jyothi | Telugu | Director | Nandi Award for Best Feature Film (Gold) Filmfare Award for Best Film – Telugu Filmfare Award for Best Direction |
[11] | |
1976 | Mangalyaniki Maromudi | Telugu | Screenplay, writer and director | [38] | |
Siri Siri Muvva | Telugu | Story, screenplay, writer and director | |||
Prema Bandham | Telugu | Director | |||
Jeevitha Nouka | Telugu | Director | |||
1978 | Kalanthakulu | Telugu | Director | ||
Seetamalakshmi | Telugu | Story, screenplay, writer and director | |||
1979 | President Peramma | Telugu | Director | ||
Sankarabharanam | Telugu | Story writer and director | Prize of the Public at the Besançon Film Festival of France Special Mention – Moscow International Film Festival National Film Award for Best Popular Film Providing Wholesome Entertainment Nandi Award for Best Feature Film (Gold) |
[11] | |
Sargam | Hindi | Director | Remake of Siri Siri Muvva | ||
1980 | Alludu Pattina Bharatam | Telugu | Director | ||
Subhodayam | Telugu | Story-writer and director | |||
1981 | Saptapadi | Telugu | Story, screenplay writer and director | Special Mention – Moscow International Film Festival National Film Award for Best Feature Film on National Integration Nandi Award for Best Screenplay Filmfare Award for Best Film – Telugu |
[11] |
1982 | Kaamchor | Hindi | Director | Remake of Subhodayam | [11] |
Subhalekha | Telugu | Story, screenplay, writer and director | Filmfare Award for Best Direction | ||
1983 | Saagara Sangamam | Telugu | Story-writer and director | Nandi Award for Best Feature Film (Bronze) Filmfare Award for Best Direction Dubbed into Tamil as Salangai Oli |
[11] |
Shubh Kaamna | Hindi | Director | Remake of Subhalekha | ||
1984 | Janani Janmabhoomi | Telugu | Story, screenplay writer and director | ||
1985 | Jaag Utha Insan | Hindi | Director | Remake of Saptapadi | [11] |
Sanjog | Hindi | Director | Remake of Jeevana Jyothi | [11] | |
Sur Sangam | Hindi | Director | Remake of Sankarabharanam | ||
Swati Mutyam | Telugu | Story, screenplay, writer and director | India's Official Entry for Best Foreign Language film at the 59th Academy Awards National Film Award for Best Feature Film in Telugu Nandi Award for Best Feature Film (Gold) Nandi Award for Best Direction Filmfare Award for Best Direction Special Mention – Asia Pacific Film Festival Special Mention – Moscow International Film Festival |
[11] | |
1986 | Sirivennela | Telugu | Story, screenplay, writer and director | ||
1987 | Sruthilayalu | Telugu | Story, screenplay, writer and director | Nandi Award for Best Feature Film (Gold) Nandi Award for Best Direction Filmfare Award for Best Direction |
|
Swayamkrushi | Telugu | Story, screenplay, writer and director | Special Mention – Moscow International Film Festival | ||
1988 | Swarna Kamalam | Telugu | Story, screenplay, writer and director | Nandi Award for Best Feature Film (Gold) Filmfare Award for Best Film – Telugu Cinema Express Award for Best Direction Ann Arbor Film Festival |
|
1989 | Eeshwar | Hindi | Story, screenplay, writer and director | Remake of Swati Mutyam Filmfare Award for Best Story |
[11] |
Sutradharulu | Telugu | Story, screenplay, writer and director | National Film Award for Best Feature Film in Telugu Nandi Award for Best Feature Film (Bronze) |
||
1992 | Aapadbandhavudu | Telugu | Story, screenplay, writer and director | Nandi Award for Best Feature Film (Bronze) Filmfare Award for Best Direction |
[39] |
Sangeet | Hindi | Director | |||
Swathi Kiranam | Telugu | Story, screenplay, writer and director | |||
1993 | Dhanwaan | Hindi | Director | ||
1995 | Subha Sankalpam | Telugu | Director and Actor | Filmfare Award for Best Direction | [40] |
1996 | Aurat Aurat Aurat | Hindi | Director | [41] | |
1997 | Chinnabbayi | Telugu | Director | ||
2004 | Swarabhishekam | Telugu | Actor, story, screenplay writer and director | National Film Award for Best Feature Film in Telugu | [11] |
2010 | Subhapradam | Telugu | Director | [42] | |
As an actor
Year | Film | Role | Language | Notes |
---|---|---|---|---|
1995 | Subha Sankalpam | Raayudu | Telugu | |
1995 | Kuruthipunal | Srinivasan | Tamil | |
1995 | Vajram | Chakri's father | Telugu | |
1999 | Mugavaree | Sridhar's father | Tamil | |
2000 | Kalisundam Raa | Raghaviah | Telugu | |
2000 | Kakkai Siraginilae | Sambasiva Iyer | Tamil | |
2001 | Narasimha Naidu | Raghupathi Naidu | Telugu | |
2002 | Seema Simham | Visweswara Rao | Telugu | |
2002 | Nuvvu Leka Nenu Lenu | Ramachandraiah | Telugu | |
2002 | Santosham | Rama Chandraiah | Telugu | |
2002 | Bagavathi | Chief Minister | Tamil | |
2003 | Pudhiya Geethai | Swamy | Tamil | Cameo appearance |
2003 | Tagore | Chief Minister | Telugu | |
2004 | Lakshmi Narasimha | Lakshmi Narasimha's father | Telugu | |
2004 | Swarabhishekam | Srinivasachari | Telugu | |
2005 | Athadu | CBI Officer | Telugu | Cameo appearance |
2007 | Aadavari Matalaku Arthale Verule | Keerti's grandfather | Telugu | |
2008 | Yaaradi Nee Mohini | Keerti's grandfather | Tamil | |
2008 | Pandurangadu | Pandurangadu's father | Telugu | |
2011 | Mr. Perfect | Maggie's grandfather | Telugu | |
2011 | Rajapattai | Dakshanamurthy | Tamil | |
2012 | Devasthanam | Srimannarayana | Telugu | |
2013 | Singam II | Chief Minister | Tamil | |
2014 | Lingaa | Karunakara | Tamil | |
2015 | Uttama Villain | Poornachandra Rao | Tamil | |
2018 | Prema Baraha | Seenu | Kannada Tamil |
Awards
- Civilian honor
- Padma Shri (1992), Government of India[43]
- International honors
- 1981 – Prize of the Public at the Besançon Film Festival of France[44]
- 1982–87 – Special Mention – Moscow International Film Festival[44]
- 2014 – Gulf Andhra Award for Life Time Achievement in Cinema – U.A.E.[45]
- 2017 – Dadasaheb Phalke Award for lifetime achievement in cinema.[46][47]
- 1980 – National Film Award for Best Popular Film Providing Wholesome Entertainment – Sankarabharanam
- 1982 – Nargis Dutt Award for Best Feature Film on National Integration – Saptapadi
- 1987 – Best Feature Film in Telugu – Swati Mutyam
- 1990 – Best Feature Film in Telugu – Sutradharulu
- 2005 – Best Feature Film in Telugu – Swarabhishekam
- 1981: Nandi Award for Best Screenplay Writer – Saptapadi
- 1986: Nandi Award for Best Director – Swati Mutyam
- 1987: Nandi Award for Best Director – Sruthilayalu
- 1992: Raghupathi Venkaiah Award – Lifetime achievement
- 1995: Nandi Award for Best Character Actor – Subha Sankalpam
- 2000: Nandi Award for Best Supporting Actor – Kalisundam Raa
- Cinema Express Awards
- 1988: Cinema Express Award for Best Director – Swarnakamalam[48]
- 1989: Filmfare Best Story Award – Eeshwar
- 1974: Filmfare Award for Best Direction – O Seeta Katha
- 1975: Best Director – Jeevana Jyoti
- 1982: Best Director – Subhalekha
- 1983: Best Director – Saagara Sangamam
- 1986: Best Director – Swati Mutyam
- 1987: Best Director – Sruthilayalu[50]
- 1992: Best Director – Aapadbandhavudu
- 1994: Lifetime Achievement
- 1995: Best Director – Subha Sankalpam
Other honors
- 2012 – Viswa Vikhyata Darsaka Sarvabhowma for achievement in direction.[6]
- 2012 – Chittor V. Nagaiah Puraskaram for lifetime achievement in cinema.[5]
- 2017 – Film Nagar Cultural Center – Hyderabad Award for achievement in cinema.[51]
- 2017 – Telugu Film Director's Association Award for achievement in direction.[52]
- 2017 – Aathmeeya Sanmanam from Government of Andhra Pradesh for achievement in cinema at Vijayawada Thummalapalli Kalakshetram.[53]
References
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- "52nd National Film Awards" (PDF). Directorate of Film Festivals. Akal Information Systems Ltd. p. 81. Retrieved 20 January 2012.
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- "The Hindu : Andhra Pradesh / Guntur News : Society needs good films, says K. Viswanath". web.archive.org. 28 July 2010. Retrieved 26 September 2020.
- "The Hindu : Entertainment Hyderabad / Events : Viswanath felicitated". web.archive.org. 9 November 2012. Retrieved 26 September 2020.
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- Collections. Update Video Publication. 1991. p. 387.
- 100 Years of Indian Cinema: The 100 greatest Indian films of all time|Movies News Photos-IBNLive. Ibnlive.in.com (17 April 2013). Retrieved on 2013-07-28.
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- Prakash KL. "Sagara Sangamam to be screened at Kamal's films fest | – Oneindia Entertainment". Entertainment.oneindia.in. Retrieved 4 September 2012.
- "Chiranjeevi felicitation on Padma Bhushan honor - Telugu Cinema actor". www.idlebrain.com. Retrieved 26 September 2020.
- "Directorate of Film Festival" (PDF). Iffi.nic.in. Retrieved 4 September 2012.
- 300 films during 11 days from 47 countries in IFFI-2009. Literature India. Retrieved on 28 July 2013.
- "Dance without frontiers: K Viswanath – Director who aims to revive classical arts". 2 May 2017.
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- Bhaskaran, S.T. 'Music for the masses: Film songs of Tamil Nadu' Economic and Political Weekly (annual number),11-12, March, 755-58
- "Chiranjeevi felicitation on Padma Bhushan honor – Telugu Cinema actor". Idlebrain.com. 19 April 2006. Retrieved 4 September 2012.
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- "Chit chat with Edida Nageswararao Parts(3)". mirchi9.com.
- "K Viswanath to direct Hrithik". The Times of India. 12 September 2003.
- Dream Merchants Ad Film Production House (12 January 2013). "Telugu Ads GRT Jewellers" – via YouTube.
- "Viswanath vows to continue his mission". The Hindu. 17 April 2010.
- Bharadwaja (4 July 1976). "చిత్ర సమీక్ష: మాంగల్యానికి మరోముడి". Andhra Jyothi (in Telugu). p. 7. Retrieved 6 September 2020.
- Dundoo, Sangeetha Devi (25 April 2017). "'K Viswanath brought dignity and grace to Telugu cinema'". Retrieved 26 September 2020 – via www.thehindu.com.
- Krishnamoorthy, Suresh (26 May 2015). "With Cheekati Raajyam, Kamal returns to Telugu". Retrieved 26 September 2020 – via www.thehindu.com.
- Roshan, Sunaina (5 July 2017). To Dad with Love. Om Books International. ISBN 9789383202744 – via Google Books.
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- "K Vishwanath to be honoured at GAMA Awards - Times of India". The Times of India. Retrieved 26 September 2020.
- Thakur, Shivangi (24 April 2017). "Dadasaheb Phalke Award goes to legendary filmmaker Kasinathuni Viswanath". India Today. Retrieved 26 September 2020.
- DD News (3 May 2017). "64th National Film Awards: K. Viswanath receives Dadasaheb Phalke award" – via YouTube.
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- http://english.tupaki.com. "FNCC Team Felicitates K Viswanath and SP Balu Photos – Photogallery – Page 20". tupaki.
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- "I want to remain humble, says ace director K. Viswanath". 12 July 2017. Retrieved 26 September 2020 – via www.thehindu.com.
External links
- Media related to Kasinathuni Viswanath at Wikimedia Commons
- K. Viswanath at IMDb