List of compositions by Franz Schubert (1813)

Franz Schubert's compositions of 1813 are mostly in the Deutsch catalogue (D) range D 37A–91,[1] and include:

Lists of
Compositions by
Franz Schubert
By genre
Publications

Table

Legend
Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl		 Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List
Compositions by Franz Schubert listed in the Deutsch catalogue for 1813
D
'51		 D
utd		 Op.
pbl		 AGA NSA Name Key / incipit Date Additional info
967 37A VII/2, 4 Anh.
VIII, 2 No. 13		 Fugue sketches, D 37A 1813? For piano
38 38 (1892) XIX
No. 20		 III, 4 No. 1 Totengräberlied, D 38 Grabe, Spaden, grabe! 1813? Text by Hölty (other setting: D 44); For ttb
39 39 (1969) IV, 6
Anh No. 2		 Lebenstraum Ich saß an einer Tempelhalle early 1810? Text by Baumberg; Sketch; Music related to D 1A
39A VI, 9 Three Minuets with Trios, D 39A 1813 For orchestra; Lost
41 41 (1889) XII
No. 30		 VII/2, 6 Thirty Minuets with Trios, D 41 Various keys 1813 For piano; Nos. 1–8, 11–18 and 20–23 are extant
41A VII/2, 4 Anh. Fugue, D 41A E minor 1813 For piano; Fragment
42 42 (1895)
(1969)		 XX, 10
No. 570		 IV, 6 No. 5 Anh. No. 3 Aria di Timante Misero pargoletto 1813? Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments
43 43 (1897) XXI, 4
No. 43		 III, 4 No. 2
VIII, 2 No. 34		 Sprüche des Confucius, D 43 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 69 and 70); For ttb
44 44 (1894) XX, 1
No. 7		 IV, 6
No. 6		 Totengräberlied, D 44 Grabe, Spaden, grabe! 19/1/1813 Text by Hölty (other setting: D 38)
45 45 (1888) XIV No. 21 I, 5 Kyrie, D 45 B♭ major
Kyrie		 1/3/1813 Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB
46 46 (1890) V No. 4 VI, 3 No. 6 String Quartet No. 4 C major 3/3/1813–
7/3/1813		 Adagio – Andante con moto – Minuet – Finale
47 47 (1974) III, 2b
Anh. No. 1		 Dithyrambe, D 47 Nimmer, das glaubt mir, erscheinen die Götter 29/3/1813 Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment
48 48 (1871)
(1888)		 IX, 3
No. 32		 VII/1, 1
No. 3		 Fantasy, D 48, a.k.a. Grand Sonata C minor April 1813–
10/6/1813		 For piano duet; AGA includes concluding fugue
49 49 (1888) XIV No. 15 I, 5 Kyrie, D 49 D minor
Kyrie		 early April
1813–
15/4/1813		 Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass
50 50 (1894) XX, 1
No. 8		 IV, 6
No. 7		 Die Schatten Freunde, deren Grüfte sich schon bemoosten! 12/4/1813 Text by Matthisson
51 51 (1897) XXI, 4
No. 37		 III, 4 No. 3 Unendliche Freude, D 51 Unendliche Freude durchwallet das Herz 15/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb
52 52 (1868) XX, 1
No. 9		 IV, 2b No. 8 Sehnsucht, D 52 Ach, aus dieses Tales Gründen 15/4/1813–
17/4/1813		 Text by Schiller (other setting: D 636); For b and piano
53 53 (1892) XIX
No. 9		 III, 4 No. 4 Vorüber die stöhnende Klage Vorüber die stöhnende Klage! 18/4/1813 Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb
54 54 (1873) XIX
No. 22		 III, 4 No. 5
VIII, 2 No. 17		 Unendliche Freude, D 54 Unendliche Freude durchwallet das Herz 19/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices
55 55 (1892) XIX
No. 12		 III, 4 No. 6 Selig durch die Liebe Selig durch die Liebe Götter 21/4/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb
56 56 (1892) XIX
No. 29		 I, 5
VIII, 2 No. 18		 Sanctus, D 56 B♭ major
Sanctus		 21/4/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions
57 57 (1897) XXI, 4
No. 38		 III, 4 No. 7 Hier strecket der wallende Pilger Hier strecket der wallende Pilger 29/4/1813 Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb
58 58 (1892) XIX
No. 10		 III, 4 No. 8 Dessen Fahne Donnerstürme wallte Dessen Fahne Donnerstürme wallte May 1813 Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb
59 59 (1832) XX, 1
No. 10		 IV, 6
No. 8		 Verklärung Lebensfunke, vom Himmel entglüht 4/5/1813 Text by Herder after Pope's "The dying Christian to his soul"
60 60 (1892) XIX
No. 11		 III, 4 No. 16 Hier umarmen sich getreue Gatten Hier umarmen sich getreue Gatten 3/10/1813 Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb
61 61 (1897) XXI, 4
No. 39		 III, 4 No. 9
VIII, 2 No. 19		 Ein jugendlicher Maienschwung Ein jugendlicher Maienschwung 8/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices
62 62 (1897) XXI, 4
No. 40		 III, 4 No. 10
VIII, 2 No. 35		 Thronend auf erhabnem Sitz Thronend auf erhabnem Sitz 9/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A
63 63 (1892) XIX
No. 13		 III, 4 No. 11 Wer die steile Sternenbahn Wer die steile Sternenbahn 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb
64 64 (1897) XXI, 4
No. 41		 III, 4 No. 12
VIII, 2 No. 36		 Majestät'sche Sonnenroße Majestät'sche Sonnenroße 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb
65 65 (1892) XIX
Anh. I, No. 35		 III, 4
Anh. II No. 1
VIII, 2 No. 20		 Schmerz verzerret ihr Gesicht Schmerz verzerret ihr Gesicht 11/5/1813 Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch
66 66 (1888) XIV No. 16 I, 5 Kyrie, D 66 F major
Kyrie		 12/5/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra
67 67 (1897) XXI, 4
No. 42		 III, 4 No. 13 Frisch atmet des Morgens lebendiger Hauch Frisch atmet des Morgens lebendiger Hauch 15/5/1813 Text by Schiller (other setting: D 402); For ttb
68 68 (1890) V No. 5 VI, 3 No. 7 String Quartet No. 5 B♭ major 8/6/1813–
18/8/1813		 Allegro maestoso – Allegro; Middle movements missing
69 69 (1892) XIX
No. 23		 III, 4 No. 14
VIII, 2 No. 21		 Sprüche des Confucius, D 69 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 70); Canon for three voices
70 70 (1974) III, 4
Anh. I No. 1
VIII, 2 No. 33		 Sprüche des Confucius, D 70 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 69); For ttb; Fragment
71 71 (1892) XIX
No. 14		 III, 4
No. 15		 Die zwei Tugendwege Zwei sind der Wege 15/7/1813 Text by Schiller; For ttb
71A (1956) I, 8
VIII, 2 No. 22		 Alleluja, D 71A F major July 1813? Canon for three voices
71B VII/2, 4 Anh.
VIII, 2 No. 14		 Fugue, D 71B E minor July 1813 For piano; Fragment
966A 71C V, 6 No. 5 Orchestral piece, D 71C D major Aug. or
Sep. 1813		 Fragment; First pages, a.k.a. D 74A, based on D 74
72 72 (1889)
(1890)		 III No. 2
XXII v1		 VI, 1 No. 1
& Anh.		 Wind Octet F major completed
18/8/1813		 Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?
73 73 (1868) XX, 1
No. 11		 IV, 4 Thekla: Eine Geisterstimme, D 73 Wo ich sei, und wo mich hingewendet 22/8/1813–
23/8/1813		 Text by Schiller (other setting: D 595)
74 74 (1890) V No. 6 VI, 4 No. 8 String Quartet No. 6 D major 22/8/1813–
Sep. 1813		 Allegro ma non troppo – Andante – Minuet – Allegro
966A 74A V, 6 No. 4 Orchestral piece, D 74A D major Aug. or
Sep. 1813		 Fragment; Variant D number for first pages of D 71C
75 75 (1850) XVI
No. 16		 III, 3 No. 18 Trinklied, D 75 Freunde, sammelt euch im Kreise 29/08/1813 Text by Schäffer; For bTTB and piano
76 76 (1871)
(1969)		 XX, 10
No. 571		 IV, 6 No. 9 Anh. No. 4 Aria di Fronimo Pensa, che questo istante 7 and 13
Sep. 1813		 Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA)
77
111		 77 (1831)
(1894)		 XX, 1
No. 12		 IV, 6
No. 10		 Der Taucher Wer wagt es, Rittersmann oder Knapp 17/9/1813–
early 1815		 Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111
78 78 (1895) XX, 10
No. 572		 IV, 6 No. 11 Aria di Venere Son fra l'onde 18/9/1813 Text by Metastasio, from Gli orti esperdi, I; For s and piano
79 79 (1889) III No. 3 VI, 1 No. 2 Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer E♭ minor 19/9/1813 Grave con espressione
80 80 (1892) XIX
No. 4		 III, 3 No. 2
Anh. III No. 1
Anh. IV No. 1		 Zur Namensfeier meines Vaters Ertöne Leier zur Festesfeier! 27/9/1813 Text by Schubert; For ttb and guitar
81 81 (1895) XX, 10
No. 583		 IV, 14 Auf den Sieg der Deutschen Verschwunden sind die Schmerzen fall 1813 Text by Schubert? (other setting: D 88); For voice, two violins and cello
82 82 (1884) I, 1
No. 1		 V, 1 No. 1 Symphony No. 1 D major completed
28/10/1813		 Adagio, Allegro vivace – Andante – Minuet – Allegro vivace
83 83 (1895) XX, 10
No. 582		 IV, 14 Zur Namensfeier des Herrn Andreas Siller Des Phöbus Strahlen 28/10/1813–
4/11/1813		 For voice, violin and harp
84 84 (1888) XV, 1
No. 1		 II, 1 Des Teufels Lustschloß (Singspiel in three acts) 30/10/1813–
22/10/1814		 Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A
86 86 (1886) II
No. 10		 VI, 4
Anh. No. 1
VI, 9		 Minuet, D 86 D major November
1813?		 For string quartet
87 87 125p,1
(1840)		 V
No. 10		 VI, 4 No. 9 String Quartet No. 10 E♭ major November
1813		 Allegro più moderato – Scherzo – Adagio – Allegro
87A VI, 4
Anh. No. 2		 Andante, D 87A C major November
1813		 For four voices (string quartet or vocal ensemble?); Fragment
88 88 (1892) XIX
No. 21		 III, 4 No. 17
VIII, 2 No. 23		 Verschwunden sind die Schmerzen Verschwunden sind die Schmerzen 15/11/1813 Text by Schubert? (other setting: D 88); Canon for ttb
89
90		 89 (1886) II No. 8
and No. 9		 VI, 9 Five Minuets and Five German Dances Various keys 19/11/1813 For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda
91 91 (1956) VII/2, 6 Two Minuets, D 91 Various keys 22/11/1813 For piano; Each minuet with two Trios

References
  1. Deutsch 1978, pp. 30–69.
  2. Deutsch 1951.
  3. NSA website.
  4. AGA 1884–1897.
  5. NSA scores.
  6. Reed 1997.
  7. LiederNet Archive.

Sources

Multi-volume editions, websites and catalogues

Other

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