List of compositions by Franz Schubert (1812)
Franz Schubert's compositions of 1812 are mostly in the Deutsch catalogue (D) range D 13–37,[1] and include:
- Instrumental works:
- String Quartet No. 1, D 18
- String Quartet No. 2, D 32
- String Quartet No. 3, D 36
- Vocal music:
- Klaglied, D 23
Lists of |
Compositions by Franz Schubert |
---|
By genre |
Publications |
Table
Legend
column | content | |
---|---|---|
1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951)[2] |
2 | D utd | most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
3 | Op. pbl |
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
|
5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
|
6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
7 | Key / incipit | incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets. |
8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
9 | Additional info | may include:
|
List
D '51 |
D utd |
Op. pbl |
AGA | NSA | Name | Key / incipit | Date | Additional info |
---|---|---|---|---|---|---|---|---|
13 | 13 | VII/2, 4 | Fugue, D 13 | D minor | c. 1812 | For piano?; By Schubert? | ||
14 | 14 | Overture, D 14 | c. 1812 | Piano sketch; Lost | ||||
15 | 15 | (1895) | XX, 10 No. 590/1 |
IV, 7 Anh. No. 5 |
Der Geistertanz, D 15 | Die bretterne Kammer der Toten erbebt | c. 1812 | Text by Matthisson (other settings: D 15A, 116 and 494); Fragment |
15 | 15A | (1895) | XX, 10 No. 590/2 |
IV, 7 Anh. No. 6 |
Der Geistertanz, D 15A | Die bretterne Kammer der Toten erbebt | c. 1812 | Text by Matthisson (other settings: D 15, 116 and 494); Fragment |
16 | 16 | (1940) | VIII, 2 No. 11 |
Counterpoint exercises, D 16 | G minor (Nos. 1–4); A minor (Nos. 5–7) | 1823? | Seven exercises in double counterpoint | |
17 | 17 | (1940) | VIII, 2 No. 37 |
Composition exercises, D 17 | Quell' innocente figlio | 1812? | Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.) | |
18 | 18 | (1890) | V No. 1 | VI, 3 No. 1 | String Quartet No. 1 | G minor / B major | 1810–1811 | Andante, Presto vivace – Minuet – Andante – Presto |
19 | 19 | String Quartet, D 19 | 1810–1811 | Lost | ||||
19A | 19A | String Quartet, D 19A | 1810–1811 | Lost | ||||
19B | Waltzes and a March, D 19B | 1812–1813? | For piano; Lost | |||||
20 | 20 | Overture, D 20 | B♭ major | 1812 | For string quartet; Lost | |||
21 | 21 | Six Variations, D 21 | E♭ major | 1812 | For piano; Lost | |||
22 | 22 | Twelve Minuets with Trios, D 22 | 1812 | For piano; Lost | ||||
23 | 23 | 131p,3 (1830) |
XX, 1 No. 6 |
IV, 6 No. 4 |
Klaglied | Meine Ruh ist dahin, meine Freud ist entflohn | 1812 | Text by Rochlitz |
24 | 24 | Seven Variations, D 24 | F major | 1812? | For piano; Fragment; Lost | |||
24A | VII/2, 4 | Fugue, D 24A | C major | summer 1812? |
For keyboard (organ or piano); Partly reused in D 24E | |||
24B | VII/2, 4 | Fugue, D 24B | G major | summer 1812? |
For keyboard (organ or piano); Two versions | |||
24C | VII/2, 4 | Fugue, D 24C | D minor | summer 1812? |
For keyboard (organ or piano) | |||
24D | VII/2, 4 Anh. | Fugue, D 24D | C major | summer 1812? |
For piano; Fragment; Partly reused in D 46 | |||
24E | I, 5 Anh. | Mass, D 24E | F major? Gloria – Credo |
summer 1812? |
Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A | |||
25 | 25 | VIII, 2 | Counterpoint exercises, D 25 | started 18/6/1812 |
Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises | |||
25A | VIII, 2 | Counterpoint exercises, D 25A | summer 1812? |
Two 4-part counterpoint exercises | ||||
25B | VIII, 2 | Counterpoint exercises, D 25B | summer 1812? |
Fifteen 3-part counterpoint exercises | ||||
25C | VIII, 2 | Fugue, D 25C | F major | summer 1812? |
Counterpoint exercise for two voices; Fragment | |||
26 | 26 | (1886) | II No. 2 | V, 5 | Overture, D 26 | D major | 26/6/1812 | For orchestra |
27 | 27 | (1928) | I, 8 | Salve Regina, D 27 | F major Salve Regina |
28/06/1812 | Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra | |
28 | 28 | (1923) | VI, 7 No. 1 | Piano Trio, D 28, a.k.a. Sonata | B♭ major | 27/7/1812– 28/8/1812 |
Allegro | |
29 | 29 | (1888) | XI No. 9 | VII/2, 4 | Andante, D 29 | C major | 9/9/1812 | For piano; Related to D 3 and 36 |
30 | 30 | (1894) | XX, 1 No. 5 |
IV, 4 | Der Jüngling am Bache, D 30 | An der Quelle saß der Knabe | 24/9/1812 | Text by Schiller (other settings: D 192 and 638) |
31 | 31 | (1888) | XIV No. 14 | I, 5 | Kyrie, D 31 | D minor Kyrie |
25/9/1812 | Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass |
32 | 32 | (1890) (1897) (1954) |
V No. 2 XXII v5 |
VI, 3 No. 4 | String Quartet No. 2 | C major | Sep.–Oct. 1812 |
Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897) |
33 | 33 | (1940) | VIII, 2 No. 38 |
Composition exercises, D 33 | Entra l'uomo allor che nasce | Sep.–Oct. 1812 |
Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri | |
34 | 34 | (1940) | VIII, 2 No. 39 |
Composition exercises, D 34 | Te solo adoro | 5/11/1812 | Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri | |
35 | 35 | (1940) | VIII, 2 No. 40 |
Composition exercises, D 35 | Serbate, o Dei custodi | Oct.–Dec. 1812 |
Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri | |
36 | 36 | (1890) | V No. 3 | VI, 3 No. 5 | String Quartet No. 3 | B♭ major | 19/11/1812– 21/2/1813 |
Allegro – Andante – Minuet – Allegretto |
37 | 37 | 74 (1827) |
XIX No. 1 |
III, 3 No. 1 | Die Advokaten | Mein Herr, ich komm' mich anzufragen | 25/12/1812– 27/12/1812 |
Text by Rustenfeld; For ttb and piano |
References
- Deutsch 1978, pp. 15–29.
- Deutsch 1951.
- NSA website.
- AGA 1884–1897.
- NSA scores.
- Reed 1997.
- LiederNet Archive.
Sources
Multi-volume editions, websites and catalogues
- Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). [multiple volumes: 21 series + critical report]. Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Edited by Johannes Brahms, Ignaz Brüll, Anton Door, Julius Epstein, Johann Nepomuk Fuchs, Josef Gänsbacher, Joseph Hellmesberger Sr. and Eusebius Mandyczewski. Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
- Deutsch catalogue (D) = Schubert Thematic Catalogue:
- Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent. 1995 reprint, with errata correction: Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1995). The Schubert Thematic Catalogue (Dover ed.). Mineola, N.Y.: Dover Publications. ISBN 0486286851.
- Deutsch, Otto Erich; et al. (Walther Dürr, Arnold Feil, Christa Landon and Werner Aderhold) (1978). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Series VIII (Supplement), Vol. 4. Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
- Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
- Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV6 (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
- Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
- NSA scores: Schubert, Franz (1968–2019). [over 80 volumes in eight series]. Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Edited by International Schubert Association (Tübingen). Kassel: Bärenreiter; Individual volumes:
- NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Series II (Stage Works), Vol. 15. Kassel: Bärenreiter. ISMN 9790006497294.
- NSA VIII, 4: See above Deutsch (1978)
- NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
- NSA scores: Schubert, Franz (1968–2019). [over 80 volumes in eight series]. Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Edited by International Schubert Association (Tübingen). Kassel: Bärenreiter; Individual volumes:
- Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
- The LiederNet Archive: Ezust, Emily; et al. (contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.
Other
- Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Contributions by Walther Dürr ("Schubert's Songs and Their Poetry", pp. 1–24), Rufus Hallmark ("Schubert's 'Auf dem Strom'", pp. 25–46), Elaine Brody ("Schubert and Sulzer Revisited", pp. 47–60), Marius Flothuis ("Schubert Revises Schubert", pp. 61–84), Elizabeth Norman McKay ("Schubert as Composer of Operas", pp. 85–104), Peter Branscombe ("Schubert and the Melodrama", pp. 105–142), Christoph Wolff ("Schubert's 'Der Tod und dad Mädchen'", pp. 143–172), Peter Gülke (on String Quintet D 956, pp. 173–186), Paul Badura-Skoda (on Schubert's 'Great' C major Symphony, pp. 187–208), Robert Winter ("Paper Studies and the Future of Schubert Research", pp. 209–276), Eva Badura-Skoda ("The Chronology of Schubert's Piano Trios", pp. 277–296), Reinhard Van Hoorickx ("The Chronology of Schubert's Fragments and Sketches", pp. 297–326), Arnold Feil ("Rhythm in Schubert", pp. 327–346) and Alexander Weinmann (on Leopold Puschl and Schubert's sojourn in Zseliz, pp. 347–356). Cambridge University Press. ISBN 0521088720.
- Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
- Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
- Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
- Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
- Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
- Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
- Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
- Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Belgian Musicological Society. 25 (1): 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
- Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Belgian Musicological Society. 28–30: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.
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