Isabella Clara Eugenia

Isabella Clara Eugenia (Spanish: Isabel Clara Eugenia; 12 August 1566 – 1 December 1633), sometimes referred to as Clara Isabella Eugenia, was sovereign of the Spanish Netherlands in the Low Countries and the north of modern France with her husband, Archduke Albert VII of Austria. Their reign is considered the Golden Age of the Spanish Netherlands. Isabella was one of the most powerful women in 16th- and 17th-century Europe.

Isabella Clara Eugenia
Portrait by Frans Pourbus the Younger
Sovereign of the Netherlands Duchess of Lothier, Brabant, Limburg, Luxemburg, and Guelders Margravine of Namur Countess Palatine of Burgundy Countess of Flanders, Artois, and Hainaut
Reign	6 May 1598 – 13 July 1621
Predecessor	Philip II
Successor	Philip IV
Co-monarch	Albert
Governor of the Habsburg Netherlands
Reign	13 July 1621 – 1 December 1633
Predecessor	Independent Sovereignty of the Netherlands
Successor	Ferdinand of Austria
Born	12 August 1566 Palacio de Valsaín, Segovia, Spain
Died	1 December 1633 (aged 67) Brussels, Brabant
Burial	Cathedral of St. Michael and St. Gudula
Spouse	Albert VII, Archduke of Austria ​ ​ (m. 1599; died 1621)​
House	Habsburg
Father	Philip II of Spain
Mother	Elisabeth of Valois
Religion	Roman Catholicism

Early life

Childhood

Infantas Isabella Clara Eugenia and Catalina Micaela

Isabella Clara Eugenia of Austria was born in the Palacio del bosque de Valsaín,[1] Segovia on 12 August 1566. She was the first surviving daughter of King Philip II of Spain and his third wife, Elisabeth of Valois.[2] Her father was reportedly overjoyed at her birth and declared himself to be happier on the occasion than he would have been at the birth of a son. He already had a male heir, Carlos, Prince of Asturias, but father and son had never developed a close rapport and frequently lived in conflict with one another.

Isabella was baptized by Juan Bautista Castaneo, apostolic nuncio, later Pope as Urban VII. Her godfather was her uncle John of Austria. She was named after her mother, the day of her birth, and the devotion to St. Eugenio, whose body her father had transferred the year before from Saint Dionysius of Paris to Toledo with her mother's help through her brother, the King of France.

A year later, Isabella's younger sister, Catherine Michelle, was born. Their parents were very close to their daughters, buying them jams, dolls, toys, and more. However, their mother miscarried a daughter in 1568 and died the same day.

Isabella and Catherine grew up beloved by her father and her stepmother, Anna of Austria, Philip's fourth wife. The sisters developed a close relationship. Their father ultimately fathered five children by Anna, all of whom died in early childhood except his heir, Philip. Although he could be ruthless in government, Philip II is frequently characterized as having been affectionate towards his daughters, there exist numerous letters which testify his deep attachment to them, each letter lovingly signed "Your good father".

Youth

Infanta Isabella Clara Eugenia in her youth, by Alonso Sánchez Coello, 1585

Isabella and Catherine were raised under the care of Margarita de Cardona, their stepmother's lady-in-waiting, and some of their mother's own ladies-in-waiting, such as Claude de Vineulx. Both sisters were described as intelligent and well aware of their high social status.

Isabella had a very good education. Her studies presumably included politics, mathematics, and the languages Dutch, French and Italian besides her native Spanish. Famous artist Sofonisba Anguissola, who served as court painter at the time, influenced the Infanta's artistic works. Isabella was the only person whom King Philip permitted to help him with his work, sorting his papers and translating Italian documents into the Spanish language for him.

Candidate to the French throne

Isabella Clara Eugenia's Coat of Arms as Infanta of Spain shows the Fluers-de-lis pf Burgundy.

After her maternal uncle, Henry III of France, was assassinated by the fanatical young monk Jacques Clément on 2 August 1589, Philip II claimed the French crown on Isabella's behalf despite France's Salic law, which forbade cognatic succession. At any rate, her mother had ceded any claim to the French crown with her marriage to the Spanish King. However, the Parlement de Paris, in power of the Catholic party, gave verdict that Isabella was "the legitimate sovereign" of France. The Huguenot leader, Henry III of Navarre, the actual heir by traditional French inheritance laws, ultimately made his claim to the throne, converted to Catholicism and was crowned in 1594.[3]

Marriage Proposals

Isabella and her dwarf, c. 1599[4]

As Infanta of Spain and Portugal, Isabella was quite eligible on the political marriage market, though she ended up marrying late for her time.

Engagement

At the age of two, Isabella was promised to marry her cousin Rudolf II, Holy Roman Emperor (18 July 1552 – 20 January 1612), son of her aunt Maria. However, Isabella had to wait for more than 20 years before the eccentric Rudolf declared that he had no intention of marrying anybody. Meanwhile, she served as her father's primary caretaker during the last three years of his life, when he was plagued by gout and frequent illness.

Marriage

Isabella Clara Eugenia and Archduke Albert

Philip decided to cede the Spanish Netherlands to Isabella on condition that she marry her cousin, Albert VII, Archduke of Austria. He was her former fiancé's younger brother the former Viceroy. They were to reign over the Netherlands jointly and be succeeded by their descendants according to the male-preference cognatic primogeniture but should a female succeed, she was required to marry the King of Spain or the person chosen by the King of Spain. It was stipulated that, should they have no children, the Netherlands would revert to the King of Spain upon the death of either spouse.[5]

As Albert was the Archbishop of Toledo, he had to be released from his religious commitments by Pope Clement VIII before the wedding could take place. Shortly before Philip II died on 13 September 1598, he resigned the thrones of the Netherlands in favor of Isabella and her fiancé. The Pope celebrated the union by procuration on 15 November at Ferrera. On 18 April 1599, 33-year-old Isabella married Albert in Valencia. They had three children who died at a very young age, in 1605, 1607 and 1609.

Habsburg Netherlands

Isabella Clara Eugenia's Coat of Arms as Sovereign of the Habsburg Netherlands

Beginning in 1601, the Archduke and Archduchess ruled the Habsburg Netherlands together. Their reign is a key period in the history of the Spanish Netherlands. After Albert's death, Isabella was appointed Governor of the Netherlands on the King of Spain's behalf. [6] She was succeeded as Governor by Cardinal-Infante Ferdinand of Austria, the third son of her half-brother in 1633.

Foreign Policy

The first half of Albert and Isabella's reign was dominated by war. After overtures to the United Provinces and to Queen Elizabeth I of England proved unsuccessful, the Habsburg policy in the Low Countries aimed at regaining the military initiative and isolating the Dutch Republic. The strategy was to force its opponents to the conference table and negotiate from a position of strength.

In pursuit of that goal and to get their political agenda to all Flemish social classes, Albert and Isabella used the most diverse media. The visual arts, with the baroque popularized in the wake of the Counter-Reformation, was the perfect tool. This, coupled with the political configuration of the period, made the Archdukes' Court at Brussels one of the foremost political and artistic centers in Europe of that time.[7] It became the testing ground for the Spanish Monarchy's European plans, a boiling pot full of people of all sorts: from artists and diplomats to defectors, spies and penitent traitors, from Spanish confessors, Italian counselors, Burgundian functionaries, English musicians, German bodyguards to the Belgian Nobles. Brussels became a vital link in the chain of Habsburg Courts and the diplomatic conduits between Madrid, Vienna, Paris, London, Lisbon, Graz, Innsbruck, Prague and The Hague could be said to run through there.

The accession of James VI of Scotland as James I in England had paved the way for a separate peace with England. On 24 July 1604, England, Spain and the Archducal Netherlands signed the Treaty of London. The return to peace was severely hampered by differences over religion. Events such as the Gunpowder Plot caused a lot of diplomatic tension between London and Brussels, but the relations between the two courts tended to be cordial on the whole. Anne of Denmark wore her portrait in a locket as a public token of friendship and kinship.[8]

The threat of diplomatic isolation and General Ambrogio Spínola's campaigns induced the Dutch Republic to accept a ceasefire in April 1609. The subsequent negotiations between the warring parties failed to produce a peace treaty, but lead to the Twelve Years' Truce in Antwerp on 9 April 1609. Under the Truce's terms, the United Provinces were to be regarded as a sovereign power for the duration of the truce. After four decades of war, the treaty brought a period of much-needed peace of the Southern Netherlands.

Economy

Jeton with portraits of Albert VII, Archduke of Austria and Infanta Isabella of Spain, struck in Antwerp 1612.

The period of the Truce brought the Habsburg Netherlands a much-needed peace, mainly because the fields could be again worked in safety. The archducal regime encouraged the reclaiming of land that had been inundated in the course of the hostilities and sponsored the impoldering of De Moeren, a marshy area that is presently astride the Belgian–French border. The recovery of agriculture led in turn to a modest increase of the population (and thus workers) after decades of demographic losses. Industry and in particular the luxury trades likewise underwent a recovery, bringing considerable economical stability and prosperity to the Southern Netherlands.[9]

However, international trade was hampered by the closure of the river Scheldt. The archducal regime had plans to bypass the blockade with a system of canals linking Ostend via Bruges to the Scheldt in Ghent and joining the Meuse to the Rhine between Venlo and Rheinberg. In order to combat urban poverty, the government supported the creation of a network of Monti di Pietà based on the Italian model.

Religion

Engraving of Isabella Clara Eugenia dressed as a nun.

The archducal regime ensured the triumph of the Catholic Reformation in the Habsburg Netherlands. Most Protestants had by that stage left the Southern Netherlands. After one last execution in 1597, those that remained were no longer actively persecuted. Under the terms of legislation passed in 1609, their presence was tolerated, provided they did not worship in public or engage in religious. The resolutions of the Third Provincial Council of Mechlin of 1607 were likewise given official sanction.

Through such measures and by the appointment of a generation of committed bishops, Albert and Isabella laid the foundation of the catholic confessionalisation of the population. In the process of recatholisation, new and reformed religious orders enjoyed the particular support of the rulers. Even though the Archduke had certain reservations about the order, the Jesuits received the largest cash grants, allowing them to complete their ambitious building programmes in Brussels and Antwerp. The Capuchins were given considerable sums as well. The foundation of the first convents of Discalced Carmelites in the Southern Netherlands depended wholly on the personal initiative of the archducal couple and bore witness to the Spanish orientation of their spirituality.

Legislative System

The reign of Albert and Isabella Clara Eugenia saw a strengthening of princely power in the Habsburg Netherlands. The States General of the loyal provinces were only summoned once in 1600. Thereafter, the government preferred to deal directly with the provinces.

The years of the Truce allowed the archducal regime to promulgate legislation on a whole range of matters. The so-called Eternal Edict of 1611, for instance, reformed the judicial system and ushered in the transition from customary to written law. Other measures dealt with monetary matters, the nobility, duels, gambling, etc.

Relationship with Spain

The actions of the two rulers stimulated the growth of a separate South Netherlandish identity.[10] However, Albert and Isabella's children died a very young age and as the years passed, it became clear that they would have no more offspring and thus independence wouldn't be possible.

Since then, Albert and Isabella's goal became the reincorporation of the Southern Provinces into the Spanish monarchy. They consolidated the authority of the House of Habsburg over the territory of the Southern Netherlands and largely succeeded in reconciling previous anti-Spanish sentiments.[11] As a result, the States of the loyal provinces swore to accept the King as heir of the Archduke and Archduchess in a number of ceremonies between May 1616 and January 1617.

As the Spanish King's Governor since 1621, the older, widowed Isabella alternated successes, such as that of the Capture of Breda in 1625, with failures and setbacks, such as the losses of 's-Hertogenbosch in 1625 and Maastricht in 1632.

Patronage of Arts

Court of Brussels

Albert and Isabella visiting a private art gallery.[12]

Isabella and Albert stimulated the growth of this artistic movement, which resulted in the creation of the Flemish Baroque painting. Their patronage of such artists and architects as Peter Paul Rubens (their court painter since 1609), Wenceslas Cobergher, Jacob Franquart, Pieter Brueghel the Younger, the De Nole family, the Van Veens and many others made the Court of Brussels one of the foremost artistic centers in Europe of that time.[13]

However, virtually nothing remains of Albert and Isabella's palace on the Koudenberg in Brussels, their summer retreat in Mariemont or their hunting lodge in Tervuren. Their once magnificent collections were scattered after 1633 and considerable parts of them have been lost. Still, the Archdukes enjoy a well merited reputation as patrons of the arts. By far, the best preserved ensemble of art from the archducal period is to be found at Scherpenheuvel, where Albert and Isabella directed Cobergher, and Theodoor van Loon and the de Noles to create a pilgrimage church in a planned city.

Descalzas Reales

Portrait of Isabella Clara Eugenia as a nun, 1625

Isabella joined the Secular Franciscan Order and became a nun.[14] She was of great importance to the Convent of Las Descalzas Reales, where she lived with her mother-in-law Maria. Isabella gifted major artworks to the convent, including a famous series of Brussels tapestries. This famous cycle was designed by Rubens and depicts Isabella as patron saint Clare of Assisi with Monstrance.[15]

Rumors

A false anecdote links Isabella, the siege of Ostend, and the horse coat colour isabelline.

In popular culture

• Isabella Clara Eugenia is a minor character in the alternate history 1632 series. She is more notable in the novel, 1634: The Bavarian Crisis. She lives several years longer than in actual history.
• In the 2002 alternate history novel Ruled Britannia by Harry Turtledove, where the Armada has been successful, Isabella Clara Eugenia has been made Queen of England while the deposed Elizabeth I is imprisoned in the Tower of London.
• In the 2007 film Elizabeth: The Golden Age, Isabella appeared in a minor role at the side of her father, Philip II of Spain, at the time of the attempted invasion of England by the Spanish Armada in 1588. The movie portrays Isabella as Philip's choice to replace Elizabeth on the throne of England. She was portrayed by actress Aimee King as a young girl rather than as the correct age of nineteen years.

Ancestry

Ancestors of Isabella Clara Eugenia

16. Maximilian I, Holy Roman Emperor 8. Philip I, King of Castile 17. Mary, Duchess of Burgundy 4. Charles V, Holy Roman Emperor 18. Ferdinand II, King of Aragon (=22) 9. Joanna, Queen of Castile 19. Isabella I, Queen of Castile (=23) 2. Philip II, King of Spain 20. Ferdinand, Duke of Viseu 10. Manuel I, King of Portugal 21. Beatrice of Portugal 5. Isabella of Portugal 22. Ferdinand II, King of Aragon (=18) 11. Maria of Aragon 23. Isabella I, Queen of Castile (=19) 1. Isabella Clara Eugenia 24. Charles, Count of Angoulême 12. Francis I, King of France 25. Louise of Savoy 6. Henry II, King of France 26. Louis XII, King of France 13. Claude, Duchess of Brittany 27. Anne, Duchess of Brittany 3. Elisabeth of Valois 28. Piero di Lorenzo de' Medici 14. Lorenzo II de' Medici, Duke of Urbino 29. Alfonsina Orsini 7. Catherine de' Medici 30. John III, Count of Auvergne 15. Madeleine de la Tour d'Auvergne 31. Joanna of Bourbon-Vendôme

References

1. "Isabel Clara Eugenia tenía años cuando llegó a la casa Thair Julia". Arte Rural (in Spanish). 2014-11-26. Retrieved 2018-06-05.
2. "Frans Pourbus the Younger (Antwerp 1569 – Paris 1622) – The Infanta Isabella Clara Eugenia (1566–1633), Archduchess of Austria". www.royalcollection.org.uk. Retrieved 2018-06-05.
3. "Notes and Queries, Volume s11-VI, Issue 145". October 5, 1912. p. 272. Missing or empty |url= (help)
4. Royal Collection.
5. "Isabella Clara Eugenia, archduchess of Austria | archduchess of Austria". Encyclopedia Britannica. Retrieved 2018-06-05.
6. "Notes and Queries, Volume s11-VI, Issue 149". November 2, 1912. p. 351. Missing or empty |url= (help)
7. Mangsen, S. (2007-05-01). "Biagio Marini, Sonate Sinfonie: Canzoni, Passemezzi, Balletti, Correnti, Gagliarde, & Ritornelli, a 1, 2, 3, 4, 5 & 6 voci per ogni sorte di stromento, Opera VIII, ed. Maura Zoni". Music and Letters. 88 (2): 391–395. doi:10.1093/ml/gcl154. ISSN 0027-4224.
8. Jemma Field, Anna of Denmark: The Material and Visual Culture of the Stuart Courts (Manchester, 2020), p. 141.
9. "Albert VII | archduke of Austria". Encyclopedia Britannica. Retrieved 2018-06-05.
10. "Albert VII | archduke of Austria". Encyclopedia Britannica. Retrieved 2018-06-05.
11. "Archduchess Isabella Clara Eugenia (1566–1633) -..." www.findagrave.com. Retrieved 2018-06-05.
12. "The Archdukes Albert and Isabella Visiting a Collector's Cabinet". The Walters Art Museum.
13. Mangsen, S. (2007-05-01). "Biagio Marini, Sonate Sinfonie: Canzoni, Passemezzi, Balletti, Correnti, Gagliarde, & Ritornelli, a 1, 2, 3, 4, 5 & 6 voci per ogni sorte di stromento, Opera VIII, ed. Maura Zoni". Music and Letters. 88 (2): 391–395. doi:10.1093/ml/gcl154. ISSN 0027-4224.
14. "Notes and Queries, Volume s11-VI, Issue 149". November 2, 1912. p. 351. Missing or empty |url= (help)
15. Prieto, Elisabeth García (2014-12-01). "Antes de Flandes. La correspondencia de Isabel Clara Eugenia con Felipe III desde las Descalzas Reales en el otoño de 1598". Chronica Nova. Revista de Historia Moderna de la Universidad de Granada (in Spanish). 0 (40): 327–349. doi:10.30827/cn.v0i40.2562 (inactive 2021-01-15). ISSN 2445-1908.CS1 maint: DOI inactive as of January 2021 (link)

Bibliography

• Cordula Van Wyhe (ed.), Isabel Clara Eugenia: Female Sovereignty in the Courts of Madrid and Brussels (Madrid and London, 2011).
• Werner Thomas and Luc Duerloo (eds.), Albert & Isabella, 1598–1621: Essays (Turnhout, 1998).
• Marie de Villermont, L'Infante Isabelle, Gouvernante des Pays-Bas (Paris, 1912).