Prince Poppycock

John Andrew Quale is an American singer, songwriter, and performer best known by the stage name and persona of Prince Poppycock. Quale, who specializes in musical theater and opera, describes Prince Poppycock on his website as a "roguish operatic dandy."[1][2][3][4]

Prince Poppycock
Prince Poppycock
Poppycock, at the America's Got Talent Tour stop in Greensboro, North Carolina (November 2010)
Background information
Birth nameJohn Andrew Quale
Also known asPrince Poppycock
Born (1978-05-24) May 24, 1978
OriginGreat Falls, Virginia, U.S.
GenresMusical theater, opera, pop, rock
Occupation(s)Singer, songwriter, performer
InstrumentsVocals, piano
Years active1980s–present
Websitewww.princepoppycock.com

Poppycock came to national attention in 2010 when he competed on the fifth season of America's Got Talent.[5] On September 15, 2010, he was voted fourth place in the final four.

Early life and career

Quale was raised on a horse farm in Great Falls, Virginia.[6] As a child, he sang "incessantly" and was a member of several children's choirs. His first public performance was at age 11 at Kennedy Center in the Children's Choir of the Washington National Opera.[7] In his teenage years, Quale developed a love for writing music and became "enamored" with David Bowie, Depeche Mode, opera, madrigals, Gregorian chant, the Smiths and Gilbert and Sullivan. He also began recording his own music.[4] While in high school, he spent several summers at Interlochen Arts Camp, a competitive performing arts program of the Interlochen Center for the Arts.[4][6] His "flair for theater and arts made his teen years particularly tough," and bullying led him to drop out of high school in his junior year. Quale has since earned a GED.[6] Quale performed and toured with musicals and choirs throughout high school and college.[7] In December 2001, Quale joined Chicago synth-pop band Endora as lead singer and songwriter.[4][7][8] Quale moved to Los Angeles around 2005 and studied musical theatre at the Beverly Hills Playhouse.[7] Quale wrote and released a solo album, Worldview,[4][9] and was one of several young gay performing artists profiled in Brian Gleason's documentary Rise Up and Shout!.[3][10]

Quale played the role of Jesus in the musical The Beastly Bombing, which won the LA Weekly Theater Award for Best Musical and enjoyed two short runs Off Broadway in NYC.[2][4] He also performed and entertained at La Belle Epoque, with Ann Magnuson at Redcat,[11] and has opened for The Dresden Dolls,[11] Club Dandy, Wig Out, Dirty Deeds[11] and Jer Ber Jones.[7] Quale has studied voice for several years with Derek Graydon.[7] Additionally, Quale has been collaborating with Kristian Hoffman, songwriter for The Mumps and Klaus Nomi, on a rock album entitled The Solipsist's Soliloquy.[11]

Recently, John showed his support for the Trevor Project, a nationwide non-profit organization focused on suicide prevention efforts among lesbian, gay, bisexual, transgender and questioning (LGBTQ) youth, through his "It Gets Better" video.[12]

Quale developed the Prince Poppycock character, an opera singer who performs in the elaborate dress of a baroque dandy, in 2006 so he could perform in a Los Angeles nightclub show.[6][13] Quale was studying opera and had completed learning the Figaro baritone aria "Largo al factotum" from The Barber of Seville. A friend asked Quale to perform but stipulated he must wear a wig; he decided to perform as a "powdered-wigged baroque dandy, and highlight how the song was about being a fabulous hairdresser".[4]

Poppycock "is my mask," says Quale in People Magazine. "Give a man a mask and he will tell you the truth, in the style of Commedia dell'arte."[14] The New York Post noted Poppycock embodies the sensibility of "humor, irony and sarcasm".[15] He wears elaborate costuming and "dresses as if he stepped out of a French Baroque painting (pantaloons, powdered wig and pasty makeup)."[5] The New York Post called him "a towering, powder-faced concoction of glam-rock, synth-pop and light opera wrapped up in flamboyant period costumes."[6] His face is matted with whiteface (or white clown) a symbol of the highest status in the clown hierarchy and the oldest of modern clown archetypes.

Prince Poppycock performing at Gay Pride in West Hollywood in 2011

At first his mother was concerned for her openly gay son's new outrageous persona but now she "couldn't be more pleased".[6] On Halloween, October 31, 2010, Prince Poppycock was crowned the honorary Mayor of West Hollywood for the Creative City's annual Halloween Carnaval.[16]

America's Got Talent

In summer 2010, Quale auditioned and became one of the top four finalists on NBC's reality television talent show series America's Got Talent that features singers, dancers, magicians, comedians and other performers of all ages competing for the advertised top prize of US $1 million, and a show as the headliner on the Las Vegas Strip. The Tampa Tribune called him "one of the most unusual contestants in the show's history".[5] They noted he's been called "a male Lady Gaga" and "the Adam Lambert of America's Got Talent", and that he "may be the most innovative act since Pee-wee Herman".[5]

For the New York City auditions (June 8) he performed a modified—to fit the 90 second timeframe—and slightly personalized version of the Figaro aria ("Largo al factotum").[17][18] Sung at the first entrance of the title character, the repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing. Due to the fast tempo and tongue-twisting lines, the piece is often noted as one of the most difficult baritone arias to perform. In the pre-interview segment he noted the difficulty of the piece, as did the judges after the performance.

For the Las Vegas Week, Classical Singers performance (July 6) Quale's voice was compromised by illness but his overall performance of an abridged version of "La donna è mobile" ("Woman is fickle"), the cynical Duke of Mantua's canzone from Giuseppe Verdi's opera Rigoletto (1851), helped him advance to the Quarterfinals.[19] The canzone is famous as a showcase for tenors. Quale could be seen struggling to hit the highest notes and was visibly upset that he could not be in better health.

For Week 4 of the quarterfinals (August 3) he performed "Vesti la giubba" ("Put on the costume"), a famous tenor aria from the opera Pagliacci by Ruggero Leoncavallo, and first performed in 1892.[20][21] The aria exemplifies the entire notion of the 'tragic clown': smiling on the outside but crying on the inside. Quale was costumed by Steve LaNasa as a clown with a tear after he took off a large wrapped costuming, the costume was later lit up from inside with several hundred color-changing LEDs.

For Round 1 of the semifinals (August 24) Quale performed a modified version "Bohemian Rhapsody", a song by the British rock band Queen, written by Freddie Mercury for the album A Night at the Opera (1975).[5][22] The song has no chorus, instead consisting of three main parts—a ballad segment ending with a guitar solo, an operatic passage, and a heavy rock section.[23][24][25]

For the Top 10 show (September 7) Quale did a medley of "The Star-Spangled Banner", "The Yankee Doodle Boy", and "The Stars And Stripes Forever". In the middle he quoted from the second sentence of the United States' "Declaration of Independence", a sweeping statement of individual human rights, "We hold these truths to be self-evident, that all men are created equal ..." While he spoke, images of American civil rights icons Abraham Lincoln, Susan B. Anthony, Harvey Milk, and Rosa Parks were shown as well as an image of Poppycock on a $3 bill.

Quale stated he planned to have a more emotionally connected performance for the Final 4 show, "I feel it's a strength that I have as a performer that hasn't really been showcased as much because I've been focused so much on spectacle [for America's Got Talent]. I'll still bring spectacle, but hopefully an emotionally resonant performance as well."[26] He performed "Nessun dorma" ("None shall sleep"), an aria from Giacomo Puccini's opera Turandot (1926). During the performance he was buzzed by judge Piers Morgan. He said, "I think you've blown it. ... You were guilty, I'm afraid, of that terrible crime that many contestants do at this stage, of taking yourself a little bit too seriously. And the whole point of Prince Poppycock is that you're great fun. You're a great showman. You make me smile. And you didn't make me smile tonight!"[27]

On the September 15, 2010 Finale, Poppycock opened the Finale Show with a duet with one of his favorite celebrities, singer and disco superstar Donna Summer. That night, he finished in fourth place. A day after the finale of America's Got Talent Poppycock made an appearance on The Tonight Show with Jay Leno in a segment called "The Ross Report" (with Ross Mathews) which he mentioned and posted pictures of on his Twitter page.[28] The top ten finalists performed in a 25-city tour of the US in October and November 2010.[29] He returned to AGT as a guest artist in August 2011.[30]

Performances
Episode Song(s) Original artist/composer
"New York City auditions" (June 8) "Largo al factotum" ("Make way for the factotum"), an aria from The Barber of Seville (1816) Gioachino Rossini
"Las Vegas Week, Classical Singers" (July 6) "La donna è mobile" ("Woman is fickle"), a canzone from Rigoletto (1851) Giuseppe Verdi
"Week 4" (August 3) "Vesti la giubba" ("Put on the costume"), an aria from Pagliacci (1892) Ruggero Leoncavallo
"Round 1" (August 24) "Bohemian Rhapsody" (1975), by British rock band Queen Freddie Mercury
"Top 10" (September 7) Medley of "The Star-Spangled Banner" (1814),
"The Yankee Doodle Boy" (1904),
and "Columbia, the Gem of the Ocean" (1843)
with an excerpt of the U.S. Declaration of Independence (1776)		 Francis Scott Key,[31]
George M. Cohan,
Thomas á Becket,[32][33]
Thomas Jefferson
"Top 4" (September 14) "Nessun dorma" ("None shall sleep"), an aria from Turandot (1926)

Buzzed by Piers Morgan

 Giacomo Puccini
"Finale" (September 15) Medley of Donna Summer's Last Dance (1978) and
No More Tears (Enough Is Enough) (1979)		 Paul Jabara,
Jabara and Bruce Roberts

Footnotes
  1. Prince Poppycock bio page for John Andrew Quale Archived August 19, 2010, at the Wayback Machine
  2. Ann Magnuson, Paper, February 2007.
  3. Roy Rogers Oldenkamp, "WeHo's Rise Up & Shout Debuts", WeHo News, August 9, 2007.
  4. "John Andrew Quale, homepage on MySpace". Myspace.com. 2013-11-26. Retrieved 2013-12-05.
  5. "Rock, roll with CMA Music Festival tonight", The Tampa Tribune, September 1, 2010.
  6. Sean Daly, "The battle of the high Cs: 'Talent's' Jackie hunts Quale" Archived 2012-10-20 at the Wayback Machine, The New York Post, September 4, 2010.
  7. Victoria George, "Cast/Creative biographies", The Ugly Beast, New York Theatre Festival, 2004-2010 National Music Theater Network, Inc.
  8. Endora band history, Endora's official site Endpop.com
  9. Available online
  10. "Rise Up & Shout! film preview", Honolulu Rainbow Film Festival Archived 2011-01-10 at the Wayback Machine, The Honolulu Gay & Lesbian Cultural Foundation, October 2008.
  11. Lenora Claire, "19: Prince Poppycock: Randy Dandy", Frontiers's "Hot 25 of 2007".
  12. "It Gets Better – Prince Poppycock – John Quale". YouTube. Retrieved 2013-12-05.
  13. Maria Sciullo, "Richland singer in close race on 'Talent'", Pittsburgh Post-Gazette, September 08, 2010.
  14. Cynthia Wang and Jessica Herndon, "Secrets of 'America's Got Talent' top 10", People, September 7, 2010. Archived September 10, 2010, at the Wayback Machine
  15. Deborah Starr Seibel, "‘Talent’ scare: The night the buzzers went dead backstage", New York Post, August 22, 2010.
  16. "Prince Poppycock's 'Whirlwind' Rise to Fame Leads to This: Mayor of Halloween".
  17. Isabelle Carreau, "'America's Got Talent' – 'Episode 503' Performances Recap", TV Squad, June 9, 2010.
  18. Len Melisurgo, "'America's Got Talent' recap: Frat boys who float in the air, and Jersey guys who can't sing", The Star-Ledger, June 9, 2010.
  19. Episode 511
  20. "Quarterfinals – Week 4 performances". America's Got Talent. Season 5. Episode 19. 2010-08-03.
  21. "Episode 519". Nbc.com. Retrieved 2013-12-05.
  22. Episode 527
  23. Whiteley 2006, p. 252.
  24. BBC 2004b.
  25. Whiteley 2006, p. 253.
  26. Derrick J. Lang, "Final 4 acts advance on 'America's Got Talent'", Associated Press, 9 September 2010. He was buzzed by Piers Morgan.
  27. "Prince Poppycock dissed during 'America's Got Talent' finals". USA Today. 2010-09-15. Retrieved 2010-10-01.
  28. "The Tonight Show with Jay Leno – The Ross Report – Video". NBC.com. Retrieved 2013-12-05.
  29. America’s Got Talent: Nationwide tour announced Archived May 30, 2011, at the Wayback Machine
  30. Parker, Lyndsey. "Prince Poppycock Spreads His Wings in ‘AGT’ Comeback Performance", Yahoo.com, August 24, 2011
  31. Key's poem was set to the tune of a popular British drinking song, written by John Stafford Smith
  32. Historical sources generally agree that during the autumn of 1843 an actor named David T. Shaw wanted a new patriotic song to sing at a benefit performance. He gained the assistance of a fellow performer, Thomas á Becket, who wrote the lyrics and melody for him. Evidently, Shaw published the song by his own name, but Becket was able to prove his authorship by means of his original handwritten composition. There remains some disagreement as to whether other versions of the song predated Becket's composition or followed it.
  33. Paul Holsinger, editor, War and American Popular Culture: A Historical Encyclopedia, Greenwood Publishing Group, 1999, p. 67

References
  • Corn, John (2005). Britain Since 1948. Folens Publishers. ISBN 1-84303-985-0.
  • Cunningham, Mark (October 1995). "An Invitation to the Opera". Sound on Sound. Retrieved 12 April 2010.
  • Ellis, Joseph. American Creation: Triumphs and Tragedies at the Founding of the Republic. New York: Knopf, 2007. ISBN 978-0-307-26369-8.
  • Lucas, Stephen E., "Justifying America: The Declaration of Independence as a Rhetorical Document," in Thomas W. Benson, ed., American Rhetoric: Context and Criticism (1989)
  • Partridge, Eric, Tom Dalzell, Terry Victor, The New Partridge Dictionary of Slang and Unconventional English: J–Z, Taylor & Francis, 2006, ISBN 0-415-25938-X, 9780415259385.
  • Peraino, Judith (2005). Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. University of California Press. ISBN 0-520-21587-7.
  • Whiteley, Sheila (2006). Queering the Popular Pitch. Routledge. ISBN 0-415-97805-X.
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